Songs like King Porter Stomp by Jelly Roll Morton
Based on a tempo of (+/- 10%) and a similar genre
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Original Dixieland Jazz Band
Palesteena
96 bpm • A min • 02:48 • -22.27db
9% Popularity • 47% Danceability • 14% Energy • 22% Liveness
89% Instrumentalness • 69% Positiveness
9% Popularity • 47% Danceability • 14% Energy • 22% Liveness
89% Instrumentalness • 69% Positiveness
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Bourbon Street Jazzband
New Orleans Shout
96 bpm • A# Maj • 02:55 • -12.52db
29% Popularity • 71% Danceability • 34% Energy • 3% Liveness
75% Instrumentalness • 90% Positiveness
29% Popularity • 71% Danceability • 34% Energy • 3% Liveness
75% Instrumentalness • 90% Positiveness
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Jelly Roll Morton
Turtle Twist
96 bpm • C# Maj • 03:09 • -9.65db
0% Popularity • 67% Danceability • 19% Energy • 16% Liveness
28% Instrumentalness • 24% Positiveness
0% Popularity • 67% Danceability • 19% Energy • 16% Liveness
28% Instrumentalness • 24% Positiveness
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Norbert Susemihl
Bolden Medley - 2020 Remaster
96 bpm • G# Maj • 05:41 • -14.91db
15% Popularity • 45% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 75% Positiveness
15% Popularity • 45% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 75% Positiveness
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Louis Armstrong & His Hot Seven
Willie the Weeper
96 bpm • F Maj • 03:06 • -8.62db
9% Popularity • 74% Danceability • 43% Energy • 7% Liveness
84% Instrumentalness • 91% Positiveness
9% Popularity • 74% Danceability • 43% Energy • 7% Liveness
84% Instrumentalness • 91% Positiveness
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Paul Whiteman & His Orchestra
Whispering
96 bpm • D Maj • 03:21 • -8db
15% Popularity • 69% Danceability • 41% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
15% Popularity • 69% Danceability • 41% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
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Fletcher Henderson
Riffin'
96 bpm • D# Maj • 02:28 • -2.3db
17% Popularity • 78% Danceability • 62% Energy • 10% Liveness
94% Instrumentalness • 92% Positiveness
17% Popularity • 78% Danceability • 62% Energy • 10% Liveness
94% Instrumentalness • 92% Positiveness
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Barney Kessel
Wall Street
95 bpm • A min • 04:23 • -13.56db
23% Popularity • 63% Danceability • 29% Energy • 10% Liveness
8% Instrumentalness • 79% Positiveness
23% Popularity • 63% Danceability • 29% Energy • 10% Liveness
8% Instrumentalness • 79% Positiveness
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Jelly Roll Morton
King Porter Stomp
96 bpm • C# Maj • 02:36 • -21.8db
31% Popularity • 45% Danceability • 14% Energy • 22% Liveness
93% Instrumentalness • 67% Positiveness
31% Popularity • 45% Danceability • 14% Energy • 22% Liveness
93% Instrumentalness • 67% Positiveness
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The Veterinary Street Jazz Band
Creole love call
97 bpm • A# Maj • 04:08 • -16.21db
27% Popularity • 56% Danceability • 17% Energy • 6% Liveness
65% Instrumentalness • 49% Positiveness
27% Popularity • 56% Danceability • 17% Energy • 6% Liveness
65% Instrumentalness • 49% Positiveness
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Bix Beiderbecke
Ostrich Walk
97 bpm • D# Maj • 03:09 • -11.79db
25% Popularity • 58% Danceability • 44% Energy • 13% Liveness
92% Instrumentalness • 96% Positiveness
25% Popularity • 58% Danceability • 44% Energy • 13% Liveness
92% Instrumentalness • 96% Positiveness
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Paul Whiteman & His Orchestra
Whispering
97 bpm • D Maj • 03:21 • -21.93db
9% Popularity • 61% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 52% Positiveness
9% Popularity • 61% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 52% Positiveness
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Big Joe Turner
Roll 'Em Pete
95 bpm • G min • 02:55 • -11.2db
29% Popularity • 60% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 60% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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The Universal International Orchestra
Strollin' Blues
97 bpm • C Maj • 02:40 • -10.6db
9% Popularity • 58% Danceability • 57% Energy • 31% Liveness
90% Instrumentalness • 92% Positiveness
9% Popularity • 58% Danceability • 57% Energy • 31% Liveness
90% Instrumentalness • 92% Positiveness
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Ted Lewis
Royal Garden Blues
95 bpm • A# Maj • 02:59 • -8.3db
11% Popularity • 72% Danceability • 37% Energy • 8% Liveness
52% Instrumentalness • 89% Positiveness
11% Popularity • 72% Danceability • 37% Energy • 8% Liveness
52% Instrumentalness • 89% Positiveness
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Jelly Roll Morton
