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Kekar Bate Badibadi Akhiya
Songs like
Kekar Bate Badibadi Akhiya
by
Anita Shivani
Based on a tempo of (+/- 10%) and a similar genre
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Anita Shivani
Mati Ke Korai Nanado
106 bpm • B Maj • 04:51 • -1.25db
0% Popularity • 72% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Golu Raja
Hokhe Wala Ba Tohar Shadi
106 bpm • G min • 04:34 • -1.81db
12% Popularity • 68% Danceability • 79% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
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Shyam Paliwal
Dhwja Lehrave
106 bpm • C Maj • 06:50 • -8.76db
21% Popularity • 42% Danceability • 62% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
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Khesari Lal Yadav
Happy Birthday Beta Ji Rishabh
105 bpm • D min • 02:09 • -1.37db
26% Popularity • 42% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
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Gokul Sharma
Bhor Bhai Jago Sanwariya Murari
107 bpm • F min • 08:19 • -3.7db
13% Popularity • 62% Danceability • 67% Energy • 64% Liveness
0% Instrumentalness • 51% Positiveness
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Deepak Raj
Mai Ke Sathe Selfi
105 bpm • A# min • 05:46 • -1.83db
8% Popularity • 80% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Anita Shivani
Kach Hi Bas Ke Bahangiya
106 bpm • G# Maj • 06:18 • -2.95db
0% Popularity • 58% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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Ankush Bihari
Na Ae Dada Na Ho 2 - Bhojpuri Song
105 bpm • G# min • 03:56 • -2.88db
0% Popularity • 69% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Kohinoor Mewati
Hogo Mud Khrab
105 bpm • C# Maj • 04:37 • -1.98db
19% Popularity • 63% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Asmeena Mewati
Ghuggat Kadhu Lage Dar Mohe
105 bpm • G Maj • 05:47 • -2.59db
17% Popularity • 72% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
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Mubarik Khan
MUBARIK SINGER SR 3700
105 bpm • C min • 04:55 • -3.31db
23% Popularity • 80% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Devnath Pardeshi
Dhire Se Dalab Rani
105 bpm • A# min • 04:21 • -5.29db
0% Popularity • 71% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Anita Shivani
Chhath Puja Geet
106 bpm • G# Maj • 06:16 • -2.72db
0% Popularity • 54% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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Jabir anjum Dosrasya
Mast chhora mandora ke
105 bpm • D Maj • 10:07 • -10.14db
8% Popularity • 75% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Khesari Lal Yadav
A Ho Lohar Piya
105 bpm • A# Maj • 06:46 • -6.26db
21% Popularity • 66% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
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Anu Dubey
Barmha Ke Dulari Bitiya
105 bpm • F# min • 06:46 • -2.62db
13% Popularity • 68% Danceability • 98% Energy • 42% Liveness
0% Instrumentalness • 82% Positiveness
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Alok Kumar
Na Mohabbat Ke Jhanda Jhukela
105 bpm • G Maj • 05:14 • -3.01db
29% Popularity • 62% Danceability • 94% Energy • 49% Liveness
0% Instrumentalness • 88% Positiveness
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Kajal Raj
Pahiie Hamesha Bulati Thi
108 bpm • A# min • 03:42 • -8.61db
8% Popularity • 69% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Anita Shivani
Choti Muki Nimiya
106 bpm • F# min • 04:17 • -1.12db
0% Popularity • 52% Danceability • 98% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Rajan Yadav
Hath Jani Dala
108 bpm • F# min • 04:06 • -0.39db
0% Popularity • 76% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Chandan Chanchal
Dhodhi Chiknail
108 bpm • B Maj • 03:55 • 0.26db
0% Popularity • 78% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Banshidhar Chaudhari
Bari Bewfa Hai Janu Bari Bewfa
108 bpm • A Maj • 03:08 • -9.73db
11% Popularity • 79% Danceability • 87% Energy • 94% Liveness
0% Instrumentalness • 87% Positiveness
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Alok Kumar
Jhilmil Jhalke Badaniya
108 bpm • G min • 03:17 • -11.54db
21% Popularity • 73% Danceability • 79% Energy • 41% Liveness
0% Instrumentalness • 79% Positiveness
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Chhotu Chhaliya
Navmi Me Darshan Karade
104 bpm • G Maj • 04:43 • -3.71db
9% Popularity • 81% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Anita Shivani
Khelat Rahal
