Songs like Kids (Jfl 2017) by Moshe Kasher
Based on a tempo of (+/- 10%) and a similar genre
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Dennis Miller
Lazy
72 bpm • A Maj • 01:45 • -12.96db
16% Popularity • 59% Danceability • 61% Energy • 94% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 59% Danceability • 61% Energy • 94% Liveness
0% Instrumentalness • 49% Positiveness
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Giulia Rozzi
Going Out To Eat With My Parents
72 bpm • A# Maj • 01:40 • -18.99db
19% Popularity • 74% Danceability • 24% Energy • 42% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 74% Danceability • 24% Energy • 42% Liveness
0% Instrumentalness • 57% Positiveness
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K Trevor Wilson
Manny Pacquiao and Broken Beds
71 bpm • A Maj • 02:01 • -9.41db
18% Popularity • 60% Danceability • 55% Energy • 78% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 60% Danceability • 55% Energy • 78% Liveness
0% Instrumentalness • 45% Positiveness
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Moshe Kasher
Kids (Jfl 2017)
72 bpm • D# min • 03:50 • -19.36db
0% Popularity • 68% Danceability • 37% Energy • 67% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 68% Danceability • 37% Energy • 67% Liveness
0% Instrumentalness • 82% Positiveness
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Mo Mandel
Florida
71 bpm • D Maj • 02:33 • -10db
16% Popularity • 63% Danceability • 71% Energy • 78% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 63% Danceability • 71% Energy • 78% Liveness
0% Instrumentalness • 49% Positiveness
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Ryan Sickler
Vaccination Scars
71 bpm • A# Maj • 01:23 • -6.33db
27% Popularity • 40% Danceability • 95% Energy • 87% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 40% Danceability • 95% Energy • 87% Liveness
0% Instrumentalness • 51% Positiveness
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Erikka Innes
Online Dating and Cock Pictures
71 bpm • F# Maj • 01:15 • -15.21db
22% Popularity • 61% Danceability • 45% Energy • 82% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 61% Danceability • 45% Energy • 82% Liveness
0% Instrumentalness • 56% Positiveness
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Myq Kaplan
Tattoos, Jews, And Lasers
73 bpm • F min • 05:07 • -14.49db
19% Popularity • 57% Danceability • 40% Energy • 47% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 57% Danceability • 40% Energy • 47% Liveness
0% Instrumentalness • 76% Positiveness
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Tommy Ryman
The Cable Fell out of the Sky
74 bpm • C# min • 02:34 • -7.46db
11% Popularity • 64% Danceability • 73% Energy • 68% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 64% Danceability • 73% Energy • 68% Liveness
0% Instrumentalness • 60% Positiveness
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Bryan Callen
My Movie
70 bpm • D# Maj • 05:02 • -8.26db
18% Popularity • 58% Danceability • 80% Energy • 65% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 58% Danceability • 80% Energy • 65% Liveness
0% Instrumentalness • 56% Positiveness
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Mo Mandel
Pee Pee Treats
70 bpm • F# Maj • 02:29 • -12.07db
15% Popularity • 76% Danceability • 64% Energy • 77% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 76% Danceability • 64% Energy • 77% Liveness
0% Instrumentalness • 50% Positiveness
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Joe DeRosa
F Your Wedding
74 bpm • G Maj • 05:59 • -5.81db
20% Popularity • 47% Danceability • 80% Energy • 92% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 47% Danceability • 80% Energy • 92% Liveness
0% Instrumentalness • 44% Positiveness
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Yannis Pappas
American Shower
70 bpm • F# min • 01:14 • -9.02db
11% Popularity • 58% Danceability • 91% Energy • 53% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 58% Danceability • 91% Energy • 53% Liveness
0% Instrumentalness • 60% Positiveness
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Jen Kirkman
Everyone Is Stupid
74 bpm • G# min • 02:49 • -15.4db
21% Popularity • 62% Danceability • 37% Energy • 56% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 62% Danceability • 37% Energy • 56% Liveness
0% Instrumentalness • 64% Positiveness
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Christian Finnegan
The Ol' Meg Ryan
74 bpm • F Maj • 01:47 • -11.64db
21% Popularity • 53% Danceability • 54% Energy • 81% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 53% Danceability • 54% Energy • 81% Liveness
0% Instrumentalness • 73% Positiveness
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Ben Bailey
Sparko Yolo
70 bpm • D Maj • 07:47 • -13.59db
13% Popularity • 39% Danceability • 70% Energy • 95% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 39% Danceability • 70% Energy • 95% Liveness
0% Instrumentalness • 8% Positiveness
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Jay Mohr
Keith Morrison The Dr. Seuss of Murder M...
