Songs like Key to Love by John Mayall & The Bluesbreakers
Based on a tempo of (+/- 10%) and a similar genre
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Savoy Brown
Close to Midnight
99 bpm • A min • 04:08 • -6.23db
24% Popularity • 57% Danceability • 63% Energy • 10% Liveness
86% Instrumentalness • 44% Positiveness
24% Popularity • 57% Danceability • 63% Energy • 10% Liveness
86% Instrumentalness • 44% Positiveness
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Guitar Shorty
A Little Less Conversation
99 bpm • B min • 04:04 • -5db
46% Popularity • 60% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
46% Popularity • 60% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Charlie Musselwhite
Harpin' On A Riff - Instrumental
99 bpm • C Maj • 03:34 • -8.55db
22% Popularity • 47% Danceability • 86% Energy • 36% Liveness
87% Instrumentalness • 91% Positiveness
22% Popularity • 47% Danceability • 86% Energy • 36% Liveness
87% Instrumentalness • 91% Positiveness
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Son Seals
Blue Shadows Falling
99 bpm • D Maj • 06:14 • -16.23db
13% Popularity • 64% Danceability • 34% Energy • 90% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 64% Danceability • 34% Energy • 90% Liveness
0% Instrumentalness • 69% Positiveness
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Lightnin' Hopkins
Give Me Time to Think
99 bpm • A Maj • 03:44 • -12.11db
24% Popularity • 65% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 65% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Kim Simmonds
Looking In
100 bpm • C Maj • 05:17 • -12.46db
19% Popularity • 59% Danceability • 50% Energy • 8% Liveness
4% Instrumentalness • 68% Positiveness
19% Popularity • 59% Danceability • 50% Energy • 8% Liveness
4% Instrumentalness • 68% Positiveness
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John Mayall & The Bluesbreakers
Alabama Blues
100 bpm • G Maj • 02:29 • -15.56db
16% Popularity • 79% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 79% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Johnny Copeland
Rolling With The Punches
100 bpm • G# Maj • 06:34 • -8.25db
33% Popularity • 73% Danceability • 80% Energy • 18% Liveness
1% Instrumentalness • 88% Positiveness
33% Popularity • 73% Danceability • 80% Energy • 18% Liveness
1% Instrumentalness • 88% Positiveness
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The Fabulous Thunderbirds
Extra Jimmies
98 bpm • E Maj • 02:38 • -9.91db
29% Popularity • 64% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 64% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Mike Bloomfield
Albert's Shuffle
98 bpm • C Maj • 06:53 • -7.86db
36% Popularity • 45% Danceability • 61% Energy • 56% Liveness
71% Instrumentalness • 66% Positiveness
36% Popularity • 45% Danceability • 61% Energy • 56% Liveness
71% Instrumentalness • 66% Positiveness
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John Mayall
Key To Love - Stereo
98 bpm • A Maj • 02:05 • -5.7db
21% Popularity • 41% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 41% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Sonny Boy Williamson II
Nine Below Zero - 1961 Single Version
98 bpm • C Maj • 03:28 • -5db
34% Popularity • 58% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 58% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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John Mayall & The Bluesbreakers
Key To Love
98 bpm • A Maj • 02:09 • -10db
25% Popularity • 41% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 41% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Robert Johnson
Sweet Home Chicago
98 bpm • F# Maj • 02:59 • -12.14db
43% Popularity • 66% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 66% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Taste
I'm Moving On
100 bpm • A Maj • 02:28 • -17.55db
32% Popularity • 64% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 64% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Earl Hooker
End Of The Blues
100 bpm • G Maj • 04:27 • -11db
28% Popularity • 59% Danceability • 34% Energy • 21% Liveness
72% Instrumentalness • 56% Positiveness
28% Popularity • 59% Danceability • 34% Energy • 21% Liveness
72% Instrumentalness • 56% Positiveness
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Magic Sam
I Need You so Bad
100 bpm • A Maj • 04:56 • -12db
16% Popularity • 47% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 47% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Guitar Shorty
Let My Guitar Do The Talking
100 bpm • E min • 04:50 • -5db
34% Popularity • 69% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 69% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Son Seals
Cotton Picking Blues
100 bpm • C Maj • 04:41 • -13db
30% Popularity • 60% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 60% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Albert Collins
Black Cat Bone
98 bpm • C Maj • 04:58 • -8db
