Songs like Keys to My Cadillac by Commander Cody and His Lost Planet Airmen
Based on a tempo of (+/- 10%) and a similar genre
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David Allan Coe
Spotlight
135 bpm • G Maj • 03:06 • -7.77db
43% Popularity • 50% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
43% Popularity • 50% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Lynyrd Skynyrd
What's Your Name
135 bpm • G Maj • 03:33 • -9.35db
58% Popularity • 65% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
58% Popularity • 65% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Southern Culture on the Skids
Fried Chicken And Gasoline
135 bpm • B min • 04:17 • -5.53db
23% Popularity • 59% Danceability • 92% Energy • 26% Liveness
61% Instrumentalness • 94% Positiveness
23% Popularity • 59% Danceability • 92% Energy • 26% Liveness
61% Instrumentalness • 94% Positiveness
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Jimmy Dean
Smoke, Smoke, Smoke That Cigarette
135 bpm • G Maj • 02:45 • -16db
27% Popularity • 77% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 77% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Commander Cody and His Lost Planet Airmen
Looking at the World Through a Windshiel...
135 bpm • C Maj • 02:18 • -11.34db
15% Popularity • 70% Danceability • 73% Energy • 96% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 70% Danceability • 73% Energy • 96% Liveness
0% Instrumentalness • 96% Positiveness
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Merle Travis
Sixteen Tons
135 bpm • B min • 02:57 • -16.14db
34% Popularity • 80% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 80% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Johnny Paycheck
Drinkin' and Drivin'
134 bpm • G Maj • 03:03 • -13.63db
37% Popularity • 82% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
37% Popularity • 82% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Shinyribs
I Don't Give a Shit
136 bpm • A Maj • 03:08 • -5.13db
33% Popularity • 71% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 71% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Southern Culture on the Skids
Banana Puddin'
134 bpm • C# Maj • 04:48 • -4.07db
21% Popularity • 55% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 55% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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The Outlaws
There Goes Another Love Song
136 bpm • C Maj • 03:04 • -5.89db
48% Popularity • 51% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
48% Popularity • 51% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Paul Thorn
It's a Great Day to Whup Somebody's Ass
134 bpm • F# Maj • 03:31 • -8.8db
38% Popularity • 59% Danceability • 45% Energy • 92% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 59% Danceability • 45% Energy • 92% Liveness
0% Instrumentalness • 62% Positiveness
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Commander Cody and His Lost Planet Airmen
Big Mamou - Live
136 bpm • A Maj • 03:31 • -9.87db
10% Popularity • 53% Danceability • 77% Energy • 77% Liveness
2% Instrumentalness • 96% Positiveness
10% Popularity • 53% Danceability • 77% Energy • 77% Liveness
2% Instrumentalness • 96% Positiveness
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The Dillards
Dooley
136 bpm • B Maj • 02:04 • -11db
44% Popularity • 45% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
44% Popularity • 45% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
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Arlo Guthrie
Lightning Bar Blues
137 bpm • B Maj • 02:52 • -7db
30% Popularity • 63% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 63% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Southern Culture on the Skids
Corn Liquor
136 bpm • F# min • 03:22 • -3.51db
16% Popularity • 62% Danceability • 88% Energy • 10% Liveness
20% Instrumentalness • 94% Positiveness
16% Popularity • 62% Danceability • 88% Energy • 10% Liveness
20% Instrumentalness • 94% Positiveness
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Billy Joe Shaver
Saturday Night
137 bpm • E Maj • 03:06 • -10.58db
15% Popularity • 65% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 65% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Joe Ely
I Had My Hopes Up High - 2022 Remaster
137 bpm • F Maj • 03:31 • -7.68db
17% Popularity • 60% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 60% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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George Thorogood & The Destroyers
One Bourbon, One Scotch, One Beer
137 bpm • A Maj • 08:26 • -14.52db
60% Popularity • 55% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
60% Popularity • 55% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Jim Stafford
The Last Chant
133 bpm • F Maj • 03:18 • -11.2db
15% Popularity • 72% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 72% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Commander Cody and His Lost Planet Airmen
Hot Rod Lincoln
133 bpm • E Maj • 03:01 • -11.9db
22% Popularity • 68% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 68% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
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Jim Croce
Workin’ at the Car Wash Blues
133 bpm • G Maj • 02:34 • -10.95db
54% Popularity • 75% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
54% Popularity • 75% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Jesse Dayton
I'm at Home Gettin' Hammered (While She'...
