Songs like Keepin´ out of mischief now by Bengt Hallberg
Based on a tempo of (+/- 10%) and a similar genre
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Jessica Williams
Gratitude (take 2)
141 bpm • D# min • 04:08 • -15.09db
11% Popularity • 56% Danceability • 24% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
11% Popularity • 56% Danceability • 24% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
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Arne Domnérus Quartet
Barnatro
141 bpm • G Maj • 03:25 • -12.29db
1% Popularity • 64% Danceability • 21% Energy • 10% Liveness
68% Instrumentalness • 54% Positiveness
1% Popularity • 64% Danceability • 21% Energy • 10% Liveness
68% Instrumentalness • 54% Positiveness
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Julius Jacobsen
My old flame
141 bpm • C# Maj • 04:11 • -17.16db
0% Popularity • 20% Danceability • 5% Energy • 24% Liveness
58% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 5% Energy • 24% Liveness
58% Instrumentalness • 4% Positiveness
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Doug Raney
Mr. P.C.
142 bpm • C min • 05:33 • -10.36db
17% Popularity • 34% Danceability • 53% Energy • 20% Liveness
40% Instrumentalness • 70% Positiveness
17% Popularity • 34% Danceability • 53% Energy • 20% Liveness
40% Instrumentalness • 70% Positiveness
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Bruno Spoerri
Three Sisters
142 bpm • G min • 03:09 • -12.18db
17% Popularity • 60% Danceability • 27% Energy • 11% Liveness
6% Instrumentalness • 38% Positiveness
17% Popularity • 60% Danceability • 27% Energy • 11% Liveness
6% Instrumentalness • 38% Positiveness
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Lena Ericsson
Love Walked In
142 bpm • B Maj • 03:49 • -14.54db
0% Popularity • 58% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 58% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Baptiste Trotignon
Love Me Tender
142 bpm • C Maj • 03:21 • -22.6db
26% Popularity • 40% Danceability • 10% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
26% Popularity • 40% Danceability • 10% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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Arne Domnérus Quartet
Löftena kunna ej svika
142 bpm • G Maj • 02:47 • -16.01db
3% Popularity • 46% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 52% Positiveness
3% Popularity • 46% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 52% Positiveness
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TransferX
8feets
140 bpm • A# min • 01:12 • -16.15db
25% Popularity • 65% Danceability • 27% Energy • 8% Liveness
80% Instrumentalness • 53% Positiveness
25% Popularity • 65% Danceability • 27% Energy • 8% Liveness
80% Instrumentalness • 53% Positiveness
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DJ T0B1
Pretend
139 bpm • G# Maj • 01:23 • -16.75db
14% Popularity • 70% Danceability • 14% Energy • 10% Liveness
66% Instrumentalness • 50% Positiveness
14% Popularity • 70% Danceability • 14% Energy • 10% Liveness
66% Instrumentalness • 50% Positiveness
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Coffee Shop Jazz
Creamy Coffee Tunes
143 bpm • C Maj • 01:55 • -15.94db
11% Popularity • 66% Danceability • 16% Energy • 11% Liveness
11% Instrumentalness • 50% Positiveness
11% Popularity • 66% Danceability • 16% Energy • 11% Liveness
11% Instrumentalness • 50% Positiveness
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Gerry Mulligan Sextet
La Plus Que Lente
140 bpm • D# min • 03:29 • -15.44db
29% Popularity • 40% Danceability • 12% Energy • 10% Liveness
75% Instrumentalness • 23% Positiveness
29% Popularity • 40% Danceability • 12% Energy • 10% Liveness
75% Instrumentalness • 23% Positiveness
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Stanley Turrentine & The Three Sounds
Blue Riff - Remastered
143 bpm • F min • 06:26 • -13db
30% Popularity • 64% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 64% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Carli Tornehave
I Got Plenty O´nuttin´
139 bpm • C min • 02:53 • -14.45db
0% Popularity • 58% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 58% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Billy Taylor
It Happens All The Time
144 bpm • F min • 04:34 • -18db
18% Popularity • 44% Danceability • 23% Energy • 12% Liveness
91% Instrumentalness • 23% Positiveness
18% Popularity • 44% Danceability • 23% Energy • 12% Liveness
91% Instrumentalness • 23% Positiveness
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Thad Jones
Something To Remember You By - Remastere...
