Songs like Kiss Me in the Dark by Randy Rogers
Based on a tempo of (+/- 10%) and a similar genre
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Brandon Rhyder
Man Of Conviction
115 bpm • G Maj • 03:48 • -3db
27% Popularity • 70% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 70% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Logan Samford
Good Lies
115 bpm • G# Maj • 03:53 • -4.08db
27% Popularity • 55% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 55% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Jon Wolfe
Any Night in Texas
115 bpm • F Maj • 03:55 • -5db
34% Popularity • 64% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 64% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Jon Stork
Another Town
115 bpm • G Maj • 03:56 • -3.95db
21% Popularity • 56% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 56% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Randy Rogers
Speak To Me Jukebox
115 bpm • D Maj • 03:56 • -5.45db
18% Popularity • 58% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 58% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Dolly Shine
Walkin' to New Orleans
115 bpm • E min • 05:42 • -9.05db
14% Popularity • 60% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 60% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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No Justice
Red Dress
115 bpm • F Maj • 03:37 • -7.85db
28% Popularity • 66% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 66% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Kolton Moore & the Clever Few
Forever I Do
115 bpm • G Maj • 06:00 • -5.57db
19% Popularity • 60% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
19% Popularity • 60% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Jon Wolfe
Smile on Mine
116 bpm • A# Maj • 02:37 • -3db
41% Popularity • 63% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 63% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Curtis Grimes
The Cowboy Kind
114 bpm • B Maj • 03:18 • -4db
27% Popularity • 64% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 64% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Randy Rogers
Kiss Me in the Dark
115 bpm • A# Maj • 04:45 • -3.73db
26% Popularity • 38% Danceability • 76% Energy • 95% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 38% Danceability • 76% Energy • 95% Liveness
0% Instrumentalness • 41% Positiveness
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Dolly Shine
Pretty Flowers
114 bpm • F# min • 03:59 • -8.72db
15% Popularity • 53% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 53% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 19% Positiveness
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Muscadine Bloodline
Ginny
114 bpm • C# Maj • 05:25 • -6.22db
25% Popularity • 52% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 52% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Triston Marez
Day Drinking
114 bpm • A Maj • 03:19 • -5db
25% Popularity • 58% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 58% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Graycie York
Without Me
116 bpm • G# Maj • 04:33 • -6.57db
22% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Ward Davis
Good and Drunk
117 bpm • E Maj • 03:12 • -7.39db
24% Popularity • 70% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 70% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Randy Rogers
Satellite
117 bpm • C# Maj • 04:45 • -2.96db
14% Popularity • 35% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 35% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 41% Positiveness
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Dolly Shine
Old Flame
116 bpm • B min • 04:31 • -7db
18% Popularity • 61% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 61% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Shotgun Rider
Bottom of This Crown
117 bpm • G# Maj • 03:25 • -6.07db
20% Popularity • 62% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 62% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Roger Creager
Things Look Good Around Here
117 bpm • A Maj • 03:50 • -8.04db
23% Popularity • 72% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 72% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Jason Boland & The Stragglers
Proud Souls
117 bpm • A Maj • 05:03 • -10.73db
30% Popularity • 62% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 62% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Kyle Park
Fit for the King
113 bpm • E Maj • 03:22 • -4.98db
32% Popularity • 56% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 56% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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Randy Rogers
Songs About Trucks
117 bpm • E Maj • 03:28 • -3.97db
14% Popularity • 44% Danceability • 60% Energy • 82% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 44% Danceability • 60% Energy • 82% Liveness
0% Instrumentalness • 46% Positiveness
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Callahan Divide
Happy
117 bpm • C# Maj • 04:21 • -5.52db
19% Popularity • 70% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 70% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Dolly Shine
Waitin' to Rain
114 bpm • B Maj • 04:09 • -8.96db
13% Popularity • 58% Danceability • 41% Energy • 9% Liveness
13% Instrumentalness • 20% Positiveness
13% Popularity • 58% Danceability • 41% Energy • 9% Liveness