133 bpm • B min • 02:13 • -6.84db
21% Popularity • 53% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 53% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Joe Ely
Boxcars - 2022 Remaster
137 bpm • C Maj • 03:59 • -9.03db
24% Popularity • 39% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 39% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Hank Williams
Lost Highway
133 bpm • D Maj • 02:43 • -10.89db
48% Popularity • 59% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 59% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Jim Stafford
A Real Good Time
137 bpm • E Maj • 03:33 • -11.39db
14% Popularity • 71% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 71% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Elvin Bishop
Fishin'
133 bpm • F# min • 04:33 • -7.49db
17% Popularity • 60% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 60% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Commander Cody and His Lost Planet Airmen
My Window Faces South - Live
133 bpm • C Maj • 02:29 • -11.52db
8% Popularity • 62% Danceability • 65% Energy • 88% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 62% Danceability • 65% Energy • 88% Liveness
0% Instrumentalness • 70% Positiveness
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The Kentucky Headhunters
Spirit In The Sky
133 bpm • A Maj • 04:21 • -7.04db
46% Popularity • 48% Danceability • 76% Energy • 6% Liveness
3% Instrumentalness • 66% Positiveness
46% Popularity • 48% Danceability • 76% Energy • 6% Liveness
3% Instrumentalness • 66% Positiveness
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Joe Ely
Dallas
137 bpm • E Maj • 03:30 • -12.36db
26% Popularity • 65% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 65% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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Kitty Wells
It Wasn't God Who Made Honky Tonk Angels...
138 bpm • A Maj • 02:32 • -10db
55% Popularity • 59% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
55% Popularity • 59% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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The Outlaws
Knoxville Girl
132 bpm • G Maj • 03:32 • -7db
27% Popularity • 59% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 59% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Jessi Colter
Why You Been Gone so Long
137 bpm • A min • 03:05 • -11.53db
40% Popularity • 77% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
40% Popularity • 77% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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The Beat Farmers
California Kid
138 bpm • B min • 02:39 • -8.94db
15% Popularity • 74% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 74% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
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Commander Cody and His Lost Planet Airmen
Back To Tennessee
138 bpm • G Maj • 02:52 • -11.61db
19% Popularity • 65% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 65% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Billy Joe Shaver
Black Rose
132 bpm • A Maj • 02:44 • -16.5db
36% Popularity • 73% Danceability • 36% Energy • 10% Liveness
27% Instrumentalness • 98% Positiveness
36% Popularity • 73% Danceability • 36% Energy • 10% Liveness
27% Instrumentalness • 98% Positiveness
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The Marshall Tucker Band
Fly Eagle Fly
138 bpm • G Maj • 04:25 • -8db
38% Popularity • 62% Danceability • 55% Energy • 32% Liveness
1% Instrumentalness • 48% Positiveness
38% Popularity • 62% Danceability • 55% Energy • 32% Liveness
1% Instrumentalness • 48% Positiveness
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Joe Ely
Fingernails
138 bpm • F min • 02:10 • -7.37db
14% Popularity • 63% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
14% Popularity • 63% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
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Commander Cody And His Lost Planet Airman
Hot Rod Lincoln
132 bpm • E Maj • 02:41 • -12.3db
36% Popularity • 65% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
36% Popularity • 65% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
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Warren Zevon
Poor Poor Pitiful Me
132 bpm • G Maj • 03:05 • -8db
40% Popularity • 61% Danceability • 80% Energy • 58% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 61% Danceability • 80% Energy • 58% Liveness
0% Instrumentalness • 96% Positiveness
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Robbie Fulks
I Told Her Lies
132 bpm • C# Maj • 02:50 • -10.21db
23% Popularity • 69% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 69% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Southern Culture on the Skids
Voodoo Cadillac
132 bpm • F# Maj • 04:39 • -6db