139 bpm • G# Maj • 03:53 • -14db
34% Popularity • 38% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 38% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Patrick Cabon
Drop Me off in Harlem
138 bpm • D min • 01:57 • -17.03db
13% Popularity • 60% Danceability • 30% Energy • 8% Liveness
90% Instrumentalness • 93% Positiveness
13% Popularity • 60% Danceability • 30% Energy • 8% Liveness
90% Instrumentalness • 93% Positiveness
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Bengt Hallberg
Too Late Now
138 bpm • C Maj • 04:09 • -17.65db
5% Popularity • 54% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 21% Positiveness
5% Popularity • 54% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 21% Positiveness
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Slam Stewart
Laff, Slam, Laff
144 bpm • A# min • 02:59 • -16db
9% Popularity • 67% Danceability • 18% Energy • 16% Liveness
53% Instrumentalness • 69% Positiveness
9% Popularity • 67% Danceability • 18% Energy • 16% Liveness
53% Instrumentalness • 69% Positiveness
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Lena Ericsson
Changin' My Tune
144 bpm • G min • 03:59 • -12.89db
0% Popularity • 60% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 60% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Lars Gullin
Summertime
138 bpm • A# min • 05:23 • -12db
15% Popularity • 45% Danceability • 19% Energy • 23% Liveness
45% Instrumentalness • 18% Positiveness
15% Popularity • 45% Danceability • 19% Energy • 23% Liveness
45% Instrumentalness • 18% Positiveness
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Julius Jacobsen
Living from Day-to-Day
138 bpm • F Maj • 04:38 • -14.22db
0% Popularity • 28% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
0% Popularity • 28% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
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Doc Cheatham
Under the Moonlight Starlight Blue
138 bpm • A# Maj • 05:59 • -28.3db
17% Popularity • 48% Danceability • 3% Energy • 15% Liveness
80% Instrumentalness • 14% Positiveness
17% Popularity • 48% Danceability • 3% Energy • 15% Liveness
80% Instrumentalness • 14% Positiveness
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Urbie Green
With the Wind and the Rain in Your Hair
138 bpm • F Maj • 03:11 • -13.65db
13% Popularity • 50% Danceability • 19% Energy • 13% Liveness
62% Instrumentalness • 40% Positiveness
13% Popularity • 50% Danceability • 19% Energy • 13% Liveness
62% Instrumentalness • 40% Positiveness
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Bengt Hallberg
Te' Dans Mä Karlsta´tösera
137 bpm • D# Maj • 02:50 • -18.61db
0% Popularity • 54% Danceability • 12% Energy • 5% Liveness
90% Instrumentalness • 33% Positiveness
0% Popularity • 54% Danceability • 12% Energy • 5% Liveness
90% Instrumentalness • 33% Positiveness
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Hampton Hawes Trio
Blues The Most
145 bpm • G min • 05:43 • -19.2db
28% Popularity • 55% Danceability • 20% Energy • 12% Liveness
80% Instrumentalness • 49% Positiveness
28% Popularity • 55% Danceability • 20% Energy • 12% Liveness
80% Instrumentalness • 49% Positiveness
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Lars Gullin
Ma
137 bpm • F# min • 05:47 • -17.01db
20% Popularity • 35% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
20% Popularity • 35% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
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Karin Krog
Stardust
145 bpm • D# Maj • 05:30 • -20.13db
0% Popularity • 49% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 49% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Julius Jacobsen
She´s funny that way
144 bpm • F min • 03:09 • -20.41db
0% Popularity • 32% Danceability • 16% Energy • 16% Liveness
89% Instrumentalness • 8% Positiveness
0% Popularity • 32% Danceability • 16% Energy • 16% Liveness
89% Instrumentalness • 8% Positiveness
