Songs like Killer + The Sound by Phoebe Bridgers
Based on a tempo of (+/- 10%) and a similar genre
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Leith Ross
I Just Don't Think That You Like Me That...
127 bpm • C Maj • 03:26 • -16.29db
45% Popularity • 52% Danceability • 16% Energy • 8% Liveness
13% Instrumentalness • 36% Positiveness
45% Popularity • 52% Danceability • 16% Energy • 8% Liveness
13% Instrumentalness • 36% Positiveness
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boygenius
Not Strong Enough
127 bpm • C# Maj • 03:54 • -5.85db
78% Popularity • 51% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
78% Popularity • 51% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Phoebe Bridgers
Killer + The Sound
127 bpm • C Maj • 07:55 • -15db
53% Popularity • 40% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
53% Popularity • 40% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Holly Humberstone
Deep End
128 bpm • C Maj • 02:51 • -8db
53% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Gracie Abrams
Camden
126 bpm • A# Maj • 04:06 • -12.57db
60% Popularity • 65% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
60% Popularity • 65% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Olivia Rodrigo
the grudge
128 bpm • A# Maj • 03:09 • -9.21db
80% Popularity • 55% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
80% Popularity • 55% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Lizzy McAlpine
All Falls Down
128 bpm • F Maj • 02:51 • -7.01db
67% Popularity • 69% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
67% Popularity • 69% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Maya Hawke
Generous Heart
128 bpm • C Maj • 03:35 • -15.5db
43% Popularity • 68% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 26% Positiveness
43% Popularity • 68% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 26% Positiveness
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Phoebe Bridgers
Chelsea
128 bpm • B Maj • 04:42 • -15.45db
51% Popularity • 39% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 39% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Fleet Foxes
Wading In Waist-High Water
128 bpm • G Maj • 02:15 • -15.27db
51% Popularity • 39% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
51% Popularity • 39% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Gracie Abrams
Block me out
128 bpm • A# Maj • 04:09 • -7.47db
59% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
59% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Conan Gray
People Watching
126 bpm • F Maj • 02:38 • -7.28db
78% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
78% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Mitski
Class of 2013
125 bpm • C Maj • 01:49 • -11db
69% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
69% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Big Thief
Real Love - 2023 Remaster
129 bpm • C Maj • 04:17 • -4.83db
52% Popularity • 31% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
52% Popularity • 31% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Phoebe Bridgers
Goodbye To Love
128 bpm • F# Maj • 04:02 • -12.11db
41% Popularity • 33% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
41% Popularity • 33% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
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Bon Iver
Re: Stacks
125 bpm • D Maj • 06:41 • -22.85db
65% Popularity • 68% Danceability • 8% Energy • 12% Liveness
42% Instrumentalness • 31% Positiveness
65% Popularity • 68% Danceability • 8% Energy • 12% Liveness
42% Instrumentalness • 31% Positiveness
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Gracie Abrams
Rockland
126 bpm • F Maj • 03:37 • -11.34db
63% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
63% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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SZA
Ghost in the Machine
125 bpm • F# Maj • 03:38 • -9.57db
77% Popularity • 62% Danceability • 43% Energy • 11% Liveness
3% Instrumentalness • 59% Positiveness
77% Popularity • 62% Danceability • 43% Energy • 11% Liveness
3% Instrumentalness • 59% Positiveness
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Searows
Coming Clean
129 bpm • D Maj • 06:18 • -16db
45% Popularity • 51% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
45% Popularity • 51% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Ethel Cain
A House In Nebraska
129 bpm • D Maj • 07:46 • -7.89db
62% Popularity • 24% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
62% Popularity • 24% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Phoebe Bridgers
Savior Complex
129 bpm • E Maj • 04:01 • -11.88db
67% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
67% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Lorde
Supercut
125 bpm • C Maj • 04:37 • -10.23db
76% Popularity • 56% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
76% Popularity • 56% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Leith Ross
Music Box
130 bpm • C# Maj • 04:25 • -14.52db
46% Popularity • 33% Danceability • 22% Energy • 34% Liveness
1% Instrumentalness • 15% Positiveness
46% Popularity • 33% Danceability • 22% Energy • 34% Liveness
1% Instrumentalness • 15% Positiveness
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Chappell Roan
California
130 bpm • C# Maj • 03:18 • -10.07db
67% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
67% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Taylor Swift
my tears ricochet
130 bpm • C Maj • 04:15 • -10.63db
80% Popularity • 46% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
80% Popularity • 46% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Jess Benko
A Soulmate Who Wasn’t Meant to Be
124 bpm • A min • 05:16 • -20.27db
66% Popularity • 57% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
66% Popularity • 57% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
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Phoebe Bridgers
Waiting Room
130 bpm • D Maj • 06:33 • -10.07db
75% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
75% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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girl in red
we fell in love in october
130 bpm • G Maj • 03:04 • -12.81db
85% Popularity • 57% Danceability • 37% Energy • 16% Liveness
18% Instrumentalness • 24% Positiveness
85% Popularity • 57% Danceability • 37% Energy • 16% Liveness
18% Instrumentalness • 24% Positiveness
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Ricky Montgomery
Mr. Loverman
130 bpm • C Maj • 03:36 • -6.7db
79% Popularity • 64% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
79% Popularity • 64% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Chappell Roan
Red Wine Supernova
124 bpm • A Maj • 03:12 • -4.37db
83% Popularity • 66% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
83% Popularity • 66% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Taylor Swift
cardigan
130 bpm • C min • 03:59 • -8.59db
89% Popularity • 61% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
89% Popularity • 61% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Slaughter Beach, Dog
Acolyte
124 bpm • A Maj • 05:16 • -10.67db
60% Popularity • 79% Danceability • 48% Energy • 11% Liveness
9% Instrumentalness • 77% Positiveness
60% Popularity • 79% Danceability • 48% Energy • 11% Liveness
9% Instrumentalness • 77% Positiveness
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Matt Maltese
As the World Caves In
124 bpm • A# Maj • 03:38 • -5.36db
71% Popularity • 33% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
71% Popularity • 33% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Mitski
Last Words of a Shooting Star
130 bpm • D Maj • 02:44 • -19.02db
68% Popularity • 39% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
68% Popularity • 39% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Phoebe Bridgers
Kyoto - Spotify Singles
124 bpm • B Maj • 03:30 • -11.27db
42% Popularity • 36% Danceability • 27% Energy • 35% Liveness
6% Instrumentalness • 33% Positiveness
42% Popularity • 36% Danceability • 27% Energy • 35% Liveness
6% Instrumentalness • 33% Positiveness
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Lizzy McAlpine
Drunk, Running
124 bpm • C Maj • 04:05 • -9.59db
69% Popularity • 31% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
69% Popularity • 31% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Taylor Swift
I Can Do It With a Broken Heart
130 bpm • C Maj • 03:38 • -8.29db
82% Popularity • 70% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
82% Popularity • 70% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Big Thief
Paul - 2023 Remaster
123 bpm • B Maj • 03:03 • -8.57db
65% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
65% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Lorde
The Louvre
123 bpm • C Maj • 04:31 • -9.98db
64% Popularity • 66% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
64% Popularity • 66% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Chappell Roan
Casual
131 bpm • C# Maj • 03:52 • -6.85db
79% Popularity • 51% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
79% Popularity • 51% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Phoebe Bridgers
Friday I’m In Love - Recorded at Spoti...
123 bpm • G Maj • 03:40 • -15.19db
59% Popularity • 45% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
59% Popularity • 45% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Suki Waterhouse
My Mind
123 bpm • B Maj • 03:10 • -11db
54% Popularity • 27% Danceability • 29% Energy • 11% Liveness
31% Instrumentalness • 17% Positiveness
54% Popularity • 27% Danceability • 29% Energy • 11% Liveness
31% Instrumentalness • 17% Positiveness
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Florist
The Fear of Losing This
123 bpm • C Maj • 03:53 • -21db
53% Popularity • 38% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
53% Popularity • 38% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
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Big Thief
Shark Smile - Edit
131 bpm • F# min • 03:14 • -9.31db
69% Popularity • 69% Danceability • 74% Energy • 11% Liveness
63% Instrumentalness • 67% Positiveness
69% Popularity • 69% Danceability • 74% Energy • 11% Liveness
63% Instrumentalness • 67% Positiveness
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Weyes Blood
Andromeda
131 bpm • C# min • 04:40 • -7.94db
69% Popularity • 47% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
69% Popularity • 47% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Mitski
I Want You
132 bpm • D# Maj • 03:03 • -11.29db
76% Popularity • 34% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
76% Popularity • 34% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Phoebe Bridgers
Scott Street - Recorded at Spotify Studi...