74 bpm • C# Maj • 02:27 • -18.55db
20% Popularity • 55% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 55% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Erikka Innes
The G-Spot 4
70 bpm • F min • 01:26 • -8.8db
16% Popularity • 72% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 72% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Big Jay Oakerson
Evolution of the Art
70 bpm • C# Maj • 02:11 • -7.21db
23% Popularity • 42% Danceability • 86% Energy • 84% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 42% Danceability • 86% Energy • 84% Liveness
0% Instrumentalness • 61% Positiveness
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Tommy Ryman
I Fixed a Step!
74 bpm • B Maj • 00:52 • -6.38db
14% Popularity • 73% Danceability • 78% Energy • 77% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 73% Danceability • 78% Energy • 77% Liveness
0% Instrumentalness • 80% Positiveness
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Kurt Metzger
Shitting, Hair Loss, Shitting Shitting.
75 bpm • F# Maj • 02:38 • -7.84db
13% Popularity • 43% Danceability • 88% Energy • 63% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 43% Danceability • 88% Energy • 63% Liveness
0% Instrumentalness • 44% Positiveness
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Jim Breuer
Getting a Kangaroo
75 bpm • A# Maj • 03:18 • -10.73db
22% Popularity • 50% Danceability • 94% Energy • 81% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 50% Danceability • 94% Energy • 81% Liveness
0% Instrumentalness • 14% Positiveness
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Moshe Kasher
I'm an Amazing Lover
75 bpm • E Maj • 02:22 • -10.18db
7% Popularity • 56% Danceability • 69% Energy • 71% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 56% Danceability • 69% Energy • 71% Liveness
0% Instrumentalness • 72% Positiveness
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Matt Braunger
The Greatest Mini-Mart Name Ever
75 bpm • A# Maj • 01:48 • -12.54db
25% Popularity • 65% Danceability • 49% Energy • 94% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 65% Danceability • 49% Energy • 94% Liveness
0% Instrumentalness • 53% Positiveness
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Erikka Innes
G-Spot 4 and the Wii Video Game System
75 bpm • G# Maj • 01:23 • -16.71db
15% Popularity • 60% Danceability • 44% Energy • 73% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 60% Danceability • 44% Energy • 73% Liveness
0% Instrumentalness • 76% Positiveness
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Steve Hofstetter
The War on Twilight
69 bpm • A Maj • 01:56 • -17db
18% Popularity • 54% Danceability • 40% Energy • 87% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 54% Danceability • 40% Energy • 87% Liveness
0% Instrumentalness • 62% Positiveness
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Kurt Metzger
Some Things You Do Not Joke About!
69 bpm • B min • 01:19 • -7.05db
30% Popularity • 50% Danceability • 92% Energy • 80% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 50% Danceability • 92% Energy • 80% Liveness
0% Instrumentalness • 55% Positiveness
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Dwayne Perkins
Clean or Dirty
69 bpm • F# Maj • 03:38 • -16.9db
14% Popularity • 54% Danceability • 67% Energy • 75% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 54% Danceability • 67% Energy • 75% Liveness
0% Instrumentalness • 33% Positiveness
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Josh Wagner
D-Day
75 bpm • B min • 01:10 • -10.82db
22% Popularity • 60% Danceability • 58% Energy • 68% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 60% Danceability • 58% Energy • 68% Liveness
0% Instrumentalness • 56% Positiveness
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Andy Hendrickson
Travel
75 bpm • C# min • 02:27 • -15.01db
18% Popularity • 50% Danceability • 71% Energy • 93% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 50% Danceability • 71% Energy • 93% Liveness
0% Instrumentalness • 43% Positiveness
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Tig Notaro
The Kool-Aid Man
69 bpm • G Maj • 02:42 • -13.92db
19% Popularity • 47% Danceability • 87% Energy • 90% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 47% Danceability • 87% Energy • 90% Liveness
0% Instrumentalness • 20% Positiveness
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Andrew Santino
Name Change
75 bpm • C# Maj • 03:23 • -7.92db
23% Popularity • 51% Danceability • 84% Energy • 92% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 51% Danceability • 84% Energy • 92% Liveness
0% Instrumentalness • 42% Positiveness
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Joe List
Steam Room
76 bpm • D Maj • 01:07 • -9.8db
24% Popularity • 54% Danceability • 86% Energy • 78% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 54% Danceability • 86% Energy • 78% Liveness
