Songs like King of Tweakers by Rehab
Based on a tempo of (+/- 10%) and a similar genre
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Godsmack
Voodoo
120 bpm • A# min • 04:42 • -9.9db
65% Popularity • 78% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
65% Popularity • 78% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Yelawolf
Catfish Billy
120 bpm • A Maj • 04:22 • -5.79db
57% Popularity • 86% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 5% Positiveness
57% Popularity • 86% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 5% Positiveness
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Theory of a Deadman
Rx (Medicate)
120 bpm • C# Maj • 03:53 • -7.45db
65% Popularity • 64% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 64% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Saving Abel
The Sex Is Good
120 bpm • F min • 03:31 • -7.99db
55% Popularity • 76% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
55% Popularity • 76% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Koe Wetzel
Drunk Driving
120 bpm • C Maj • 03:58 • -5.62db
66% Popularity • 33% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
66% Popularity • 33% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Dierks Bentley
Free And Easy (Down The Road I Go)
120 bpm • F# Maj • 03:19 • -5db
59% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
59% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Despo Rutti
Coussin de lave
120 bpm • E Maj • 04:50 • -11.02db
1% Popularity • 57% Danceability • 63% Energy • 81% Liveness
0% Instrumentalness • 29% Positiveness
1% Popularity • 57% Danceability • 63% Energy • 81% Liveness
0% Instrumentalness • 29% Positiveness
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Yelawolf
Tennessee Love
120 bpm • G min • 04:54 • -3.89db
54% Popularity • 83% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 83% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Shockwave Productions
Shell Again
120 bpm • F# Maj • 03:24 • -2.98db
3% Popularity • 74% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
3% Popularity • 74% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Redneck Souljers
Country Boes
120 bpm • G# min • 03:16 • -9.2db
25% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Outlaw
Masturbate
120 bpm • C# Maj • 04:07 • -7db
32% Popularity • 77% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 77% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Rehab
King of Tweakers
120 bpm • E min • 03:21 • -5.52db
22% Popularity • 78% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 78% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Toby Keith
Beer For My Horses
119 bpm • A# Maj • 03:24 • -5.33db
72% Popularity • 72% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
72% Popularity • 72% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Pecos & the Rooftops
This Damn Song
120 bpm • C Maj • 04:40 • -6.74db
72% Popularity • 65% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
72% Popularity • 65% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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Montgomery Gentry
Gone
119 bpm • G Maj • 04:10 • -5db
50% Popularity • 65% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
50% Popularity • 65% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Wheeler Walker Jr.
Fuck You Bitch
119 bpm • A Maj • 03:22 • -6.28db
60% Popularity • 55% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
60% Popularity • 55% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Daniel Lee
Southern Mother Fucker
119 bpm • E min • 03:18 • -5.42db
50% Popularity • 70% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 70% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Jason Aldean
Hicktown
122 bpm • F# Maj • 05:06 • -3.78db
36% Popularity • 70% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 70% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Shockwave Productions
No Chaser
122 bpm • A Maj • 02:27 • -3.34db
4% Popularity • 94% Danceability • 98% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
4% Popularity • 94% Danceability • 98% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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David Morris
Dutton Ranch Freestyle
122 bpm • E Maj • 02:23 • -5.85db
65% Popularity • 83% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
65% Popularity • 83% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Alexander King
My Neighbors
122 bpm • G Maj • 04:38 • -7db
35% Popularity • 72% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 72% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Trey Lewis
Dicked Down in Dallas
122 bpm • F# Maj • 03:21 • -4.69db
69% Popularity • 51% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
69% Popularity • 51% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Kenny Chesney
She Thinks My Tractor's Sexy
122 bpm • A# min • 04:08 • -7.07db
65% Popularity • 69% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
65% Popularity • 69% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Billy Currington
Good Directions
123 bpm • F Maj • 03:35 • -2.18db
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Brothers Osborne
It Ain't My Fault
123 bpm • A Maj • 03:36 • -5.9db
65% Popularity • 74% Danceability • 83% Energy • 29% Liveness
22% Instrumentalness • 76% Positiveness
65% Popularity • 74% Danceability • 83% Energy • 29% Liveness
22% Instrumentalness • 76% Positiveness
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David Morris
F350 Freestyle
122 bpm • D# min • 01:58 • -5db
54% Popularity • 96% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