131 bpm • A# Maj • 05:32 • -12.25db
38% Popularity • 57% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 57% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Cavetown
Juliet
132 bpm • F# Maj • 04:38 • -8.49db
74% Popularity • 55% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
74% Popularity • 55% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Searows
Keep The Rain
132 bpm • C# Maj • 04:47 • -17.66db
57% Popularity • 47% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
57% Popularity • 47% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Big Thief
Vampire Empire
131 bpm • A Maj • 03:12 • -7.8db
76% Popularity • 64% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
76% Popularity • 64% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Gregory Alan Isakov
Honey, It's Alright
132 bpm • C Maj • 03:11 • -15.66db
60% Popularity • 47% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
60% Popularity • 47% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Mitski
A Burning Hill
132 bpm • D Maj • 01:49 • -14.99db
67% Popularity • 46% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
67% Popularity • 46% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Phoebe Bridgers
Kyoto
131 bpm • B Maj • 03:04 • -6.89db
68% Popularity • 60% Danceability • 75% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
68% Popularity • 60% Danceability • 75% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
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Matt Maltese
Curl up & Die
132 bpm • B Maj • 03:22 • -8.47db
65% Popularity • 62% Danceability • 28% Energy • 11% Liveness
54% Instrumentalness • 23% Positiveness
65% Popularity • 62% Danceability • 28% Energy • 11% Liveness
54% Instrumentalness • 23% Positiveness
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Current Joys
Blondie
122 bpm • F# Maj • 03:14 • -12.56db
77% Popularity • 78% Danceability • 63% Energy • 9% Liveness
90% Instrumentalness • 87% Positiveness
77% Popularity • 78% Danceability • 63% Energy • 9% Liveness
90% Instrumentalness • 87% Positiveness
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John Vincent III
Next to You
132 bpm • G Maj • 04:16 • -7.98db
73% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
73% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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Better Oblivion Community Center
Dominos
122 bpm • B Maj • 04:32 • -11.87db
37% Popularity • 60% Danceability • 51% Energy • 43% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 60% Danceability • 51% Energy • 43% Liveness
0% Instrumentalness • 31% Positiveness
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Leith Ross
Orlando
122 bpm • G# Maj • 04:35 • -15.39db
44% Popularity • 61% Danceability • 27% Energy • 12% Liveness
43% Instrumentalness • 20% Positiveness
44% Popularity • 61% Danceability • 27% Energy • 12% Liveness
43% Instrumentalness • 20% Positiveness
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Phoebe Bridgers
Halloween
122 bpm • C# Maj • 04:31 • -18.74db
58% Popularity • 49% Danceability • 16% Energy • 10% Liveness
10% Instrumentalness • 37% Positiveness
58% Popularity • 49% Danceability • 16% Energy • 10% Liveness
10% Instrumentalness • 37% Positiveness
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Sufjan Stevens
Mystery of Love
132 bpm • E min • 04:08 • -16.53db
72% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
72% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
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Maya Hawke
By Myself
122 bpm • A# min • 02:26 • -14.81db
42% Popularity • 73% Danceability • 32% Energy • 8% Liveness
32% Instrumentalness • 37% Positiveness
42% Popularity • 73% Danceability • 32% Energy • 8% Liveness
32% Instrumentalness • 37% Positiveness
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Gracie Abrams
Best
122 bpm • A# Maj • 03:53 • -10.54db
65% Popularity • 60% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
65% Popularity • 60% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Current Joys
Become the Warm Jets
132 bpm • G Maj • 05:34 • -15.49db
70% Popularity • 44% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
70% Popularity • 44% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Patrick Watson
Je te laisserai des mots
133 bpm • D Maj • 02:40 • -16.76db
83% Popularity • 30% Danceability • 19% Energy • 10% Liveness
49% Instrumentalness • 21% Positiveness
83% Popularity • 30% Danceability • 19% Energy • 10% Liveness
49% Instrumentalness • 21% Positiveness
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Lucy Dacus
Body to Flame
133 bpm • D Maj • 03:05 • -9.65db
47% Popularity • 43% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
47% Popularity • 43% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Big Thief
Change
133 bpm • A# Maj • 04:55 • -13db
61% Popularity • 63% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 63% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Noah Kahan
Northern Attitude
121 bpm • D# Maj • 04:27 • -8.09db
80% Popularity • 51% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
80% Popularity • 51% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Gracie Abrams
Amelie
122 bpm • D Maj • 04:19 • -12.38db
59% Popularity • 48% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 48% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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girl in red
watch you sleep.
