Songs like King Of Love by Dave Edmunds
Based on a tempo of (+/- 10%) and a similar genre
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Slade
Look Wot You Dun
174 bpm • D min • 02:58 • -4.12db
37% Popularity • 42% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
37% Popularity • 42% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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George Thorogood
Seventh Son
174 bpm • D Maj • 03:05 • -4.26db
24% Popularity • 35% Danceability • 94% Energy • 14% Liveness
2% Instrumentalness • 83% Positiveness
24% Popularity • 35% Danceability • 94% Energy • 14% Liveness
2% Instrumentalness • 83% Positiveness
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David Lindley
Mercury Blues
174 bpm • F Maj • 03:32 • -8.26db
42% Popularity • 41% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 41% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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Dave Edmunds
King of Love
174 bpm • E Maj • 03:11 • -8.69db
24% Popularity • 39% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 39% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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The Blasters
Marie Marie
175 bpm • G Maj • 02:05 • -8.12db
29% Popularity • 43% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 43% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Kenny
Fancy Pants
173 bpm • E Maj • 03:26 • -4.96db
17% Popularity • 32% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 32% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Steve Gibbons Band
Any Road Up
173 bpm • B min • 03:35 • -9.56db
11% Popularity • 57% Danceability • 71% Energy • 6% Liveness
1% Instrumentalness • 95% Positiveness
11% Popularity • 57% Danceability • 71% Energy • 6% Liveness
1% Instrumentalness • 95% Positiveness
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Tottas Bluesband
Saturday Night´s Boogie Woogie Man
173 bpm • F Maj • 02:01 • -11.17db
25% Popularity • 58% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 58% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Sweet
Action - Single Version
175 bpm • D Maj • 03:18 • -4.79db
21% Popularity • 28% Danceability • 75% Energy • 9% Liveness
10% Instrumentalness • 52% Positiveness
21% Popularity • 28% Danceability • 75% Energy • 9% Liveness
10% Instrumentalness • 52% Positiveness
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Traveling Wilburys
Margarita
173 bpm • C Maj • 03:16 • -8db
47% Popularity • 58% Danceability • 63% Energy • 11% Liveness
4% Instrumentalness • 35% Positiveness
47% Popularity • 58% Danceability • 63% Energy • 11% Liveness
4% Instrumentalness • 35% Positiveness
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The Kinks
Dedicated Follower of Fashion
173 bpm • C Maj • 03:00 • -6.66db
41% Popularity • 40% Danceability • 88% Energy • 41% Liveness
0% Instrumentalness • 88% Positiveness
41% Popularity • 40% Danceability • 88% Energy • 41% Liveness
0% Instrumentalness • 88% Positiveness
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Mark Knopfler
Cannibals
173 bpm • B Maj • 03:41 • -8.95db
50% Popularity • 59% Danceability • 55% Energy • 10% Liveness
16% Instrumentalness • 96% Positiveness
50% Popularity • 59% Danceability • 55% Energy • 10% Liveness
16% Instrumentalness • 96% Positiveness
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Kirsty MacColl
There's A Guy Works Down The Chip Shop S...
173 bpm • A Maj • 03:09 • -8.86db
38% Popularity • 37% Danceability • 95% Energy • 29% Liveness
1% Instrumentalness • 39% Positiveness
38% Popularity • 37% Danceability • 95% Energy • 29% Liveness
1% Instrumentalness • 39% Positiveness
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Eddie Cochran
C’Mon Everybody
175 bpm • D# Maj • 01:58 • -9.66db
61% Popularity • 63% Danceability • 70% Energy • 19% Liveness
1% Instrumentalness • 86% Positiveness
61% Popularity • 63% Danceability • 70% Energy • 19% Liveness
1% Instrumentalness • 86% Positiveness
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Mungo Jerry
Alright, Alright, Alright
175 bpm • C Maj • 02:47 • -10.08db
35% Popularity • 53% Danceability • 83% Energy • 4% Liveness
1% Instrumentalness • 87% Positiveness
35% Popularity • 53% Danceability • 83% Energy • 4% Liveness
1% Instrumentalness • 87% Positiveness
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The Georgia Satellites
Don't Pass Me By
173 bpm • D Maj • 04:53 • -12db
36% Popularity • 32% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 32% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Dr. Hook
Carry Me, Carrie
176 bpm • D Maj • 04:18 • -8.87db
38% Popularity • 32% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 32% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Steve Gibbons Band
B.S.A.