13% Instrumentalness • 20% Positiveness
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Michael Martin Murphey
Backslider's Wine
113 bpm • D Maj • 03:24 • -7.29db
6% Popularity • 65% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
6% Popularity • 65% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Ryan Beaver
Under the Neons
113 bpm • A# Maj • 04:00 • -8.09db
27% Popularity • 62% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 62% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Brandon Rhyder
That's Just Me
113 bpm • G Maj • 04:31 • -5db
21% Popularity • 64% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 64% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Ray Wylie Hubbard
Even If My Wheels Fall Off
113 bpm • F Maj • 03:36 • -6.58db
23% Popularity • 76% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 76% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Bart Crow
Pocket Full of Kisses
117 bpm • G# Maj • 03:57 • -5.17db
23% Popularity • 60% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 60% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Dolly Shine
Spinning My Wheels
116 bpm • E Maj • 03:38 • -8db
29% Popularity • 51% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 51% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Jarrod Morris
Figure of Eight
113 bpm • E Maj • 03:50 • -8db
27% Popularity • 62% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 62% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Seth Ward
Break Your Heart
113 bpm • G Maj • 03:43 • -5db
30% Popularity • 59% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 59% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Micky & The Motorcars
Careless
117 bpm • D min • 03:44 • -5.8db
18% Popularity • 38% Danceability • 77% Energy • 24% Liveness
7% Instrumentalness • 42% Positiveness
18% Popularity • 38% Danceability • 77% Energy • 24% Liveness
7% Instrumentalness • 42% Positiveness
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Jesse Raub Jr.
She'll Put The Hurt On You
117 bpm • D Maj • 03:11 • -5.47db
21% Popularity • 64% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 64% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Randy Rogers
Saturday Night
113 bpm • E Maj • 04:01 • -3.4db
17% Popularity • 48% Danceability • 72% Energy • 96% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 48% Danceability • 72% Energy • 96% Liveness
0% Instrumentalness • 28% Positiveness
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Dolly Shine
Trail of Tears
113 bpm • E min • 04:39 • -7.99db
12% Popularity • 48% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 48% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Brandon Jenkins
The Whole World's Gone Crazy
117 bpm • G Maj • 03:24 • -6.27db
27% Popularity • 64% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 64% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Randall King
Ain’t Waitin’ on You
113 bpm • E Maj • 03:37 • -7.94db
35% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Kyle Park
Don't Look
118 bpm • A Maj • 03:38 • -8.1db
27% Popularity • 67% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 67% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Jon Stork
Waitin' on Another Fight
118 bpm • D Maj • 03:22 • -10.25db
14% Popularity • 72% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 72% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Six Market Blvd.
Misery in Me
112 bpm • G Maj • 03:46 • -7.42db
19% Popularity • 64% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 64% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Jesse Raub Jr.
Sittin' Here
112 bpm • C Maj • 03:10 • -6db
27% Popularity • 66% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 66% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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DERYL DODD
Things Are Fixin' to Get Real Good
112 bpm • G Maj • 03:23 • -6.85db
25% Popularity • 69% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 69% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Randy Rogers
Hangin' out in Bars
118 bpm • E Maj • 04:10 • -4.26db
26% Popularity • 61% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 61% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Dolly Shine
Should've Known
118 bpm • E Maj • 04:32 • -8.25db
32% Popularity • 54% Danceability • 49% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
32% Popularity • 54% Danceability • 49% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
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Bleu Edmondson
Last Last Time
118 bpm • E Maj • 03:37 • -6.76db
26% Popularity • 59% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 59% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Seven Miles South
Watch What You're Falling For
118 bpm • A min • 03:42 • -6.95db
32% Popularity • 62% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 62% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Hill Country Revival
Hundred Dollar Bill
118 bpm • G Maj • 03:43 • -4.58db
26% Popularity • 60% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 60% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Judson Cole Band
Battles
118 bpm • A min • 04:06 • -5.14db
15% Popularity • 51% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 51% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Randy Rogers
Habits
118 bpm • A Maj • 03:30 • -5.47db
