Songs like K-Jee by MFSB
Based on a tempo of (+/- 10%) and a similar genre
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MFSB
Mysteries of the World
120 bpm • A Maj • 05:30 • -11db
35% Popularity • 75% Danceability • 39% Energy • 4% Liveness
49% Instrumentalness • 41% Positiveness
35% Popularity • 75% Danceability • 39% Energy • 4% Liveness
49% Instrumentalness • 41% Positiveness
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The Emotions
I Don't Wanna Lose Your Love
120 bpm • C# Maj • 04:01 • -8.84db
38% Popularity • 75% Danceability • 72% Energy • 67% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 75% Danceability • 72% Energy • 67% Liveness
0% Instrumentalness • 93% Positiveness
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Rufus & Chaka Khan
Do You Love What You Feel
120 bpm • B Maj • 04:29 • -11.4db
51% Popularity • 81% Danceability • 77% Energy • 65% Liveness
4% Instrumentalness • 89% Positiveness
51% Popularity • 81% Danceability • 77% Energy • 65% Liveness
4% Instrumentalness • 89% Positiveness
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McFadden & Whitehead
Got To Change
120 bpm • A min • 05:58 • -8.71db
14% Popularity • 68% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 68% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 86% Positiveness
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D-Train
You're the One for Me
120 bpm • F# min • 05:09 • -6.69db
50% Popularity • 78% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
50% Popularity • 78% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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The Ritchie Family
Let's Pool
120 bpm • G# Maj • 04:03 • -8.51db
16% Popularity • 72% Danceability • 78% Energy • 17% Liveness
92% Instrumentalness • 98% Positiveness
16% Popularity • 72% Danceability • 78% Energy • 17% Liveness
92% Instrumentalness • 98% Positiveness
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The Intruders
I'll Always Love My Mama
120 bpm • C# min • 06:37 • -10.93db
42% Popularity • 72% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 72% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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T-Connection
Girl Watching
120 bpm • B min • 04:53 • -5db
39% Popularity • 68% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
39% Popularity • 68% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
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Quincy Jones
Razzamatazz
120 bpm • G min • 04:15 • -13.67db
45% Popularity • 84% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
45% Popularity • 84% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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MFSB
Get Down With the Philly Sound
120 bpm • C Maj • 04:30 • -7.35db
10% Popularity • 50% Danceability • 86% Energy • 6% Liveness
18% Instrumentalness • 79% Positiveness
10% Popularity • 50% Danceability • 86% Energy • 6% Liveness
18% Instrumentalness • 79% Positiveness
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D-Train
Youre the One for Me - Radio Mix
120 bpm • B min • 04:10 • -5.74db
48% Popularity • 70% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
48% Popularity • 70% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Thelma Houston
If You Feel It
120 bpm • D Maj • 05:56 • -13db
25% Popularity • 86% Danceability • 55% Energy • 6% Liveness
6% Instrumentalness • 94% Positiveness
25% Popularity • 86% Danceability • 55% Energy • 6% Liveness
6% Instrumentalness • 94% Positiveness
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Karen Young
Hot Shot
120 bpm • G Maj • 08:38 • -14.29db
33% Popularity • 77% Danceability • 66% Energy • 21% Liveness
5% Instrumentalness • 94% Positiveness
33% Popularity • 77% Danceability • 66% Energy • 21% Liveness
5% Instrumentalness • 94% Positiveness
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The Brothers Johnson
Stomp!
