Songs like Keyboard Sonata in D Minor, K.1/L.366/P.57 by Alessandro Scarlatti
Based on a tempo of (+/- 10%) and a similar genre
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Alessandro Scarlatti
Allegro in G Minor
120 bpm • A# min • 01:14 • -25.68db
3% Popularity • 26% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
3% Popularity • 26% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Henry Eccles
Double Bass Sonata: II. Courante: Allegr...
119 bpm • A min • 01:34 • -24db
12% Popularity • 62% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 82% Positiveness
12% Popularity • 62% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 82% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Jean-Philippe Rameau
Suite en ré: Les niais de Sologne
121 bpm • D Maj • 01:44 • -29db
36% Popularity • 48% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 89% Positiveness
36% Popularity • 48% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 89% Positiveness
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Joseph-Nicolas-Pancrace Royer
Royer: Premier livre de pièces de clave...
121 bpm • G min • 04:51 • -24db
29% Popularity • 29% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
29% Popularity • 29% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
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Edvard Grieg
Lyric Pieces Book VIII, Op. 65: No. 6 We...
121 bpm • D Maj • 05:21 • -19.52db
17% Popularity • 51% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
17% Popularity • 51% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
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Alessandro Scarlatti
Keyboard Sonata in D Minor, K.1/L.366/P....
120 bpm • D min • 02:17 • -22.73db
28% Popularity • 47% Danceability • 27% Energy • 15% Liveness
92% Instrumentalness • 81% Positiveness
28% Popularity • 47% Danceability • 27% Energy • 15% Liveness
92% Instrumentalness • 81% Positiveness
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Jean-Baptiste Lully
Armide Opera In 5 Acts With Prologue: Pa...
119 bpm • F# min • 03:58 • -17db
22% Popularity • 39% Danceability • 13% Energy • 31% Liveness
2% Instrumentalness • 33% Positiveness
22% Popularity • 39% Danceability • 13% Energy • 31% Liveness
2% Instrumentalness • 33% Positiveness
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George Frideric Handel
Handel: Suite No. 11 in D Minor, HWV 437...
119 bpm • D min • 02:57 • -28.68db
55% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
55% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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Antonio Vivaldi
Concerto for Clarinet and Orchestra No. ...
119 bpm • E min • 03:31 • -26db
32% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
32% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
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George Walker
Sonata in D Minor, L. 366
121 bpm • D min • 02:16 • -22.7db
17% Popularity • 63% Danceability • 26% Energy • 16% Liveness
91% Instrumentalness • 66% Positiveness
17% Popularity • 63% Danceability • 26% Energy • 16% Liveness
91% Instrumentalness • 66% Positiveness
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Claudio Monteverdi
Chiome d'oro, SV 143
119 bpm • C Maj • 01:25 • -23db
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
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Alessandro Scarlatti
Sei Concerti in sette parti: No. 6 in E ...
118 bpm • C min • 01:10 • -14.55db
3% Popularity • 22% Danceability • 18% Energy • 23% Liveness
1% Instrumentalness • 12% Positiveness
3% Popularity • 22% Danceability • 18% Energy • 23% Liveness
1% Instrumentalness • 12% Positiveness
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Guillaume Lekeu
String Quartet in G Major: III. Capricci...
122 bpm • E min • 03:02 • -33.39db
8% Popularity • 27% Danceability • 1% Energy • 28% Liveness
12% Instrumentalness • 33% Positiveness
8% Popularity • 27% Danceability • 1% Energy • 28% Liveness
12% Instrumentalness • 33% Positiveness
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George Frideric Handel
Handel: Keyboard Suite in G Minor, HWV 4...
118 bpm • G min • 04:42 • -17.21db
14% Popularity • 36% Danceability • 17% Energy • 27% Liveness
80% Instrumentalness • 26% Positiveness
14% Popularity • 36% Danceability • 17% Energy • 27% Liveness
80% Instrumentalness • 26% Positiveness
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Slovak Chamber Orchestra
Orchestral Suite No. 2 in B Minor, BWV 1...
