Songs like Keine Kohle - Rock by Mike O Donoghue
Based on a tempo of (+/- 10%) and a similar genre
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Martin Zellar
Anyone But Me
110 bpm • C Maj • 02:57 • -7.63db
8% Popularity • 66% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 66% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
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Mike O Donoghue
Keine Kohle - Blues-Karaoke
110 bpm • C Maj • 03:49 • -6.41db
0% Popularity • 61% Danceability • 95% Energy • 39% Liveness
82% Instrumentalness • 96% Positiveness
0% Popularity • 61% Danceability • 95% Energy • 39% Liveness
82% Instrumentalness • 96% Positiveness
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David Scobie
Come Morning
110 bpm • A Maj • 03:38 • -12.75db
9% Popularity • 59% Danceability • 39% Energy • 10% Liveness
3% Instrumentalness • 26% Positiveness
9% Popularity • 59% Danceability • 39% Energy • 10% Liveness
3% Instrumentalness • 26% Positiveness
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Thomas Prünte
Here Iam
110 bpm • D Maj • 03:37 • -11.41db
9% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Steve Contino
Into the Darkness
110 bpm • G Maj • 03:34 • -6db
15% Popularity • 58% Danceability • 66% Energy • 48% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 58% Danceability • 66% Energy • 48% Liveness
0% Instrumentalness • 27% Positiveness
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Dwight Crichton
Wabash Shell
110 bpm • C Maj • 04:07 • -11.21db
25% Popularity • 60% Danceability • 53% Energy • 11% Liveness
4% Instrumentalness • 87% Positiveness
25% Popularity • 60% Danceability • 53% Energy • 11% Liveness
4% Instrumentalness • 87% Positiveness
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Victor Hafichuk
You Don't Have To
110 bpm • E min • 05:06 • -13.33db
10% Popularity • 62% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 62% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Mike O Donoghue
Homesick
110 bpm • C Maj • 04:16 • -8.26db
0% Popularity • 58% Danceability • 46% Energy • 17% Liveness
3% Instrumentalness • 45% Positiveness
0% Popularity • 58% Danceability • 46% Energy • 17% Liveness
3% Instrumentalness • 45% Positiveness
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Don Ferdinands
My Friend 2023
110 bpm • G min • 03:49 • -0.82db
24% Popularity • 33% Danceability • 91% Energy • 48% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 33% Danceability • 91% Energy • 48% Liveness
0% Instrumentalness • 59% Positiveness
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Mel Randall
The Irish Rover
110 bpm • G Maj • 04:40 • -13db
12% Popularity • 53% Danceability • 24% Energy • 48% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 53% Danceability • 24% Energy • 48% Liveness
0% Instrumentalness • 46% Positiveness
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Tony bhoy Ray
The Legend
110 bpm • D# Maj • 05:28 • -13.57db
9% Popularity • 69% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 69% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Frank R. Bellucci
God's Honest Truth
111 bpm • A Maj • 03:59 • -7.18db
16% Popularity • 44% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 44% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
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Tony Willé
The Kilty Dog
111 bpm • E Maj • 03:55 • -6.43db
2% Popularity • 77% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
2% Popularity • 77% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Mike O Donoghue
Keine Kohle - Rock-Karaoke
110 bpm • G Maj • 03:52 • -8db
0% Popularity • 62% Danceability • 90% Energy • 35% Liveness
87% Instrumentalness • 97% Positiveness
0% Popularity • 62% Danceability • 90% Energy • 35% Liveness
87% Instrumentalness • 97% Positiveness
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Funk Woodrow
Desired Information
111 bpm • E Maj • 03:59 • -11.45db
8% Popularity • 62% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 62% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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gearoid mccarthy
The Jolly Beggarman
109 bpm • F# Maj • 02:36 • -12.67db
21% Popularity • 75% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 75% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Gypsy Traveler
The Porn Song
109 bpm • G Maj • 02:42 • -4.23db
7% Popularity • 48% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 48% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Vintage Lapointe
The Monster Within Me, Pt. 1
109 bpm • A Maj • 01:37 • -7.53db
17% Popularity • 52% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 52% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Hairy Nose
What Have I Done
108 bpm • D Maj • 03:22 • -11db
9% Popularity • 60% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 60% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Mike O Donoghue
The Rare Ould Times
110 bpm • A# Maj • 07:05 • -8.84db
0% Popularity • 61% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 61% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Mick MC loughlin
My Dublin my home
112 bpm • D Maj • 05:23 • -13.61db
13% Popularity • 66% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 66% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Lazy Afternoon
Wild
112 bpm • D Maj • 03:15 • -7.83db
20% Popularity • 68% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 68% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Mark AAron Hudnall
Hearts Like Cadillacs
112 bpm • A Maj • 04:05 • -8.6db
14% Popularity • 58% Danceability • 78% Energy • 55% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 58% Danceability • 78% Energy • 55% Liveness
0% Instrumentalness • 75% Positiveness
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Goats Don’t Shave
Half Hanged Macnaghten
