Songs like Keyboard Sonata in E Major, K.20/L.375/P.76: Presto by Domenico Scarlatti
Based on a tempo of (+/- 10%) and a similar genre
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Manuel de Falla
7 canciones populares españolas: VI. Ca...
70 bpm • C min • 02:19 • -32.94db
45% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
45% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Jean-Philippe Rameau
Deuxieme livre, Suite en Mi: X. Tambouri...
70 bpm • E min • 01:30 • -27db
44% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
44% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
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Gabriel Fauré
8 Pièces brèves, Op. 84: No. 5, Improv...
70 bpm • F# min • 02:00 • -26db
46% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
46% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Alexander Scriabin
Etude in C-Sharp Minor, Op. 2/1
70 bpm • C# min • 02:24 • -27.72db
27% Popularity • 19% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
27% Popularity • 19% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: Romanz...
70 bpm • G# Maj • 04:52 • -30.05db
28% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Bedřich Smetana
Album Leaf for Kateřina Kolářová in ...
70 bpm • B Maj • 01:57 • -30.77db
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Prélude In G-Sharp Minor, Op. 32, No. 1...
70 bpm • E Maj • 02:32 • -25.61db
34% Popularity • 20% Danceability • 4% Energy • 62% Liveness
88% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 4% Energy • 62% Liveness
88% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice", Wq. 30...
70 bpm • D min • 03:52 • -31.87db
26% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
26% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Baldassare Galuppi
Piano Sonata No. 34 in C Minor: I. Largh...
70 bpm • C min • 03:06 • -40.18db
31% Popularity • 36% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 24% Positiveness
31% Popularity • 36% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 24% Positiveness
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Alexander Scriabin
Scriabin: 24 Preludes, Op. 11: No. 21 in...
70 bpm • D# Maj • 01:47 • -43.21db
60% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
60% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
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Robert Schumann
No. 1, Von fremden Ländern und Menschen
70 bpm • G Maj • 01:33 • -35.55db
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
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George Frideric Handel
Rinaldo, HWV 7, Act II: Lascia ch'io pia...
70 bpm • D Maj • 02:32 • -31.48db
21% Popularity • 48% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
21% Popularity • 48% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
70 bpm • G# min • 04:24 • -28.68db
25% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
25% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 30: No. 1. Andant...
69 bpm • D# Maj • 04:23 • -27db
30% Popularity • 32% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
30% Popularity • 32% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Robert Schumann
Waldszenen, Op. 82: 3. Einsame Blumen
69 bpm • A# Maj • 02:40 • -39db
33% Popularity • 41% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness
33% Popularity • 41% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness
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Frédéric Chopin
Berceuse in D-Flat Major, Op. 57
69 bpm • C# Maj • 04:29 • -26.73db
51% Popularity • 28% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
51% Popularity • 28% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
71 bpm • F min • 01:48 • -30db
42% Popularity • 34% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 23% Positiveness
42% Popularity • 34% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 23% Positiveness
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Domenico Scarlatti
Keyboard Sonata in B Minor, Kk. 87
69 bpm • B min • 06:35 • -37.63db
18% Popularity • 37% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 35% Positiveness
18% Popularity • 37% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 35% Positiveness
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Gaetano Donizetti
Clarinet Concerto in B-Flat Major: Andan...
69 bpm • A# min • 04:10 • -25.67db
40% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
40% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
71 bpm • G# Maj • 02:09 • -32db
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Vladimir Horowitz
Waltz in F Minor
69 bpm • A# min • 02:15 • -34db
37% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
37% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
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John Field
Nocturne No. 6 in F Major
71 bpm • F Maj • 05:08 • -32db
31% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
31% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
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Frédéric Chopin
Nocturne No. 6 in G Minor, Op. 15, No. 3
71 bpm • D min • 04:26 • -28.32db
34% Popularity • 35% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 10% Positiveness
34% Popularity • 35% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 10% Positiveness
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Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
43% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
43% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 2 in B Flat Major, Op...
71 bpm • D# Maj • 09:07 • -23db
24% Popularity • 23% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
24% Popularity • 23% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Clara Schumann
Scherzo No. 2 in C Minor, Op. 14
69 bpm • C min • 04:52 • -24.3db
18% Popularity • 28% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
18% Popularity • 28% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Ignaz Friedman
Keyboard Sonata in F Major, K.446/L.433/...