38% Popularity • 67% Danceability • 80% Energy • 29% Liveness
30% Instrumentalness • 93% Positiveness
38% Popularity • 67% Danceability • 80% Energy • 29% Liveness
30% Instrumentalness • 93% Positiveness
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Johnny Paycheck
She's All I Got
139 bpm • A# Maj • 02:56 • -14.76db
48% Popularity • 61% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
48% Popularity • 61% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Commander Cody and His Lost Planet Airmen
Eighteen Wheels - Live
139 bpm • E Maj • 03:28 • -11.33db
10% Popularity • 56% Danceability • 80% Energy • 88% Liveness
17% Instrumentalness • 97% Positiveness
10% Popularity • 56% Danceability • 80% Energy • 88% Liveness
17% Instrumentalness • 97% Positiveness
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Lefty Frizzell
Cigarettes and Coffee Blues
131 bpm • D Maj • 02:33 • -14.01db
35% Popularity • 68% Danceability • 53% Energy • 18% Liveness
2% Instrumentalness • 97% Positiveness
35% Popularity • 68% Danceability • 53% Energy • 18% Liveness
2% Instrumentalness • 97% Positiveness
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Dr. Hook
Marie Lavaux
139 bpm • E Maj • 02:37 • -11.99db
29% Popularity • 72% Danceability • 71% Energy • 68% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 72% Danceability • 71% Energy • 68% Liveness
0% Instrumentalness • 74% Positiveness
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Buck Owens & The Buckaroos
Made In Japan
130 bpm • F Maj • 02:44 • -9.18db
43% Popularity • 61% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
43% Popularity • 61% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
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Southern Culture on the Skids
Dirt Track Date
131 bpm • C# min • 08:38 • -9.8db
17% Popularity • 34% Danceability • 54% Energy • 11% Liveness
46% Instrumentalness • 18% Positiveness
17% Popularity • 34% Danceability • 54% Energy • 11% Liveness
46% Instrumentalness • 18% Positiveness
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Amazing Rhythm Aces
The End Is Not in Sight (The Cowboy Tune...
130 bpm • E Maj • 03:50 • -15.18db
40% Popularity • 70% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
40% Popularity • 70% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Commander Cody and His Lost Planet Airmen
Hot Rod Lincoln
130 bpm • E Maj • 02:44 • -13.06db
51% Popularity • 70% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
51% Popularity • 70% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Paycheck
Fifteen Beers
140 bpm • C Maj • 02:38 • -9.45db
44% Popularity • 69% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
44% Popularity • 69% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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The Beat Farmers
Gun Sale At The Church
140 bpm • G Maj • 02:59 • -12db
21% Popularity • 57% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 57% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Jimmy Buffett
Cheeseburger In Paradise
140 bpm • D Maj • 02:56 • -12.53db
58% Popularity • 70% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
58% Popularity • 70% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Southern Culture on the Skids
King Of The Mountain
140 bpm • E Maj • 04:12 • -3db
25% Popularity • 59% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 59% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Jim Croce
Cigarettes, Whiskey and Wild Wild Women
140 bpm • A Maj • 01:49 • -14.86db
37% Popularity • 54% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 54% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Amazing Rhythm Aces
Hit the Nail on the Head - Remastered
130 bpm • A Maj • 02:22 • -11.72db
31% Popularity • 58% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 58% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Shaver
Leavin' Amarillo
130 bpm • D Maj • 03:37 • -3.89db
5% Popularity • 64% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
5% Popularity • 64% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Hank Williams
Why Don't You Love Me
140 bpm • G Maj • 02:26 • -10.16db
42% Popularity • 78% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
42% Popularity • 78% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Delbert McClinton
Two More Bottles Of Wine
140 bpm • A Maj • 03:01 • -10db
42% Popularity • 64% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
42% Popularity • 64% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Lynyrd Skynyrd
Don't Ask Me No Questions
130 bpm • G Maj • 03:26 • -10.56db
61% Popularity • 62% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
61% Popularity • 62% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Robert Mitchum
The Ballad Of Thunder Road