120 bpm • G min • 06:20 • -12.67db
53% Popularity • 87% Danceability • 73% Energy • 9% Liveness
27% Instrumentalness • 92% Positiveness
53% Popularity • 87% Danceability • 73% Energy • 9% Liveness
27% Instrumentalness • 92% Positiveness
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Dan Hartman
Relight My Fire - Single Version
120 bpm • C Maj • 03:45 • -11.45db
52% Popularity • 79% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
52% Popularity • 79% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
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Bohannon
Let's Start II Dance Again
120 bpm • A# min • 07:36 • -10.37db
29% Popularity • 72% Danceability • 87% Energy • 20% Liveness
8% Instrumentalness • 81% Positiveness
29% Popularity • 72% Danceability • 87% Energy • 20% Liveness
8% Instrumentalness • 81% Positiveness
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George Duke
I Want You for Myself
120 bpm • C Maj • 06:38 • -12db
25% Popularity • 79% Danceability • 54% Energy • 3% Liveness
3% Instrumentalness • 96% Positiveness
25% Popularity • 79% Danceability • 54% Energy • 3% Liveness
3% Instrumentalness • 96% Positiveness
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Ashford & Simpson
Bourgie Bourgie
120 bpm • B min • 06:11 • -8.96db
28% Popularity • 47% Danceability • 76% Energy • 6% Liveness
88% Instrumentalness • 79% Positiveness
28% Popularity • 47% Danceability • 76% Energy • 6% Liveness
88% Instrumentalness • 79% Positiveness
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Heatwave
The Groove Line
120 bpm • B min • 04:24 • -9.84db
52% Popularity • 74% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 74% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Carol Douglas
In the Morning
120 bpm • D min • 06:03 • -12.06db
15% Popularity • 59% Danceability • 78% Energy • 15% Liveness
1% Instrumentalness • 86% Positiveness
15% Popularity • 59% Danceability • 78% Energy • 15% Liveness
1% Instrumentalness • 86% Positiveness
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First Choice
Let No Man Put Asunder
120 bpm • B Maj • 04:24 • -5.68db
32% Popularity • 57% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 57% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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The B. B. & Q. Band
On The Beat - Full Length Album Mix
120 bpm • G# min • 05:57 • -8db
46% Popularity • 78% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
46% Popularity • 78% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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The O'Jays
Put Our Heads Together
120 bpm • F# min • 05:40 • -7.55db
36% Popularity • 84% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 84% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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The Brothers Johnson
Stomp! - Single Version
120 bpm • A# Maj • 04:07 • -8.34db
61% Popularity • 86% Danceability • 78% Energy • 7% Liveness
3% Instrumentalness • 93% Positiveness
61% Popularity • 86% Danceability • 78% Energy • 7% Liveness
3% Instrumentalness • 93% Positiveness
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Bobby Thurston
You Got What It Takes
121 bpm • A Maj • 09:33 • -14.29db
31% Popularity • 71% Danceability • 76% Energy • 2% Liveness
5% Instrumentalness • 86% Positiveness
31% Popularity • 71% Danceability • 76% Energy • 2% Liveness
5% Instrumentalness • 86% Positiveness
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People's Choice
Party Is a Groovy Thing
120 bpm • G min • 02:57 • -8db
28% Popularity • 70% Danceability • 69% Energy • 64% Liveness
0% Instrumentalness • 95% Positiveness
28% Popularity • 70% Danceability • 69% Energy • 64% Liveness
0% Instrumentalness • 95% Positiveness
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Donna Summer
Bad Girls
121 bpm • D min • 04:55 • -14.51db
62% Popularity • 86% Danceability • 70% Energy • 41% Liveness
2% Instrumentalness • 97% Positiveness
62% Popularity • 86% Danceability • 70% Energy • 41% Liveness
2% Instrumentalness • 97% Positiveness
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McFadden & Whitehead
I Heard It in a Love Song
121 bpm • G min • 05:11 • -9db
29% Popularity • 70% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 70% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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T-Connection
Do What You Wanna Do
121 bpm • A# min • 07:17 • -9.37db
31% Popularity • 68% Danceability • 79% Energy • 10% Liveness
25% Instrumentalness • 82% Positiveness
31% Popularity • 68% Danceability • 79% Energy • 10% Liveness
25% Instrumentalness • 82% Positiveness
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The Intruders
She's A Winner - Single Version
121 bpm • G Maj • 02:26 • -10db
29% Popularity • 47% Danceability • 68% Energy • 49% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 47% Danceability • 68% Energy • 49% Liveness
0% Instrumentalness • 89% Positiveness
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MFSB
MFSB
121 bpm • C Maj • 03:44 • -10.24db
13% Popularity • 54% Danceability • 72% Energy • 14% Liveness
54% Instrumentalness • 72% Positiveness
13% Popularity • 54% Danceability • 72% Energy • 14% Liveness
54% Instrumentalness • 72% Positiveness
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The Three Degrees
When Will I See You Again
121 bpm • A Maj • 02:58 • -9.25db
63% Popularity • 56% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
63% Popularity • 56% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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The Trammps
Love Epidemic
121 bpm • E min • 04:47 • -7.14db
30% Popularity • 78% Danceability • 85% Energy • 40% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 78% Danceability • 85% Energy • 40% Liveness
0% Instrumentalness • 76% Positiveness
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The Ritchie Family
One and Only
119 bpm • A# min • 04:30 • -12db
36% Popularity • 74% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 74% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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First Choice
Let No Man Put Asunder (Shep Pettibone 1...