105 bpm • B Maj • 04:22 • 0.08db
0% Popularity • 69% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Sannu Kumar
Set Chhai Suhagrat 2
109 bpm • F min • 04:07 • 0.57db
0% Popularity • 55% Danceability • 98% Energy • 40% Liveness
0% Instrumentalness • 80% Positiveness
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Laljeet Premi
Labharwa Mar Jaitau
104 bpm • G min • 04:07 • -4.57db
15% Popularity • 60% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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Amit Kashyap
Choli Khol Ke Tu Rang Dalwala Bhauji
103 bpm • F min • 03:39 • -2.89db
13% Popularity • 70% Danceability • 98% Energy • 43% Liveness
0% Instrumentalness • 70% Positiveness
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Rahul Singer
Rahul Singer Jahid Balam - Mewati
110 bpm • E min • 09:48 • -3.59db
8% Popularity • 76% Danceability • 95% Energy • 57% Liveness
0% Instrumentalness • 70% Positiveness
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Deepesh Deewana|Gudiya Singh Nirmala
Karam Chhathi Mai Ke Baratiya
110 bpm • F# Maj • 03:18 • -2.95db
13% Popularity • 64% Danceability • 92% Energy • 50% Liveness
0% Instrumentalness • 94% Positiveness
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Anita Shivani
Chupe Raha Chupe Raha
104 bpm • C# min • 06:28 • -9.62db
1% Popularity • 77% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Hira Ojha
Ye Jija Ji
110 bpm • B min • 03:14 • -2.14db
17% Popularity • 68% Danceability • 97% Energy • 60% Liveness
0% Instrumentalness • 90% Positiveness
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Sandeep Suaman
Banake Uir Gala Tota Ge - maithili
110 bpm • G# Maj • 04:01 • -2.06db
17% Popularity • 60% Danceability • 97% Energy • 43% Liveness
0% Instrumentalness • 93% Positiveness
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Arun Shastri
Ghar Wale Bhi Kahin Laage Mar Jaawe
110 bpm • E min • 05:46 • -4.75db
11% Popularity • 83% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Ishwer Chand Chunni Lal
Bhar Jata Dhori
110 bpm • F# min • 04:15 • -3.75db
11% Popularity • 74% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Samma Mewati
Man Lage Nay
110 bpm • B min • 09:39 • -1.16db
11% Popularity • 72% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Anita Shivani
Vivah Vidai Geet
104 bpm • E Maj • 04:04 • -5.37db
3% Popularity • 65% Danceability • 77% Energy • 62% Liveness
0% Instrumentalness • 82% Positiveness
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Shibu Dehati
Maja Aai Kable
110 bpm • B min • 04:04 • -2.6db
0% Popularity • 71% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Sumer Singh
Bhola Kailashi
102 bpm • A# min • 05:07 • -1.97db
0% Popularity • 73% Danceability • 94% Energy • 58% Liveness
0% Instrumentalness • 90% Positiveness
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Arun Shastri
Jitni Sanam Hai Badi Bewafa Hai
110 bpm • F# min • 05:55 • -4.06db
9% Popularity • 85% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Shyam Paliwal
Satam Ro Melo
102 bpm • F min • 05:23 • -7.2db
8% Popularity • 42% Danceability • 72% Energy • 81% Liveness
0% Instrumentalness • 78% Positiveness
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Asmeena Mewati
Aabid Mera Yar
110 bpm • A# min • 05:28 • -3.11db
15% Popularity • 76% Danceability • 96% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
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Anita Shivani
Banike Kaharwa Na
104 bpm • G Maj • 03:05 • -2.98db
0% Popularity • 71% Danceability • 90% Energy • 56% Liveness
0% Instrumentalness • 94% Positiveness
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Khesari Lal Yadav
Bajela Anand Badhaiya
110 bpm • D# Maj • 07:53 • -0.84db
18% Popularity • 33% Danceability • 89% Energy • 40% Liveness
0% Instrumentalness • 61% Positiveness
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Golu Raja
Jekara Se Love Kailu
111 bpm • B min • 04:29 • -5.82db
25% Popularity • 46% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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Prince Kumar Shivam
Shiv Kailashi Ghatwasi Kahale
101 bpm • C Maj • 05:30 • 2.1db
13% Popularity • 68% Danceability • 98% Energy • 42% Liveness
0% Instrumentalness • 83% Positiveness
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Shankar Tantubai
Mitha Mitha Boli Tor
101 bpm • G# Maj • 04:03 • -1.6db
19% Popularity • 36% Danceability • 99% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Akram Singer Punhana
AKRAM SINGER SR1515
101 bpm • A Maj • 10:55 • -10.88db