118 bpm • B min • 02:45 • -19.03db
37% Popularity • 52% Danceability • 20% Energy • 32% Liveness
25% Instrumentalness • 63% Positiveness
37% Popularity • 52% Danceability • 20% Energy • 32% Liveness
25% Instrumentalness • 63% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Violins in B Minor, Op. 3...
118 bpm • B min • 03:37 • -17db
47% Popularity • 49% Danceability • 30% Energy • 8% Liveness
19% Instrumentalness • 63% Positiveness
47% Popularity • 49% Danceability • 30% Energy • 8% Liveness
19% Instrumentalness • 63% Positiveness
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Franz Schubert
Fantasie in F Minor, D. 940: I. Allegro ...
118 bpm • C Maj • 04:56 • -25.2db
20% Popularity • 47% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 21% Positiveness
20% Popularity • 47% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 21% Positiveness
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Béla Bartók
Mikrokosmos, BB 105, Vol. 5: Vol. 5, No....
122 bpm • G# Maj • 01:06 • -24.01db
0% Popularity • 36% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 42% Positiveness
0% Popularity • 36% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 42% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, K.9/L.413/P....
118 bpm • F Maj • 03:18 • -25.07db
44% Popularity • 47% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
44% Popularity • 47% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
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Alessandro Scarlatti
Toccata & Aria in D Minor: II. Aria alla...
122 bpm • C# Maj • 01:42 • -14.24db
0% Popularity • 43% Danceability • 54% Energy • 13% Liveness
4% Instrumentalness • 77% Positiveness
0% Popularity • 43% Danceability • 54% Energy • 13% Liveness
4% Instrumentalness • 77% Positiveness
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Antonio Vivaldi
Concerto in A Minor, RV 356: I. Allegro
123 bpm • A min • 02:46 • -18db
22% Popularity • 61% Danceability • 32% Energy • 14% Liveness
82% Instrumentalness • 76% Positiveness
22% Popularity • 61% Danceability • 32% Energy • 14% Liveness
82% Instrumentalness • 76% Positiveness
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Louis-Claude Daquin
Le Coucou (Premiere Livre de pièces de ...
123 bpm • E min • 02:05 • -28.57db
14% Popularity • 29% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 75% Positiveness
14% Popularity • 29% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 75% Positiveness
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Benedetto Marcello
Concerto in E Minor: II. Vivace
117 bpm • D# min • 01:41 • -18.41db
43% Popularity • 60% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 86% Positiveness
43% Popularity • 60% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 86% Positiveness
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Arcangelo Corelli
Sonata in D Major, No. 1: III. Allegro
117 bpm • G# Maj • 01:05 • -15.54db
58% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
58% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
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Charles Avison
Concerto Grosso No. 5 in D Minor (after ...
123 bpm • C# min • 02:47 • -20db
18% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Alessandro Scarlatti
Sei Concerti in sette parti: No. 6 in E ...
117 bpm • A# Maj • 00:55 • -11.72db
3% Popularity • 46% Danceability • 38% Energy • 8% Liveness
94% Instrumentalness • 78% Positiveness
3% Popularity • 46% Danceability • 38% Energy • 8% Liveness
94% Instrumentalness • 78% Positiveness
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Antonio Vivaldi
Violin Concerto in D Major, RV 228: I. A...
123 bpm • D Maj • 02:46 • -20db
47% Popularity • 34% Danceability • 21% Energy • 15% Liveness
61% Instrumentalness • 33% Positiveness
47% Popularity • 34% Danceability • 21% Energy • 15% Liveness
61% Instrumentalness • 33% Positiveness
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Marin Marais
Sonnerie de Ste. Geneviève du Mont-de-P...
124 bpm • G# min • 07:52 • -15.87db
34% Popularity • 31% Danceability • 23% Energy • 10% Liveness
65% Instrumentalness • 24% Positiveness
34% Popularity • 31% Danceability • 23% Energy • 10% Liveness
65% Instrumentalness • 24% Positiveness
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Michel Blavet
Concerto in A Minor for Flute and String...
116 bpm • G# min • 05:38 • -19db
28% Popularity • 44% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
28% Popularity • 44% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
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Carl Philipp Emanuel Bach
Württemberg Sonatas / Sonata No. 3 in E...
124 bpm • G Maj • 06:01 • -23.76db
36% Popularity • 44% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
36% Popularity • 44% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
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Frédéric Chopin
Nocturne No. 2 in E-Flat Major, Op. 9, N...
124 bpm • D# Maj • 04:02 • -28.07db
15% Popularity • 40% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 40% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Alessandro Scarlatti
Toccata & Fugue in D Minor: I. Allegro
117 bpm • C# min • 03:19 • -11.39db
0% Popularity • 21% Danceability • 80% Energy • 7% Liveness
1% Instrumentalness • 86% Positiveness
0% Popularity • 21% Danceability • 80% Energy • 7% Liveness
1% Instrumentalness • 86% Positiveness
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Rinaldo Alessandrini
Déraisonnable beauté: Chaconne
124 bpm • B Maj • 02:47 • -25.87db
24% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
24% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
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Antonio Vivaldi
Concerto for 2 Violins in A Minor, Op. 3...
118 bpm • D min • 09:50 • -19.86db
13% Popularity • 39% Danceability • 14% Energy • 24% Liveness
20% Instrumentalness • 16% Positiveness
13% Popularity • 39% Danceability • 14% Energy • 24% Liveness
20% Instrumentalness • 16% Positiveness
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Henry Eccles
Double Bass Sonata: IV. Vivace
115 bpm • A min • 01:29 • -23.4db
12% Popularity • 57% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 84% Positiveness
12% Popularity • 57% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 84% Positiveness
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Jean Sibelius
Sibelius: 13 Pieces, Op. 76: No. 2, Étu...
125 bpm • A min • 01:20 • -23.38db
19% Popularity • 57% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 97% Positiveness
19% Popularity • 57% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 97% Positiveness
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Jean-Philippe Rameau
Rameau: Nouvelles suites de pièces de c...
125 bpm • C Maj • 06:27 • -18.66db
8% Popularity • 35% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 40% Positiveness
8% Popularity • 35% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 40% Positiveness
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Alessandro Scarlatti
Sei Concerti in sette parti: No. 5 in D ...
116 bpm • C# min • 01:11 • -13db
3% Popularity • 45% Danceability • 41% Energy • 7% Liveness
91% Instrumentalness • 55% Positiveness
3% Popularity • 45% Danceability • 41% Energy • 7% Liveness
91% Instrumentalness • 55% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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Frédéric Chopin
Preludes, Op. 28: No. 4 in E Minor, Larg...
115 bpm • C Maj • 02:20 • -31db
46% Popularity • 44% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
46% Popularity • 44% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
31% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
31% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
2 Morceaux, Op. 10: No. 2: Humoresque in...
126 bpm • G Maj • 02:38 • -24.86db
1% Popularity • 58% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
1% Popularity • 58% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
126 bpm • G min • 04:11 • -13db
46% Popularity • 33% Danceability • 52% Energy • 27% Liveness
24% Instrumentalness • 7% Positiveness
46% Popularity • 33% Danceability • 52% Energy • 27% Liveness
24% Instrumentalness • 7% Positiveness
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Alessandro Scarlatti
Toccata IV in A Minor: II. Fuga
124 bpm • G min • 01:22 • -24.97db
1% Popularity • 20% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
1% Popularity • 20% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 102: I. Andante u...
126 bpm • E min • 02:47 • -20.78db
1% Popularity • 43% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 6% Positiveness
1% Popularity • 43% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 6% Positiveness
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Alfred Cortot
Adagio From The Concerto In F Minor
114 bpm • G# Maj • 02:51 • -29db
16% Popularity • 52% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 21% Positiveness
16% Popularity • 52% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 21% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
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Antonio Vivaldi
Concerto for Strings in C Major, RV 114:...
126 bpm • B Maj • 02:29 • -23db
24% Popularity • 39% Danceability • 10% Energy • 21% Liveness
3% Instrumentalness • 59% Positiveness
24% Popularity • 39% Danceability • 10% Energy • 21% Liveness
3% Instrumentalness • 59% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
114 bpm • F Maj • 05:41 • -16.4db
42% Popularity • 39% Danceability • 15% Energy • 14% Liveness
46% Instrumentalness • 13% Positiveness
42% Popularity • 39% Danceability • 15% Energy • 14% Liveness
46% Instrumentalness • 13% Positiveness
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Alessandro Scarlatti
Toccata terza in G Minor: III. Fuga
114 bpm • F min • 01:57 • -24.92db
1% Popularity • 30% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
1% Popularity • 30% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: II. Andante e...
126 bpm • A min • 02:28 • -23.62db
2% Popularity • 35% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
2% Popularity • 35% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
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Ottorino Respighi
Bach - Violin Sonata in E Minor, P. 85 (...
126 bpm • D Maj • 00:58 • -32.14db
24% Popularity • 49% Danceability • 16% Energy • 57% Liveness
16% Instrumentalness • 5% Positiveness
24% Popularity • 49% Danceability • 16% Energy • 57% Liveness
16% Instrumentalness • 5% Positiveness
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George Frideric Handel
8 Great Suites, Suite for Piano No. 7 in...
127 bpm • G min • 04:37 • -20.27db
12% Popularity • 35% Danceability • 14% Energy • 6% Liveness
88% Instrumentalness • 21% Positiveness
12% Popularity • 35% Danceability • 14% Energy • 6% Liveness
88% Instrumentalness • 21% Positiveness
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Johann Sebastian Bach/Alexander Siloti
Prelude in B minor
114 bpm • B min • 03:19 • -31db
28% Popularity • 28% Danceability • 7% Energy • 7% Liveness
96% Instrumentalness • 14% Positiveness
28% Popularity • 28% Danceability • 7% Energy • 7% Liveness
96% Instrumentalness • 14% Positiveness
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Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
114 bpm • A min • 01:34 • -31db
48% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
48% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
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Alessandro Scarlatti
Gavotte
115 bpm • D Maj • 03:08 • -14.97db
6% Popularity • 58% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 42% Positiveness
6% Popularity • 58% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 42% Positiveness
► Preview
Jean Sibelius
Sibelius: 13 Pieces, Op. 76: No. 2, Étu...
127 bpm • A min • 01:14 • -27db
43% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
43% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
► Preview
César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
► Preview
Henry Purcell
The Fairy Queen, Z. 629: Prelude
113 bpm • F# min • 01:42 • -13db
37% Popularity • 35% Danceability • 39% Energy • 19% Liveness
34% Instrumentalness • 76% Positiveness
37% Popularity • 35% Danceability • 39% Energy • 19% Liveness
34% Instrumentalness • 76% Positiveness
► Preview
Lang Lang
6 Moments musicaux, Op. 94, D. 780: No. ...
128 bpm • F min • 02:02 • -23db
41% Popularity • 42% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
41% Popularity • 42% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
► Preview
Johann Sebastian Sebastian
Concerto for 2 Harpsichords in C Minor, ...