33% Popularity • 59% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 59% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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John Mayall & The Bluesbreakers
My Time After A While - Original
101 bpm • D# min • 05:09 • -10.55db
3% Popularity • 55% Danceability • 39% Energy • 5% Liveness
1% Instrumentalness • 57% Positiveness
3% Popularity • 55% Danceability • 39% Energy • 5% Liveness
1% Instrumentalness • 57% Positiveness
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Lonnie Mack
Oreo Cookie Blues
97 bpm • E Maj • 04:54 • -10db
37% Popularity • 65% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 65% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Jeff Healey
How Blue Can You Get
98 bpm • F Maj • 08:55 • -12.96db
29% Popularity • 40% Danceability • 41% Energy • 74% Liveness
1% Instrumentalness • 61% Positiveness
29% Popularity • 40% Danceability • 41% Energy • 74% Liveness
1% Instrumentalness • 61% Positiveness
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Sonny Boy Williamson II
She's My Baby - Stereo Version
97 bpm • C Maj • 02:10 • -6.85db
26% Popularity • 38% Danceability • 64% Energy • 26% Liveness
9% Instrumentalness • 77% Positiveness
26% Popularity • 38% Danceability • 64% Energy • 26% Liveness
9% Instrumentalness • 77% Positiveness
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Free
Wild Indian Woman
101 bpm • C Maj • 03:40 • -8.84db
29% Popularity • 59% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
29% Popularity • 59% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Jimmy Reed
Buy Me A Hound Dog
97 bpm • A Maj • 02:30 • -8db
31% Popularity • 64% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 64% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Hot Tuna
Uncle Sam Blues - Live
102 bpm • E min • 04:57 • -16.47db
24% Popularity • 56% Danceability • 27% Energy • 48% Liveness
1% Instrumentalness • 77% Positiveness
24% Popularity • 56% Danceability • 27% Energy • 48% Liveness
1% Instrumentalness • 77% Positiveness
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Lonnie Mack
Hound Dog Man
101 bpm • C Maj • 04:08 • -7db
34% Popularity • 64% Danceability • 83% Energy • 14% Liveness
1% Instrumentalness • 86% Positiveness
34% Popularity • 64% Danceability • 83% Energy • 14% Liveness
1% Instrumentalness • 86% Positiveness
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Stephen Stills
Go Back Home
96 bpm • G Maj • 05:54 • -10.12db
38% Popularity • 65% Danceability • 54% Energy • 18% Liveness
56% Instrumentalness • 60% Positiveness
38% Popularity • 65% Danceability • 54% Energy • 18% Liveness
56% Instrumentalness • 60% Positiveness
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Melvin R. London
It Hurts Me Too
102 bpm • G Maj • 02:55 • -11.97db
19% Popularity • 66% Danceability • 47% Energy • 8% Liveness
84% Instrumentalness • 84% Positiveness
19% Popularity • 66% Danceability • 47% Energy • 8% Liveness
84% Instrumentalness • 84% Positiveness
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Robert Johnson
Ramblin' On My Mind - Mono
102 bpm • E Maj • 03:06 • -6db
31% Popularity • 75% Danceability • 41% Energy • 6% Liveness
2% Instrumentalness • 66% Positiveness
31% Popularity • 75% Danceability • 41% Energy • 6% Liveness
2% Instrumentalness • 66% Positiveness
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Robin Trower
Bridge of Sighs - 2007 Remaster
96 bpm • E min • 05:01 • -10db
49% Popularity • 34% Danceability • 52% Energy • 66% Liveness
41% Instrumentalness • 33% Positiveness
49% Popularity • 34% Danceability • 52% Energy • 66% Liveness
41% Instrumentalness • 33% Positiveness
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Mick Taylor
Giddy-Up
102 bpm • A Maj • 05:15 • -11.66db
14% Popularity • 57% Danceability • 56% Energy • 5% Liveness
92% Instrumentalness • 64% Positiveness
14% Popularity • 57% Danceability • 56% Energy • 5% Liveness
92% Instrumentalness • 64% Positiveness
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Lonnie Mack
Riding The Blinds
97 bpm • G Maj • 04:22 • -10.1db
33% Popularity • 52% Danceability • 71% Energy • 97% Liveness
18% Instrumentalness • 65% Positiveness
33% Popularity • 52% Danceability • 71% Energy • 97% Liveness
18% Instrumentalness • 65% Positiveness
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Alexis Korner
Operator
96 bpm • B min • 04:41 • -13.48db
12% Popularity • 60% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 60% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Kim Simmonds
I'll Make Everything Alright
102 bpm • A Maj • 03:19 • -15.87db
20% Popularity • 77% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 77% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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John Mayall & The Bluesbreakers
Mr. James
96 bpm • D Maj • 02:48 • -3.32db
8% Popularity • 57% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 57% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Howlin' Wolf
Who's Been Talking?