121 bpm • B Maj • 08:01 • -6.8db
36% Popularity • 69% Danceability • 84% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 69% Danceability • 84% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
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Donna Summer
Spring Affair
121 bpm • B min • 08:30 • -13.1db
42% Popularity • 73% Danceability • 57% Energy • 55% Liveness
0% Instrumentalness • 73% Positiveness
42% Popularity • 73% Danceability • 57% Energy • 55% Liveness
0% Instrumentalness • 73% Positiveness
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MFSB
Family Affair
121 bpm • D min • 04:21 • -8.45db
20% Popularity • 75% Danceability • 72% Energy • 7% Liveness
90% Instrumentalness • 94% Positiveness
20% Popularity • 75% Danceability • 72% Energy • 7% Liveness
90% Instrumentalness • 94% Positiveness
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Stacy Lattisaw
Jump to the Beat
119 bpm • F min • 05:20 • -9.53db
44% Popularity • 78% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
44% Popularity • 78% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Commodores
Lady (You Bring Me Up)
121 bpm • C min • 04:53 • -9.43db
57% Popularity • 89% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 89% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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The Ritchie Family
The Best Disco In Town
121 bpm • G# Maj • 06:41 • -7.19db
39% Popularity • 53% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 53% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Keni Burke
Let Somebody Love You
119 bpm • F# Maj • 05:08 • -8.06db
29% Popularity • 72% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 72% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Andrea True Connection
Call Me
119 bpm • G Maj • 07:25 • -11.5db
14% Popularity • 62% Danceability • 74% Energy • 11% Liveness
89% Instrumentalness • 90% Positiveness
14% Popularity • 62% Danceability • 74% Energy • 11% Liveness
89% Instrumentalness • 90% Positiveness
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MFSB
Picnic In The Park
121 bpm • D min • 04:13 • -7.53db
12% Popularity • 90% Danceability • 67% Energy • 8% Liveness
48% Instrumentalness • 94% Positiveness
12% Popularity • 90% Danceability • 67% Energy • 8% Liveness
48% Instrumentalness • 94% Positiveness
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George Duke
Shine On
119 bpm • B Maj • 05:12 • -11db
38% Popularity • 82% Danceability • 79% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
38% Popularity • 82% Danceability • 79% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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First Choice
Doctor Love (Tom Moulton 12" Mix)
119 bpm • C min • 07:37 • -5.69db
27% Popularity • 50% Danceability • 87% Energy • 67% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 50% Danceability • 87% Energy • 67% Liveness
0% Instrumentalness • 71% Positiveness
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Heatwave
Boogie Nights - Single Version
119 bpm • B min • 03:40 • -10.64db
41% Popularity • 66% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
41% Popularity • 66% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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The Trammps
The Night the Lights Went Out
121 bpm • C min • 07:07 • -10.87db
33% Popularity • 64% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 64% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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The Ritchie Family
Quiet Village
119 bpm • C Maj • 05:48 • -11.7db
19% Popularity • 62% Danceability • 59% Energy • 5% Liveness
32% Instrumentalness • 92% Positiveness
19% Popularity • 62% Danceability • 59% Energy • 5% Liveness
32% Instrumentalness • 92% Positiveness
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Herbie Mann
Hi-Jack
121 bpm • G Maj • 05:14 • -11.05db
16% Popularity • 58% Danceability • 73% Energy • 12% Liveness
9% Instrumentalness • 75% Positiveness
16% Popularity • 58% Danceability • 73% Energy • 12% Liveness
9% Instrumentalness • 75% Positiveness
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Skyy
Call Me
121 bpm • D Maj • 06:22 • -8.68db
44% Popularity • 80% Danceability • 64% Energy • 8% Liveness
1% Instrumentalness • 85% Positiveness
44% Popularity • 80% Danceability • 64% Energy • 8% Liveness
1% Instrumentalness • 85% Positiveness
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First Choice
Dr. Love
119 bpm • C min • 07:36 • -8.41db
29% Popularity • 56% Danceability • 73% Energy • 26% Liveness
1% Instrumentalness • 79% Positiveness
29% Popularity • 56% Danceability • 73% Energy • 26% Liveness