113 bpm • B min • 03:23 • -14.66db
16% Popularity • 37% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 37% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Alessandro Scarlatti
Toccata & Aria in D Minor: I. Presto
126 bpm • G# min • 01:29 • -11.44db
0% Popularity • 24% Danceability • 81% Energy • 23% Liveness
2% Instrumentalness • 80% Positiveness
0% Popularity • 24% Danceability • 81% Energy • 23% Liveness
2% Instrumentalness • 80% Positiveness
► Preview
Jean Sibelius
Etude Op. 76 nr. 2
113 bpm • A min • 01:26 • -30.7db
12% Popularity • 41% Danceability • 15% Energy • 9% Liveness
89% Instrumentalness • 96% Positiveness
12% Popularity • 41% Danceability • 15% Energy • 9% Liveness
89% Instrumentalness • 96% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Op. 38: VI. Andante c...
128 bpm • G# Maj • 02:47 • -23.3db
3% Popularity • 27% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
3% Popularity • 27% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
► Preview
Jean-Philippe Rameau
Suite en la: Gavotte et six Doubles
112 bpm • A min • 07:24 • -23.46db
15% Popularity • 36% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 31% Positiveness
15% Popularity • 36% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 31% Positiveness
► Preview
Margherita Malagoli
Franz Schubert : Fantasia in Fa minore, ...
112 bpm • F Maj • 04:40 • -25db
23% Popularity • 37% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
23% Popularity • 37% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
AntonÃn Dvořák
8 Humoresques, Op. 101, B. 187: No. 7. P...
112 bpm • F# Maj • 02:51 • -24db
22% Popularity • 38% Danceability • 8% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
22% Popularity • 38% Danceability • 8% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
► Preview
Alessandro Scarlatti
Toccata & Fugue in D Minor: II. Fuga. Al...
114 bpm • C# min • 01:46 • -11.08db
0% Popularity • 29% Danceability • 83% Energy • 8% Liveness
74% Instrumentalness • 96% Positiveness
0% Popularity • 29% Danceability • 83% Energy • 8% Liveness
74% Instrumentalness • 96% Positiveness
► Preview
Muzio Clementi
Keyboard Sonatina In F Major, Op. 36, No...
112 bpm • F Maj • 01:27 • -21.27db
35% Popularity • 52% Danceability • 21% Energy • 15% Liveness
92% Instrumentalness • 76% Positiveness
35% Popularity • 52% Danceability • 21% Energy • 15% Liveness
92% Instrumentalness • 76% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Op. 30: V. Andante gr...
113 bpm • F# min • 02:13 • -22.53db
3% Popularity • 38% Danceability • 15% Energy • 18% Liveness
94% Instrumentalness • 22% Positiveness
3% Popularity • 38% Danceability • 15% Energy • 18% Liveness
94% Instrumentalness • 22% Positiveness
► Preview
Edvard Grieg
Lyric Pieces, Book 9, Op. 68: Badnlat (C...
112 bpm • E Maj • 02:11 • -35.63db
59% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
59% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
► Preview
Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
60% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
60% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Violins in B Minor, Op. 3...
129 bpm • F# min • 02:08 • -20.34db
51% Popularity • 44% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
51% Popularity • 44% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
111 bpm • A# Maj • 01:40 • -25.59db
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 38: IV. Andante i...
112 bpm • A Maj • 02:10 • -26.18db
1% Popularity • 53% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 40% Positiveness
1% Popularity • 53% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 40% Positiveness
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Remo Giazotto
Adagio for Strings and Organ in G minor
111 bpm • C min • 06:58 • -17.82db
20% Popularity • 16% Danceability • 10% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 10% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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Ferruccio Busoni
Das Orgel-Büchlein, BV B 27: No. 2, Wac...
111 bpm • D# Maj • 04:02 • -30.23db
16% Popularity • 37% Danceability • 5% Energy • 13% Liveness
89% Instrumentalness • 26% Positiveness
16% Popularity • 37% Danceability • 5% Energy • 13% Liveness
89% Instrumentalness • 26% Positiveness
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Aram Khachaturian
Children's Album No. 1 "Pictures of Chil...
111 bpm • F min • 01:27 • -22db
49% Popularity • 41% Danceability • 16% Energy • 17% Liveness
93% Instrumentalness • 36% Positiveness
49% Popularity • 41% Danceability • 16% Energy • 17% Liveness
93% Instrumentalness • 36% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Alessandro Scarlatti
Sei Concerti in sette parti: No. 4 in G ...
130 bpm • F# min • 01:47 • -12.17db
2% Popularity • 22% Danceability • 25% Energy • 14% Liveness
4% Instrumentalness • 41% Positiveness
2% Popularity • 22% Danceability • 25% Energy • 14% Liveness
4% Instrumentalness • 41% Positiveness
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Jordi Savall
Prelude (Re Mineur) (Abel)
110 bpm • D min • 02:43 • -28.18db
31% Popularity • 29% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 18% Positiveness
31% Popularity • 29% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 18% Positiveness
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Joseph-Nicolas-Pancrace Royer
Pièces de clavecin, Book 1: No. 6, L'ai...
130 bpm • D min • 04:28 • -22.89db
22% Popularity • 38% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 48% Positiveness
22% Popularity • 38% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 48% Positiveness
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François Couperin
Les Barricades mystérieuses
131 bpm • A# Maj • 02:10 • -37.66db
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Claude Debussy
Suite bergamasque, L.75: 3. Clair de lun...
131 bpm • C# Maj • 05:14 • -29.17db
18% Popularity • 38% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 6% Positiveness
18% Popularity • 38% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 6% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: VI. Air
131 bpm • G min • 01:08 • -19db
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
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Frédéric Chopin
24 Preludes, Op. 28: No. 15 in D Flat Ma...
131 bpm • C# Maj • 06:19 • -23db
26% Popularity • 40% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
26% Popularity • 40% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Notturno, ...
131 bpm • C Maj • 02:57 • -27db
1% Popularity • 31% Danceability • 7% Energy • 12% Liveness
70% Instrumentalness • 3% Positiveness
1% Popularity • 31% Danceability • 7% Energy • 12% Liveness
70% Instrumentalness • 3% Positiveness
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Alessandro Scarlatti
Sei Concerti in sette parti: No. 5 in D ...
131 bpm • C# min • 01:38 • -14.29db
3% Popularity • 45% Danceability • 45% Energy • 6% Liveness
98% Instrumentalness • 65% Positiveness
3% Popularity • 45% Danceability • 45% Energy • 6% Liveness
98% Instrumentalness • 65% Positiveness
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Luc Beauséjour
The Well-Tempered Clavier, Book 1, BWV 8...
110 bpm • B min • 01:38 • -18db
37% Popularity • 28% Danceability • 55% Energy • 20% Liveness
98% Instrumentalness • 96% Positiveness
37% Popularity • 28% Danceability • 55% Energy • 20% Liveness
98% Instrumentalness • 96% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor: II. Adagio
131 bpm • D min • 04:14 • -25.18db
41% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
41% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Béla Bartók
3 Rondos on Slovak Folktunes, BB 92: No....
110 bpm • D Maj • 02:20 • -22.55db
0% Popularity • 37% Danceability • 18% Energy • 14% Liveness
86% Instrumentalness • 18% Positiveness
0% Popularity • 37% Danceability • 18% Energy • 14% Liveness
86% Instrumentalness • 18% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
58% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
58% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
110 bpm • A min • 05:00 • -32db
38% Popularity • 16% Danceability • 2% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 2% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
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Alessandro Scarlatti
Sonate En Re Mineur
131 bpm • D min • 01:30 • -11.13db
22% Popularity • 51% Danceability • 49% Energy • 15% Liveness
17% Instrumentalness • 86% Positiveness
22% Popularity • 51% Danceability • 49% Energy • 15% Liveness
17% Instrumentalness • 86% Positiveness
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Jean-Philippe Rameau
Pieces de clavecin: Suite in E Minor: II...
132 bpm • D# min • 01:29 • -22db
44% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
44% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