172 bpm • G Maj • 03:33 • -5.72db
16% Popularity • 38% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 38% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 80% Positiveness
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Fats Domino
I'm Ready
172 bpm • C Maj • 02:05 • -10.68db
41% Popularity • 66% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
41% Popularity • 66% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Dave Edmunds
The Race is On
172 bpm • C# min • 02:06 • -12.03db
23% Popularity • 48% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 48% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Little Feat
Rad Gumbo
177 bpm • G Maj • 03:30 • -7db
38% Popularity • 51% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 51% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Alvin Stardust
Pretend
177 bpm • C Maj • 02:48 • -13.02db
39% Popularity • 55% Danceability • 79% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 55% Danceability • 79% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
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Dr. Hook
Everybody's Makin' It Big But Me
172 bpm • D Maj • 03:07 • -12.63db
32% Popularity • 49% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 49% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Racey
Lay Your Love on Me
171 bpm • A# Maj • 03:17 • -4.32db
43% Popularity • 62% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 91% Positiveness
43% Popularity • 62% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 91% Positiveness
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Graham Parker & The Rumour
New York Shuffle
178 bpm • D Maj • 02:58 • -9.57db
20% Popularity • 41% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 41% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Dave Edmunds
Stay with Me Tonight
177 bpm • A# Maj • 03:25 • -8.83db
8% Popularity • 27% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 27% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Bryan Ferry
Shame, Shame, Shame
170 bpm • A Maj • 03:16 • -5.09db
23% Popularity • 44% Danceability • 89% Energy • 55% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 44% Danceability • 89% Energy • 55% Liveness
0% Instrumentalness • 86% Positiveness
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Bob Seger
Betty Lou's Gettin' Out Tonight
170 bpm • F Maj • 02:51 • -3db
43% Popularity • 55% Danceability • 98% Energy • 29% Liveness
13% Instrumentalness • 97% Positiveness
43% Popularity • 55% Danceability • 98% Energy • 29% Liveness
13% Instrumentalness • 97% Positiveness
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The Blasters
Hey, Girl
178 bpm • G Maj • 03:11 • -7.13db
13% Popularity • 34% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 34% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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The Georgia Satellites
Whole Lotta Shakin'
178 bpm • A min • 02:33 • -11db
31% Popularity • 32% Danceability • 97% Energy • 5% Liveness
1% Instrumentalness • 55% Positiveness
31% Popularity • 32% Danceability • 97% Energy • 5% Liveness
1% Instrumentalness • 55% Positiveness
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Darts
Daddy Cool / The Girl Can't Help It
170 bpm • D# min • 02:29 • -10.31db
39% Popularity • 35% Danceability • 87% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 35% Danceability • 87% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
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The Rivieras
California Sun
170 bpm • D# Maj • 02:26 • -8.69db
43% Popularity • 41% Danceability • 91% Energy • 11% Liveness
8% Instrumentalness • 96% Positiveness
43% Popularity • 41% Danceability • 91% Energy • 11% Liveness
8% Instrumentalness • 96% Positiveness
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Micke Muster
Hey Rosalie
170 bpm • D Maj • 03:23 • -11db
34% Popularity • 46% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 46% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Albert Lee & Hogan's Heroes
I'm Ready
170 bpm • C Maj • 04:12 • -2db
21% Popularity • 46% Danceability • 99% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 46% Danceability • 99% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Hello
Tell Him
169 bpm • C Maj • 03:08 • -4.26db
30% Popularity • 36% Danceability • 97% Energy • 45% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 36% Danceability • 97% Energy • 45% Liveness
0% Instrumentalness • 87% Positiveness
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Dave Edmunds
Bail You Out
169 bpm • G Maj • 02:28 • -9.42db
15% Popularity • 49% Danceability • 91% Energy • 41% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 49% Danceability • 91% Energy • 41% Liveness
0% Instrumentalness • 97% Positiveness
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The Georgia Satellites
Games People Play
180 bpm • G Maj • 03:40 • -12db
35% Popularity • 31% Danceability • 75% Energy • 60% Liveness
0% Instrumentalness • 61% Positiveness
35% Popularity • 31% Danceability • 75% Energy • 60% Liveness
0% Instrumentalness • 61% Positiveness
