Songs like Kiss Kiss Kiss - Remastered 2010 by Yoko Ono
Based on a tempo of (+/- 10%) and a similar genre
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Kate Bush
Kite
139 bpm • C min • 02:57 • -9.76db
36% Popularity • 65% Danceability • 63% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
36% Popularity • 65% Danceability • 63% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
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Yoko Ono & Plastic Ono Super Band
ANGRY YOUNG WOMAN
139 bpm • G# min • 04:57 • -7.66db
6% Popularity • 50% Danceability • 60% Energy • 45% Liveness
0% Instrumentalness • 44% Positiveness
6% Popularity • 50% Danceability • 60% Energy • 45% Liveness
0% Instrumentalness • 44% Positiveness
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Bow Wow Wow
Louis Quatorze
139 bpm • G# Maj • 02:40 • -10db
11% Popularity • 51% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 51% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Yoko Ono
Kiss Kiss Kiss - Remastered 2010
139 bpm • C Maj • 02:41 • -8.59db
34% Popularity • 76% Danceability • 80% Energy • 52% Liveness
1% Instrumentalness • 95% Positiveness
34% Popularity • 76% Danceability • 80% Energy • 52% Liveness
1% Instrumentalness • 95% Positiveness
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Blondie
Angels On The Balcony - Remastered 2001
139 bpm • C Maj • 03:47 • -6db
28% Popularity • 46% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 46% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Brian Eno
Driving Me Backwards - 2004 Digital Rema...
139 bpm • G# Maj • 05:12 • -8.75db
29% Popularity • 41% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
29% Popularity • 41% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Kate Bush
The Saxophone Song
139 bpm • A min • 03:52 • -11db
38% Popularity • 38% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 38% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Davy Jones (And The Lower Third)
You've Got a Habit of Leaving - 2014 Rem...
139 bpm • A min • 02:29 • -7.87db
9% Popularity • 32% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 32% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Jim Morrison
Black Polished Chrome
138 bpm • D Maj • 01:07 • -12.27db
50% Popularity • 56% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
50% Popularity • 56% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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Roxy Music
Just Like You
140 bpm • G# min • 03:36 • -8.99db
30% Popularity • 59% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 59% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Blondie
Just Go Away - Remastered
138 bpm • B Maj • 03:33 • -6db
25% Popularity • 57% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 57% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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The Stranglers
Everybody Loves You When You're Dead
138 bpm • C Maj • 02:42 • -11db
34% Popularity • 67% Danceability • 78% Energy • 7% Liveness
2% Instrumentalness • 69% Positiveness
34% Popularity • 67% Danceability • 78% Energy • 7% Liveness
2% Instrumentalness • 69% Positiveness
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Kate Bush
Violin - 2018 Remaster
140 bpm • F# Maj • 03:15 • -11db
35% Popularity • 52% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 52% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Jobriath
Be Still
140 bpm • C Maj • 03:42 • -8.17db
11% Popularity • 34% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 34% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Psychic TV
Baby’s Gone Away
140 bpm • C Maj • 02:46 • -7.39db
19% Popularity • 62% Danceability • 80% Energy • 13% Liveness
93% Instrumentalness • 90% Positiveness
19% Popularity • 62% Danceability • 80% Energy • 13% Liveness
93% Instrumentalness • 90% Positiveness
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The Kinks
Sitting by the Riverside (2018 Stereo Re...
138 bpm • C Maj • 02:26 • -8.08db
28% Popularity • 53% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 53% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Yoko Ono
Kiss Kiss Kiss - Stripped Down Mix, 2010
140 bpm • C Maj • 02:44 • -6.78db
22% Popularity • 82% Danceability • 74% Energy • 6% Liveness
1% Instrumentalness • 88% Positiveness
22% Popularity • 82% Danceability • 74% Energy • 6% Liveness
1% Instrumentalness • 88% Positiveness
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Marianne Faithfull
Go Away From My World
140 bpm • D# Maj • 02:34 • -14.34db
9% Popularity • 46% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 46% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
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Blondie
Look Good In Blue - Remastered 2001
137 bpm • B min • 02:55 • -8.59db
27% Popularity • 52% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 52% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Yoko Ono & Plastic Ono Super Band
DON T WORRY KYOKO
141 bpm • F Maj • 05:52 • -5.59db
4% Popularity • 45% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
4% Popularity • 45% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
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Pink Floyd
Lucifer Sam
141 bpm • G Maj • 03:07 • -11.55db
43% Popularity • 35% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 35% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Television
I Don't Care
137 bpm • B min • 03:04 • -10.55db
11% Popularity • 36% Danceability • 72% Energy • 52% Liveness
62% Instrumentalness • 66% Positiveness
11% Popularity • 36% Danceability • 72% Energy • 52% Liveness
62% Instrumentalness • 66% Positiveness
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XTC
Helicopter - 2001 Digital Remaster
141 bpm • B min • 03:54 • -6.02db
35% Popularity • 76% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
35% Popularity • 76% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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John Lennon
Attica State - Remastered 2010
137 bpm • A Maj • 02:56 • -8.85db
20% Popularity • 52% Danceability • 81% Energy • 24% Liveness
24% Instrumentalness • 75% Positiveness
20% Popularity • 52% Danceability • 81% Energy • 24% Liveness
24% Instrumentalness • 75% Positiveness
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The Rutles
Cheese and Onions - 2006 Remaster
141 bpm • G Maj • 02:38 • -7db
24% Popularity • 34% Danceability • 76% Energy • 35% Liveness
1% Instrumentalness • 47% Positiveness
24% Popularity • 34% Danceability • 76% Energy • 35% Liveness
1% Instrumentalness • 47% Positiveness
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The Mothers Of Invention
Let's Make The Water Turn Black
137 bpm • A min • 02:01 • -14.4db
32% Popularity • 72% Danceability • 49% Energy • 67% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 72% Danceability • 49% Energy • 67% Liveness
0% Instrumentalness • 96% Positiveness
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10cc
Somewhere In Hollywood
136 bpm • G# Maj • 06:40 • -9.06db
22% Popularity • 40% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 40% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
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October Country
Cowboys and Indians
137 bpm • B min • 02:14 • -7.22db
18% Popularity • 44% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 44% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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The Daughters Of Eve
Help Me Boy
136 bpm • A# Maj • 02:34 • -7.63db
28% Popularity • 33% Danceability • 68% Energy • 78% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 33% Danceability • 68% Energy • 78% Liveness
0% Instrumentalness • 55% Positiveness
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Roxy Music
Would You Believe?
142 bpm • C Maj • 03:53 • -7.15db
25% Popularity • 40% Danceability • 85% Energy • 6% Liveness
4% Instrumentalness • 68% Positiveness
25% Popularity • 40% Danceability • 85% Energy • 6% Liveness
4% Instrumentalness • 68% Positiveness
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Wire
Another the Letter - 2006 Remastered Ver...
142 bpm • E Maj • 01:07 • -7.53db
49% Popularity • 51% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
49% Popularity • 51% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Klaatu
Long Live Politzania
142 bpm • G Maj • 09:11 • -8.9db
17% Popularity • 46% Danceability • 46% Energy • 24% Liveness
1% Instrumentalness • 35% Positiveness
17% Popularity • 46% Danceability • 46% Energy • 24% Liveness
1% Instrumentalness • 35% Positiveness
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Yoko Ono
Beautiful Boys - Remastered 2010
143 bpm • E min • 02:55 • -11.89db
29% Popularity • 40% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 40% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Todd Rundgren
Influenza - 2015 Remaster
135 bpm • G# min • 04:31 • -12.21db
21% Popularity • 66% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 66% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Blondie
Pretty Baby
143 bpm • G Maj • 03:23 • -5.15db
38% Popularity • 50% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 50% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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The Slits
Spend, Spend, Spend
136 bpm • A Maj • 03:15 • -10.52db
23% Popularity • 57% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 57% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Rowland S. Howard
Some Velvet Morning
135 bpm • E Maj • 04:26 • -4.91db
29% Popularity • 23% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
29% Popularity • 23% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
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Television
Guiding Light
143 bpm • B Maj • 05:32 • -14.12db
36% Popularity • 55% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 53% Positiveness
36% Popularity • 55% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 53% Positiveness
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John Lennon
The Luck Of The Irish - Remastered 2010
143 bpm • G Maj • 02:59 • -10.2db
34% Popularity • 45% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 45% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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The B-52's
Lava
143 bpm • A Maj • 04:56 • -6.39db
35% Popularity • 62% Danceability • 88% Energy • 8% Liveness
7% Instrumentalness • 86% Positiveness
35% Popularity • 62% Danceability • 88% Energy • 8% Liveness
7% Instrumentalness • 86% Positiveness
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Blondie
Platinum Blonde - Remastered 2001
143 bpm • A Maj • 02:12 • -9.81db
22% Popularity • 75% Danceability • 73% Energy • 34% Liveness
1% Instrumentalness • 90% Positiveness
22% Popularity • 75% Danceability • 73% Energy • 34% Liveness
1% Instrumentalness • 90% Positiveness
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Roxy Music
Sea Breezes
143 bpm • B min • 07:03 • -10.43db
18% Popularity • 42% Danceability • 27% Energy • 31% Liveness
6% Instrumentalness • 4% Positiveness
18% Popularity • 42% Danceability • 27% Energy • 31% Liveness
6% Instrumentalness • 4% Positiveness
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The Doors
We Could Be so Good Together
143 bpm • G Maj • 02:23 • -13.03db
37% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
37% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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The Kinks
Starstruck (2018 Stereo Remaster)
135 bpm • F Maj • 02:24 • -5.95db
38% Popularity • 64% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 64% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Yoko Ono
Born In A Prison - Remastered 2010
143 bpm • G Maj • 04:07 • -12.01db
21% Popularity • 50% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 50% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Bow Wow Wow
Fools Rush In (Where Angels Fear To Trea...
144 bpm • G# Maj • 02:12 • -9.68db
38% Popularity • 72% Danceability • 69% Energy • 9% Liveness
1% Instrumentalness • 83% Positiveness
38% Popularity • 72% Danceability • 69% Energy • 9% Liveness
1% Instrumentalness • 83% Positiveness
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Yoko Ono & Plastic Ono Super Band
WOMAN OF SALEM
144 bpm • G min • 04:01 • -9.15db
4% Popularity • 46% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
4% Popularity • 46% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
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The Quarrymen
That'll Be The Day - Anthology 1 Version
134 bpm • A Maj • 02:07 • -7.89db
34% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Jessica Harper
Special To Me (Phoenix Audition Song)
134 bpm • B Maj • 02:48 • -4.98db
32% Popularity • 70% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 70% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Big Brother & The Holding Company
Flower In the Sun
134 bpm • F# min • 03:03 • -10.7db
32% Popularity • 54% Danceability • 54% Energy • 44% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 54% Danceability • 54% Energy • 44% Liveness
0% Instrumentalness • 64% Positiveness
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Ringo Starr
Private Property
134 bpm • D Maj • 02:41 • -11.18db
17% Popularity • 68% Danceability • 63% Energy • 26% Liveness
1% Instrumentalness • 92% Positiveness
17% Popularity • 68% Danceability • 63% Energy • 26% Liveness
1% Instrumentalness • 92% Positiveness
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Kate Bush
L'Amour Looks Something Like You
134 bpm • G min • 02:28 • -12db
44% Popularity • 53% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 53% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
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Blondie
Bermuda Triangle Blues - Remastered
134 bpm • D Maj • 02:48 • -8db
32% Popularity • 32% Danceability • 63% Energy • 11% Liveness
7% Instrumentalness • 49% Positiveness
32% Popularity • 32% Danceability • 63% Energy • 11% Liveness
7% Instrumentalness • 49% Positiveness
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Marc Bolan
The Wizard - Unused stereo mix
133 bpm • C Maj • 01:45 • -7.05db
21% Popularity • 59% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 59% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Kinks
Starstruck
133 bpm • F Maj • 02:27 • -6.53db
12% Popularity • 58% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 58% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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The B-52's
Quiche Lorraine
133 bpm • G Maj • 03:57 • -9.31db
32% Popularity • 80% Danceability • 79% Energy • 5% Liveness