Kansas City Stomp (Alternate Take)
97 bpm • G# Maj • 02:52 • -15.63db
6% Popularity • 85% Danceability • 42% Energy • 4% Liveness
88% Instrumentalness • 92% Positiveness
6% Popularity • 85% Danceability • 42% Energy • 4% Liveness
88% Instrumentalness • 92% Positiveness
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King Oliver
Dipper Mouth Blues, Pt. 1
95 bpm • C Maj • 02:30 • -12.05db
21% Popularity • 57% Danceability • 38% Energy • 6% Liveness
92% Instrumentalness • 86% Positiveness
21% Popularity • 57% Danceability • 38% Energy • 6% Liveness
92% Instrumentalness • 86% Positiveness
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King Oliver's Creole Jazz Band
Just Gone
97 bpm • A min • 02:42 • -12.05db
12% Popularity • 68% Danceability • 45% Energy • 24% Liveness
92% Instrumentalness • 85% Positiveness
12% Popularity • 68% Danceability • 45% Energy • 24% Liveness
92% Instrumentalness • 85% Positiveness
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Mills Blue Rhythm Band
Mr. Ghost Goes to Town
95 bpm • D# Maj • 03:24 • -14.05db
11% Popularity • 75% Danceability • 31% Energy • 16% Liveness
54% Instrumentalness • 88% Positiveness
11% Popularity • 75% Danceability • 31% Energy • 16% Liveness
54% Instrumentalness • 88% Positiveness
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Stuff Smith
It Ain't Right
97 bpm • G min • 02:42 • -8.61db
26% Popularity • 78% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 78% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Albert Ammons
Boogie Woogie Stomp
94 bpm • C Maj • 03:38 • -16.24db
25% Popularity • 58% Danceability • 40% Energy • 19% Liveness
91% Instrumentalness • 93% Positiveness
25% Popularity • 58% Danceability • 40% Energy • 19% Liveness
91% Instrumentalness • 93% Positiveness
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Fletcher Henderson
Christopher Columbus
98 bpm • G min • 03:00 • -8.05db
16% Popularity • 67% Danceability • 53% Energy • 8% Liveness
93% Instrumentalness • 84% Positiveness
16% Popularity • 67% Danceability • 53% Energy • 8% Liveness
93% Instrumentalness • 84% Positiveness
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King Oliver
Black Snake Blues
95 bpm • C Maj • 02:50 • -10.1db
20% Popularity • 55% Danceability • 20% Energy • 9% Liveness
20% Instrumentalness • 55% Positiveness
20% Popularity • 55% Danceability • 20% Energy • 9% Liveness
20% Instrumentalness • 55% Positiveness
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Jelly Roll Morton
Mamie's Blues
98 bpm • F Maj • 02:51 • -14.95db
15% Popularity • 53% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 53% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Vince Giordano And The Nighthawks
Everybody Loves My Baby
98 bpm • G Maj • 03:08 • -8.54db
30% Popularity • 83% Danceability • 46% Energy • 12% Liveness
72% Instrumentalness • 56% Positiveness
30% Popularity • 83% Danceability • 46% Energy • 12% Liveness
72% Instrumentalness • 56% Positiveness
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Eddie Condon
It's Right Here For You, Pt. 1
98 bpm • C Maj • 03:04 • -20.42db
15% Popularity • 67% Danceability • 13% Energy • 43% Liveness
91% Instrumentalness • 71% Positiveness
15% Popularity • 67% Danceability • 13% Energy • 43% Liveness
91% Instrumentalness • 71% Positiveness
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Paul Whiteman
The Darktown Strutters' Ball
94 bpm • B Maj • 02:58 • -4.9db
28% Popularity • 78% Danceability • 59% Energy • 6% Liveness
78% Instrumentalness • 91% Positiveness
28% Popularity • 78% Danceability • 59% Energy • 6% Liveness
78% Instrumentalness • 91% Positiveness
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Fletcher Henderson
Sing You Sinners
94 bpm • C# Maj • 02:39 • -8.16db
32% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
32% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
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King Oliver
King Porter Stomp
98 bpm • F min • 02:33 • -9.27db
12% Popularity • 70% Danceability • 33% Energy • 18% Liveness
92% Instrumentalness • 90% Positiveness
12% Popularity • 70% Danceability • 33% Energy • 18% Liveness
92% Instrumentalness • 90% Positiveness
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King Oliver's Creole Jazz Band
Dippermouth Blues
94 bpm • C Maj • 02:26 • -12.98db
31% Popularity • 58% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 88% Positiveness
31% Popularity • 58% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 88% Positiveness
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Albert Ammons
Boogie Woogie Prayer
98 bpm • C Maj • 02:03 • -16.48db
22% Popularity • 53% Danceability • 46% Energy • 12% Liveness
94% Instrumentalness • 97% Positiveness
22% Popularity • 53% Danceability • 46% Energy • 12% Liveness
94% Instrumentalness • 97% Positiveness
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Slim & Slam
A-Well-A-Take-'em-A-Joe, Crap Shooter's ...