54% Popularity • 96% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Montgomery Gentry
Titty's Beer
117 bpm • G Maj • 03:13 • -4.57db
48% Popularity • 63% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
48% Popularity • 63% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Trey Lewis
Dicked Down in Dallas - Remix
122 bpm • C# Maj • 03:42 • -5.51db
51% Popularity • 55% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 55% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Luke Bryan
All My Friends Say
117 bpm • A Maj • 04:02 • -4.42db
58% Popularity • 68% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
58% Popularity • 68% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Seth Anthony
Old Glory
123 bpm • D# min • 03:16 • -6.49db
55% Popularity • 74% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
55% Popularity • 74% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Dierks Bentley
5-1-5-0
117 bpm • C# min • 03:02 • -5.18db
63% Popularity • 55% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
63% Popularity • 55% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Trace Adkins
Honky Tonk Badonkadonk
124 bpm • B min • 04:00 • -5.32db
54% Popularity • 54% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
54% Popularity • 54% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Tommy Chayne
Booze Cruise
117 bpm • B min • 02:49 • -6.54db
38% Popularity • 82% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 82% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Granger Smith
Don’t Tread on Me
124 bpm • E min • 03:34 • -5.08db
50% Popularity • 71% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
50% Popularity • 71% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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HARDY
UNAPOLOGETICALLY COUNTRY AS HELL
124 bpm • C# Maj • 03:55 • -4.96db
63% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
63% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Blake Shelton
Some Beach
116 bpm • C Maj • 03:24 • -6.33db
61% Popularity • 79% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 79% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Aaron Tippin
Kiss This
116 bpm • F# min • 02:53 • -5.48db
54% Popularity • 76% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
54% Popularity • 76% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Trace Adkins
Ladies Love Country Boys
116 bpm • G Maj • 03:41 • -4db
60% Popularity • 66% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
60% Popularity • 66% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Jerrod Niemann
Drink to That All Night
116 bpm • A min • 03:44 • -6.18db
57% Popularity • 64% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
57% Popularity • 64% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Who TF Is Justin Time?
I Don't Know
116 bpm • F# Maj • 03:31 • -8db
42% Popularity • 67% Danceability • 76% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 67% Danceability • 76% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
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Mud Digger
Come Here Girl
125 bpm • D Maj • 02:40 • -6.62db
27% Popularity • 76% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 76% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Villebillies
Ol' Faithful
116 bpm • F# min • 02:54 • -3db
12% Popularity • 80% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 80% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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A.R. Rahman
Mayya Mayya - The Desert Groove Mix
125 bpm • B min • 03:38 • -4.76db
0% Popularity • 74% Danceability • 96% Energy • 7% Liveness
12% Instrumentalness • 78% Positiveness
0% Popularity • 74% Danceability • 96% Energy • 7% Liveness
12% Instrumentalness • 78% Positiveness
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Muck Sticky
Nasty Ho
115 bpm • E min • 04:20 • -12.24db
35% Popularity • 97% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
35% Popularity • 97% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Despo Rutti
Wine house
115 bpm • G Maj • 06:57 • -12.74db
1% Popularity • 75% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 23% Positiveness
1% Popularity • 75% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 23% Positiveness
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Cole Swindell
Flatliner
115 bpm • C Maj • 02:57 • -3.3db
61% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
61% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Trace Adkins
Honky Tonk Badonkadonk
115 bpm • D Maj • 04:01 • -3.49db
63% Popularity • 64% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
63% Popularity • 64% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Jay Webb
Yee-Haw
115 bpm • E Maj • 02:07 • -7db
59% Popularity • 68% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
59% Popularity • 68% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Rehab
Let'em Know
126 bpm • A min • 03:23 • -4.45db
27% Popularity • 86% Danceability • 77% Energy • 66% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 86% Danceability • 77% Energy • 66% Liveness
0% Instrumentalness • 82% Positiveness
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Muck Sticky
Thingy Thing
115 bpm • B Maj • 02:13 • -14.11db
34% Popularity • 97% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
34% Popularity • 97% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Dirty Prescott Kids
Own Team
114 bpm • B min • 02:35 • -11db
41% Popularity • 88% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 88% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Hank Williams, Jr.