23% Popularity • 56% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 56% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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Pat Green
Somewhere Between Texas and Mexico
112 bpm • G Maj • 02:58 • -2.33db
29% Popularity • 61% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 61% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Kevin Fowler
Beer, Bait and Ammo
112 bpm • A Maj • 05:15 • -7.23db
39% Popularity • 63% Danceability • 54% Energy • 72% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 63% Danceability • 54% Energy • 72% Liveness
0% Instrumentalness • 74% Positiveness
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Reckless Kelly
Break My Heart Tonight
118 bpm • G Maj • 03:43 • -7.28db
28% Popularity • 55% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 55% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Jody Booth
Life of My Love
112 bpm • D Maj • 03:54 • -5db
22% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Jon Wolfe
A Cowgirl Like You
119 bpm • C Maj • 04:09 • -7.84db
32% Popularity • 46% Danceability • 50% Energy • 10% Liveness
10% Instrumentalness • 12% Positiveness
32% Popularity • 46% Danceability • 50% Energy • 10% Liveness
10% Instrumentalness • 12% Positiveness
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Chad Cooke Band
Whatever It Takes
119 bpm • F# min • 03:24 • -5.71db
27% Popularity • 53% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 53% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Randy Rogers
Buy Myself a Chance
111 bpm • C# min • 03:15 • -4.63db
21% Popularity • 48% Danceability • 70% Energy • 98% Liveness
0% Instrumentalness • 47% Positiveness
21% Popularity • 48% Danceability • 70% Energy • 98% Liveness
0% Instrumentalness • 47% Positiveness
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Kevin Fowler
Lord Loves the Drinkin Man
119 bpm • F Maj • 04:06 • -5.22db
28% Popularity • 72% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 72% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Randy Houser
Evangeline
119 bpm • E Maj • 03:54 • -7.53db
24% Popularity • 61% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
24% Popularity • 61% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Dylan Wheeler
The Story
119 bpm • E Maj • 05:38 • -5.81db
19% Popularity • 47% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 47% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Jon Wolfe
Let a Country Boy Love You
119 bpm • G Maj • 02:59 • -4.47db
36% Popularity • 71% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 71% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Shotgun Rider
Steady as She Goes
111 bpm • D# min • 04:03 • -6db
36% Popularity • 59% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 59% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Bart Crow
Wheels
111 bpm • C# Maj • 04:16 • -13.81db
26% Popularity • 64% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 64% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Josh Grider
One Night Taco Stand
119 bpm • B Maj • 04:15 • -6.15db
25% Popularity • 65% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 65% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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Tanner Fenoglio
Over Him
111 bpm • G Maj • 04:00 • -4.55db
11% Popularity • 58% Danceability • 70% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 58% Danceability • 70% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
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John Baumann
Texas Dead
111 bpm • C Maj • 03:10 • -5db
22% Popularity • 62% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 62% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Jon Wolfe
Airport Kiss
111 bpm • A Maj • 03:09 • -3.82db
34% Popularity • 66% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 66% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Reckless Kelly
Idaho Cowboy
119 bpm • D Maj • 03:07 • -5.98db
27% Popularity • 55% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 55% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
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Randy Rogers
Reasons to Quit
120 bpm • D Maj • 03:42 • -5.41db
18% Popularity • 61% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 61% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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John David Kent
My Girl
120 bpm • G Maj • 03:56 • -2.88db
24% Popularity • 58% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 58% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Triston Marez
Wish I Could Dance
120 bpm • D Maj • 03:54 • -4.67db
21% Popularity • 61% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 61% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Tanner Fenoglio
Interstate
120 bpm • E Maj • 04:08 • -7.29db
10% Popularity • 54% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 54% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Micky & The Motorcars
Long Enough to Leave
120 bpm • G min • 04:28 • -6.66db
29% Popularity • 59% Danceability • 83% Energy • 95% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 59% Danceability • 83% Energy • 95% Liveness
0% Instrumentalness • 39% Positiveness
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Jason Boland & The Stragglers
Lucky I Guess
120 bpm • E Maj • 05:07 • -8.15db
25% Popularity • 52% Danceability • 55% Energy • 10% Liveness