133 bpm • D Maj • 03:00 • -16.38db
61% Popularity • 46% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
61% Popularity • 46% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Bon Iver
Flume
133 bpm • B Maj • 03:39 • -17.01db
63% Popularity • 45% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
63% Popularity • 45% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
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Olivia Rodrigo
making the bed
133 bpm • G Maj • 03:18 • -7.74db
78% Popularity • 54% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
78% Popularity • 54% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Lord Huron
Ends of the Earth
121 bpm • E Maj • 04:44 • -9db
70% Popularity • 55% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
70% Popularity • 55% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
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Harry Styles
Fine Line
121 bpm • D Maj • 06:17 • -8.5db
79% Popularity • 31% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 5% Positiveness
79% Popularity • 31% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 5% Positiveness
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Gracie Abrams
Mess It Up
133 bpm • C Maj • 02:51 • -4.53db
76% Popularity • 76% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
76% Popularity • 76% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Taylor Swift
evermore
121 bpm • C# Maj • 05:04 • -10.67db
66% Popularity • 40% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
66% Popularity • 40% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Haley Heynderickx
Drinking Song
120 bpm • C Maj • 03:15 • -11.31db
50% Popularity • 62% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 62% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Phoebe Bridgers
Summer's End - Spotify Singles
134 bpm • C# Maj • 03:54 • -13.72db
55% Popularity • 47% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 47% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Sufjan Stevens
Fourth of July
120 bpm • F# min • 04:39 • -22.39db
80% Popularity • 44% Danceability • 10% Energy • 12% Liveness
33% Instrumentalness • 16% Positiveness
80% Popularity • 44% Danceability • 10% Energy • 12% Liveness
33% Instrumentalness • 16% Positiveness
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The Backseat Lovers
Pool House
134 bpm • G Maj • 04:29 • -11.18db
71% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
71% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Chance Peña
In My Room
134 bpm • E Maj • 02:57 • -13.63db
81% Popularity • 41% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
81% Popularity • 41% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Frankie Cosmos
Fool
120 bpm • A Maj • 02:04 • -10.25db
71% Popularity • 51% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
71% Popularity • 51% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Ethel Cain
American Teenager
120 bpm • E Maj • 04:18 • -5.01db
70% Popularity • 42% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
70% Popularity • 42% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Phoebe Bridgers
ICU
134 bpm • D Maj • 03:10 • -8.08db
62% Popularity • 51% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
62% Popularity • 51% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Maggie Rogers
New Song
120 bpm • E Maj • 06:22 • -7.44db
56% Popularity • 65% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
56% Popularity • 65% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Zeph
could you love me while i hate myself
120 bpm • A Maj • 01:00 • -11.31db
76% Popularity • 68% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
76% Popularity • 68% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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girl in red
I'll Call You Mine
120 bpm • E Maj • 03:21 • -5.14db
65% Popularity • 61% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
65% Popularity • 61% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Gracie Abrams
I know it won't work
120 bpm • F min • 04:05 • -8.96db
74% Popularity • 66% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
74% Popularity • 66% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Taylor Swift
Who’s Afraid of Little Old Me?
120 bpm • C Maj • 05:34 • -10.49db
81% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
81% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Phoebe Bridgers
Chinese Satellite
120 bpm • A# Maj • 03:37 • -9.93db
60% Popularity • 30% Danceability • 45% Energy • 15% Liveness
2% Instrumentalness • 36% Positiveness
60% Popularity • 30% Danceability • 45% Energy • 15% Liveness
2% Instrumentalness • 36% Positiveness
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Fiona Apple
Under The Table
120 bpm • C Maj • 03:21 • -8.14db
56% Popularity • 64% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
56% Popularity • 64% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Lizzy McAlpine
doomsday
135 bpm • C# Maj • 04:28 • -10db
68% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
68% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Lucy Dacus
I Don't Wanna Be Funny Anymore
135 bpm • G# Maj • 02:43 • -8.03db
56% Popularity • 60% Danceability • 77% Energy • 22% Liveness
92% Instrumentalness • 33% Positiveness
56% Popularity • 60% Danceability • 77% Energy • 22% Liveness
92% Instrumentalness • 33% Positiveness
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Jeff Buckley
Lover, You Should've Come Over
119 bpm • D Maj • 06:44 • -5.67db
74% Popularity • 39% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
74% Popularity • 39% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Better Oblivion Community Center
Sleepwalkin'
119 bpm • C# min • 03:12 • -7.51db
46% Popularity • 40% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 40% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Phoebe Bridgers
Scott Street
135 bpm • A# Maj • 05:05 • -9.63db
75% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
75% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
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Elliott Smith
Between The Bars
135 bpm • G min • 02:21 • -23.63db
68% Popularity • 52% Danceability • 7% Energy • 11% Liveness
76% Instrumentalness • 34% Positiveness
68% Popularity • 52% Danceability • 7% Energy • 11% Liveness
76% Instrumentalness • 34% Positiveness
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Leith Ross
Everyone I've Never Met
135 bpm • A Maj • 03:11 • -12.98db
44% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Lucy Dacus
Hot & Heavy
135 bpm • C Maj • 04:10 • -6.66db
61% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
61% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness