Songs like Keeping Time (Audiotree Live Version) by Angie McMahon
Based on a tempo of (+/- 10%) and a similar genre
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Carla Geneve
Bills
116 bpm • F# min • 03:33 • -7.53db
20% Popularity • 78% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 78% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Jem Cassar-Daley
Standing Still
116 bpm • C Maj • 04:57 • -8.94db
27% Popularity • 44% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 44% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Middle Kids
Dramamine
116 bpm • F# Maj • 02:57 • -4.63db
41% Popularity • 62% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 62% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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Abby Sage
Milk
116 bpm • D min • 03:13 • -8.9db
39% Popularity • 70% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 70% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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CAITLIN
Light Leak
116 bpm • A Maj • 03:41 • -16.01db
33% Popularity • 78% Danceability • 28% Energy • 11% Liveness
8% Instrumentalness • 63% Positiveness
33% Popularity • 78% Danceability • 28% Energy • 11% Liveness
8% Instrumentalness • 63% Positiveness
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Sjowgren
Be
116 bpm • F# min • 01:51 • -11.47db
38% Popularity • 60% Danceability • 23% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 60% Danceability • 23% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
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Madi Diaz
Don't Do Me Good
116 bpm • C# Maj • 04:13 • -8.26db
52% Popularity • 67% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
52% Popularity • 67% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Eleni Drake
I'm Your Man
116 bpm • C min • 03:24 • -16.79db
35% Popularity • 63% Danceability • 22% Energy • 10% Liveness
9% Instrumentalness • 14% Positiveness
35% Popularity • 63% Danceability • 22% Energy • 10% Liveness
9% Instrumentalness • 14% Positiveness
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Angie McMahon
Keeping Time - Audiotree Live Version
116 bpm • C Maj • 03:15 • -10.47db
13% Popularity • 63% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 63% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Carla Geneve
Growing Pains
115 bpm • D Maj • 02:52 • -8.53db
16% Popularity • 80% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 80% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Mallrat
Charlie
115 bpm • G Maj • 03:10 • -6.8db
49% Popularity • 62% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
49% Popularity • 62% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Big Scary
Asking Right
116 bpm • E min • 03:56 • -8.29db
22% Popularity • 72% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 72% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Middle Kids
R U 4 Me?
115 bpm • C Maj • 02:49 • -4.82db
39% Popularity • 58% Danceability • 82% Energy • 39% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 58% Danceability • 82% Energy • 39% Liveness
0% Instrumentalness • 39% Positiveness
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Royel Otis
Egg Beater
117 bpm • G Maj • 03:52 • -8.51db
47% Popularity • 68% Danceability • 76% Energy • 11% Liveness
84% Instrumentalness • 50% Positiveness
47% Popularity • 68% Danceability • 76% Energy • 11% Liveness
84% Instrumentalness • 50% Positiveness
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Angie McMahon
Serotonin
117 bpm • A Maj • 04:19 • -10.62db
43% Popularity • 74% Danceability • 55% Energy • 11% Liveness
2% Instrumentalness • 36% Positiveness
43% Popularity • 74% Danceability • 55% Energy • 11% Liveness
2% Instrumentalness • 36% Positiveness
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Abby Sage
Backwards Directions
115 bpm • A# Maj • 03:07 • -10db
58% Popularity • 85% Danceability • 38% Energy • 10% Liveness
45% Instrumentalness • 48% Positiveness
58% Popularity • 85% Danceability • 38% Energy • 10% Liveness
45% Instrumentalness • 48% Positiveness
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Samia
Charm You
115 bpm • D Maj • 02:41 • -8.76db
44% Popularity • 74% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
44% Popularity • 74% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Gretta Ray
When We're in Fitzroy
117 bpm • F Maj • 03:58 • -9.17db
26% Popularity • 67% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 67% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Mimi Gilbert
Society's a Mansion
117 bpm • C Maj • 04:44 • -13.58db
35% Popularity • 69% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 69% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Georgia Gets By
So Free So Lonely
118 bpm • C Maj • 03:12 • -10.42db
23% Popularity • 29% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 29% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Jack Davies and The Bush Chooks
This Highway Is Stained
114 bpm • G Maj • 05:25 • -12.52db
22% Popularity • 52% Danceability • 21% Energy • 28% Liveness
4% Instrumentalness • 15% Positiveness
22% Popularity • 52% Danceability • 21% Energy • 28% Liveness
4% Instrumentalness • 15% Positiveness
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Eleni Drake
Guts
118 bpm • C# Maj • 03:58 • -11.51db
31% Popularity • 68% Danceability • 31% Energy • 10% Liveness
10% Instrumentalness • 31% Positiveness
31% Popularity • 68% Danceability • 31% Energy • 10% Liveness
10% Instrumentalness • 31% Positiveness
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The Paper Kites
I Don't Want to Go That Way
114 bpm • D# Maj • 05:24 • -12.24db
36% Popularity • 56% Danceability • 33% Energy • 14% Liveness
46% Instrumentalness • 23% Positiveness
36% Popularity • 56% Danceability • 33% Energy • 14% Liveness
46% Instrumentalness • 23% Positiveness
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Dorsal Fins
Sister
118 bpm • G Maj • 04:04 • -4.92db
27% Popularity • 64% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 64% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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CMAT
I Don't Really Care for You
118 bpm • G min • 04:04 • -4.18db
52% Popularity • 72% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 72% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Madi Diaz
Same Risk
114 bpm • D# Maj • 03:28 • -8.19db
41% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Angie McMahon
Divine Fault Line
114 bpm • E Maj • 04:18 • -10.21db
47% Popularity • 77% Danceability • 48% Energy • 10% Liveness
4% Instrumentalness • 43% Positiveness
47% Popularity • 77% Danceability • 48% Energy • 10% Liveness
4% Instrumentalness • 43% Positiveness
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Typhoon
Motion and Thought
118 bpm • G# Maj • 03:08 • -8.26db
37% Popularity • 56% Danceability • 46% Energy • 12% Liveness
74% Instrumentalness • 37% Positiveness
37% Popularity • 56% Danceability • 46% Energy • 12% Liveness
74% Instrumentalness • 37% Positiveness
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Maple Glider
Friend
118 bpm • B Maj • 04:17 • -9.69db
38% Popularity • 75% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 75% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Eleni Drake
Harsh
118 bpm • E Maj • 02:14 • -9.49db
41% Popularity • 75% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 75% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Big Scary
You Won't Always
114 bpm • C Maj • 02:13 • -14.22db
16% Popularity • 59% Danceability • 13% Energy • 9% Liveness
47% Instrumentalness • 45% Positiveness
16% Popularity • 59% Danceability • 13% Energy • 9% Liveness
47% Instrumentalness • 45% Positiveness
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Jordy Maxwell
Dreamland
118 bpm • F# min • 02:47 • -13.5db
27% Popularity • 42% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 42% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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CMAT
Rent
114 bpm • D Maj • 04:42 • -6.1db
42% Popularity • 62% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 62% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Carla Geneve
I Hate You (For Making Me Not Want To Le...
114 bpm • A Maj • 03:11 • -19.6db
19% Popularity • 56% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 56% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Maple Glider
Performer
114 bpm • B Maj • 04:38 • -11.73db
23% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
23% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Angie McMahon
Take It With Me
118 bpm • G Maj • 04:06 • -14.03db
28% Popularity • 41% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 41% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Babitha
Get Away
118 bpm • G# min • 03:57 • -10.73db
34% Popularity • 58% Danceability • 63% Energy • 10% Liveness
13% Instrumentalness • 63% Positiveness
34% Popularity • 58% Danceability • 63% Energy • 10% Liveness
13% Instrumentalness • 63% Positiveness
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Blanco White
Tarifa
119 bpm • F# Maj • 05:14 • -14.69db
40% Popularity • 51% Danceability • 36% Energy • 10% Liveness
8% Instrumentalness • 15% Positiveness
40% Popularity • 51% Danceability • 36% Energy • 10% Liveness
8% Instrumentalness • 15% Positiveness
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Evangeline
When We Get Home
119 bpm • G min • 03:05 • -21.77db
34% Popularity • 70% Danceability • 9% Energy • 9% Liveness
63% Instrumentalness • 50% Positiveness
34% Popularity • 70% Danceability • 9% Energy • 9% Liveness
63% Instrumentalness • 50% Positiveness
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Rob Moose
Marvel Room
119 bpm • G min • 03:04 • -9.42db
29% Popularity • 65% Danceability • 22% Energy • 14% Liveness
8% Instrumentalness • 80% Positiveness
29% Popularity • 65% Danceability • 22% Energy • 14% Liveness
8% Instrumentalness • 80% Positiveness
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Riley Pearce
Bottle It Up
119 bpm • E Maj • 03:05 • -9.55db
48% Popularity • 82% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
48% Popularity • 82% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Maple Glider
You're Still The One
119 bpm • D# Maj • 04:56 • -8.79db
31% Popularity • 51% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 51% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Matt Corby
Better Than That
119 bpm • C# min • 03:41 • -11.02db
35% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Elizabeth M. Drummond
Bullet
120 bpm • A Maj • 03:51 • -12.41db
35% Popularity • 60% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 60% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Hannah Cameron
The Wrong Way
120 bpm • C# Maj • 03:01 • -9.66db
13% Popularity • 79% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 79% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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CMAT
I... Hate Who I Am When I'm Horny
120 bpm • F# min • 05:13 • -7.74db
36% Popularity • 52% Danceability • 67% Energy • 12% Liveness
9% Instrumentalness • 30% Positiveness
36% Popularity • 52% Danceability • 67% Energy • 12% Liveness
9% Instrumentalness • 30% Positiveness
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Quinn Christopherson
Thanks
120 bpm • G Maj • 03:34 • -12db
19% Popularity • 59% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 59% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Maple Glider
FOMO
113 bpm • D Maj • 03:30 • -10.7db
21% Popularity • 54% Danceability • 29% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
21% Popularity • 54% Danceability • 29% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Sophie May
Some Italian Mountain
120 bpm • G Maj • 02:37 • -15db
50% Popularity • 65% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
50% Popularity • 65% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Luluc
The Shore
120 bpm • B Maj • 04:57 • -6.82db
30% Popularity • 55% Danceability • 66% Energy • 37% Liveness
30% Instrumentalness • 36% Positiveness
30% Popularity • 55% Danceability • 66% Energy • 37% Liveness
30% Instrumentalness • 36% Positiveness
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Flyte
Tough Love
120 bpm • D Maj • 03:01 • -6.87db
53% Popularity • 74% Danceability • 62% Energy • 11% Liveness
28% Instrumentalness • 62% Positiveness
53% Popularity • 74% Danceability • 62% Energy • 11% Liveness
28% Instrumentalness • 62% Positiveness
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CMAT
Phone Me
120 bpm • E Maj • 03:24 • -6.01db
43% Popularity • 71% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 71% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Maggie Rogers
New Song
120 bpm • E Maj • 06:22 • -7.44db
56% Popularity • 65% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
56% Popularity • 65% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Ilsey
Rattle My Heart
120 bpm • F Maj • 03:23 • -7.51db
29% Popularity • 78% Danceability • 55% Energy • 9% Liveness
5% Instrumentalness • 59% Positiveness
29% Popularity • 78% Danceability • 55% Energy • 9% Liveness
5% Instrumentalness • 59% Positiveness
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Carla Geneve
Euthymia
120 bpm • A Maj • 02:47 • -14.82db
18% Popularity • 66% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 66% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Samia