1% Instrumentalness • 82% Positiveness
32% Popularity • 80% Danceability • 79% Energy • 5% Liveness
1% Instrumentalness • 82% Positiveness
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Shocking Blue
I'll Follow The Sun
145 bpm • A min • 02:45 • -6.72db
28% Popularity • 55% Danceability • 76% Energy • 11% Liveness
25% Instrumentalness • 76% Positiveness
28% Popularity • 55% Danceability • 76% Energy • 11% Liveness
25% Instrumentalness • 76% Positiveness
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Kate Bush
Egypt - 2018 Remaster
134 bpm • A min • 04:11 • -14.49db
35% Popularity • 40% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 40% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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John Cale
Satellite Walk
145 bpm • A min • 04:59 • -11.94db
11% Popularity • 74% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 74% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Linda McCartney
Endless Days
133 bpm • C Maj • 03:13 • -14.31db
11% Popularity • 53% Danceability • 18% Energy • 21% Liveness
1% Instrumentalness • 23% Positiveness
11% Popularity • 53% Danceability • 18% Energy • 21% Liveness
1% Instrumentalness • 23% Positiveness
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Queen
Drowse - Remastered 2011
145 bpm • D Maj • 03:43 • -10db
36% Popularity • 44% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 44% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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The B-52's
Hero Worship
145 bpm • D Maj • 04:08 • -7.74db
29% Popularity • 55% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 55% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Jobriath
Morning Star Ship
145 bpm • G Maj • 03:31 • -5.51db
14% Popularity • 40% Danceability • 70% Energy • 61% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 40% Danceability • 70% Energy • 61% Liveness
0% Instrumentalness • 58% Positiveness
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Kate Bush
James and the Cold Gun
133 bpm • A# min • 03:36 • -13.66db
38% Popularity • 53% Danceability • 48% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
38% Popularity • 53% Danceability • 48% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
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The BeachBums
Upholstery
133 bpm • A# Maj • 02:51 • -4.43db
29% Popularity • 48% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 48% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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John Cale
Vigilante Lover
133 bpm • E Maj • 04:29 • -11.32db
12% Popularity • 70% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 70% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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The Kinks
Monica (2018 Stereo Remaster)
133 bpm • G Maj • 02:18 • -7.93db
20% Popularity • 63% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 63% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Yoko Ono & Plastic Ono Super Band
I FELT LIKE SMASHING MY FACE IN A CLEAR ...
132 bpm • G min • 05:07 • -7.84db
5% Popularity • 60% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
5% Popularity • 60% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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The Stranglers
Non Stop
146 bpm • G min • 02:29 • -12db
29% Popularity • 51% Danceability • 78% Energy • 9% Liveness
30% Instrumentalness • 92% Positiveness
29% Popularity • 51% Danceability • 78% Energy • 9% Liveness
30% Instrumentalness • 92% Positiveness
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The Clash
Inoculated City - Remastered
132 bpm • D Maj • 02:42 • -9.07db
38% Popularity • 87% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 87% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Queen
In The Lap Of The Gods... Revisited - Re...
132 bpm • D Maj • 03:46 • -8.61db
40% Popularity • 41% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 41% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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The Doors
L'America
132 bpm • F# Maj • 04:34 • -12.19db
44% Popularity • 42% Danceability • 54% Energy • 8% Liveness
2% Instrumentalness • 16% Positiveness
44% Popularity • 42% Danceability • 54% Energy • 8% Liveness
2% Instrumentalness • 16% Positiveness
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Linda McCartney
New Orleans
132 bpm • F Maj • 03:15 • -5.94db
13% Popularity • 72% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 72% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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The Undead
Somebody Super Like You (Beef Constuctio...
147 bpm • F Maj • 04:32 • -4.47db
29% Popularity • 40% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 40% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Ringo Starr
Wrack My Brain
132 bpm • B Maj • 02:18 • -12.6db
21% Popularity • 68% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 68% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Ultravox
The Man Who Dies Everyday
131 bpm • A Maj • 04:11 • -9.4db
16% Popularity • 61% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 61% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
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Queen
Lazing On A Sunday Afternoon - Remastere...