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Traveling Wilburys
Dirty World
169 bpm • A Maj • 03:29 • -5db
47% Popularity • 56% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 56% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Alvin Stardust
A Picture Of You
180 bpm • A Maj • 02:45 • -14.54db
18% Popularity • 52% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 52% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Stampeders
Hit the Road Jack
168 bpm • A min • 02:52 • -8.78db
33% Popularity • 59% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 59% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
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Hank Mizell
Jungle Rock
168 bpm • E min • 02:48 • -7.72db
27% Popularity • 58% Danceability • 82% Energy • 11% Liveness
37% Instrumentalness • 86% Positiveness
27% Popularity • 58% Danceability • 82% Energy • 11% Liveness
37% Instrumentalness • 86% Positiveness
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Dave Edmunds
Get It
180 bpm • B Maj • 02:20 • -13.19db
15% Popularity • 54% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 54% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Dr. Hook
Sylvia's Mother
168 bpm • A Maj • 03:48 • -12.72db
60% Popularity • 30% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
60% Popularity • 30% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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The Buckaroos
Once More
168 bpm • B min • 02:19 • -7db
32% Popularity • 60% Danceability • 85% Energy • 12% Liveness
26% Instrumentalness • 95% Positiveness
32% Popularity • 60% Danceability • 85% Energy • 12% Liveness
26% Instrumentalness • 95% Positiveness
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The Georgia Satellites
Railroad Steel
168 bpm • A Maj • 04:11 • -9db
30% Popularity • 32% Danceability • 92% Energy • 7% Liveness
1% Instrumentalness • 52% Positiveness
30% Popularity • 32% Danceability • 92% Energy • 7% Liveness
1% Instrumentalness • 52% Positiveness
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The Blasters
Rock and Roll Will Stand
181 bpm • A Maj • 02:38 • -7.16db
18% Popularity • 29% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 29% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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The Guess Who
Clap For The Wolfman - 2003 Remastered
181 bpm • E Maj • 04:16 • -11.76db
38% Popularity • 46% Danceability • 69% Energy • 57% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 46% Danceability • 69% Energy • 57% Liveness
0% Instrumentalness • 85% Positiveness
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Dave Edmunds
Bail You Out
168 bpm • G Maj • 02:28 • -11.73db
9% Popularity • 50% Danceability • 86% Energy • 44% Liveness
1% Instrumentalness • 96% Positiveness
9% Popularity • 50% Danceability • 86% Energy • 44% Liveness
1% Instrumentalness • 96% Positiveness
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Jason & The Scorchers
Route 66
167 bpm • A Maj • 03:17 • -4db
31% Popularity • 26% Danceability • 97% Energy • 20% Liveness
4% Instrumentalness • 56% Positiveness
31% Popularity • 26% Danceability • 97% Energy • 20% Liveness
4% Instrumentalness • 56% Positiveness
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The Beatles
Rock And Roll Music - Remastered 2009
167 bpm • A Maj • 02:31 • -6.21db
53% Popularity • 46% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 46% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Traveling Wilburys
End Of The Line
167 bpm • D Maj • 03:29 • -6.61db
70% Popularity • 58% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
70% Popularity • 58% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Roy Orbison
Ooby Dooby
181 bpm • C# Maj • 02:10 • -8.23db
47% Popularity • 51% Danceability • 80% Energy • 6% Liveness
2% Instrumentalness • 94% Positiveness
47% Popularity • 51% Danceability • 80% Energy • 6% Liveness
2% Instrumentalness • 94% Positiveness
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Wanda Jackson
Let's Have A Party
167 bpm • E Maj • 02:11 • -8.56db
53% Popularity • 52% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
53% Popularity • 52% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Dave Edmunds
Move It
167 bpm • E Maj • 02:39 • -9.02db
15% Popularity • 38% Danceability • 85% Energy • 44% Liveness
1% Instrumentalness • 78% Positiveness
15% Popularity • 38% Danceability • 85% Energy • 44% Liveness
1% Instrumentalness • 78% Positiveness
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The Dave Edmunds Band
I Knew The Bride (When She Used To Rock ...
181 bpm • E Maj • 02:57 • -11.15db
8% Popularity • 41% Danceability • 94% Energy • 85% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 41% Danceability • 94% Energy • 85% Liveness
0% Instrumentalness • 83% Positiveness
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Crazy Cavan
Old Black Joe
182 bpm • C Maj • 02:30 • -10db
24% Popularity • 38% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 38% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Jason & The Scorchers
Absolutely Sweet Marie - Fervor / Lost &...