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Max Brüel
Blues For Oscar
137 bpm • A# Maj • 05:48 • -15.18db
29% Popularity • 60% Danceability • 35% Energy • 66% Liveness
92% Instrumentalness • 48% Positiveness
29% Popularity • 60% Danceability • 35% Energy • 66% Liveness
92% Instrumentalness • 48% Positiveness
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Carla Bley
Ladies In Mercedes
137 bpm • D Maj • 05:41 • -23.36db
11% Popularity • 39% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 37% Positiveness
11% Popularity • 39% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 37% Positiveness
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Hampton Hawes Trio
I Got Rhythm
145 bpm • C min • 03:18 • -18db
41% Popularity • 49% Danceability • 38% Energy • 28% Liveness
87% Instrumentalness • 80% Positiveness
41% Popularity • 49% Danceability • 38% Energy • 28% Liveness
87% Instrumentalness • 80% Positiveness
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Chet Baker Quartet
All The Things You Are
137 bpm • G# Maj • 02:56 • -12.23db
43% Popularity • 60% Danceability • 41% Energy • 34% Liveness
92% Instrumentalness • 69% Positiveness
43% Popularity • 60% Danceability • 41% Energy • 34% Liveness
92% Instrumentalness • 69% Positiveness
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Karin Krog
Jeepers Creepers
137 bpm • G Maj • 02:35 • -17.43db
3% Popularity • 56% Danceability • 24% Energy • 11% Liveness
12% Instrumentalness • 81% Positiveness
3% Popularity • 56% Danceability • 24% Energy • 11% Liveness
12% Instrumentalness • 81% Positiveness
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Julius Jacobsen
Drop me off in Harlem
145 bpm • A# Maj • 03:15 • -14.72db
0% Popularity • 54% Danceability • 14% Energy • 10% Liveness
11% Instrumentalness • 38% Positiveness
0% Popularity • 54% Danceability • 14% Energy • 10% Liveness
11% Instrumentalness • 38% Positiveness
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Gerry Mulligan Quartet
Walkin' Shoes
137 bpm • D Maj • 03:13 • -12db
43% Popularity • 60% Danceability • 26% Energy • 11% Liveness
20% Instrumentalness • 46% Positiveness
43% Popularity • 60% Danceability • 26% Energy • 11% Liveness
20% Instrumentalness • 46% Positiveness
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Bud Powell Trio
Bud's Bubble - 1990 Remaster
137 bpm • F min • 02:36 • -19db
40% Popularity • 49% Danceability • 31% Energy • 14% Liveness
92% Instrumentalness • 90% Positiveness
40% Popularity • 49% Danceability • 31% Energy • 14% Liveness
92% Instrumentalness • 90% Positiveness
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Bengt Hallberg
The Touch Of Your Lips
137 bpm • A# min • 03:48 • -17.75db
2% Popularity • 67% Danceability • 23% Energy • 16% Liveness
69% Instrumentalness • 68% Positiveness
2% Popularity • 67% Danceability • 23% Energy • 16% Liveness
69% Instrumentalness • 68% Positiveness
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Hampton Hawes Trio
Carioca
136 bpm • C Maj • 02:24 • -19db
45% Popularity • 49% Danceability • 32% Energy • 9% Liveness
88% Instrumentalness • 82% Positiveness
45% Popularity • 49% Danceability • 32% Energy • 9% Liveness
88% Instrumentalness • 82% Positiveness
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Carli Tornehave
A Foggy Day
136 bpm • D# Maj • 04:30 • -14.51db
0% Popularity • 54% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 54% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Arne Domnérus Quartet
Blott en dag
136 bpm • D Maj • 05:47 • -16.71db
1% Popularity • 48% Danceability • 12% Energy • 9% Liveness
72% Instrumentalness • 11% Positiveness
1% Popularity • 48% Danceability • 12% Energy • 9% Liveness
72% Instrumentalness • 11% Positiveness
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Hank Jones Trio
Queen of Hearts
146 bpm • G# Maj • 03:58 • -26.88db
17% Popularity • 60% Danceability • 9% Energy • 8% Liveness