72 bpm • A Maj • 05:43 • -31.05db
12% Popularity • 35% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
12% Popularity • 35% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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John Field
Nocturne No. 4 in A Major
69 bpm • A Maj • 05:30 • -32.39db
26% Popularity • 30% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
26% Popularity • 30% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
68 bpm • C Maj • 09:52 • -19db
36% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
36% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39: 15. Waltz in A Flat
72 bpm • G# Maj • 01:29 • -27db
40% Popularity • 49% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
40% Popularity • 49% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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Fanny Mendelssohn
Mendelssohn-Hensel: 6 Mélodies, Opp. 4 ...
68 bpm • C# min • 03:08 • -29db
20% Popularity • 36% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 9% Positiveness
20% Popularity • 36% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 9% Positiveness
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Louis-Claude Daquin
Premier livre de pieces de clavecin, Sui...
68 bpm • E min • 01:51 • -26.12db
12% Popularity • 37% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 59% Positiveness
12% Popularity • 37% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 59% Positiveness
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George Frideric Handel
Keyboard Suite No. 2 (Set I) in F Major,...
72 bpm • D min • 03:01 • -30db
40% Popularity • 40% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
40% Popularity • 40% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
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John Field
Nocturne No. 13 in D Minor
68 bpm • D min • 03:46 • -35db
37% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
37% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
68 bpm • C min • 01:33 • -22.73db
51% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
51% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Frédéric Chopin
Nocturnes, Op. 27: No. 2 in D Flat Major...
68 bpm • C# Maj • 07:13 • -28.52db
43% Popularity • 22% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
43% Popularity • 22% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
24 Preludes & Fugues, Op. 87: Prelude no...
72 bpm • F# Maj • 02:27 • -38.64db
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
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George Frideric Handel
Rinaldo, HWV 7: Lascia ch'io pianga (Arr...
68 bpm • F Maj • 04:28 • -31.27db
52% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
52% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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John Field
Nocturne No. 4 in A Major, H.36
68 bpm • A Maj • 05:27 • -22db
28% Popularity • 26% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
28% Popularity • 26% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor, S. Z799: I. An...
72 bpm • D min • 03:27 • -16.72db
31% Popularity • 48% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 43% Positiveness
31% Popularity • 48% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 43% Positiveness
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Alexander Borodin
Piano Quintet in C Minor: I. Andante
68 bpm • C min • 04:27 • -23.19db
41% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
41% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 14 in C-Sharp Minor, Op...
68 bpm • C# Maj • 02:12 • -30db
44% Popularity • 54% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
44% Popularity • 54% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
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Mikhail Glinka
La separation, Nocturne in F Minor
72 bpm • F min • 04:28 • -23.32db
20% Popularity • 38% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
20% Popularity • 38% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
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Franz Schubert
4 Impromptus, Op. 142, D. 935: No. 2 in ...
68 bpm • G# Maj • 07:42 • -24db
27% Popularity • 40% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
27% Popularity • 40% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Johannes Brahms
Intermezzi, Op. 117: No. 1 in E-Flat Maj...
73 bpm • D# Maj • 05:43 • -36.94db
25% Popularity • 36% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
25% Popularity • 36% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Franz Liszt
Liszt: Lieder aus Franz Schubert's "Schw...
67 bpm • D Maj • 06:07 • -27.76db
34% Popularity • 32% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
34% Popularity • 32% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Nocturne No. 17 In B, Op. 62 No. 1
73 bpm • B Maj • 05:58 • -34.28db
40% Popularity • 20% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
40% Popularity • 20% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 1 In F Minor, Op. 2, No...
67 bpm • F Maj • 05:17 • -33.39db
35% Popularity • 27% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 23% Positiveness
35% Popularity • 27% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 23% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
73 bpm • F Maj • 01:37 • -27.52db
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor, S. Z799: I. An...