23% Popularity • 62% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Anita Shivani
Banse Ke Madauwa
104 bpm • C# min • 06:20 • -10.04db
1% Popularity • 73% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Ashish Yadav
Hardiya Ke Tonma
112 bpm • D Maj • 04:07 • -7.41db
6% Popularity • 68% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Raj Kumar Tinku
Chikan Bate Saman Chat Lebe Da
112 bpm • C min • 04:41 • -2.41db
0% Popularity • 66% Danceability • 97% Energy • 78% Liveness
0% Instrumentalness • 83% Positiveness
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Dinesh Lal Yadav
Nacha Nacha Ae Patarko
112 bpm • G# Maj • 04:40 • 1.4db
11% Popularity • 56% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Shankar Tantubai
Hay Re Laila
112 bpm • C min • 05:12 • -1.59db
11% Popularity • 59% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Rahul Raj
Dever Sala Chhuya Hai
100 bpm • C# min • 03:17 • -5.09db
0% Popularity • 69% Danceability • 91% Energy • 60% Liveness
0% Instrumentalness • 86% Positiveness
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Anita Shivani
Kathi Ke Chataiya Papa
104 bpm • E Maj • 06:29 • -1.79db
1% Popularity • 75% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Sahil Singer Mewati
Tera Gam M Hogo Bimar
100 bpm • F# min • 09:40 • -6.72db
15% Popularity • 72% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Pethari Lal
Piyawa Mil Gail
100 bpm • C# Maj • 06:09 • -0.55db
0% Popularity • 71% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Munni Lal Pyare
Laga Ke Cover Rajau
100 bpm • A# Maj • 05:39 • -2.13db
0% Popularity • 72% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Shankar Tantubai
Mon Gelo Pichhle
100 bpm • F# min • 04:38 • -1.19db
15% Popularity • 38% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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Dipu Dehati
Kawana Sawatiya Se
100 bpm • C# min • 05:56 • -1.8db
0% Popularity • 73% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Anita Shivani
Aaju Janakpur Me Madwa Bada Suhavan Laga...
110 bpm • F# min • 06:44 • -4.25db
0% Popularity • 71% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Ashish Yadav
Aeho Papa Kawna Nagariya
100 bpm • B Maj • 01:48 • -4.97db
11% Popularity • 84% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Niraj Nirala
Maa Tere Dwar Par
100 bpm • G Maj • 04:13 • -1.26db
0% Popularity • 67% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Munni Lal Pyare
Gail Bhuiya Me Gir
100 bpm • C# Maj • 04:59 • -2.75db
0% Popularity • 72% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Indu Sonali
Korwa Ke Sukh
100 bpm • F# min • 04:09 • -3.03db
19% Popularity • 76% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Sohil Dongdiya
Hari Bhari Mewat
100 bpm • F Maj • 06:40 • -2.88db
21% Popularity • 58% Danceability • 88% Energy • 3% Liveness
0% Instrumentalness • 79% Positiveness
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Anita Shivani
Chhoti Muki Dhobin Bitiya
110 bpm • F# Maj • 05:39 • -3.32db
0% Popularity • 65% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Surender Lal Yadav
Choliya Me Roj Hokhe
100 bpm • C Maj • 06:18 • -7.98db
20% Popularity • 80% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Vishnu Ji Chaubey
Tahare Ke Kaniya Banaiti
100 bpm • F min • 03:40 • -2.5db
11% Popularity • 68% Danceability • 97% Energy • 41% Liveness
0% Instrumentalness • 85% Positiveness
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Sumer Singh
Mangadi Machhardani Bhola Ji
100 bpm • A Maj • 06:08 • -0.96db
0% Popularity • 70% Danceability • 97% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Indu Sonali
Najariya Lad Gayi Re
100 bpm • B min • 03:12 • -5.83db
10% Popularity • 79% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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Santosh Akela
Tukur Tukur Ka Tu Dekho Hi Re
112 bpm • F min • 03:17 • -2.01db
15% Popularity • 66% Danceability • 97% Energy • 48% Liveness
0% Instrumentalness • 75% Positiveness
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Anita Shivani
Haradi Lagweli
110 bpm • E Maj • 05:00 • -1.6db
1% Popularity • 71% Danceability • 88% Energy • 50% Liveness
0% Instrumentalness • 88% Positiveness
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Pawan Singh
Satata Dewra Satata
99 bpm • C min • 05:44 • -5.5db
19% Popularity • 65% Danceability • 82% Energy • 58% Liveness
0% Instrumentalness • 84% Positiveness
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Shyam Paliwal
Pandva Ro Mayro Marwadi Katha
99 bpm • A# Maj • 01:46 • -9.25db
24% Popularity • 69% Danceability • 66% Energy • 42% Liveness