166 bpm • G Maj • 03:13 • -4.97db
29% Popularity • 40% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 40% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Roy Orbison
Ooby Dooby
167 bpm • A Maj • 04:08 • -11.67db
24% Popularity • 35% Danceability • 74% Energy • 90% Liveness
6% Instrumentalness • 77% Positiveness
24% Popularity • 35% Danceability • 74% Energy • 90% Liveness
6% Instrumentalness • 77% Positiveness
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Mungo Jerry
Long Legged Woman Dressed In Black
166 bpm • D Maj • 02:53 • -11.67db
26% Popularity • 56% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 56% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Dire Straits
Twisting By The Pool
183 bpm • A Maj • 03:30 • -13.41db
50% Popularity • 49% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
50% Popularity • 49% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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The Inmates
She's Gone Rockin'
166 bpm • B Maj • 02:50 • -8.66db
14% Popularity • 48% Danceability • 93% Energy • 19% Liveness
52% Instrumentalness • 66% Positiveness
14% Popularity • 48% Danceability • 93% Energy • 19% Liveness
52% Instrumentalness • 66% Positiveness
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Little Richard
Great Gosh A'Mighty
166 bpm • C Maj • 04:49 • -12db
26% Popularity • 47% Danceability • 87% Energy • 12% Liveness
2% Instrumentalness • 69% Positiveness
26% Popularity • 47% Danceability • 87% Energy • 12% Liveness
2% Instrumentalness • 69% Positiveness
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Racey
Runaround Sue
166 bpm • D Maj • 03:02 • -6db
32% Popularity • 40% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 40% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Roy Orbison
Mean Woman Blues
166 bpm • A Maj • 02:25 • -6db
24% Popularity • 30% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 30% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Creedence Clearwater Revival
Travelin' Band
166 bpm • F# Maj • 02:08 • -4.12db
69% Popularity • 51% Danceability • 96% Energy • 23% Liveness
5% Instrumentalness • 96% Positiveness
69% Popularity • 51% Danceability • 96% Energy • 23% Liveness
5% Instrumentalness • 96% Positiveness
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Dave Edmunds
Home in My Hand
183 bpm • C Maj • 03:22 • -8.88db
9% Popularity • 22% Danceability • 78% Energy • 64% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 22% Danceability • 78% Energy • 64% Liveness
0% Instrumentalness • 63% Positiveness
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Mickey Jupp
Ring Damn You Ring
165 bpm • A# Maj • 02:47 • -6.7db
22% Popularity • 64% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 64% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
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Webb Wilder
Rockin' Little Angel
165 bpm • C min • 03:04 • -9.96db
27% Popularity • 62% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 62% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Traveling Wilburys
Wilbury Twist
184 bpm • G Maj • 02:58 • -4db
45% Popularity • 35% Danceability • 94% Energy • 49% Liveness
0% Instrumentalness • 82% Positiveness
45% Popularity • 35% Danceability • 94% Energy • 49% Liveness
0% Instrumentalness • 82% Positiveness
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Roy Orbison
Go, Go, Go (Down the Line)
165 bpm • A# Maj • 05:28 • -11db
39% Popularity • 54% Danceability • 78% Energy • 69% Liveness
50% Instrumentalness • 96% Positiveness
39% Popularity • 54% Danceability • 78% Energy • 69% Liveness
50% Instrumentalness • 96% Positiveness
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Gary U.S. Bonds
Quarter to Three
164 bpm • C min • 02:30 • -9.32db
35% Popularity • 46% Danceability • 82% Energy • 84% Liveness
4% Instrumentalness • 90% Positiveness
35% Popularity • 46% Danceability • 82% Energy • 84% Liveness
4% Instrumentalness • 90% Positiveness
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Dave Edmunds
Let It Rock
165 bpm • C# Maj • 03:01 • -4.67db
8% Popularity • 44% Danceability • 97% Energy • 76% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 44% Danceability • 97% Energy • 76% Liveness
0% Instrumentalness • 51% Positiveness
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The Blasters
So Long Baby Goodbye
186 bpm • G Maj • 02:19 • -8.61db
27% Popularity • 35% Danceability • 87% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 35% Danceability • 87% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
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George Harrison
Your True Love
163 bpm • F# min • 04:18 • -12db
17% Popularity • 29% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 29% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 49% Positiveness
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Bill Wyman's Rhythm Kings
Mississippi Flyer
162 bpm • G# Maj • 03:39 • -6db
25% Popularity • 57% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 57% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Roy Orbison
Mean Woman Blues
164 bpm • A Maj • 02:24 • -8db
31% Popularity • 33% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 33% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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The Dave Clark Five
Good Old Rock 'N' Roll (Medley) ( 2019 -...
162 bpm • C Maj • 03:27 • -7.9db
22% Popularity • 34% Danceability • 76% Energy • 50% Liveness
7% Instrumentalness • 96% Positiveness
22% Popularity • 34% Danceability • 76% Energy • 50% Liveness
7% Instrumentalness • 96% Positiveness
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Dave Edmunds
Promised Land
165 bpm • C Maj • 03:43 • -9db
22% Popularity • 39% Danceability • 86% Energy • 61% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 39% Danceability • 86% Energy • 61% Liveness
0% Instrumentalness • 96% Positiveness
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Cliff Richard & The Shadows
Move It
162 bpm • A Maj • 02:51 • -5db
30% Popularity • 58% Danceability • 93% Energy • 10% Liveness
1% Instrumentalness • 96% Positiveness
30% Popularity • 58% Danceability • 93% Energy • 10% Liveness
1% Instrumentalness • 96% Positiveness
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Gary U.S. Bonds
Quarter To Three - Live
161 bpm • D Maj • 05:24 • -5.94db
11% Popularity • 41% Danceability • 96% Energy • 67% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 41% Danceability • 96% Energy • 67% Liveness
0% Instrumentalness • 84% Positiveness
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Moon Martin
Cadillac Walk
161 bpm • A Maj • 03:10 • -7.14db
19% Popularity • 55% Danceability • 92% Energy • 11% Liveness
4% Instrumentalness • 80% Positiveness
19% Popularity • 55% Danceability • 92% Energy • 11% Liveness
4% Instrumentalness • 80% Positiveness
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Roy Orbison
Mean Woman Blues
163 bpm • A Maj • 03:00 • -10.09db
24% Popularity • 42% Danceability • 87% Energy • 98% Liveness
2% Instrumentalness • 75% Positiveness
24% Popularity • 42% Danceability • 87% Energy • 98% Liveness
2% Instrumentalness • 75% Positiveness
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R.B. Greaves
Take a Letter, Maria
160 bpm • D Maj • 02:44 • -12db
47% Popularity • 58% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
47% Popularity • 58% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Dave Edmunds
The Promised Land
164 bpm • C Maj • 02:37 • -17.33db
17% Popularity • 52% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 52% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Teencats
Rock `N Roll Is King
160 bpm • A Maj • 02:57 • -7.57db
37% Popularity • 51% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
37% Popularity • 51% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Albert Lee & Hogan's Heroes
Back In The USA
160 bpm • C Maj • 03:23 • -2db
35% Popularity • 54% Danceability • 95% Energy • 40% Liveness
1% Instrumentalness • 96% Positiveness
35% Popularity • 54% Danceability • 95% Energy • 40% Liveness
1% Instrumentalness • 96% Positiveness
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Buddy Holly
Rave On
160 bpm • C Maj • 01:49 • -7db
54% Popularity • 57% Danceability • 71% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
54% Popularity • 57% Danceability • 71% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
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Sweet
Hell Raiser
159 bpm • E Maj • 03:17 • -6.56db
34% Popularity • 43% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
34% Popularity • 43% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
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Gary U.S. Bonds
New Orleans
159 bpm • D Maj • 02:53 • -7.64db
36% Popularity • 57% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 57% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Dave Edmunds
Sweet Little Lisa
187 bpm • A Maj • 03:42 • -9.07db
19% Popularity • 27% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 27% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Steve Gibbons Band
Tulane
159 bpm • D Maj • 02:53 • -7.3db
13% Popularity • 60% Danceability • 93% Energy • 41% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 60% Danceability • 93% Energy • 41% Liveness
0% Instrumentalness • 89% Positiveness
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Moon Martin
Hot House Baby
159 bpm • A# Maj • 03:14 • -6db
30% Popularity • 47% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 47% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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The Inmates
Hey landlord
158 bpm • B min • 03:02 • -11.41db
29% Popularity • 56% Danceability • 80% Energy • 15% Liveness
4% Instrumentalness • 78% Positiveness
29% Popularity • 56% Danceability • 80% Energy • 15% Liveness
4% Instrumentalness • 78% Positiveness
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Clarence Clemons
Jump Start My Heart
158 bpm • A Maj • 03:23 • -7.44db
13% Popularity • 69% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 69% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
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The Blasters
American Music
193 bpm • E Maj • 02:07 • -8.67db
29% Popularity • 46% Danceability • 92% Energy • 28% Liveness
4% Instrumentalness • 97% Positiveness
29% Popularity • 46% Danceability • 92% Energy • 28% Liveness
4% Instrumentalness • 97% Positiveness
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Dave Edmunds
From Small Things Big Things Come
160 bpm • E Maj • 03:31 • -8.18db
18% Popularity • 40% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 40% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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Steve Gibbons Band
Tulane
158 bpm • D Maj • 02:57 • -4db
32% Popularity • 62% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 62% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Rodney Crowell
Frankie Please
157 bpm • E min • 02:43 • -7.61db
30% Popularity • 54% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 54% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