0% Instrumentalness • 60% Positiveness
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Andi Smith
Date Night at the St. Louis Funny Bone
69 bpm • C min • 03:33 • -20.6db
9% Popularity • 48% Danceability • 38% Energy • 81% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 48% Danceability • 38% Energy • 81% Liveness
0% Instrumentalness • 42% Positiveness
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Moshe Kasher
Magum Openis (The Revelation) - Live
76 bpm • D min • 02:46 • -3.55db
10% Popularity • 59% Danceability • 95% Energy • 66% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 59% Danceability • 95% Energy • 66% Liveness
0% Instrumentalness • 68% Positiveness
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Christian Pieper
Being the Regular
76 bpm • D Maj • 01:22 • -14.74db
26% Popularity • 48% Danceability • 72% Energy • 74% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 48% Danceability • 72% Energy • 74% Liveness
0% Instrumentalness • 50% Positiveness
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K Trevor Wilson
Single and Bad Pickup Line
76 bpm • C# Maj • 02:21 • -11.74db
17% Popularity • 55% Danceability • 54% Energy • 87% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 55% Danceability • 54% Energy • 87% Liveness
0% Instrumentalness • 51% Positiveness
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Warren B. Hall
Waffle House
76 bpm • C# Maj • 01:07 • -14.31db
31% Popularity • 62% Danceability • 65% Energy • 70% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 62% Danceability • 65% Energy • 70% Liveness
0% Instrumentalness • 66% Positiveness
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Mo Mandel
Cleveland Game of Thrones
68 bpm • G min • 01:58 • -11db
14% Popularity • 54% Danceability • 76% Energy • 69% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 54% Danceability • 76% Energy • 69% Liveness
0% Instrumentalness • 37% Positiveness
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Kyle Kinane
Lower Strut Bushing
76 bpm • C# Maj • 05:22 • -12.34db
24% Popularity • 58% Danceability • 50% Energy • 75% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 58% Danceability • 50% Energy • 75% Liveness
0% Instrumentalness • 57% Positiveness
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The Sklar Brothers
Richard Simmons
76 bpm • C# min • 10:41 • -12.84db
8% Popularity • 60% Danceability • 57% Energy • 95% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 60% Danceability • 57% Energy • 95% Liveness
0% Instrumentalness • 74% Positiveness
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Beth Stelling
Babysitter's Club
76 bpm • F# min • 02:04 • -16.02db
11% Popularity • 51% Danceability • 49% Energy • 67% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 51% Danceability • 49% Energy • 67% Liveness
0% Instrumentalness • 56% Positiveness
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Kurt Metzger
Kurt Talks to Young People About Safe As...
76 bpm • F# Maj • 02:15 • -8db
17% Popularity • 43% Danceability • 90% Energy • 77% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 43% Danceability • 90% Energy • 77% Liveness
0% Instrumentalness • 26% Positiveness
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Todd Glass
More Arms Than Courage
76 bpm • F Maj • 02:27 • -3.07db
25% Popularity • 48% Danceability • 96% Energy • 76% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 48% Danceability • 96% Energy • 76% Liveness
0% Instrumentalness • 43% Positiveness
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Paul F. Tompkins
I'm so Rich
76 bpm • D# Maj • 02:12 • -9.95db
16% Popularity • 54% Danceability • 56% Energy • 94% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 54% Danceability • 56% Energy • 94% Liveness
0% Instrumentalness • 73% Positiveness
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Jay Mohr
The Greatest Worst Concert
77 bpm • C min • 03:13 • -14.04db
10% Popularity • 66% Danceability • 45% Energy • 48% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 66% Danceability • 45% Energy • 48% Liveness
0% Instrumentalness • 48% Positiveness
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Moshe Kasher
An Open Letter to Modesto, California
68 bpm • C Maj • 08:24 • -15.17db
6% Popularity • 69% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
6% Popularity • 69% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Erikka Innes
Legal Prostitution
77 bpm • A# Maj • 01:20 • -9db
27% Popularity • 61% Danceability • 67% Energy • 67% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 61% Danceability • 67% Energy • 67% Liveness
0% Instrumentalness • 57% Positiveness
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Kurt Metzger
Kurt Metzger Breaks His Mother's Heart
77 bpm • B min • 02:08 • -8db
23% Popularity • 41% Danceability • 88% Energy • 88% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 41% Danceability • 88% Energy • 88% Liveness