0% Instrumentalness • 86% Positiveness
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Chhotu Chhaliya
Kare Maliniya Singhar
114 bpm • A# min • 07:30 • -2.83db
13% Popularity • 45% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Indu Sonali
Sajna
114 bpm • E min • 03:56 • -6.26db
25% Popularity • 50% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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Vinod Bedardi
Sasura Jai Se Pahile
98 bpm • B min • 05:01 • -0.69db
0% Popularity • 82% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
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Anita Shivani
Sitla Maiya Ke Charniya
110 bpm • E min • 09:41 • -0.46db
0% Popularity • 52% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Dilip Verma
Dewaro Se Rang Dalawala
115 bpm • C# Maj • 03:41 • -1.37db
1% Popularity • 64% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Ji Ji Tiwari Ji
Kaise Hoi Chhath Ke Pujai
115 bpm • A# min • 02:59 • -3.06db
0% Popularity • 63% Danceability • 94% Energy • 44% Liveness
0% Instrumentalness • 75% Positiveness
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Himanshu Singh
Chhod Dihi Ganja Bhola
115 bpm • A# min • 03:31 • -0.56db
0% Popularity • 79% Danceability • 97% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Afsana Mewati
Jaaro Gaadi Leke Mewati
115 bpm • C min • 06:21 • -6.88db
16% Popularity • 62% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Chandan Preet
Apni To Jese Tese 2
115 bpm • G# Maj • 03:48 • -6.6db
0% Popularity • 79% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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Anita Shivani
Kurkhet Papa Harava Jotwala
110 bpm • E min • 07:25 • -4.37db
0% Popularity • 58% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Laddi Deewana
Jaan Ge Tora Hath Me Mehandi Ke Lagae de...
115 bpm • F Maj • 04:41 • -5.61db
0% Popularity • 78% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
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Sahil Khan Jatoli
Sokin Kanjhi Ki Bewafi
115 bpm • A# min • 09:09 • -0.68db
8% Popularity • 56% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Raj Kapur
Dubal Choti Bandh Ke Na Nikala Bajar Me
115 bpm • F min • 03:55 • -1.11db
9% Popularity • 71% Danceability • 97% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Diwakar Dwivedi
Dulahin Ke Bahini Ke Charcha - Bhojpuri
115 bpm • A# min • 03:57 • -1.04db
26% Popularity • 75% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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Sanoj Madhaw
Chamkili Chunni Odh Ke Bhabhi Nache Dj P...
115 bpm • G Maj • 05:30 • -3.81db
19% Popularity • 61% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Anita Shivani
Papa Papa Kahi Ke
110 bpm • F# min • 06:58 • -1.67db
0% Popularity • 73% Danceability • 86% Energy • 64% Liveness
0% Instrumentalness • 92% Positiveness
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Shyam Paliwal
Helo Sunjo Shyam
97 bpm • F min • 06:55 • -8.41db
21% Popularity • 42% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Bobby Raza
Re Sugwa
116 bpm • F# min • 03:56 • -0.96db
9% Popularity • 35% Danceability • 99% Energy • 53% Liveness
0% Instrumentalness • 64% Positiveness
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Prins Raj Gupta
Aho Raja Ji Bahute Dukhatave Ho
117 bpm • C# Maj • 03:45 • -3.34db
0% Popularity • 74% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Ashish Yadav
Jab Se Bhelo Sadi Set
96 bpm • G Maj • 04:15 • -8.88db
9% Popularity • 71% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Sonu Sargam
Rang Daaleke Mili A Jija
118 bpm • F# min • 05:49 • 0.16db
0% Popularity • 72% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Anita Shivani
Kariya Kariya Rasagulla
110 bpm • C# Maj • 02:35 • -2.11db
0% Popularity • 74% Danceability • 99% Energy • 41% Liveness
0% Instrumentalness • 77% Positiveness
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Om Prakash Diwana
Dudhawa Me Pani Milaweli Jethani
118 bpm • F# min • 07:07 • -1db
16% Popularity • 49% Danceability • 91% Energy • 43% Liveness
0% Instrumentalness • 94% Positiveness
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Arvind Akela Kallu Ji
Apna Balamua Ke Pa Ke
95 bpm • B min • 04:20 • -2.62db
20% Popularity • 58% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Sandeep Suman
Janu Janu Kahike Thaik Lelhi Ge
95 bpm • G# Maj • 03:24 • -2.08db
17% Popularity • 57% Danceability • 98% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
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Kekar Bate Badibadi Akhiya