129 bpm • C Maj • 02:31 • -9db
37% Popularity • 66% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
37% Popularity • 66% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
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The Beat Farmers
Blue Chevrolet
129 bpm • A Maj • 02:58 • -13.03db
15% Popularity • 65% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 65% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Bruce Springsteen
Pink Cadillac - Single B-Side - 1984
129 bpm • A Maj • 03:33 • -4.89db
51% Popularity • 64% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 64% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Hank Williams
Mind Your Own Business
141 bpm • E Maj • 02:56 • -9.41db
36% Popularity • 76% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 76% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Commander Cody and His Lost Planet Airmen
I Been to Georgia on a Fast Train
129 bpm • D Maj • 02:47 • -4db
13% Popularity • 70% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 70% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Bobby Bare
The Winner
129 bpm • G Maj • 05:20 • -10db
40% Popularity • 69% Danceability • 54% Energy • 70% Liveness
0% Instrumentalness • 81% Positiveness
40% Popularity • 69% Danceability • 54% Energy • 70% Liveness
0% Instrumentalness • 81% Positiveness
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Marty Stuart
Tear The Woodpile Down
129 bpm • G Maj • 03:02 • -6db
17% Popularity • 56% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 80% Positiveness
17% Popularity • 56% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 80% Positiveness
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Gram Parsons
Return of the Grievous Angel - 2006 Rema...
129 bpm • A# Maj • 04:26 • -8.67db
43% Popularity • 63% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 63% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Pure Prairie League
That'll Be the Day
129 bpm • A Maj • 02:08 • -10.75db
22% Popularity • 56% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 56% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Hank Williams
There's A Tear In My Beer
141 bpm • G# Maj • 02:48 • -16db
14% Popularity • 58% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 58% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Commander Cody and His Lost Planet Airmen
Mama Hated Diesels - Live
129 bpm • D Maj • 05:08 • -16.99db
9% Popularity • 52% Danceability • 30% Energy • 72% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 52% Danceability • 30% Energy • 72% Liveness
0% Instrumentalness • 54% Positiveness
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Amazing Rhythm Aces
Say You Lied
129 bpm • A Maj • 02:17 • -11.28db
20% Popularity • 56% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 56% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Tony Joe White
Ten More Miles to Louisiana
128 bpm • F# min • 02:24 • -6.97db
30% Popularity • 69% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 69% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Lefty Frizzell
The Long Black Veil
128 bpm • E Maj • 03:08 • -18db
30% Popularity • 51% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 51% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Dr. Hook
Freakin' At the Freakers' Ball
128 bpm • A Maj • 02:46 • -9.95db
31% Popularity • 68% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 68% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Billy Joe Shaver
The Devil Made Me Do It the First Time
142 bpm • A Maj • 02:13 • -13db
38% Popularity • 76% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 76% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Commander Cody and His Lost Planet Airmen
Everybody's Doin' It
128 bpm • D Maj • 02:05 • -13.04db
17% Popularity • 71% Danceability • 48% Energy • 48% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 71% Danceability • 48% Energy • 48% Liveness
0% Instrumentalness • 94% Positiveness
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Robbie Fulks
Every Kind Of Music But Country
128 bpm • B min • 02:18 • -7.95db
29% Popularity • 85% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 85% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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David Bromberg
The New Lee Highway Blues
142 bpm • G Maj • 05:39 • -10.9db
19% Popularity • 30% Danceability • 73% Energy • 20% Liveness
7% Instrumentalness • 60% Positiveness
19% Popularity • 30% Danceability • 73% Energy • 20% Liveness
7% Instrumentalness • 60% Positiveness
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George Thorogood & The Destroyers
Cocaine Blues
143 bpm • C Maj • 02:55 • -8.33db
33% Popularity • 57% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 57% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Dr. Hook