0% Instrumentalness • 36% Positiveness
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Robert Kelly
Being Chunky
67 bpm • F# min • 01:40 • -4.09db
21% Popularity • 39% Danceability • 98% Energy • 90% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 39% Danceability • 98% Energy • 90% Liveness
0% Instrumentalness • 49% Positiveness
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Sam Morril
Sam Has a Type
77 bpm • D Maj • 01:25 • -11.44db
27% Popularity • 58% Danceability • 96% Energy • 93% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 58% Danceability • 96% Energy • 93% Liveness
0% Instrumentalness • 11% Positiveness
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Dennis Miller
Sports
77 bpm • G Maj • 01:47 • -6.83db
21% Popularity • 57% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 57% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 39% Positiveness
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Kurt Braunohler
Trust / Hot Air Balloon
77 bpm • F Maj • 03:34 • -14.77db
8% Popularity • 67% Danceability • 59% Energy • 91% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 67% Danceability • 59% Energy • 91% Liveness
0% Instrumentalness • 30% Positiveness
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Ryan Sickler
Family Death Pool
77 bpm • A# Maj • 01:04 • -8.29db
29% Popularity • 43% Danceability • 81% Energy • 70% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 43% Danceability • 81% Energy • 70% Liveness
0% Instrumentalness • 57% Positiveness
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Andrew Norelli
Point Break with Swayze
77 bpm • F Maj • 05:51 • -13.82db
12% Popularity • 51% Danceability • 65% Energy • 92% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 51% Danceability • 65% Energy • 92% Liveness
0% Instrumentalness • 60% Positiveness
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Michael Kosta
I'm the Headliner!
77 bpm • F# Maj • 01:26 • -7.57db
13% Popularity • 54% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 54% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Moshe Kasher
Break Me off a Lil' Sumthin
77 bpm • C Maj • 10:21 • -13.75db
7% Popularity • 52% Danceability • 54% Energy • 96% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 52% Danceability • 54% Energy • 96% Liveness
0% Instrumentalness • 70% Positiveness
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Andy Woodhull
Lice!
77 bpm • D# min • 02:46 • -14.8db
15% Popularity • 52% Danceability • 49% Energy • 91% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 52% Danceability • 49% Energy • 91% Liveness
0% Instrumentalness • 50% Positiveness
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Baron Vaughn
Travel, Pt. 1
77 bpm • C# Maj • 03:29 • -10.13db
13% Popularity • 52% Danceability • 60% Energy • 79% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 52% Danceability • 60% Energy • 79% Liveness
0% Instrumentalness • 58% Positiveness
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Dan Soder
Uber
77 bpm • D# Maj • 01:13 • -11.33db
35% Popularity • 54% Danceability • 74% Energy • 65% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 54% Danceability • 74% Energy • 65% Liveness
0% Instrumentalness • 44% Positiveness
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Josh Wagner
Here's Why
78 bpm • G Maj • 02:13 • -10.69db
14% Popularity • 71% Danceability • 54% Energy • 45% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 71% Danceability • 54% Energy • 45% Liveness
0% Instrumentalness • 61% Positiveness
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Bryan Callen
Testosterone
67 bpm • F# min • 04:00 • -8.51db
18% Popularity • 58% Danceability • 76% Energy • 74% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 58% Danceability • 76% Energy • 74% Liveness
0% Instrumentalness • 57% Positiveness
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Moshe Kasher
The 99 Cent Pregnancy Test
67 bpm • F# Maj • 00:55 • -10.17db
8% Popularity • 60% Danceability • 68% Energy • 66% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 60% Danceability • 68% Energy • 66% Liveness
0% Instrumentalness • 68% Positiveness
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Marc Maron
Not Enough Time
78 bpm • F# Maj • 03:33 • -12.61db
7% Popularity • 44% Danceability • 84% Energy • 96% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 44% Danceability • 84% Energy • 96% Liveness
0% Instrumentalness • 36% Positiveness
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Baron Vaughn
Evil Cat
67 bpm • A# min • 09:22 • -13.17db
13% Popularity • 47% Danceability • 63% Energy • 39% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 47% Danceability • 63% Energy • 39% Liveness
0% Instrumentalness • 57% Positiveness
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Harland Williams
You Ever?