94 bpm • F Maj • 03:02 • -12.26db
13% Popularity • 71% Danceability • 46% Energy • 16% Liveness
44% Instrumentalness • 82% Positiveness
13% Popularity • 71% Danceability • 46% Energy • 16% Liveness
44% Instrumentalness • 82% Positiveness
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The Boswell Sisters
That's What I Like About You
94 bpm • G# Maj • 02:53 • -11.34db
17% Popularity • 69% Danceability • 28% Energy • 14% Liveness
68% Instrumentalness • 81% Positiveness
17% Popularity • 69% Danceability • 28% Energy • 14% Liveness
68% Instrumentalness • 81% Positiveness
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Paul Whiteman
Whispering
99 bpm • D Maj • 03:17 • -11.65db
14% Popularity • 64% Danceability • 43% Energy • 33% Liveness
89% Instrumentalness • 36% Positiveness
14% Popularity • 64% Danceability • 43% Energy • 33% Liveness
89% Instrumentalness • 36% Positiveness
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King Oliver
Canal Street Blues
94 bpm • F Maj • 02:28 • -9.99db
21% Popularity • 66% Danceability • 44% Energy • 14% Liveness
47% Instrumentalness • 89% Positiveness
21% Popularity • 66% Danceability • 44% Energy • 14% Liveness
47% Instrumentalness • 89% Positiveness
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Willie "The Lion" Smith
Moonlight Cocktail
93 bpm • B min • 02:11 • -24.71db
19% Popularity • 43% Danceability • 10% Energy • 17% Liveness
89% Instrumentalness • 32% Positiveness
19% Popularity • 43% Danceability • 10% Energy • 17% Liveness
89% Instrumentalness • 32% Positiveness
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Turk Murphy
By and By
99 bpm • F Maj • 03:00 • -13.9db
28% Popularity • 80% Danceability • 46% Energy • 16% Liveness
91% Instrumentalness • 94% Positiveness
28% Popularity • 80% Danceability • 46% Energy • 16% Liveness
91% Instrumentalness • 94% Positiveness
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Eddie Condon
I'm Gonna Stomp, Mr Henry Lee
99 bpm • C# Maj • 03:37 • -12.74db
10% Popularity • 70% Danceability • 40% Energy • 20% Liveness
49% Instrumentalness • 74% Positiveness
10% Popularity • 70% Danceability • 40% Energy • 20% Liveness
49% Instrumentalness • 74% Positiveness
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Johnny Dodds
Melancholy - 21/01/1938
100 bpm • C Maj • 02:43 • -12.71db
33% Popularity • 82% Danceability • 40% Energy • 6% Liveness
92% Instrumentalness • 87% Positiveness
33% Popularity • 82% Danceability • 40% Energy • 6% Liveness
92% Instrumentalness • 87% Positiveness
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Paul Whiteman
The Birth Of The Blues
93 bpm • F Maj • 03:18 • -16db
30% Popularity • 65% Danceability • 18% Energy • 31% Liveness
25% Instrumentalness • 78% Positiveness
30% Popularity • 65% Danceability • 18% Energy • 31% Liveness
25% Instrumentalness • 78% Positiveness
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King Oliver
Mahogany Hall Stomp
93 bpm • C Maj • 02:39 • -10.36db
27% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
27% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
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Erskine Hawkins
Hawk's Boogie
92 bpm • G Maj • 02:58 • -5.07db
22% Popularity • 61% Danceability • 56% Energy • 30% Liveness
84% Instrumentalness • 80% Positiveness
22% Popularity • 61% Danceability • 56% Energy • 30% Liveness
84% Instrumentalness • 80% Positiveness
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Albert Ammons
I Don't Want to See You
92 bpm • G Maj • 02:51 • -12.19db
10% Popularity • 68% Danceability • 40% Energy • 45% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 68% Danceability • 40% Energy • 45% Liveness
0% Instrumentalness • 83% Positiveness
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Muggsy Spanier
That Da Da Strain
92 bpm • D min • 02:30 • -13.33db
16% Popularity • 58% Danceability • 40% Energy • 31% Liveness
92% Instrumentalness • 91% Positiveness
16% Popularity • 58% Danceability • 40% Energy • 31% Liveness
92% Instrumentalness • 91% Positiveness
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Jelly Roll Morton