108 bpm • B min • 04:14 • -10.3db
8% Popularity • 62% Danceability • 73% Energy • 22% Liveness
4% Instrumentalness • 68% Positiveness
8% Popularity • 62% Danceability • 73% Energy • 22% Liveness
4% Instrumentalness • 68% Positiveness
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NILSON
Time to Move On
108 bpm • D Maj • 05:26 • -10.34db
9% Popularity • 50% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 50% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Mike O Donoghue
Cold Blue Stone
110 bpm • F# Maj • 04:36 • -9.53db
0% Popularity • 65% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 65% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Pat Kelly
Secrets
112 bpm • D# Maj • 04:26 • -8.26db
10% Popularity • 67% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 67% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Sharon Shannon
Séamus
112 bpm • G Maj • 03:36 • -11.98db
2% Popularity • 37% Danceability • 41% Energy • 32% Liveness
1% Instrumentalness • 45% Positiveness
2% Popularity • 37% Danceability • 41% Energy • 32% Liveness
1% Instrumentalness • 45% Positiveness
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Lenny Hill
"Against the Wind"
107 bpm • G Maj • 05:04 • -10.61db
7% Popularity • 69% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 69% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Sullie
Angels at the Bottom of the Street.
107 bpm • A# Maj • 03:53 • -8.79db
19% Popularity • 41% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 41% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Don Ferdinands
Took Your Time
107 bpm • G Maj • 03:25 • -2.44db
18% Popularity • 16% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 16% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Mike O Donoghue
Keine Kohle - Rock
110 bpm • G Maj • 03:52 • -6.26db
0% Popularity • 69% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
0% Popularity • 69% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
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Ten Year Day
Do I Dare
107 bpm • G Maj • 03:00 • -13.97db
12% Popularity • 76% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 76% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Broadway Band
How Great Thou Art
113 bpm • A# Maj • 04:57 • -7.68db
14% Popularity • 51% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 51% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Fheodore Mebecca
Lost love
107 bpm • A min • 03:22 • -15.09db
16% Popularity • 66% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 66% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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This Morning
Everyday In-Between
107 bpm • G Maj • 02:58 • -9.83db
13% Popularity • 50% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 50% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Chris Regez Band
More Pretty Girls
106 bpm • A Maj • 02:50 • -7.28db
15% Popularity • 60% Danceability • 66% Energy • 7% Liveness
1% Instrumentalness • 84% Positiveness
15% Popularity • 60% Danceability • 66% Energy • 7% Liveness
1% Instrumentalness • 84% Positiveness
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Mike O Donoghue
Keine Kohle - Blues
110 bpm • G Maj • 03:51 • -5.08db
0% Popularity • 65% Danceability • 92% Energy • 40% Liveness
0% Instrumentalness • 85% Positiveness
0% Popularity • 65% Danceability • 92% Energy • 40% Liveness
0% Instrumentalness • 85% Positiveness
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Nine Below Zero
Drinking Champagne
106 bpm • E Maj • 03:28 • -6.32db
9% Popularity • 39% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 39% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Aaron Ball
Sense of Humor
106 bpm • C# Maj • 02:28 • -7.77db
22% Popularity • 60% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 60% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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West Side Wayne
Gonna Miss Her
114 bpm • F Maj • 01:57 • -7.49db
16% Popularity • 66% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 66% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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George Murphy
House of the Rising Sun
106 bpm • C min • 03:14 • -11.44db
8% Popularity • 47% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 47% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Scapegoat
A Light in the Dark
106 bpm • E Maj • 03:48 • -10db
18% Popularity • 58% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 58% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Mike O Donoghue
The Scotsman's Song
110 bpm • C Maj • 02:16 • -9.39db
0% Popularity • 90% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 90% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Kieran Davenport
Let the People Sing
115 bpm • G# Maj • 03:47 • -14.48db
13% Popularity • 43% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 43% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Garden Of Delight
Wire to Hell (2017)
115 bpm • D Maj • 03:20 • -5.51db
0% Popularity • 72% Danceability • 82% Energy • 39% Liveness
7% Instrumentalness • 95% Positiveness
0% Popularity • 72% Danceability • 82% Energy • 39% Liveness
7% Instrumentalness • 95% Positiveness
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Peter Pam
Melodie der Liebe
115 bpm • A Maj • 03:44 • -11.78db
25% Popularity • 82% Danceability • 41% Energy • 11% Liveness
65% Instrumentalness • 60% Positiveness
25% Popularity • 82% Danceability • 41% Energy • 11% Liveness
65% Instrumentalness • 60% Positiveness
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Frank R. Bellucci
Stories That Never Happened
115 bpm • A Maj • 04:08 • -6.31db
11% Popularity • 65% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 65% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Don Ferdinands