Honey
120 bpm • B Maj • 03:23 • -6.43db
50% Popularity • 81% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
50% Popularity • 81% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Soda Blonde
Tiny Darkness
120 bpm • D# Maj • 03:30 • -9.69db
29% Popularity • 55% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 55% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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The National
Hornets
120 bpm • D# Maj • 04:35 • -10.33db
43% Popularity • 64% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
43% Popularity • 64% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Chris Staples
Bulldozer Mouth
120 bpm • G Maj • 02:03 • -10.33db
42% Popularity • 84% Danceability • 38% Energy • 8% Liveness
66% Instrumentalness • 92% Positiveness
42% Popularity • 84% Danceability • 38% Energy • 8% Liveness
66% Instrumentalness • 92% Positiveness
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Yasmin Hass
Cleo
112 bpm • F Maj • 03:36 • -10.83db
35% Popularity • 66% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 32% Positiveness
35% Popularity • 66% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 32% Positiveness
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CMAT
Stay For Something
120 bpm • F min • 03:36 • -4.97db
55% Popularity • 49% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
55% Popularity • 49% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Lucius
Stranger Danger
120 bpm • E min • 04:41 • -8.23db
38% Popularity • 40% Danceability • 60% Energy • 8% Liveness
5% Instrumentalness • 24% Positiveness
38% Popularity • 40% Danceability • 60% Energy • 8% Liveness
5% Instrumentalness • 24% Positiveness
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Maple Glider
Do You
120 bpm • D# min • 04:08 • -6.69db
31% Popularity • 67% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 67% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Tia Gostelow
Giants
120 bpm • F Maj • 03:52 • -5db
35% Popularity • 46% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 46% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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FIZZ
Close One
112 bpm • A Maj • 03:55 • -9.96db
47% Popularity • 50% Danceability • 48% Energy • 9% Liveness
16% Instrumentalness • 78% Positiveness
47% Popularity • 50% Danceability • 48% Energy • 9% Liveness
16% Instrumentalness • 78% Positiveness
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boygenius
Black Hole
112 bpm • C Maj • 02:21 • -12.1db
58% Popularity • 72% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 27% Positiveness
58% Popularity • 72% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 27% Positiveness
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Richy Mitch & The Coal Miners
Northstar
112 bpm • A# Maj • 02:59 • -14.4db
59% Popularity • 74% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
59% Popularity • 74% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Ben Howard
Moonraker
112 bpm • A Maj • 04:26 • -10.62db
44% Popularity • 65% Danceability • 42% Energy • 7% Liveness
87% Instrumentalness • 30% Positiveness
44% Popularity • 65% Danceability • 42% Energy • 7% Liveness
87% Instrumentalness • 30% Positiveness
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Maple Glider
Good Thing
112 bpm • G# min • 04:12 • -12.22db
56% Popularity • 70% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
56% Popularity • 70% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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#1 Dads
Fold
120 bpm • D min • 03:13 • -10.16db
17% Popularity • 55% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 55% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Tia Gostelow
Poison - triple j Like A Version
112 bpm • C# Maj • 03:18 • -9.13db
35% Popularity • 60% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 60% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Yo Yo Sun
City
120 bpm • C Maj • 04:16 • -11.28db
14% Popularity • 57% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 57% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Arny Margret
i went outside
120 bpm • A min • 04:53 • -10.05db
39% Popularity • 41% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 41% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Bonny Light Horseman
Deep In Love
112 bpm • F Maj • 05:09 • -8db
55% Popularity • 62% Danceability • 56% Energy • 12% Liveness
40% Instrumentalness • 34% Positiveness
55% Popularity • 62% Danceability • 56% Energy • 12% Liveness
40% Instrumentalness • 34% Positiveness
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Maple Glider
Surprises
112 bpm • C Maj • 04:04 • -12.41db
20% Popularity • 43% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 43% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Ilsey
Overcome
121 bpm • G# Maj • 02:52 • -9.17db
23% Popularity • 40% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 40% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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CMAT
Where Are Your Kids Tonight?