73 bpm • C# min • 03:30 • -16db
32% Popularity • 37% Danceability • 12% Energy • 10% Liveness
75% Instrumentalness • 19% Positiveness
32% Popularity • 37% Danceability • 12% Energy • 10% Liveness
75% Instrumentalness • 19% Positiveness
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Johannes Brahms
Intermezzi, Op. 117: No. 2 in B-Flat Min...
67 bpm • A# min • 04:56 • -30db
27% Popularity • 37% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
27% Popularity • 37% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19
67 bpm • E min • 06:29 • -31db
43% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
43% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
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Frédéric Chopin
Chopin: Berceuse in D-Flat Major, Op. 57
67 bpm • C# Maj • 04:27 • -30.91db
49% Popularity • 30% Danceability • 2% Energy • 19% Liveness
89% Instrumentalness • 4% Positiveness
49% Popularity • 30% Danceability • 2% Energy • 19% Liveness
89% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 10. Fast zu ernst
67 bpm • G# min • 02:00 • -34.37db
41% Popularity • 39% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
41% Popularity • 39% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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George Frideric Handel
Concerto-Pasticcio in C Major: I. Largo
67 bpm • G Maj • 01:46 • -17.4db
46% Popularity • 15% Danceability • 5% Energy • 12% Liveness
50% Instrumentalness • 8% Positiveness
46% Popularity • 15% Danceability • 5% Energy • 12% Liveness
50% Instrumentalness • 8% Positiveness
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Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Johannes Brahms
Brahms: 3 Intermezzi, Op. 117: No. 1 in ...
67 bpm • D# Maj • 05:29 • -37.68db
32% Popularity • 42% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
32% Popularity • 42% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
► Preview
Jules Massenet
Massenet: Élégie (Arr. for Cello and P...
73 bpm • E min • 01:44 • -26db
44% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
44% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Franz Liszt
Romance "O pourquoi donc" in E Minor, S....
67 bpm • E min • 03:05 • -32.14db
41% Popularity • 18% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
41% Popularity • 18% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
John Field
Nocturne No. 2 in C Minor
67 bpm • C min • 03:43 • -33.29db
58% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
58% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Franz Schubert
Du bist die Ruh, Op. 59/3, D. 776
67 bpm • D# Maj • 05:01 • -27.52db
42% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
42% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
François Couperin
Troisième livre de pièces de clavecin:...
73 bpm • F Maj • 02:10 • -24.62db
41% Popularity • 50% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 89% Positiveness
41% Popularity • 50% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 89% Positiveness
► Preview
Johannes Brahms
Intermezzo in B-Flat Minor, Op. 117/2
67 bpm • C# Maj • 05:10 • -29db
31% Popularity • 31% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
31% Popularity • 31% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Frédéric Chopin
Nocturne No. 18 In E, Op. 62 No. 2
73 bpm • C# min • 05:16 • -30.22db
40% Popularity • 25% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
40% Popularity • 25% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
Christoph Willibald Gluck
Orpheo ed Euridice, Wq. 30, Act II: Danc...
67 bpm • D min • 03:27 • -25.5db
44% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
44% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
► Preview
John Field
Nocturne No. 1 in E-Flat Major
73 bpm • D# Maj • 03:52 • -36db
47% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
47% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
► Preview
Franz Schubert
4 Impromptus, Op. 90, D. 899: No. 2 in E...
67 bpm • E min • 04:50 • -22.4db
34% Popularity • 20% Danceability • 7% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
34% Popularity • 20% Danceability • 7% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
► Preview
Vladimir Horowitz
Etude-fantasie in E-Flat Major, Op. 4, "...
67 bpm • G min • 02:45 • -25.09db
34% Popularity • 26% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 26% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Lamento (After "When I Am Laid in Earth"...
67 bpm • G min • 02:00 • -33db
36% Popularity • 36% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
36% Popularity • 36% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
► Preview
George Frideric Handel
Sarabande Variations : Variation VIII
74 bpm • C# Maj • 01:28 • -42db
46% Popularity • 40% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
46% Popularity • 40% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
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Johannes Brahms
5 Lieder, Op. 107: No. 5, Mädchenlied (...
74 bpm • A min • 01:33 • -24.49db
23% Popularity • 14% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
23% Popularity • 14% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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John Field
Nocturne No. 5 in B-Flat Major
73 bpm • A# Maj • 02:54 • -35db
53% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
53% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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Federico Mompou
Variations on a Theme by Chopin: Var. 1....