Holiday 2023
115 bpm • A Maj • 03:48 • -0.84db
19% Popularity • 50% Danceability • 90% Energy • 71% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 50% Danceability • 90% Energy • 71% Liveness
0% Instrumentalness • 80% Positiveness
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Mike O Donoghue
The Reason I Left Mullingar
115 bpm • A# Maj • 05:24 • -8.82db
0% Popularity • 34% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 34% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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Will Page
The Rise
115 bpm • G Maj • 04:48 • -8.08db
11% Popularity • 42% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 42% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Garden Of Delight
Gunman in the Rain
115 bpm • D Maj • 03:37 • -3.38db
24% Popularity • 61% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 61% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Mark Knopfler
Smart Money
105 bpm • C Maj • 04:27 • -14.1db
50% Popularity • 74% Danceability • 39% Energy • 6% Liveness
41% Instrumentalness • 66% Positiveness
50% Popularity • 74% Danceability • 39% Energy • 6% Liveness
41% Instrumentalness • 66% Positiveness
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Slack Key Ohana
Hawaiian Cowboy
105 bpm • G Maj • 03:27 • -11.04db
24% Popularity • 74% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 74% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Frank R. Bellucci
Downtown Austin
105 bpm • G# Maj • 04:41 • -9.26db
15% Popularity • 41% Danceability • 50% Energy • 11% Liveness
6% Instrumentalness • 13% Positiveness
15% Popularity • 41% Danceability • 50% Energy • 11% Liveness
6% Instrumentalness • 13% Positiveness
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Brenn Hill
Whiskey And Fire
105 bpm • A# Maj • 04:00 • -12.56db
15% Popularity • 71% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 71% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Hairy Nose
Icarus
105 bpm • G Maj • 03:35 • -10.23db
29% Popularity • 78% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 78% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Garden Of Delight
Grandma's Song
105 bpm • D Maj • 02:45 • -5.55db
18% Popularity • 57% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 57% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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The Fógues
Moscow to West Cork
115 bpm • G Maj • 03:54 • -9.9db
9% Popularity • 66% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 66% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Fheodore Mebecca
Strange Little Girl
105 bpm • B min • 03:01 • -14.49db
16% Popularity • 60% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 60% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Rick Whittell
A Shoulder to Cry On
116 bpm • C Maj • 04:21 • -9.39db
14% Popularity • 57% Danceability • 43% Energy • 11% Liveness
3% Instrumentalness • 33% Positiveness
14% Popularity • 57% Danceability • 43% Energy • 11% Liveness
3% Instrumentalness • 33% Positiveness
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Wade Montgomery
Lipstick & Whiskey
116 bpm • G Maj • 05:23 • -13.49db
11% Popularity • 65% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 65% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Michal Odzien
Byens
105 bpm • E min • 02:39 • -12.32db
30% Popularity • 56% Danceability • 41% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 56% Danceability • 41% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
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Don Ferdinands
I Never Saw The Signs
104 bpm • A min • 04:27 • -0.91db
18% Popularity • 27% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 27% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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Richard Karl
Sugar Sugar Sugar
116 bpm • A min • 03:27 • -14.55db
18% Popularity • 76% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 76% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Sonny Bill Glover
Pioneer
116 bpm • D Maj • 03:10 • -11.5db
10% Popularity • 89% Danceability • 33% Energy • 44% Liveness
35% Instrumentalness • 62% Positiveness
10% Popularity • 89% Danceability • 33% Energy • 44% Liveness
35% Instrumentalness • 62% Positiveness
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Lenny Hill
"Have You Ever Seen the Rain"
116 bpm • G Maj • 03:20 • -10.02db
11% Popularity • 62% Danceability • 53% Energy • 11% Liveness
6% Instrumentalness • 71% Positiveness
11% Popularity • 62% Danceability • 53% Energy • 11% Liveness
6% Instrumentalness • 71% Positiveness
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Colin Heart
Desire
116 bpm • D Maj • 03:40 • -15.7db
8% Popularity • 70% Danceability • 35% Energy • 36% Liveness
2% Instrumentalness • 42% Positiveness
8% Popularity • 70% Danceability • 35% Energy • 36% Liveness
2% Instrumentalness • 42% Positiveness
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Shaun Lennon
Moonshine Blind
116 bpm • C Maj • 03:18 • -11.12db
12% Popularity • 61% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 61% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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George Murphy
Joe Hill
116 bpm • B Maj • 02:51 • -5.43db
8% Popularity • 62% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 62% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Ernest Monias
Jesus Is on the Mainline
104 bpm • A Maj • 02:50 • -7db
7% Popularity • 64% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 64% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Late Start Productions
Religion In The Hands Of Dangerous Men
104 bpm • C Maj • 03:44 • -13.64db
13% Popularity • 58% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 58% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Fheodore Mebecca