The Cover of "Rolling Stone"
142 bpm • A Maj • 02:52 • -8.17db
58% Popularity • 61% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
58% Popularity • 61% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
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Hank Williams
Honky Tonk Blues
128 bpm • A Maj • 02:13 • -9.71db
40% Popularity • 78% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 78% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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The Soggy Bottom Boys
In The Jailhouse Now
143 bpm • B Maj • 03:36 • -12.69db
48% Popularity • 55% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
48% Popularity • 55% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Billy Joe Shaver
Ragged Old Truck
128 bpm • A Maj • 04:09 • -10.77db
30% Popularity • 55% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 55% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Commander Cody and His Lost Planet Airmen
Tina Louise
127 bpm • C Maj • 03:27 • -6.09db
11% Popularity • 62% Danceability • 45% Energy • 42% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 62% Danceability • 45% Energy • 42% Liveness
0% Instrumentalness • 65% Positiveness
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Brownsville Station
Smokin' in the Boy's Room
127 bpm • D Maj • 02:56 • -9.41db
47% Popularity • 57% Danceability • 76% Energy • 8% Liveness
4% Instrumentalness • 84% Positiveness
47% Popularity • 57% Danceability • 76% Energy • 8% Liveness
4% Instrumentalness • 84% Positiveness
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Rodney Crowell
Stars on the Water
127 bpm • A Maj • 03:44 • -16.72db
33% Popularity • 66% Danceability • 33% Energy • 8% Liveness
1% Instrumentalness • 70% Positiveness
33% Popularity • 66% Danceability • 33% Energy • 8% Liveness
1% Instrumentalness • 70% Positiveness
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Hank Williams
Your Cheatin' Heart
128 bpm • C Maj • 02:44 • -12db
52% Popularity • 66% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
52% Popularity • 66% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Commander Cody And His Lost Planet Airman
Lost In the Ozone
127 bpm • E Maj • 02:11 • -8.55db
8% Popularity • 59% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 59% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Merle Haggard & The Strangers
I'm A Lonesome Fugitive - Remastered
127 bpm • F# Maj • 02:56 • -10.52db
39% Popularity • 82% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 77% Positiveness
39% Popularity • 82% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 77% Positiveness
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Commander Cody and His Lost Planet Airmen
Truck Drivin' Man
127 bpm • E Maj • 02:46 • -13.67db
13% Popularity • 79% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 79% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Oak Ridge Boys
Elvira
127 bpm • G# Maj • 03:45 • -17.49db
60% Popularity • 82% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
60% Popularity • 82% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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The Marshall Tucker Band
Long Hard Ride
127 bpm • G Maj • 03:53 • -6.59db
24% Popularity • 52% Danceability • 88% Energy • 23% Liveness
79% Instrumentalness • 91% Positiveness
24% Popularity • 52% Danceability • 88% Energy • 23% Liveness
79% Instrumentalness • 91% Positiveness
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Hank Williams
I'm A Long Gone Daddy
143 bpm • E Maj • 02:52 • -11.43db
35% Popularity • 55% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 55% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
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Roy Drusky
Peel Me a Nanner
144 bpm • E Maj • 01:43 • -10.65db
37% Popularity • 76% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 76% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Bob Wills & His Texas Playboys
Roly-Poly
127 bpm • G Maj • 02:28 • -12.05db
30% Popularity • 76% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 76% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Charlie Louvin
See The Big Man Cry
127 bpm • C# Maj • 02:25 • -10db
38% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Arlo Guthrie
Oklahoma Hills - Remastered
144 bpm • G Maj • 03:27 • -9db
25% Popularity • 62% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 62% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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The Marshall Tucker Band
Long Hard Ride
127 bpm • G Maj • 02:50 • -4db
30% Popularity • 43% Danceability • 92% Energy • 18% Liveness
70% Instrumentalness • 77% Positiveness
30% Popularity • 43% Danceability • 92% Energy • 18% Liveness
70% Instrumentalness • 77% Positiveness