Doctor Jazz
100 bpm • B Maj • 03:28 • -7.99db
24% Popularity • 74% Danceability • 47% Energy • 7% Liveness
68% Instrumentalness • 92% Positiveness
24% Popularity • 74% Danceability • 47% Energy • 7% Liveness
68% Instrumentalness • 92% Positiveness
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Geoff Cole's Red Hot Seven
Blue Lou
100 bpm • C Maj • 04:17 • -28.96db
0% Popularity • 48% Danceability • 4% Energy • 14% Liveness
86% Instrumentalness • 40% Positiveness
0% Popularity • 48% Danceability • 4% Energy • 14% Liveness
86% Instrumentalness • 40% Positiveness
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King Oliver
Dipper Mouth Blues
93 bpm • A min • 02:30 • -13.6db
14% Popularity • 59% Danceability • 39% Energy • 16% Liveness
93% Instrumentalness • 93% Positiveness
14% Popularity • 59% Danceability • 39% Energy • 16% Liveness
93% Instrumentalness • 93% Positiveness
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Johnny Dodds
Wild Man Blues
92 bpm • E min • 03:14 • -11.98db
18% Popularity • 61% Danceability • 13% Energy • 32% Liveness
78% Instrumentalness • 57% Positiveness
18% Popularity • 61% Danceability • 13% Energy • 32% Liveness
78% Instrumentalness • 57% Positiveness
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Lonnie Johnson
Jet Black Blues
92 bpm • D# Maj • 03:02 • -11.89db
16% Popularity • 73% Danceability • 25% Energy • 7% Liveness
22% Instrumentalness • 69% Positiveness
16% Popularity • 73% Danceability • 25% Energy • 7% Liveness
22% Instrumentalness • 69% Positiveness
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The Cats & The Fiddle
We Cats Will Swing for You
91 bpm • C min • 02:38 • -10.82db
24% Popularity • 78% Danceability • 47% Energy • 9% Liveness
62% Instrumentalness • 90% Positiveness
24% Popularity • 78% Danceability • 47% Energy • 9% Liveness
62% Instrumentalness • 90% Positiveness
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The Dukes Of Dixieland
Basin Street Blues
101 bpm • D min • 05:27 • -13.6db
13% Popularity • 52% Danceability • 27% Energy • 80% Liveness
3% Instrumentalness • 54% Positiveness
13% Popularity • 52% Danceability • 27% Energy • 80% Liveness
3% Instrumentalness • 54% Positiveness
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Slim Gaillard
8, 9 and 10
91 bpm • D Maj • 02:43 • -17.49db
28% Popularity • 81% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 79% Positiveness
28% Popularity • 81% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 79% Positiveness
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King Oliver
Out of Nowhere
91 bpm • G min • 03:00 • -10.53db
18% Popularity • 53% Danceability • 39% Energy • 14% Liveness
69% Instrumentalness • 52% Positiveness
18% Popularity • 53% Danceability • 39% Energy • 14% Liveness
69% Instrumentalness • 52% Positiveness
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Cab Calloway
Blues In The Night
91 bpm • C Maj • 03:09 • -15.81db
23% Popularity • 59% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 59% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Jelly Roll Morton
Doctor Jazz (Alternate Take)
101 bpm • B Maj • 03:25 • -9.36db
3% Popularity • 73% Danceability • 51% Energy • 8% Liveness
40% Instrumentalness • 93% Positiveness
3% Popularity • 73% Danceability • 51% Energy • 8% Liveness
40% Instrumentalness • 93% Positiveness
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Ted Lewis
Alexander's Ragtime Band
101 bpm • F Maj • 03:03 • -8db
10% Popularity • 73% Danceability • 50% Energy • 40% Liveness
19% Instrumentalness • 97% Positiveness
10% Popularity • 73% Danceability • 50% Energy • 40% Liveness
19% Instrumentalness • 97% Positiveness
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Joe Venuti
After You've Gone (Alternate Take)
101 bpm • G min • 03:04 • -12.54db
17% Popularity • 63% Danceability • 35% Energy • 6% Liveness
7% Instrumentalness • 93% Positiveness
17% Popularity • 63% Danceability • 35% Energy • 6% Liveness
7% Instrumentalness • 93% Positiveness
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Original Memphis Five