132 bpm • D# Maj • 01:07 • -9.11db
57% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
57% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Shocking Blue
Pickin' Tomatoes
147 bpm • C Maj • 03:19 • -11.01db
14% Popularity • 61% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 61% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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Roxy Music
Re-Make/Re-Model
131 bpm • A# min • 05:14 • -7.18db
29% Popularity • 58% Danceability • 92% Energy • 32% Liveness
8% Instrumentalness • 54% Positiveness
29% Popularity • 58% Danceability • 92% Energy • 32% Liveness
8% Instrumentalness • 54% Positiveness
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Marianne Faithfull
Brain Drain
131 bpm • A min • 04:12 • -14.91db
24% Popularity • 76% Danceability • 36% Energy • 42% Liveness
46% Instrumentalness • 61% Positiveness
24% Popularity • 76% Danceability • 36% Energy • 42% Liveness
46% Instrumentalness • 61% Positiveness
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Public Image Ltd.
Careering
131 bpm • B min • 04:32 • -15.14db
24% Popularity • 60% Danceability • 48% Energy • 21% Liveness
3% Instrumentalness • 61% Positiveness
24% Popularity • 60% Danceability • 48% Energy • 21% Liveness
3% Instrumentalness • 61% Positiveness
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Donovan
Oh Gosh
131 bpm • B Maj • 01:46 • -13.1db
24% Popularity • 61% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 61% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Aztec Camera
The Boy Wonders
147 bpm • C Maj • 03:15 • -11db
28% Popularity • 60% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 60% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Bow Wow Wow
Sexy Eiffel Towers
147 bpm • C# Maj • 02:26 • -9.92db
11% Popularity • 57% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 57% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Roxy Music
2HB
147 bpm • C# Maj • 04:30 • -10.17db
33% Popularity • 45% Danceability • 50% Energy • 11% Liveness
21% Instrumentalness • 30% Positiveness
33% Popularity • 45% Danceability • 50% Energy • 11% Liveness
21% Instrumentalness • 30% Positiveness
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Jobriath
Movie Queen
131 bpm • E Maj • 01:54 • -9.97db
9% Popularity • 52% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 52% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Pink Floyd
Flaming
131 bpm • A Maj • 02:46 • -10.35db
38% Popularity • 40% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 40% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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The Cure
The Walk
131 bpm • B min • 03:29 • -14db
47% Popularity • 72% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
47% Popularity • 72% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Kaleidoscope
Kaleidoscope
130 bpm • C Maj • 02:15 • -8.57db
25% Popularity • 44% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 44% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Brian Eno
Fat Lady Of Limbourg - 2004 Digital Rema...
130 bpm • A min • 05:05 • -16.38db
29% Popularity • 73% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 73% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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The Doors
I Looked at You
149 bpm • C Maj • 02:20 • -7.99db
49% Popularity • 40% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
49% Popularity • 40% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Klaatu
Calling Occupants Of Interplanetary Craf...
130 bpm • A Maj • 07:10 • -11.75db
37% Popularity • 37% Danceability • 50% Energy • 27% Liveness
1% Instrumentalness • 22% Positiveness
37% Popularity • 37% Danceability • 50% Energy • 27% Liveness
1% Instrumentalness • 22% Positiveness
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Blondie
Puerto Rico - Betrock Demo
129 bpm • A Maj • 02:08 • -12.19db
26% Popularity • 67% Danceability • 32% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 67% Danceability • 32% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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XTC
Ten Feet Tall - 2001 Digital Remaster
129 bpm • C Maj • 03:16 • -8db
36% Popularity • 85% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 85% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Roxy Music
Ladytron
150 bpm • G# Maj • 04:26 • -8.91db
32% Popularity • 30% Danceability • 62% Energy • 7% Liveness
32% Instrumentalness • 34% Positiveness
32% Popularity • 30% Danceability • 62% Energy • 7% Liveness
32% Instrumentalness • 34% Positiveness
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Pink Floyd
Chapter 24
129 bpm • D Maj • 03:42 • -10.9db
34% Popularity • 23% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 23% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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The B-52's
Cake
129 bpm • E Maj • 05:36 • -10.05db
21% Popularity • 76% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 76% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 92% Positiveness
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The Doors
Blue Sunday
150 bpm • F Maj • 02:12 • -11.66db
53% Popularity • 36% Danceability • 33% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
53% Popularity • 36% Danceability • 33% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