76% Instrumentalness • 65% Positiveness
17% Popularity • 60% Danceability • 9% Energy • 8% Liveness
76% Instrumentalness • 65% Positiveness
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Shelly Manne and His Men
Brief And Breezy
136 bpm • C min • 04:03 • -17.87db
13% Popularity • 58% Danceability • 19% Energy • 13% Liveness
1% Instrumentalness • 44% Positiveness
13% Popularity • 58% Danceability • 19% Energy • 13% Liveness
1% Instrumentalness • 44% Positiveness
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Nat Adderley
My Heart Stood Still
135 bpm • F Maj • 06:23 • -21.31db
19% Popularity • 58% Danceability • 11% Energy • 10% Liveness
44% Instrumentalness • 33% Positiveness
19% Popularity • 58% Danceability • 11% Energy • 10% Liveness
44% Instrumentalness • 33% Positiveness
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Snorre Kirk
Highway Scene
135 bpm • G min • 03:00 • -18.56db
16% Popularity • 70% Danceability • 20% Energy • 11% Liveness
70% Instrumentalness • 46% Positiveness
16% Popularity • 70% Danceability • 20% Energy • 11% Liveness
70% Instrumentalness • 46% Positiveness
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Carli Tornehave
Our Love is Here to Stay
136 bpm • C min • 03:16 • -15.47db
0% Popularity • 56% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 56% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Esbjörn Svensson Trio
I Walked Bud
135 bpm • F min • 06:40 • -18.49db
32% Popularity • 55% Danceability • 30% Energy • 9% Liveness
20% Instrumentalness • 47% Positiveness
32% Popularity • 55% Danceability • 30% Energy • 9% Liveness
20% Instrumentalness • 47% Positiveness
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Bobby Gordon
Ballin' The Jack
135 bpm • F Maj • 03:33 • -12.84db
20% Popularity • 58% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 58% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Red Garland Trio
Spring Will Be A Little Late This Year
147 bpm • C min • 05:42 • -14db
36% Popularity • 57% Danceability • 31% Energy • 9% Liveness
1% Instrumentalness • 45% Positiveness
36% Popularity • 57% Danceability • 31% Energy • 9% Liveness
1% Instrumentalness • 45% Positiveness
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Tommy Flanagan Trio
In The Blue Of The Evening
135 bpm • F Maj • 03:41 • -20db
52% Popularity • 48% Danceability • 24% Energy • 15% Liveness
90% Instrumentalness • 57% Positiveness
52% Popularity • 48% Danceability • 24% Energy • 15% Liveness
90% Instrumentalness • 57% Positiveness
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Julius Jacobsen
Fascinating rhythm
135 bpm • G min • 03:08 • -14.96db
0% Popularity • 56% Danceability • 26% Energy • 9% Liveness
96% Instrumentalness • 25% Positiveness
0% Popularity • 56% Danceability • 26% Energy • 9% Liveness
96% Instrumentalness • 25% Positiveness
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Bobby Timmons
The Sweetest Sounds
135 bpm • D min • 04:57 • -18.57db
26% Popularity • 47% Danceability • 26% Energy • 12% Liveness
87% Instrumentalness • 66% Positiveness
26% Popularity • 47% Danceability • 26% Energy • 12% Liveness
87% Instrumentalness • 66% Positiveness
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Chet Baker Quartet
Isn't It Romantic?
135 bpm • C min • 03:30 • -15.51db
41% Popularity • 65% Danceability • 19% Energy • 21% Liveness
96% Instrumentalness • 58% Positiveness
41% Popularity • 65% Danceability • 19% Energy • 21% Liveness
96% Instrumentalness • 58% Positiveness
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Scott LaFaro
Yesterdays
134 bpm • D Maj • 04:31 • -18.44db
10% Popularity • 50% Danceability • 37% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
10% Popularity • 50% Danceability • 37% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
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Wayne Shorter
Valse Triste - Rudy Van Gelder Edition/D...