Fireworks
101 bpm • G# Maj • 02:31 • -7db
14% Popularity • 82% Danceability • 54% Energy • 8% Liveness
93% Instrumentalness • 97% Positiveness
14% Popularity • 82% Danceability • 54% Energy • 8% Liveness
93% Instrumentalness • 97% Positiveness
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Original Dixieland Jazz Band
Margie
91 bpm • G Maj • 03:15 • -9db
9% Popularity • 51% Danceability • 37% Energy • 22% Liveness
93% Instrumentalness • 62% Positiveness
9% Popularity • 51% Danceability • 37% Energy • 22% Liveness
93% Instrumentalness • 62% Positiveness
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Sidney Bechet and his New Orleans Feetwarmers
Egyptian Fantasy
101 bpm • G min • 03:01 • -10db
26% Popularity • 66% Danceability • 30% Energy • 20% Liveness
85% Instrumentalness • 85% Positiveness
26% Popularity • 66% Danceability • 30% Energy • 20% Liveness
85% Instrumentalness • 85% Positiveness
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Jelly Roll Morton
Climax Rag
101 bpm • F Maj • 02:27 • -10.56db
6% Popularity • 75% Danceability • 43% Energy • 5% Liveness
32% Instrumentalness • 95% Positiveness
6% Popularity • 75% Danceability • 43% Energy • 5% Liveness
32% Instrumentalness • 95% Positiveness
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The Cats & The Fiddle
Killing Jive - Alternate Take
91 bpm • C Maj • 02:51 • -10.07db
12% Popularity • 75% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 82% Positiveness
12% Popularity • 75% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 82% Positiveness
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Billy Strayhorn
Take The "A" Train
91 bpm • C Maj • 03:16 • -19db
27% Popularity • 46% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 11% Positiveness
27% Popularity • 46% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 11% Positiveness
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Jimmie Lunceford
Uptown Blues
90 bpm • C Maj • 02:57 • -9.38db
18% Popularity • 41% Danceability • 27% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
18% Popularity • 41% Danceability • 27% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
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Fletcher Henderson & His Orchestra
Sugar Foot Stomp
102 bpm • A# Maj • 02:46 • -12.66db
27% Popularity • 78% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
27% Popularity • 78% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
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Bubber Miley
I Lost My Gal from Memphis
101 bpm • A min • 02:59 • -12.46db
20% Popularity • 80% Danceability • 42% Energy • 31% Liveness
6% Instrumentalness • 81% Positiveness
20% Popularity • 80% Danceability • 42% Energy • 31% Liveness
6% Instrumentalness • 81% Positiveness
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James P. Johnson
Carolina Shout
102 bpm • C Maj • 02:47 • -17db
21% Popularity • 43% Danceability • 34% Energy • 13% Liveness
83% Instrumentalness • 78% Positiveness
21% Popularity • 43% Danceability • 34% Energy • 13% Liveness
83% Instrumentalness • 78% Positiveness
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Slim Gaillard
Look-A There
90 bpm • C Maj • 02:16 • -18.51db
30% Popularity • 79% Danceability • 22% Energy • 9% Liveness
51% Instrumentalness • 93% Positiveness
30% Popularity • 79% Danceability • 22% Energy • 9% Liveness
51% Instrumentalness • 93% Positiveness
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Joe Venuti
After You've Gone
102 bpm • F Maj • 03:03 • -10db
26% Popularity • 59% Danceability • 39% Energy • 8% Liveness
11% Instrumentalness • 96% Positiveness
26% Popularity • 59% Danceability • 39% Energy • 8% Liveness
11% Instrumentalness • 96% Positiveness
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Cab Calloway
(Hep-Hep!) The Jumpin' Jive
90 bpm • G# Maj • 02:51 • -18.01db
8% Popularity • 71% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 71% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Bessie Smith
Nobody Knows You When You're Down and Ou...