1% Instrumentalness • 79% Positiveness
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Heatwave
Boogie Nights
119 bpm • B min • 05:03 • -10.97db
59% Popularity • 63% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
59% Popularity • 63% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Crown Heights Affair
Dreaming a Dream (Disco)
119 bpm • A# min • 03:52 • -9.26db
18% Popularity • 62% Danceability • 80% Energy • 8% Liveness
89% Instrumentalness • 70% Positiveness
18% Popularity • 62% Danceability • 80% Energy • 8% Liveness
89% Instrumentalness • 70% Positiveness
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Tom Browne
Thighs High (Grip Your Hips and Move)
119 bpm • G# min • 04:40 • -9db
38% Popularity • 76% Danceability • 79% Energy • 3% Liveness
29% Instrumentalness • 74% Positiveness
38% Popularity • 76% Danceability • 79% Energy • 3% Liveness
29% Instrumentalness • 74% Positiveness
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Carol Douglas
Midnight Love Affair
121 bpm • E min • 06:13 • -12.35db
29% Popularity • 57% Danceability • 83% Energy • 17% Liveness
50% Instrumentalness • 95% Positiveness
29% Popularity • 57% Danceability • 83% Energy • 17% Liveness
50% Instrumentalness • 95% Positiveness
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MFSB
K-Jee
119 bpm • A# min • 04:18 • -10.98db
30% Popularity • 66% Danceability • 76% Energy • 5% Liveness
2% Instrumentalness • 89% Positiveness
30% Popularity • 66% Danceability • 76% Energy • 5% Liveness
2% Instrumentalness • 89% Positiveness
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T-Connection
At Midnight
119 bpm • C# Maj • 04:55 • -8.28db
19% Popularity • 76% Danceability • 90% Energy • 23% Liveness
1% Instrumentalness • 92% Positiveness
19% Popularity • 76% Danceability • 90% Energy • 23% Liveness
1% Instrumentalness • 92% Positiveness
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The Jacksons
Lovely One
121 bpm • C# Maj • 04:51 • -8.09db
39% Popularity • 80% Danceability • 91% Energy • 67% Liveness
9% Instrumentalness • 69% Positiveness
39% Popularity • 80% Danceability • 91% Energy • 67% Liveness
9% Instrumentalness • 69% Positiveness
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Brass Construction
Movin'
122 bpm • A min • 08:41 • -3.91db
35% Popularity • 70% Danceability • 92% Energy • 3% Liveness
81% Instrumentalness • 87% Positiveness
35% Popularity • 70% Danceability • 92% Energy • 3% Liveness
81% Instrumentalness • 87% Positiveness
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Double Exposure
Ten Percent
121 bpm • C Maj • 07:07 • -8.67db
36% Popularity • 54% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 54% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Charz
I Like What You re Doing To Me
118 bpm • B min • 07:38 • -8.51db
36% Popularity • 85% Danceability • 63% Energy • 10% Liveness
9% Instrumentalness • 80% Positiveness
36% Popularity • 85% Danceability • 63% Energy • 10% Liveness
9% Instrumentalness • 80% Positiveness
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War
You Got The Power
118 bpm • F Maj • 04:03 • -10.64db
33% Popularity • 86% Danceability • 64% Energy • 7% Liveness
6% Instrumentalness • 96% Positiveness
33% Popularity • 86% Danceability • 64% Energy • 7% Liveness
6% Instrumentalness • 96% Positiveness
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Narada Michael Walden
Tonight I'm Alright
122 bpm • F Maj • 05:15 • -12db
33% Popularity • 68% Danceability • 77% Energy • 4% Liveness
20% Instrumentalness • 74% Positiveness
33% Popularity • 68% Danceability • 77% Energy • 4% Liveness
20% Instrumentalness • 74% Positiveness
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The Trammps
Body Contact Contract
118 bpm • A# min • 06:59 • -12.67db
18% Popularity • 75% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 75% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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First Choice
I Got A Feeling
118 bpm • D Maj • 05:23 • -10db
16% Popularity • 59% Danceability • 80% Energy • 62% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 59% Danceability • 80% Energy • 62% Liveness
0% Instrumentalness • 71% Positiveness
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Carol Williams
Love Is You (A Tom Moulton Mix)
122 bpm • A min • 07:53 • -8.69db
31% Popularity • 65% Danceability • 74% Energy • 9% Liveness
4% Instrumentalness • 65% Positiveness
31% Popularity • 65% Danceability • 74% Energy • 9% Liveness
4% Instrumentalness • 65% Positiveness
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The Three Degrees
Dirty Ol' Man
118 bpm • A min • 04:35 • -7.17db