148 bpm • F min • 07:43 • -9db
18% Popularity • 38% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 38% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Wycliffe Gordon
Dig This!!
148 bpm • G min • 06:00 • -12.88db
24% Popularity • 54% Danceability • 37% Energy • 10% Liveness
50% Instrumentalness • 61% Positiveness
24% Popularity • 54% Danceability • 37% Energy • 10% Liveness
50% Instrumentalness • 61% Positiveness
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Bill Charlap Trio
Spring Can Really Hang You Up The Most
148 bpm • D min • 07:54 • -25.34db
48% Popularity • 39% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
48% Popularity • 39% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
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Jay McShann
Blues and Sentimental
148 bpm • A# Maj • 06:27 • -19.19db
22% Popularity • 49% Danceability • 7% Energy • 11% Liveness
76% Instrumentalness • 36% Positiveness
22% Popularity • 49% Danceability • 7% Energy • 11% Liveness
76% Instrumentalness • 36% Positiveness
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Jacques Loussier
Aria
134 bpm • C Maj • 03:27 • -20.8db
16% Popularity • 52% Danceability • 12% Energy • 8% Liveness
82% Instrumentalness • 26% Positiveness
16% Popularity • 52% Danceability • 12% Energy • 8% Liveness
82% Instrumentalness • 26% Positiveness
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Carli Tornehave
They Can't Take That Away from Me
134 bpm • D# Maj • 03:03 • -13.76db
0% Popularity • 55% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 55% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Jacques Loussier Trio
Italian Concerto BWV 971 - Presto
149 bpm • C# Maj • 04:28 • -21.81db
10% Popularity • 44% Danceability • 26% Energy • 15% Liveness
67% Instrumentalness • 59% Positiveness
10% Popularity • 44% Danceability • 26% Energy • 15% Liveness
67% Instrumentalness • 59% Positiveness
► Preview
Toots Thielemans
Skylark
133 bpm • G# Maj • 02:02 • -11.96db
21% Popularity • 68% Danceability • 26% Energy • 14% Liveness
47% Instrumentalness • 63% Positiveness
21% Popularity • 68% Danceability • 26% Energy • 14% Liveness
47% Instrumentalness • 63% Positiveness
► Preview
Terry Wollman
Buckwheat Sample
149 bpm • G# Maj • 01:58 • -9.32db
21% Popularity • 66% Danceability • 29% Energy • 11% Liveness
88% Instrumentalness • 42% Positiveness
21% Popularity • 66% Danceability • 29% Energy • 11% Liveness
88% Instrumentalness • 42% Positiveness
► Preview
Arne Domnérus Quartet
Namnet Jesus
149 bpm • F Maj • 03:53 • -13.52db
1% Popularity • 66% Danceability • 33% Energy • 20% Liveness
89% Instrumentalness • 69% Positiveness
1% Popularity • 66% Danceability • 33% Energy • 20% Liveness
89% Instrumentalness • 69% Positiveness
► Preview
Jacques Loussier
Air (Orchestral Suite No. 3)
133 bpm • C Maj • 03:26 • -20.05db
10% Popularity • 51% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 25% Positiveness
10% Popularity • 51% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 25% Positiveness
► Preview
John Coltrane Quartet
It's Easy To Remember - Take 13
133 bpm • G# Maj • 02:41 • -12.78db
43% Popularity • 47% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 47% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Jazzagenturen
We'll meet again
133 bpm • C Maj • 05:15 • -8.84db
7% Popularity • 55% Danceability • 44% Energy • 16% Liveness
84% Instrumentalness • 51% Positiveness
7% Popularity • 55% Danceability • 44% Energy • 16% Liveness
84% Instrumentalness • 51% Positiveness
► Preview
Sonny Clark
Can't We Be Friends
133 bpm • D min • 04:18 • -16db
34% Popularity • 62% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 62% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Coffee Shop Jazz
Breakfast Jazz
133 bpm • F min • 02:10 • -13.03db
10% Popularity • 79% Danceability • 16% Energy • 9% Liveness
4% Instrumentalness • 38% Positiveness
10% Popularity • 79% Danceability • 16% Energy • 9% Liveness
4% Instrumentalness • 38% Positiveness