5% Instrumentalness • 39% Positiveness
25% Popularity • 52% Danceability • 55% Energy • 10% Liveness
5% Instrumentalness • 39% Positiveness
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Wynn Williams
Her Silhouette
120 bpm • F Maj • 02:48 • -5.78db
26% Popularity • 65% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 65% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Bleu Edmondson
No Room for Mercy
120 bpm • E Maj • 03:46 • -5.95db
20% Popularity • 74% Danceability • 70% Energy • 9% Liveness
3% Instrumentalness • 45% Positiveness
20% Popularity • 74% Danceability • 70% Energy • 9% Liveness
3% Instrumentalness • 45% Positiveness
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Roger Creager
Love Is Crazy
110 bpm • A# Maj • 03:32 • -8.51db
22% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Shotgun Rider
Nothin' at All
110 bpm • A# Maj • 03:20 • -5.8db
21% Popularity • 68% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 68% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Micky & The Motorcars
Long Enough to Leave
120 bpm • A# Maj • 04:26 • -8.1db
17% Popularity • 58% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 58% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Hunter Hutchinson
Lovin' for the Last Time
110 bpm • D# min • 03:25 • -6.69db
11% Popularity • 54% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 54% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Randy Rogers
One Step Closer
110 bpm • G Maj • 04:00 • -2.73db
13% Popularity • 43% Danceability • 62% Energy • 77% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 43% Danceability • 62% Energy • 77% Liveness
0% Instrumentalness • 29% Positiveness
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Zane Williams
I Don't Have the Heart
121 bpm • A Maj • 04:36 • -7.28db
13% Popularity • 55% Danceability • 67% Energy • 44% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 55% Danceability • 67% Energy • 44% Liveness
0% Instrumentalness • 34% Positiveness
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Corey Hunt and the Wise
I'm Doing Fine
121 bpm • D# Maj • 03:27 • -8.21db
18% Popularity • 64% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 64% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Wade Bowen
My California
121 bpm • C# min • 04:45 • -8.12db
29% Popularity • 48% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 48% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Micky & The Motorcars
Alone Again Tonight
110 bpm • G Maj • 03:20 • -6.72db
18% Popularity • 60% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 60% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Cottonwood Crows
Back to You
121 bpm • F# min • 03:52 • -7.03db
23% Popularity • 63% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 63% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Randy Rogers
Trouble
110 bpm • A Maj • 03:50 • -3.62db
16% Popularity • 45% Danceability • 58% Energy • 90% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 45% Danceability • 58% Energy • 90% Liveness
0% Instrumentalness • 29% Positiveness
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Dalton Domino
Find Us Alone
109 bpm • G Maj • 03:47 • -8.14db
19% Popularity • 60% Danceability • 65% Energy • 64% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 60% Danceability • 65% Energy • 64% Liveness
0% Instrumentalness • 54% Positiveness
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The Great Divide
Out of Here Tonight
121 bpm • G Maj • 03:33 • -4.81db
24% Popularity • 50% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 50% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Zane Williams
Little Too Late
109 bpm • G# min • 04:37 • -6.31db
36% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Micky & The Motorcars
Tonight We Ride
121 bpm • A Maj • 03:43 • -4db
31% Popularity • 62% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 62% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Jordan Fletcher
Smoke out the Window
122 bpm • C# Maj • 03:50 • -9.11db
19% Popularity • 54% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 54% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Randy Rogers
Kiss Me in the Dark (Live)
109 bpm • G min • 04:28 • -6.18db
8% Popularity • 52% Danceability • 73% Energy • 70% Liveness
2% Instrumentalness • 46% Positiveness
8% Popularity • 52% Danceability • 73% Energy • 70% Liveness
2% Instrumentalness • 46% Positiveness
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Triston Marez
That Was All Me
122 bpm • F# Maj • 02:30 • -4.56db
22% Popularity • 59% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 59% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Jesse Raub Jr.
Good Man Go Wrong
122 bpm • G Maj • 03:54 • -5db
28% Popularity • 57% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 57% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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Cory Morrow
Beat of Your Heart
122 bpm • D Maj • 03:47 • -8db
28% Popularity • 74% Danceability • 58% Energy • 14% Liveness
1% Instrumentalness • 52% Positiveness
28% Popularity • 74% Danceability • 58% Energy • 14% Liveness
1% Instrumentalness • 52% Positiveness
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Kyle Park
Half Empty Shotgun
122 bpm • G Maj • 03:09 • -7.34db
26% Popularity • 58% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 58% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