67 bpm • C min • 01:17 • -6.9db
27% Popularity • 57% Danceability • 90% Energy • 72% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 57% Danceability • 90% Energy • 72% Liveness
0% Instrumentalness • 24% Positiveness
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Ryan Sickler
Lower-Middle Class
78 bpm • D min • 03:48 • -10.59db
11% Popularity • 61% Danceability • 62% Energy • 76% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 61% Danceability • 62% Energy • 76% Liveness
0% Instrumentalness • 43% Positiveness
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Nick Thune
About Me
78 bpm • C Maj • 03:30 • -13.57db
9% Popularity • 48% Danceability • 58% Energy • 38% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 48% Danceability • 58% Energy • 38% Liveness
0% Instrumentalness • 12% Positiveness
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Andrew Norelli
Teachers
78 bpm • F Maj • 03:57 • -13.76db
21% Popularity • 62% Danceability • 60% Energy • 89% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 62% Danceability • 60% Energy • 89% Liveness
0% Instrumentalness • 61% Positiveness
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Sam Morril
Sam Tackles Homophobia
78 bpm • G min • 02:51 • -13.09db
24% Popularity • 42% Danceability • 83% Energy • 60% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 42% Danceability • 83% Energy • 60% Liveness
0% Instrumentalness • 41% Positiveness
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Warren B. Hall
Bald for Style
78 bpm • D min • 01:10 • -13.14db
24% Popularity • 52% Danceability • 81% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 52% Danceability • 81% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Dan Soder
Sommeliers
66 bpm • C Maj • 03:12 • -10.38db
25% Popularity • 56% Danceability • 89% Energy • 42% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 56% Danceability • 89% Energy • 42% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Patton Oswalt
Parents and Pills
78 bpm • A# Maj • 03:22 • -18.84db
28% Popularity • 55% Danceability • 43% Energy • 67% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 55% Danceability • 43% Energy • 67% Liveness
0% Instrumentalness • 45% Positiveness
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Joe List
Creepy Stuff
78 bpm • B min • 01:51 • -10.21db
14% Popularity • 48% Danceability • 82% Energy • 74% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 48% Danceability • 82% Energy • 74% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Jamie Kilstein
When You Bomb Several Countries Bad Shit...
78 bpm • G min • 02:40 • -6.17db
18% Popularity • 72% Danceability • 69% Energy • 55% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 72% Danceability • 69% Energy • 55% Liveness
0% Instrumentalness • 86% Positiveness
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Kurt Metzger
I'm Basically Salman Rushdie.
79 bpm • A Maj • 04:18 • -7.73db
16% Popularity • 50% Danceability • 85% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 50% Danceability • 85% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
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Kevin Nealon
The Bra Bomber
79 bpm • A# Maj • 02:42 • -21.25db
18% Popularity • 65% Danceability • 48% Energy • 78% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 65% Danceability • 48% Energy • 78% Liveness
0% Instrumentalness • 53% Positiveness
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Harland Williams
Audience Work
79 bpm • F# Maj • 02:18 • -7.06db
17% Popularity • 55% Danceability • 79% Energy • 99% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 55% Danceability • 79% Energy • 99% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Kumail Nanjiani
Brooklyn
79 bpm • B min • 01:41 • -4.5db
34% Popularity • 47% Danceability • 97% Energy • 97% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 47% Danceability • 97% Energy • 97% Liveness
0% Instrumentalness • 28% Positiveness
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Moshe Kasher
A Nice Man from Appleton
79 bpm • F Maj • 03:16 • -13.51db
8% Popularity • 56% Danceability • 45% Energy • 65% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 56% Danceability • 45% Energy • 65% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Al Madrigal
Cholo Soccer Dad
79 bpm • E Maj • 07:37 • -4.43db
30% Popularity • 40% Danceability • 97% Energy • 95% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 40% Danceability • 97% Energy • 95% Liveness
0% Instrumentalness • 31% Positiveness
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Mitch Fatel
Girl Lawyer
79 bpm • G Maj • 01:14 • -13.42db
33% Popularity • 63% Danceability • 54% Energy • 56% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 63% Danceability • 54% Energy • 56% Liveness
0% Instrumentalness • 57% Positiveness
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Kurt Metzger
Ricky! Noooooooooo!