► Preview
Bent Axen
Ack Värmeland
133 bpm • D min • 01:47 • -12.29db
9% Popularity • 66% Danceability • 33% Energy • 12% Liveness
84% Instrumentalness • 43% Positiveness
9% Popularity • 66% Danceability • 33% Energy • 12% Liveness
84% Instrumentalness • 43% Positiveness
► Preview
Bobby Gordon
Gotta Be This Or That
133 bpm • F Maj • 04:59 • -13.5db
13% Popularity • 68% Danceability • 12% Energy • 14% Liveness
33% Instrumentalness • 46% Positiveness
13% Popularity • 68% Danceability • 12% Energy • 14% Liveness
33% Instrumentalness • 46% Positiveness
► Preview
Chet Baker Quartet
Bea's Flat
132 bpm • F min • 03:01 • -10.86db
40% Popularity • 70% Danceability • 50% Energy • 10% Liveness
89% Instrumentalness • 89% Positiveness
40% Popularity • 70% Danceability • 50% Energy • 10% Liveness
89% Instrumentalness • 89% Positiveness
► Preview
Don Byron
Goon Drag
132 bpm • F min • 03:18 • -11.93db
10% Popularity • 67% Danceability • 31% Energy • 10% Liveness
84% Instrumentalness • 45% Positiveness
10% Popularity • 67% Danceability • 31% Energy • 10% Liveness
84% Instrumentalness • 45% Positiveness
► Preview
Karin Krog
A Song for You
132 bpm • F Maj • 03:56 • -15.49db
0% Popularity • 52% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 52% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Pete Candoli
Fat's Blues - Short Cut - theme
151 bpm • A# Maj • 01:00 • -19.84db
7% Popularity • 67% Danceability • 22% Energy • 15% Liveness
79% Instrumentalness • 56% Positiveness
7% Popularity • 67% Danceability • 22% Energy • 15% Liveness
79% Instrumentalness • 56% Positiveness
► Preview
Lou Donaldson
Lou's Blues
132 bpm • C min • 03:44 • -7db
41% Popularity • 57% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 57% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Jonah Jones
Bill Bailey (Won't You Please Come Home)...
151 bpm • F min • 02:19 • -10db
13% Popularity • 68% Danceability • 40% Energy • 19% Liveness
52% Instrumentalness • 83% Positiveness
13% Popularity • 68% Danceability • 40% Energy • 19% Liveness
52% Instrumentalness • 83% Positiveness
► Preview
Esbjörn Svensson Trio
Herkules Jonssons Lat
131 bpm • G Maj • 03:16 • -26db
24% Popularity • 48% Danceability • 6% Energy • 11% Liveness
79% Instrumentalness • 15% Positiveness
24% Popularity • 48% Danceability • 6% Energy • 11% Liveness
79% Instrumentalness • 15% Positiveness
► Preview
Bengt Hallberg
Sarabande
131 bpm • D min • 03:31 • -22.27db
3% Popularity • 54% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 36% Positiveness
3% Popularity • 54% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 36% Positiveness
► Preview
Oliver Nelson
March On, March On
131 bpm • D min • 04:59 • -10.7db
26% Popularity • 50% Danceability • 34% Energy • 11% Liveness
15% Instrumentalness • 53% Positiveness
26% Popularity • 50% Danceability • 34% Energy • 11% Liveness
15% Instrumentalness • 53% Positiveness
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Lennie Tristano
Line Up
131 bpm • F min • 03:34 • -14.29db
22% Popularity • 49% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
22% Popularity • 49% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
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Arne Domnérus Quartet
Lär mig känna Dina vägar
131 bpm • C min • 02:44 • -21.71db
1% Popularity • 46% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
1% Popularity • 46% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Rose Murphy
Coquette
131 bpm • C Maj • 04:05 • -18.55db
19% Popularity • 82% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 82% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Bobby Gordon
Beale Street Blues
130 bpm • D# Maj • 04:17 • -12.55db
19% Popularity • 70% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 46% Positiveness
19% Popularity • 70% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 46% Positiveness
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Bengt Hallberg
Nattens melodi, En kärleksnatt i Barcel...