90 bpm • E Maj • 02:56 • -12.1db
40% Popularity • 60% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 60% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Bunk Johnson
Panama
103 bpm • F min • 02:38 • -15db
17% Popularity • 82% Danceability • 32% Energy • 36% Liveness
88% Instrumentalness • 97% Positiveness
17% Popularity • 82% Danceability • 32% Energy • 36% Liveness
88% Instrumentalness • 97% Positiveness
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Johnny Dodds
Melancholy
103 bpm • G# Maj • 02:38 • -12.3db
19% Popularity • 82% Danceability • 40% Energy • 4% Liveness
39% Instrumentalness • 95% Positiveness
19% Popularity • 82% Danceability • 40% Energy • 4% Liveness
39% Instrumentalness • 95% Positiveness
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Jerome Kern
Smoke Gets In Your Eyes - (RKO film "Rob...
103 bpm • G# Maj • 03:15 • -7db
22% Popularity • 72% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 76% Positiveness
22% Popularity • 72% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 76% Positiveness
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Eddie Condon
Diane
103 bpm • F min • 03:06 • -15db
16% Popularity • 57% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 66% Positiveness
16% Popularity • 57% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 66% Positiveness
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Clarence Williams' Blue Five
Pickin' On Your Baby
103 bpm • C Maj • 03:17 • -14.04db
8% Popularity • 52% Danceability • 15% Energy • 35% Liveness
13% Instrumentalness • 32% Positiveness
8% Popularity • 52% Danceability • 15% Energy • 35% Liveness
13% Instrumentalness • 32% Positiveness
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Johnny Hodges & His Orchestra
Squaty Roo - Remastered - 1995
103 bpm • A# min • 02:23 • -14db
28% Popularity • 68% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 72% Positiveness
28% Popularity • 68% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 72% Positiveness
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Marion Harris
Charleston Crazy
103 bpm • D# min • 02:43 • -11db
19% Popularity • 83% Danceability • 42% Energy • 23% Liveness
84% Instrumentalness • 89% Positiveness
19% Popularity • 83% Danceability • 42% Energy • 23% Liveness
84% Instrumentalness • 89% Positiveness
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Woody Herman & His Orchestra
Blues in the Night
89 bpm • C Maj • 03:11 • -11.68db
25% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
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Geoff Cole's Red Hot Seven
The Animule Ball
89 bpm • A# Maj • 03:49 • -26.27db
0% Popularity • 45% Danceability • 5% Energy • 14% Liveness
88% Instrumentalness • 65% Positiveness
0% Popularity • 45% Danceability • 5% Energy • 14% Liveness
88% Instrumentalness • 65% Positiveness
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Louis Armstrong
Weather Bird
103 bpm • G# Maj • 02:44 • -12db
37% Popularity • 83% Danceability • 29% Energy • 14% Liveness
66% Instrumentalness • 82% Positiveness
37% Popularity • 83% Danceability • 29% Energy • 14% Liveness
66% Instrumentalness • 82% Positiveness
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Eddie Lang
Pickin' My Way
103 bpm • G Maj • 03:00 • -10.7db
13% Popularity • 76% Danceability • 44% Energy • 10% Liveness
92% Instrumentalness • 86% Positiveness
13% Popularity • 76% Danceability • 44% Energy • 10% Liveness
92% Instrumentalness • 86% Positiveness
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Johnny Hodges & His Orchestra
Things Ain't What They Used To Be - 1995...