40% Popularity • 68% Danceability • 72% Energy • 44% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 68% Danceability • 72% Energy • 44% Liveness
0% Instrumentalness • 78% Positiveness
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War
Galaxy
118 bpm • C Maj • 08:14 • -11db
43% Popularity • 72% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 72% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Dexter Wansel
I'll Never Forget (My Favorite Disco)
118 bpm • D min • 04:34 • -7.76db
36% Popularity • 76% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 76% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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The Trammps
Stop and Think
118 bpm • C Maj • 05:03 • -7.78db
33% Popularity • 77% Danceability • 85% Energy • 18% Liveness
11% Instrumentalness • 77% Positiveness
33% Popularity • 77% Danceability • 85% Energy • 18% Liveness
11% Instrumentalness • 77% Positiveness
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Deodato
Whistle Bump
118 bpm • F min • 04:32 • -11.71db
33% Popularity • 69% Danceability • 79% Energy • 8% Liveness
96% Instrumentalness • 97% Positiveness
33% Popularity • 69% Danceability • 79% Energy • 8% Liveness
96% Instrumentalness • 97% Positiveness
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First Choice
Doctor Love (Unedited Version)
118 bpm • F min • 08:20 • -10.06db
32% Popularity • 55% Danceability • 66% Energy • 15% Liveness
1% Instrumentalness • 76% Positiveness
32% Popularity • 55% Danceability • 66% Energy • 15% Liveness
1% Instrumentalness • 76% Positiveness
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Lew Kirton
Heaven in the Afternoon
118 bpm • C Maj • 05:41 • -8db
19% Popularity • 68% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 68% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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The Jones Girls
Keep It Comin'
122 bpm • F min • 04:49 • -8db
29% Popularity • 79% Danceability • 63% Energy • 10% Liveness
2% Instrumentalness • 95% Positiveness
29% Popularity • 79% Danceability • 63% Energy • 10% Liveness
2% Instrumentalness • 95% Positiveness
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Goldie Alexander
Show You My Love
118 bpm • C Maj • 06:28 • -10db
33% Popularity • 74% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 74% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Jimmy "Bo" Horne
Spank - 12 " Version
118 bpm • F Maj • 06:58 • -11.23db
42% Popularity • 78% Danceability • 60% Energy • 5% Liveness
1% Instrumentalness • 84% Positiveness
42% Popularity • 78% Danceability • 60% Energy • 5% Liveness
1% Instrumentalness • 84% Positiveness
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Stephanie Mills
Put Your Body In It - 12" Version
118 bpm • F Maj • 06:00 • -13.68db
28% Popularity • 77% Danceability • 51% Energy • 5% Liveness
8% Instrumentalness • 90% Positiveness
28% Popularity • 77% Danceability • 51% Energy • 5% Liveness
8% Instrumentalness • 90% Positiveness
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The Ritchie Family
All Right On the Night
118 bpm • B Maj • 05:04 • -9.77db
28% Popularity • 71% Danceability • 68% Energy • 7% Liveness
19% Instrumentalness • 92% Positiveness
28% Popularity • 71% Danceability • 68% Energy • 7% Liveness
19% Instrumentalness • 92% Positiveness
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Herbie Hancock
You Bet Your Love
118 bpm • A# Maj • 07:37 • -8.33db
21% Popularity • 72% Danceability • 90% Energy • 5% Liveness
1% Instrumentalness • 91% Positiveness
21% Popularity • 72% Danceability • 90% Energy • 5% Liveness
1% Instrumentalness • 91% Positiveness
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Bohannon
Let's Start The Dance
118 bpm • A# Maj • 05:52 • -13db
34% Popularity • 82% Danceability • 89% Energy • 7% Liveness
31% Instrumentalness • 84% Positiveness
34% Popularity • 82% Danceability • 89% Energy • 7% Liveness
31% Instrumentalness • 84% Positiveness
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The Philadelphia International All-Stars
Let's Clean Up the Ghetto - 12" Version
122 bpm • A min • 08:41 • -9db
38% Popularity • 82% Danceability • 72% Energy • 5% Liveness
1% Instrumentalness • 95% Positiveness
38% Popularity • 82% Danceability • 72% Energy • 5% Liveness
1% Instrumentalness • 95% Positiveness
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Gwen Guthrie
It Should Have Been You
118 bpm • B min • 04:21 • -8.38db
42% Popularity • 80% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
42% Popularity • 80% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Invisible Man's Band