121 bpm • C# Maj • 05:26 • -5.88db
47% Popularity • 63% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 63% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Sophie May
Wish I Was A Single Girl Again
111 bpm • A Maj • 02:33 • -14.85db
32% Popularity • 62% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
32% Popularity • 62% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
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Tia Gostelow
Spring to Life
121 bpm • D Maj • 02:38 • -7.25db
39% Popularity • 68% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 68% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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micelf
Callus
111 bpm • C Maj • 03:50 • -11.24db
30% Popularity • 69% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 69% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Alycia Lang
Bad Luck Bad Habit
121 bpm • C# Maj • 03:30 • -10.14db
44% Popularity • 59% Danceability • 54% Energy • 16% Liveness
2% Instrumentalness • 38% Positiveness
44% Popularity • 59% Danceability • 54% Energy • 16% Liveness
2% Instrumentalness • 38% Positiveness
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Angie McMahon
Tea, Milk & Honey
121 bpm • B Maj • 05:04 • -13.33db
35% Popularity • 42% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 42% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Hannah Cameron
Smells Like Leaving
121 bpm • B Maj • 02:30 • -13.68db
23% Popularity • 57% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 57% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Adam Newling
Difference Of Opinion
111 bpm • G Maj • 03:40 • -4.67db
28% Popularity • 58% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 58% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Jem Cassar-Daley
King of Disappointment
111 bpm • B min • 04:11 • -7.77db
43% Popularity • 74% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 74% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Helena Deland
Bright Green Vibrant Gray
111 bpm • G# min • 03:39 • -12.4db
49% Popularity • 69% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 69% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Boy & Bear
Wicked Game - Acoustic
110 bpm • A Maj • 04:12 • -9.93db
45% Popularity • 57% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 57% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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BAILEN
Nothing Left To Give
122 bpm • C Maj • 03:13 • -7.9db
31% Popularity • 76% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 76% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Tim Baker
Twenty Twenty
122 bpm • D Maj • 05:03 • -7.8db
26% Popularity • 34% Danceability • 65% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
26% Popularity • 34% Danceability • 65% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
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Carla Geneve
Drive Carefully
122 bpm • G min • 03:28 • -7.49db
22% Popularity • 68% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 68% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Angie McMahon
Everywhere
110 bpm • C Maj • 02:46 • -11.94db
37% Popularity • 73% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 73% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Middle Kids
Bend
110 bpm • D# Maj • 03:50 • -5.12db
34% Popularity • 55% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 55% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Emily Fairlight
Body Below
110 bpm • C Maj • 02:35 • -6.82db
34% Popularity • 55% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 55% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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The Big Moon
Round Forever
110 bpm • A# Maj • 04:45 • -8.72db
27% Popularity • 70% Danceability • 74% Energy • 13% Liveness
71% Instrumentalness • 85% Positiveness
27% Popularity • 70% Danceability • 74% Energy • 13% Liveness
71% Instrumentalness • 85% Positiveness
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Tia Gostelow
Early Twenties
110 bpm • G# Maj • 03:28 • -5.66db
32% Popularity • 62% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 62% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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#1 Dads
Another Day
110 bpm • C Maj • 03:38 • -8db
28% Popularity • 79% Danceability • 55% Energy • 12% Liveness
3% Instrumentalness • 97% Positiveness
28% Popularity • 79% Danceability • 55% Energy • 12% Liveness
3% Instrumentalness • 97% Positiveness
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Jess Williamson
Wind on Tin
110 bpm • A min • 03:06 • -9.02db
30% Popularity • 58% Danceability • 45% Energy • 13% Liveness
14% Instrumentalness • 30% Positiveness
30% Popularity • 58% Danceability • 45% Energy • 13% Liveness
14% Instrumentalness • 30% Positiveness
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Middle Kids
Stacking Chairs
110 bpm • G# Maj • 03:08 • -5db
44% Popularity • 55% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 55% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