103 bpm • A min • 02:26 • -14.82db
32% Popularity • 57% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 57% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Earl Hooker
Wah Wah Blues
103 bpm • D Maj • 04:36 • -14db
29% Popularity • 53% Danceability • 32% Energy • 23% Liveness
3% Instrumentalness • 43% Positiveness
29% Popularity • 53% Danceability • 32% Energy • 23% Liveness
3% Instrumentalness • 43% Positiveness
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Lowell Fulson
Reconsider Baby
95 bpm • C Maj • 03:09 • -10.98db
42% Popularity • 69% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 69% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Taste
What's Going On
95 bpm • G Maj • 02:46 • -14.81db
42% Popularity • 36% Danceability • 54% Energy • 15% Liveness
1% Instrumentalness • 66% Positiveness
42% Popularity • 36% Danceability • 54% Energy • 15% Liveness
1% Instrumentalness • 66% Positiveness
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Free
Trouble On Double Time
95 bpm • A Maj • 03:25 • -11db
38% Popularity • 68% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 68% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Billy Boy Arnold
I Wish You Would
95 bpm • G Maj • 03:39 • -11.98db
31% Popularity • 65% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 65% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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John Mayall & The Bluesbreakers
You Don't Love Me
95 bpm • F min • 02:48 • -13.42db
23% Popularity • 61% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 61% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Muddy Waters
I'm A King Bee
103 bpm • B min • 03:51 • -9db
41% Popularity • 56% Danceability • 79% Energy • 59% Liveness
1% Instrumentalness • 83% Positiveness
41% Popularity • 56% Danceability • 79% Energy • 59% Liveness
1% Instrumentalness • 83% Positiveness
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Traffic
Feelin' Alright?
95 bpm • F Maj • 04:17 • -10.78db
52% Popularity • 47% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
52% Popularity • 47% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
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Howlin' Wolf
The Red Rooster
103 bpm • D Maj • 03:50 • -12.26db
29% Popularity • 79% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 79% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Otis Rush
Working Man
103 bpm • C Maj • 02:27 • -10.95db
52% Popularity • 63% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
52% Popularity • 63% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Hound Dog Taylor & The HouseRockers
Held My Baby Last Night
95 bpm • A Maj • 04:17 • -17.28db
25% Popularity • 58% Danceability • 31% Energy • 33% Liveness
4% Instrumentalness • 72% Positiveness
25% Popularity • 58% Danceability • 31% Energy • 33% Liveness
4% Instrumentalness • 72% Positiveness
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Kim Simmonds
It'll Make You Happy
104 bpm • G Maj • 03:26 • -15.27db
20% Popularity • 57% Danceability • 46% Energy • 11% Liveness
5% Instrumentalness • 89% Positiveness
20% Popularity • 57% Danceability • 46% Energy • 11% Liveness
5% Instrumentalness • 89% Positiveness
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Eric Burdon & the Animals
St. James Infirmary
95 bpm • E Maj • 05:03 • -10.1db
22% Popularity • 38% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
22% Popularity • 38% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Taste
Hail
104 bpm • A Maj • 02:35 • -21db
15% Popularity • 64% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 64% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Earl Hooker
Blue Guitar
104 bpm • A min • 02:39 • -7db
41% Popularity • 44% Danceability • 42% Energy • 14% Liveness
90% Instrumentalness • 55% Positiveness
41% Popularity • 44% Danceability • 42% Energy • 14% Liveness
90% Instrumentalness • 55% Positiveness
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Albert Collins
Ice Pick
95 bpm • C Maj • 03:08 • -6db
40% Popularity • 61% Danceability • 75% Energy • 16% Liveness
71% Instrumentalness • 61% Positiveness
40% Popularity • 61% Danceability • 75% Energy • 16% Liveness
71% Instrumentalness • 61% Positiveness
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Traffic
Pearly Queen
104 bpm • D min • 04:19 • -10db
34% Popularity • 54% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
34% Popularity • 54% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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T-Bone Walker
Call It Stormy Monday But Tuesday Is Jus...
104 bpm • C Maj • 03:03 • -16db
46% Popularity • 62% Danceability • 13% Energy • 4% Liveness
6% Instrumentalness • 44% Positiveness
46% Popularity • 62% Danceability • 13% Energy • 4% Liveness
6% Instrumentalness • 44% Positiveness
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The Fabulous Thunderbirds
Full-Time Lover
104 bpm • E Maj • 04:43 • -6.72db
21% Popularity • 54% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 54% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Jimmy Reed
Baby What You Want Me To Do
94 bpm • A Maj • 02:24 • -11.62db
44% Popularity • 58% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
44% Popularity • 58% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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Free
Songs Of Yesterday
104 bpm • F# Maj • 03:35 • -11db
41% Popularity • 51% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 51% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Ry Cooder
Cherry Ball Blues
104 bpm • G Maj • 04:13 • -13.41db
29% Popularity • 66% Danceability • 49% Energy • 28% Liveness
84% Instrumentalness • 59% Positiveness
29% Popularity • 66% Danceability • 49% Energy • 28% Liveness
84% Instrumentalness • 59% Positiveness
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Traffic
Medicated Goo
94 bpm • G Maj • 03:37 • -10db
44% Popularity • 50% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
44% Popularity • 50% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Son Seals
On My Knees
104 bpm • D Maj • 04:59 • -11.74db
16% Popularity • 67% Danceability • 48% Energy • 9% Liveness
19% Instrumentalness • 91% Positiveness
16% Popularity • 67% Danceability • 48% Energy • 9% Liveness
19% Instrumentalness • 91% Positiveness
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Cactus
No Need to Worry
104 bpm • F Maj • 06:14 • -15.66db
21% Popularity • 45% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 45% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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John Mayall & The Bluesbreakers
Leaping Christine
94 bpm • C min • 02:22 • -13.03db
14% Popularity • 42% Danceability • 42% Energy • 34% Liveness
20% Instrumentalness • 91% Positiveness
14% Popularity • 42% Danceability • 42% Energy • 34% Liveness
20% Instrumentalness • 91% Positiveness
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Keith Richards
Big Town Playboy (2019 Remaster)
94 bpm • D Maj • 04:20 • -10.38db
16% Popularity • 70% Danceability • 54% Energy • 10% Liveness
5% Instrumentalness • 63% Positiveness
16% Popularity • 70% Danceability • 54% Energy • 10% Liveness
5% Instrumentalness • 63% Positiveness
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Melvin Taylor
Cadillac Assembly Line
94 bpm • A min • 05:18 • -19.03db
40% Popularity • 74% Danceability • 36% Energy • 12% Liveness
9% Instrumentalness • 72% Positiveness
40% Popularity • 74% Danceability • 36% Energy • 12% Liveness
9% Instrumentalness • 72% Positiveness
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Free
Walk In My Shadow
94 bpm • C min • 03:30 • -10.11db
48% Popularity • 53% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
48% Popularity • 53% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Howlin' Wolf
Moanin' At Midnight
93 bpm • B min • 02:56 • -13.98db
40% Popularity • 36% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 76% Positiveness
40% Popularity • 36% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 76% Positiveness
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Taste
Eat My Words
105 bpm • G Maj • 03:45 • -18db
19% Popularity • 42% Danceability • 50% Energy • 40% Liveness
2% Instrumentalness • 30% Positiveness
19% Popularity • 42% Danceability • 50% Energy • 40% Liveness
2% Instrumentalness • 30% Positiveness
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Jethro Tull
A Song for Jeffrey - Mono
93 bpm • C Maj • 03:24 • -14.48db
44% Popularity • 52% Danceability • 52% Energy • 9% Liveness
34% Instrumentalness • 86% Positiveness