Dont Change Again
117 bpm • A min • 03:23 • -15.95db
16% Popularity • 71% Danceability • 43% Energy • 27% Liveness
1% Instrumentalness • 73% Positiveness
16% Popularity • 71% Danceability • 43% Energy • 27% Liveness
1% Instrumentalness • 73% Positiveness
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The Shipyard Dogs
End Of The Line
117 bpm • G Maj • 03:16 • -8.68db
19% Popularity • 32% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 32% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Hired Gun Trio
Mama Cried
117 bpm • A Maj • 03:45 • -7.1db
23% Popularity • 52% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 52% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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The Bootleggers UK
Take My Sin
103 bpm • C Maj • 03:17 • -10.45db
9% Popularity • 37% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 37% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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gearoid mccarthy
Belfast Mill
118 bpm • D Maj • 02:51 • -23.78db
23% Popularity • 57% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 57% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Adonis Augustus
Feeling Pollution
102 bpm • C Maj • 02:35 • -6.69db
13% Popularity • 70% Danceability • 49% Energy • 43% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 70% Danceability • 49% Energy • 43% Liveness
0% Instrumentalness • 61% Positiveness
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J.R. Leonard
December Day
118 bpm • G Maj • 03:39 • -5.93db
9% Popularity • 66% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 66% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Quiet Marauder
The Jolly Green Giant
118 bpm • A Maj • 02:48 • -7.58db
17% Popularity • 65% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 65% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Rebel Hearts
Lullaby of London
102 bpm • D Maj • 04:18 • -6.85db
12% Popularity • 55% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 55% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Frank R. Bellucci
Quiet Desperation
102 bpm • B Maj • 05:11 • -6.6db
26% Popularity • 70% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 70% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Gates & Goodell
Clear to Me
102 bpm • G Maj • 03:35 • -8.79db
15% Popularity • 69% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 69% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Rev. Col. C.S. Lanham
Universe
119 bpm • F# Maj • 01:29 • -26.98db
8% Popularity • 41% Danceability • 6% Energy • 11% Liveness
48% Instrumentalness • 15% Positiveness
8% Popularity • 41% Danceability • 6% Energy • 11% Liveness
48% Instrumentalness • 15% Positiveness
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Mitchell Badelles
March 11
119 bpm • C Maj • 04:59 • -11.83db
9% Popularity • 67% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 67% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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Charlie Diamond
Lady Tattoo
102 bpm • D Maj • 06:00 • -6.43db
9% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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HiSQ
Join the Club
119 bpm • C Maj • 03:19 • -9.13db
8% Popularity • 72% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 72% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Frank R. Bellucci
Old Cowboys
102 bpm • A Maj • 04:21 • -6.44db
8% Popularity • 46% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 46% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Calum Baird
Una Semana en La Habana
119 bpm • F Maj • 02:00 • -7.24db
19% Popularity • 82% Danceability • 30% Energy • 56% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 82% Danceability • 30% Energy • 56% Liveness
0% Instrumentalness • 68% Positiveness
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Shawn Santalucia
Oh the Time (Remastered)
101 bpm • C Maj • 04:58 • -15db
7% Popularity • 36% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
7% Popularity • 36% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
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Don Ferdinands
Start Again
119 bpm • G Maj • 03:32 • -1db
18% Popularity • 27% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 27% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Rum Ragged
The Dewy Dells of Yarrow
120 bpm • E Maj • 03:56 • -9.72db
15% Popularity • 50% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 50% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Mike O Donoghue
Cheerio
120 bpm • C Maj • 03:23 • -6.02db
0% Popularity • 64% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 64% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Frank R. Bellucci
Hidden Highway
120 bpm • D Maj • 03:41 • -4.99db
12% Popularity • 64% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 64% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Richard Karl
Cookie Could a Cook Em
120 bpm • B min • 03:26 • -13.75db
16% Popularity • 86% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 86% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Akim Elliot Pinter
Revolution
120 bpm • F# min • 03:22 • -11.46db
15% Popularity • 78% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 78% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Don Ferdinands
Feels Like Yesterday
120 bpm • G Maj • 03:44 • -1.32db
19% Popularity • 43% Danceability • 94% Energy • 55% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 43% Danceability • 94% Energy • 55% Liveness
0% Instrumentalness • 64% Positiveness
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Sutliff
Afterglow
120 bpm • G Maj • 04:00 • -13.86db
8% Popularity • 66% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 66% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