131 bpm • D# Maj • 05:49 • -7.31db
0% Popularity • 32% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 35% Positiveness
0% Popularity • 32% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 35% Positiveness
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Annica Risberg
Sommardansen, jag dansade en sommar
130 bpm • A Maj • 01:50 • -17.9db
0% Popularity • 61% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 61% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Arne Domnérus
In a Mellotone
130 bpm • A# Maj • 10:30 • -14.98db
7% Popularity • 54% Danceability • 24% Energy • 81% Liveness
33% Instrumentalness • 49% Positiveness
7% Popularity • 54% Danceability • 24% Energy • 81% Liveness
33% Instrumentalness • 49% Positiveness
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Aaron Diehl
Prologue
130 bpm • C# min • 01:58 • -19db
30% Popularity • 43% Danceability • 16% Energy • 9% Liveness
89% Instrumentalness • 37% Positiveness
30% Popularity • 43% Danceability • 16% Energy • 9% Liveness
89% Instrumentalness • 37% Positiveness
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Bent Axen
Ack värmland du sköna
130 bpm • D Maj • 01:51 • -12.82db
13% Popularity • 67% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
13% Popularity • 67% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
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Cedar Walton
Sophisticated Lady
130 bpm • A# min • 03:30 • -20.41db
39% Popularity • 39% Danceability • 14% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
39% Popularity • 39% Danceability • 14% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Ove Lind and his Swedish All Stars
Strike up the Band
130 bpm • A# Maj • 02:02 • -12.75db
0% Popularity • 52% Danceability • 45% Energy • 22% Liveness
3% Instrumentalness • 93% Positiveness
0% Popularity • 52% Danceability • 45% Energy • 22% Liveness
3% Instrumentalness • 93% Positiveness
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The Ben Webster Quintet
Lover Come Back To Me
130 bpm • A# Maj • 08:28 • -16.48db
33% Popularity • 59% Danceability • 12% Energy • 12% Liveness
3% Instrumentalness • 42% Positiveness
33% Popularity • 59% Danceability • 12% Energy • 12% Liveness
3% Instrumentalness • 42% Positiveness
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TransferX
Airport
130 bpm • C# min • 05:13 • -19db
14% Popularity • 66% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 47% Positiveness
14% Popularity • 66% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 47% Positiveness
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Howard McGhee
Dusty Blue
129 bpm • A# min • 02:53 • -17.47db
15% Popularity • 57% Danceability • 27% Energy • 33% Liveness
51% Instrumentalness • 68% Positiveness
15% Popularity • 57% Danceability • 27% Energy • 33% Liveness
51% Instrumentalness • 68% Positiveness
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Eddie Harris
There Is No Time
129 bpm • A# Maj • 02:14 • -18.45db
10% Popularity • 49% Danceability • 4% Energy • 12% Liveness
54% Instrumentalness • 11% Positiveness
10% Popularity • 49% Danceability • 4% Energy • 12% Liveness
54% Instrumentalness • 11% Positiveness
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Benny Green
Don't Be 'Shamed - Live
129 bpm • C Maj • 06:16 • -17.21db
9% Popularity • 66% Danceability • 22% Energy • 70% Liveness
19% Instrumentalness • 25% Positiveness
9% Popularity • 66% Danceability • 22% Energy • 70% Liveness
19% Instrumentalness • 25% Positiveness
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Bengt Hallberg
Nagasaki
129 bpm • C Maj • 02:14 • -13.71db
0% Popularity • 55% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 55% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Gerry Mulligan Quartet
Soft Shoe
154 bpm • D Maj • 02:39 • -13.97db
37% Popularity • 39% Danceability • 17% Energy • 10% Liveness
6% Instrumentalness • 38% Positiveness
37% Popularity • 39% Danceability • 17% Energy • 10% Liveness
6% Instrumentalness • 38% Positiveness