Family Tradition
126 bpm • E Maj • 04:02 • -12.07db
68% Popularity • 66% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
68% Popularity • 66% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Puddle Of Mudd
Psycho
126 bpm • C# Maj • 03:30 • -3.55db
66% Popularity • 57% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
66% Popularity • 57% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Matt Mason
E
114 bpm • A min • 03:48 • -7.73db
64% Popularity • 66% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
64% Popularity • 66% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Seckond Chaynce
Dirt Road Anthem
127 bpm • D Maj • 03:53 • -6db
24% Popularity • 75% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 75% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Franklin Embry
Fifty
114 bpm • F Maj • 03:41 • -8.07db
40% Popularity • 74% Danceability • 62% Energy • 63% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 74% Danceability • 62% Energy • 63% Liveness
0% Instrumentalness • 50% Positiveness
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Reddy Redd
Hero
127 bpm • G# min • 03:16 • -2.9db
58% Popularity • 82% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
58% Popularity • 82% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Jason Aldean
Dirt Road Anthem
127 bpm • D Maj • 03:49 • -5.06db
73% Popularity • 68% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
73% Popularity • 68% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Rehab
Chest Pain
127 bpm • A Maj • 03:02 • -5.42db
24% Popularity • 63% Danceability • 94% Energy • 59% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 63% Danceability • 94% Energy • 59% Liveness
0% Instrumentalness • 62% Positiveness
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Eric Church
Drink In My Hand
113 bpm • C Maj • 03:11 • -4.45db
72% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
72% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Afroman
Kentucky
113 bpm • F min • 04:10 • -9db
36% Popularity • 98% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 98% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Cross Canadian Ragweed
Boys From Oklahoma
113 bpm • G Maj • 05:54 • -7.68db
51% Popularity • 43% Danceability • 80% Energy • 92% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 43% Danceability • 80% Energy • 92% Liveness
0% Instrumentalness • 73% Positiveness
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Jerrod Niemann
Lover, Lover
112 bpm • G Maj • 03:13 • -6.51db
58% Popularity • 88% Danceability • 57% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
58% Popularity • 88% Danceability • 57% Energy • 62% Liveness
0% Instrumentalness • 95% Positiveness
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Jason Aldean
Dirt Road Anthem Remix
127 bpm • D Maj • 03:52 • -4.64db
48% Popularity • 70% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 70% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Seth Anthony
Reckless
128 bpm • F# min • 03:05 • -9.07db
57% Popularity • 79% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
57% Popularity • 79% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Sidney Samson & Skitzofrenix
You Don't Love Me (no, no, no) - Hardwel...
128 bpm • G Maj • 05:58 • -6.28db
6% Popularity • 54% Danceability • 76% Energy • 7% Liveness
47% Instrumentalness • 32% Positiveness
6% Popularity • 54% Danceability • 76% Energy • 7% Liveness
47% Instrumentalness • 32% Positiveness
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Rehab
Decisions
128 bpm • C Maj • 03:31 • -5.24db
18% Popularity • 55% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 55% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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Matt Kennon
The Call
128 bpm • G Maj • 03:57 • -6db
43% Popularity • 57% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 57% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Mini Thin
She Broke My Heart so I Broke Her Jaw
112 bpm • E min • 04:18 • -17.78db
27% Popularity • 87% Danceability • 22% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 87% Danceability • 22% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Jason Aldean
When She Says Baby
113 bpm • C Maj • 02:51 • -5.13db
63% Popularity • 67% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
63% Popularity • 67% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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Buckcherry
Lit Up
129 bpm • F min • 03:35 • -3.14db
60% Popularity • 65% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
60% Popularity • 65% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
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Luke Bryan
I Don't Want This Night To End
112 bpm • A min • 03:39 • -4.02db
72% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
72% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Rehab
Goliath
112 bpm • G min • 04:04 • -7.5db
18% Popularity • 73% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 73% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Toby Keith
Courtesy Of The Red, White And Blue (The...