89 bpm • C# Maj • 03:37 • -17.04db
28% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
28% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
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Slim Gaillard
The Flat Foot Floogie
89 bpm • F Maj • 02:51 • -17.17db
23% Popularity • 79% Danceability • 30% Energy • 13% Liveness
84% Instrumentalness • 85% Positiveness
23% Popularity • 79% Danceability • 30% Energy • 13% Liveness
84% Instrumentalness • 85% Positiveness
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Walter Page's Blue Devils
Blue Devil Blues
104 bpm • D# Maj • 02:46 • -13db
13% Popularity • 77% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 77% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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King Oliver's Creole Jazz Band
Snake Rag
104 bpm • C min • 02:58 • -15db
14% Popularity • 71% Danceability • 31% Energy • 28% Liveness
88% Instrumentalness • 96% Positiveness
14% Popularity • 71% Danceability • 31% Energy • 28% Liveness
88% Instrumentalness • 96% Positiveness
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Norbert Susemihl
Once In A While
104 bpm • C Maj • 04:31 • -14.62db
26% Popularity • 69% Danceability • 43% Energy • 10% Liveness
80% Instrumentalness • 85% Positiveness
26% Popularity • 69% Danceability • 43% Energy • 10% Liveness
80% Instrumentalness • 85% Positiveness
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Pee Wee Russell
Embraceable You
88 bpm • F Maj • 04:04 • -16db
9% Popularity • 46% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 45% Positiveness
9% Popularity • 46% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 45% Positiveness
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Genevieve Davis
Haven't Got a Dollar to Pay Your House R...
104 bpm • F Maj • 03:28 • -13.05db
23% Popularity • 61% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 61% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Johnny Dodds
Mad Dog
105 bpm • A# Maj • 02:49 • -8db
18% Popularity • 72% Danceability • 59% Energy • 24% Liveness
79% Instrumentalness • 83% Positiveness
18% Popularity • 72% Danceability • 59% Energy • 24% Liveness
79% Instrumentalness • 83% Positiveness
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Slim Gaillard
The Flat Foot Floogie
88 bpm • C Maj • 02:49 • -12db
22% Popularity • 80% Danceability • 40% Energy • 38% Liveness
2% Instrumentalness • 87% Positiveness
22% Popularity • 80% Danceability • 40% Energy • 38% Liveness
2% Instrumentalness • 87% Positiveness
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Bunk Johnson
Bunk's Blues
105 bpm • A# Maj • 02:52 • -13.24db
9% Popularity • 60% Danceability • 22% Energy • 24% Liveness
92% Instrumentalness • 66% Positiveness
9% Popularity • 60% Danceability • 22% Energy • 24% Liveness
92% Instrumentalness • 66% Positiveness
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Bix Beiderbecke
I Like That
88 bpm • D# Maj • 03:02 • -15.06db
38% Popularity • 70% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 88% Positiveness
38% Popularity • 70% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 88% Positiveness
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King Oliver's Creole Jazz Band
Riverside Blues
105 bpm • A min • 02:56 • -11.24db
9% Popularity • 54% Danceability • 37% Energy • 49% Liveness
84% Instrumentalness • 44% Positiveness
9% Popularity • 54% Danceability • 37% Energy • 49% Liveness
84% Instrumentalness • 44% Positiveness
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Sidney Bechet and his New Orleans Feetwarmers
When It's Sleepy Time Down South
88 bpm • D# Maj • 03:01 • -16db
12% Popularity • 60% Danceability • 16% Energy • 22% Liveness
89% Instrumentalness • 71% Positiveness
12% Popularity • 60% Danceability • 16% Energy • 22% Liveness
89% Instrumentalness • 71% Positiveness
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Charlie Barnet
Wichita Windstorm
105 bpm • F# Maj • 02:39 • -8db
22% Popularity • 68% Danceability • 49% Energy • 24% Liveness
81% Instrumentalness • 82% Positiveness
22% Popularity • 68% Danceability • 49% Energy • 24% Liveness
81% Instrumentalness • 82% Positiveness
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Kid Ory's Creole Jazz Band
Muskrat Ramble
105 bpm • G# Maj • 02:52 • -10db
22% Popularity • 66% Danceability • 57% Energy • 9% Liveness
11% Instrumentalness • 96% Positiveness
22% Popularity • 66% Danceability • 57% Energy • 9% Liveness
11% Instrumentalness • 96% Positiveness
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Joe Venuti
Beatin' the Dog
105 bpm • A# Maj • 02:38 • -13.56db
17% Popularity • 83% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 96% Positiveness
17% Popularity • 83% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 96% Positiveness