66 bpm • A Maj • 01:01 • -34.74db
50% Popularity • 52% Danceability • 0% Energy • 6% Liveness
97% Instrumentalness • 31% Positiveness
50% Popularity • 52% Danceability • 0% Energy • 6% Liveness
97% Instrumentalness • 31% Positiveness
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Christoph Willibald Gluck
Melody from « Orfeo »
74 bpm • D min • 03:25 • -36db
47% Popularity • 34% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
47% Popularity • 34% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition: Promenade. Mo...
74 bpm • G# Maj • 01:02 • -35.84db
44% Popularity • 43% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 68% Positiveness
44% Popularity • 43% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 68% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
66 bpm • A min • 02:15 • -29.2db
32% Popularity • 36% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 28% Positiveness
32% Popularity • 36% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 28% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Tamara Konstantin
Cello Sonata: II. —
74 bpm • G min • 02:55 • -24db
27% Popularity • 19% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
27% Popularity • 19% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
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George Frideric Handel
Suite in D Minor, HWV 447: Allemande
74 bpm • D min • 01:36 • -32.68db
53% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
53% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
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Ludwig van Beethoven
Sonata for Cello and Piano No. 4 in C Ma...
66 bpm • C Maj • 02:59 • -33db
49% Popularity • 18% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 13% Positiveness
49% Popularity • 18% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 13% Positiveness
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Jean Sibelius
Andantino JS 201
66 bpm • C# min • 01:05 • -29db
48% Popularity • 41% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
48% Popularity • 41% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
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Jean-Philippe Rameau
Suite en La Mineur, RCT 5: I. Allemande
74 bpm • A min • 06:01 • -30.12db
18% Popularity • 20% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
18% Popularity • 20% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Robert Schumann
Carnaval, Op. 9: XII. Chopin
66 bpm • G# Maj • 01:30 • -36.35db
50% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
50% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Evening Songs, B. 61: No. 8, You Little,...
74 bpm • A Maj • 01:40 • -27.96db
35% Popularity • 44% Danceability • 5% Energy • 8% Liveness
85% Instrumentalness • 14% Positiveness
35% Popularity • 44% Danceability • 5% Energy • 8% Liveness
85% Instrumentalness • 14% Positiveness
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Joseph Haydn
Sonata No. 13, Hob. XVI:6: Sonata No. 13...
74 bpm • G min • 04:42 • -28.44db
30% Popularity • 39% Danceability • 5% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
30% Popularity • 39% Danceability • 5% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
55% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
55% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 2 in...
66 bpm • A min • 01:37 • -30db
64% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
64% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
► Preview
Franz Schubert
Schubert: Piano Sonata No. 20 in A Major...
66 bpm • F# min • 09:29 • -23.97db
35% Popularity • 31% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
► Preview
Jean Sibelius
5 Pieces, Op. 75, "The Trees": No. 1 Nar...
75 bpm • D# Maj • 01:51 • -33.24db
49% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
49% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
AntonÃn Dvořák
2 Pieces, Op. posth., B. 188: No. 1. Lul...
66 bpm • G Maj • 03:11 • -29.06db
55% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
55% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Johannes Brahms
Drei Intermezzi, Op. 117: I. Andante mod...
75 bpm • D# Maj • 05:31 • -38db
28% Popularity • 31% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
28% Popularity • 31% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
► Preview
John Field
Nocturne No. 5 in B Flat Major, H.37
65 bpm • A# Maj • 03:16 • -27db
32% Popularity • 43% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
32% Popularity • 43% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
Franz Liszt
Années de pèlerinage: 1e année: Suiss...
65 bpm • G# Maj • 02:44 • -30.89db
33% Popularity • 26% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
33% Popularity • 26% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
François Couperin
L'Engageante: 13ème ordre, 3ème livre
75 bpm • B min • 02:41 • -26db
41% Popularity • 36% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
41% Popularity • 36% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Felix Mendelssohn
Lied ohne Worte in F-Sharp Minor, Op. 67...
75 bpm • F# min • 01:44 • -24db
44% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
44% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