112 bpm • D Maj • 03:15 • -5.55db
71% Popularity • 42% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
71% Popularity • 42% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Travis Tritt
It's A Great Day To Be Alive
129 bpm • G Maj • 04:01 • -4.94db
71% Popularity • 60% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
71% Popularity • 60% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Jason Aldean
Johnny Cash
112 bpm • G# Maj • 03:10 • -4.11db
53% Popularity • 63% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
53% Popularity • 63% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Jamey Johnson
In Color
130 bpm • D# Maj • 04:50 • -8.75db
69% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
69% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Hinder
Lips Of An Angel
129 bpm • D Maj • 04:21 • -5.38db
73% Popularity • 48% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
73% Popularity • 48% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Montgomery Gentry
One In Every Crowd
111 bpm • B Maj • 03:31 • -4.45db
46% Popularity • 64% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
46% Popularity • 64% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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Rehab
Evidence
111 bpm • G# Maj • 03:55 • -4.75db
17% Popularity • 74% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 74% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Alexander King
Take a Bullet
130 bpm • C Maj • 03:45 • -5db
38% Popularity • 71% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 71% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Morgan Wallen
Up Down
130 bpm • F# Maj • 03:17 • -3.04db
73% Popularity • 59% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
73% Popularity • 59% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Theory of a Deadman
Bitch Came Back
130 bpm • C# min • 03:39 • -4.19db
61% Popularity • 58% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
61% Popularity • 58% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Villebillies
Fill My Cup (Bonus Track)
130 bpm • A Maj • 03:20 • -4.01db
16% Popularity • 72% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 72% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Zac Brown Band
Toes
130 bpm • B Maj • 04:22 • -5.4db
72% Popularity • 80% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
72% Popularity • 80% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Muck Sticky
This N' That
130 bpm • A# min • 03:06 • -10.06db
21% Popularity • 95% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 95% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Jawga Boyz
Chillin in the Backwoods
130 bpm • G Maj • 06:12 • -8.11db
51% Popularity • 69% Danceability • 61% Energy • 13% Liveness
65% Instrumentalness • 74% Positiveness
51% Popularity • 69% Danceability • 61% Energy • 13% Liveness
65% Instrumentalness • 74% Positiveness
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Redneck Souljers
I Mow, I Till
130 bpm • C# Maj • 04:20 • -9db
40% Popularity • 66% Danceability • 68% Energy • 13% Liveness
1% Instrumentalness • 7% Positiveness
40% Popularity • 66% Danceability • 68% Energy • 13% Liveness
1% Instrumentalness • 7% Positiveness
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Brantley Gilbert
Rolex® On A Redneck
130 bpm • A min • 03:00 • -4.46db
60% Popularity • 65% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
60% Popularity • 65% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Koe Wetzel
Something to Talk About
130 bpm • A min • 03:24 • -5.13db
68% Popularity • 61% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
68% Popularity • 61% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Cryptic Wisdom
7 Years
130 bpm • A# Maj • 02:57 • -9.07db
48% Popularity • 86% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 86% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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CRUCIFIX
My Way
130 bpm • D Maj • 04:41 • -5db
49% Popularity • 84% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
49% Popularity • 84% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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FJ Outlaw
Hot Damn
130 bpm • B Maj • 04:47 • -10db
42% Popularity • 90% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 90% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Seth Anthony
Never Gonna Change
130 bpm • A min • 03:24 • -8db
50% Popularity • 80% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 80% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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A.R. Rahman
Roobaroo - Sunshine Mix
130 bpm • A Maj • 04:25 • -6.4db
0% Popularity • 71% Danceability • 87% Energy • 6% Liveness
20% Instrumentalness • 72% Positiveness
0% Popularity • 71% Danceability • 87% Energy • 6% Liveness
20% Instrumentalness • 72% Positiveness
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Seckond Chaynce
My World
130 bpm • G Maj • 03:36 • -5db
47% Popularity • 71% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 71% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Tim McGraw
Indian Outlaw
110 bpm • A Maj • 03:02 • -7.23db
64% Popularity • 66% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
64% Popularity • 66% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Dirty Prescott Kids
Ray Gin
110 bpm • A Maj • 02:54 • -6.73db
41% Popularity • 92% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
41% Popularity • 92% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