44% Popularity • 52% Danceability • 52% Energy • 9% Liveness
34% Instrumentalness • 86% Positiveness
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Magic Sam
Lookin' Good
93 bpm • E min • 03:17 • -11.9db
19% Popularity • 47% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 64% Positiveness
19% Popularity • 47% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 64% Positiveness
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Kim Simmonds
Money Can't Save Your Soul
105 bpm • C Maj • 05:31 • -18.36db
17% Popularity • 48% Danceability • 32% Energy • 12% Liveness
3% Instrumentalness • 23% Positiveness
17% Popularity • 48% Danceability • 32% Energy • 12% Liveness
3% Instrumentalness • 23% Positiveness
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John Mayall & The Bluesbreakers
Oh Pretty Woman - Original
105 bpm • F# min • 03:34 • -12.15db
9% Popularity • 65% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 65% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Johnny Copeland
Tumblin' Dice
105 bpm • A Maj • 04:18 • -7.96db
19% Popularity • 53% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 53% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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John Mayall
The Bear
93 bpm • D# Maj • 04:39 • -18.59db
14% Popularity • 62% Danceability • 40% Energy • 9% Liveness
16% Instrumentalness • 62% Positiveness
14% Popularity • 62% Danceability • 40% Energy • 9% Liveness
16% Instrumentalness • 62% Positiveness
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Blodwyn Pig
Long Bomb Blues - 2009 Remaster
106 bpm • F Maj • 01:08 • -15db
42% Popularity • 58% Danceability • 50% Energy • 19% Liveness
1% Instrumentalness • 72% Positiveness
42% Popularity • 58% Danceability • 50% Energy • 19% Liveness
1% Instrumentalness • 72% Positiveness
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T-Bone Walker
Poontang
106 bpm • G Maj • 02:55 • -14.6db
30% Popularity • 68% Danceability • 42% Energy • 9% Liveness
84% Instrumentalness • 77% Positiveness
30% Popularity • 68% Danceability • 42% Energy • 9% Liveness
84% Instrumentalness • 77% Positiveness
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Quicksilver Messenger Service
Who Do You Love - Pt. 1
93 bpm • E Maj • 03:32 • -13db
46% Popularity • 64% Danceability • 56% Energy • 50% Liveness
79% Instrumentalness • 83% Positiveness
46% Popularity • 64% Danceability • 56% Energy • 50% Liveness
79% Instrumentalness • 83% Positiveness
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Little Walter
Sad Hours
92 bpm • C min • 03:12 • -9db
39% Popularity • 50% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 50% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Keith Richards
Crosseyed Heart
92 bpm • A Maj • 01:52 • -11db
42% Popularity • 73% Danceability • 21% Energy • 11% Liveness
9% Instrumentalness • 51% Positiveness
42% Popularity • 73% Danceability • 21% Energy • 11% Liveness
9% Instrumentalness • 51% Positiveness
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Jimmy Reed
Bright Lights, Big City
92 bpm • D Maj • 02:49 • -9db
38% Popularity • 74% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 74% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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John Mayall & The Bluesbreakers
What'd I Say
92 bpm • D Maj • 04:29 • -12.88db
18% Popularity • 36% Danceability • 66% Energy • 15% Liveness
18% Instrumentalness • 93% Positiveness
18% Popularity • 36% Danceability • 66% Energy • 15% Liveness
18% Instrumentalness • 93% Positiveness
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Charlie Musselwhite
Help Me
107 bpm • E min • 03:30 • -10db
16% Popularity • 55% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 55% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Quicksilver Messenger Service
Who Do You Love (Part 1) - Remastered
92 bpm • E Maj • 05:40 • -9db
24% Popularity • 48% Danceability • 69% Energy • 9% Liveness
81% Instrumentalness • 86% Positiveness