All Night Thing
122 bpm • C# min • 06:26 • -8.11db
37% Popularity • 83% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
37% Popularity • 83% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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The Trammps
Stop and Think
118 bpm • C Maj • 03:08 • -9.22db
28% Popularity • 83% Danceability • 67% Energy • 4% Liveness
4% Instrumentalness • 63% Positiveness
28% Popularity • 83% Danceability • 67% Energy • 4% Liveness
4% Instrumentalness • 63% Positiveness
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Carol Douglas
I Want to Stay With You
122 bpm • C Maj • 05:15 • -10.45db
18% Popularity • 66% Danceability • 68% Energy • 54% Liveness
8% Instrumentalness • 86% Positiveness
18% Popularity • 66% Danceability • 68% Energy • 54% Liveness
8% Instrumentalness • 86% Positiveness
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MFSB
The Zip
122 bpm • E min • 03:52 • -6db
12% Popularity • 65% Danceability • 93% Energy • 10% Liveness
36% Instrumentalness • 84% Positiveness
12% Popularity • 65% Danceability • 93% Energy • 10% Liveness
36% Instrumentalness • 84% Positiveness
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The Salsoul Orchestra
Ooh I Love It (Love Break)
118 bpm • C Maj • 07:48 • -10.75db
27% Popularity • 68% Danceability • 76% Energy • 30% Liveness
57% Instrumentalness • 74% Positiveness
27% Popularity • 68% Danceability • 76% Energy • 30% Liveness
57% Instrumentalness • 74% Positiveness
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Crown Heights Affair
Dreaming a Dream (Goes Dancin')
122 bpm • A# min • 07:06 • -9.59db
10% Popularity • 51% Danceability • 76% Energy • 5% Liveness
19% Instrumentalness • 55% Positiveness
10% Popularity • 51% Danceability • 76% Energy • 5% Liveness
19% Instrumentalness • 55% Positiveness
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Dexter Wansel
Life on Mars
118 bpm • G Maj • 05:49 • -9.87db
32% Popularity • 64% Danceability • 86% Energy • 31% Liveness
56% Instrumentalness • 35% Positiveness
32% Popularity • 64% Danceability • 86% Energy • 31% Liveness
56% Instrumentalness • 35% Positiveness
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Cameo
Find My Way
122 bpm • A Maj • 03:35 • -12.73db
20% Popularity • 71% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 71% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Skyy
Here's to You
122 bpm • B min • 05:09 • -13db
39% Popularity • 80% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 80% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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MFSB
To Be in Love
118 bpm • G min • 05:45 • -9.53db
10% Popularity • 69% Danceability • 68% Energy • 13% Liveness
24% Instrumentalness • 81% Positiveness
10% Popularity • 69% Danceability • 68% Energy • 13% Liveness
24% Instrumentalness • 81% Positiveness
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Fat Larry's Band
Lookin' for Love
122 bpm • E min • 05:29 • -7db
39% Popularity • 73% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
39% Popularity • 73% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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The Gap Band
Party Lights
118 bpm • C Maj • 03:48 • -13db
29% Popularity • 88% Danceability • 39% Energy • 14% Liveness
8% Instrumentalness • 82% Positiveness
29% Popularity • 88% Danceability • 39% Energy • 14% Liveness
8% Instrumentalness • 82% Positiveness
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Freedom
Dance Sing Along
122 bpm • A min • 03:25 • -7.62db
9% Popularity • 75% Danceability • 88% Energy • 86% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 75% Danceability • 88% Energy • 86% Liveness
0% Instrumentalness • 75% Positiveness
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Cameo
It's Serious
122 bpm • G Maj • 08:09 • -10.28db
35% Popularity • 87% Danceability • 67% Energy • 4% Liveness
34% Instrumentalness • 96% Positiveness
35% Popularity • 87% Danceability • 67% Energy • 4% Liveness
34% Instrumentalness • 96% Positiveness
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Archie Bell & The Drells
Where Will You Go When the Party's Over
118 bpm • G Maj • 04:05 • -8db
22% Popularity • 62% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 62% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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MFSB
Touch Me In the Morning
122 bpm • F# Maj • 06:20 • -8.86db
20% Popularity • 45% Danceability • 68% Energy • 7% Liveness
50% Instrumentalness • 54% Positiveness
20% Popularity • 45% Danceability • 68% Energy • 7% Liveness
50% Instrumentalness • 54% Positiveness