79 bpm • A Maj • 03:08 • -8.02db
15% Popularity • 41% Danceability • 89% Energy • 94% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 41% Danceability • 89% Energy • 94% Liveness
0% Instrumentalness • 33% Positiveness
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Joe List
Parental Tips
79 bpm • G Maj • 02:25 • -11.57db
15% Popularity • 47% Danceability • 81% Energy • 89% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 47% Danceability • 81% Energy • 89% Liveness
0% Instrumentalness • 26% Positiveness
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Dry Bar Comedy
Pump Up Music
66 bpm • G# Maj • 01:03 • -14.64db
40% Popularity • 58% Danceability • 73% Energy • 87% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 58% Danceability • 73% Energy • 87% Liveness
0% Instrumentalness • 57% Positiveness
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Dan Soder
Weed Is Not a Drug
79 bpm • G# Maj • 03:20 • -11.02db
25% Popularity • 55% Danceability • 82% Energy • 60% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 55% Danceability • 82% Energy • 60% Liveness
0% Instrumentalness • 23% Positiveness
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Robert Kelly
Somebody Blew the Tin Man
79 bpm • F# Maj • 05:46 • -10.02db
20% Popularity • 45% Danceability • 65% Energy • 95% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 45% Danceability • 65% Energy • 95% Liveness
0% Instrumentalness • 66% Positiveness
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Eddie Ifft
Because They Are Homeless
79 bpm • C Maj • 01:04 • -11.55db
22% Popularity • 65% Danceability • 43% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 65% Danceability • 43% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Jay Mohr
Dating Apps & Venereal Diseases
79 bpm • C# Maj • 03:50 • -13.15db
11% Popularity • 60% Danceability • 58% Energy • 45% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 60% Danceability • 58% Energy • 45% Liveness
0% Instrumentalness • 40% Positiveness
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Joe List
Kids Are Fun
79 bpm • D min • 02:27 • -10.53db
23% Popularity • 40% Danceability • 89% Energy • 76% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 40% Danceability • 89% Energy • 76% Liveness
0% Instrumentalness • 26% Positiveness
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Tommy Campbell
Enjoyed Marijuana
80 bpm • B Maj • 01:39 • -10.18db
28% Popularity • 64% Danceability • 65% Energy • 93% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 64% Danceability • 65% Energy • 93% Liveness
0% Instrumentalness • 54% Positiveness
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Ryan Sickler
Neck Braces
65 bpm • F Maj • 01:04 • -6.84db
18% Popularity • 39% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 39% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Dan Soder
Underdick
80 bpm • C# min • 01:18 • -13.59db
35% Popularity • 53% Danceability • 90% Energy • 96% Liveness
0% Instrumentalness • 9% Positiveness
35% Popularity • 53% Danceability • 90% Energy • 96% Liveness
0% Instrumentalness • 9% Positiveness
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Tommy Ryman
Clarinets and Kissing
65 bpm • G Maj • 04:42 • -6.9db
10% Popularity • 53% Danceability • 72% Energy • 97% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 53% Danceability • 72% Energy • 97% Liveness
0% Instrumentalness • 70% Positiveness
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Dan Cummins
They Will Respect the Steel
80 bpm • G# Maj • 02:38 • -13.61db
22% Popularity • 56% Danceability • 68% Energy • 63% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 56% Danceability • 68% Energy • 63% Liveness
0% Instrumentalness • 40% Positiveness
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Moshe Kasher
Heaven and Hell (The Update) - Live
65 bpm • F Maj • 04:45 • -2.37db
10% Popularity • 55% Danceability • 95% Energy • 77% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 55% Danceability • 95% Energy • 77% Liveness
0% Instrumentalness • 66% Positiveness
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Morgan Murphy
Drugs
80 bpm • G# min • 02:36 • -4.03db
20% Popularity • 63% Danceability • 77% Energy • 67% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 63% Danceability • 77% Energy • 67% Liveness
0% Instrumentalness • 74% Positiveness
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Bret Ernst
Willie 'Blackie' Johnson
80 bpm • F# Maj • 02:00 • -8.14db
20% Popularity • 63% Danceability • 61% Energy • 96% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 63% Danceability • 61% Energy • 96% Liveness
0% Instrumentalness • 54% Positiveness