24% Popularity • 48% Danceability • 69% Energy • 9% Liveness
81% Instrumentalness • 86% Positiveness
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Koko Taylor
I Got What It Takes
107 bpm • D Maj • 03:42 • -11db
40% Popularity • 82% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
40% Popularity • 82% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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John Mayall
Black Cat Moan
92 bpm • C# min • 03:50 • -10.92db
18% Popularity • 61% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 61% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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Albert King
Born Under A Bad Sign - Mono Mix
92 bpm • B Maj • 02:49 • -11.21db
59% Popularity • 71% Danceability • 48% Energy • 3% Liveness
1% Instrumentalness • 88% Positiveness
59% Popularity • 71% Danceability • 48% Energy • 3% Liveness
1% Instrumentalness • 88% Positiveness
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John Mayall & The Bluesbreakers
All Your Love
108 bpm • D min • 03:36 • -9.22db
51% Popularity • 35% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
51% Popularity • 35% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Bo Diddley
Before You Accuse Me (Take A Look At You...
108 bpm • B min • 03:04 • -16db
35% Popularity • 72% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 72% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Jimmy Witherspoon
Steam Roller
108 bpm • E min • 04:26 • -11.78db
11% Popularity • 65% Danceability • 58% Energy • 2% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 65% Danceability • 58% Energy • 2% Liveness
0% Instrumentalness • 74% Positiveness
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Magic Slim & The Teardrops
Think
108 bpm • E min • 03:28 • -5.77db
6% Popularity • 74% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
6% Popularity • 74% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Taste
Morning Sun
108 bpm • D Maj • 02:37 • -19db
29% Popularity • 71% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 71% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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John Mayall
Medicine Man
108 bpm • F Maj • 02:45 • -22.79db
19% Popularity • 60% Danceability • 16% Energy • 26% Liveness
18% Instrumentalness • 22% Positiveness
19% Popularity • 60% Danceability • 16% Energy • 26% Liveness
18% Instrumentalness • 22% Positiveness
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Hound Dog Taylor & The HouseRockers
It Hurts Me Too
91 bpm • E Maj • 03:52 • -15.96db
23% Popularity • 49% Danceability • 38% Energy • 39% Liveness
29% Instrumentalness • 89% Positiveness
23% Popularity • 49% Danceability • 38% Energy • 39% Liveness
29% Instrumentalness • 89% Positiveness
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A.C. Reed
Miami Strut
108 bpm • G Maj • 02:57 • -8.77db
35% Popularity • 55% Danceability • 88% Energy • 11% Liveness
14% Instrumentalness • 86% Positiveness
35% Popularity • 55% Danceability • 88% Energy • 11% Liveness
14% Instrumentalness • 86% Positiveness
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Elvin Bishop & Charlie Musselwhite
West Helena Blues
90 bpm • A Maj • 04:51 • -2.6db
14% Popularity • 50% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 50% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
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Blind Faith
Under My Thumb - Live: Hyde Park, London...
109 bpm • D# min • 06:06 • -13.91db
30% Popularity • 34% Danceability • 60% Energy • 82% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 34% Danceability • 60% Energy • 82% Liveness
0% Instrumentalness • 80% Positiveness
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Albert Collins
If Trouble Was Money
109 bpm • F min • 09:21 • -15.03db
34% Popularity • 48% Danceability • 35% Energy • 15% Liveness
2% Instrumentalness • 28% Positiveness
34% Popularity • 48% Danceability • 35% Energy • 15% Liveness
2% Instrumentalness • 28% Positiveness
