Songs like Kleine geistliche Konzerte II, SWV 306-337: No. 19, Ich bin die Auferstehung, SWV 324 by Heinrich Schütz
Based on a tempo of (+/- 10%) and a similar genre
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Johannes Ockeghem
Intemerata Dei Mater
110 bpm • C# min • 07:43 • -22.94db
15% Popularity • 18% Danceability • 21% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 21% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Wohl denen, die da wandeln, EG 295
110 bpm • G Maj • 01:55 • -19.53db
2% Popularity • 22% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
2% Popularity • 22% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
110 bpm • B min • 00:55 • -14db
19% Popularity • 30% Danceability • 28% Energy • 22% Liveness
1% Instrumentalness • 61% Positiveness
19% Popularity • 30% Danceability • 28% Energy • 22% Liveness
1% Instrumentalness • 61% Positiveness
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Antonio Vivaldi
Gloria
110 bpm • D Maj • 02:43 • -18.15db
8% Popularity • 33% Danceability • 15% Energy • 5% Liveness
74% Instrumentalness • 28% Positiveness
8% Popularity • 33% Danceability • 15% Energy • 5% Liveness
74% Instrumentalness • 28% Positiveness
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Marc-Antoine Charpentier
Te Deum: II. Te Deum Laudamus
111 bpm • C# Maj • 01:18 • -19db
21% Popularity • 21% Danceability • 19% Energy • 13% Liveness
61% Instrumentalness • 45% Positiveness
21% Popularity • 21% Danceability • 19% Energy • 13% Liveness
61% Instrumentalness • 45% Positiveness
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John Dowland
Lachrimae or Seven Tears: VI. Lachrimae ...
109 bpm • G# Maj • 03:56 • -21.96db
10% Popularity • 16% Danceability • 6% Energy • 11% Liveness
52% Instrumentalness • 5% Positiveness
10% Popularity • 16% Danceability • 6% Energy • 11% Liveness
52% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Matthäus Passion, BWV 244, Pt. 2, Buria...
110 bpm • G Maj • 02:06 • -28.22db
8% Popularity • 20% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 20% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Heinrich Schütz
Geistliche Chormusik: So fahr ich hin zu...
110 bpm • D Maj • 03:12 • -25.29db
0% Popularity • 20% Danceability • 7% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 7% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Luca Marenzio
All'imperio d'Amore: 6. La dipartita e a...
109 bpm • G min • 02:13 • -19db
13% Popularity • 24% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 24% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Michael Haydn
Missa pro Quadragesima, MH 551: Kyrie
109 bpm • E Maj • 02:10 • -24.92db
18% Popularity • 20% Danceability • 7% Energy • 9% Liveness
28% Instrumentalness • 22% Positiveness
18% Popularity • 20% Danceability • 7% Energy • 9% Liveness
28% Instrumentalness • 22% Positiveness
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Philippe Verdelot
Se l'ardor foss'equale
109 bpm • G# min • 02:49 • -18.69db
16% Popularity • 22% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 22% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 9% Positiveness
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Thomas Morley
Now Is the Month of Maying: Now Is the M...
111 bpm • G Maj • 01:50 • -23db
12% Popularity • 61% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
12% Popularity • 61% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
111 bpm • D Maj • 01:04 • -15db
16% Popularity • 27% Danceability • 22% Energy • 10% Liveness
45% Instrumentalness • 23% Positiveness
16% Popularity • 27% Danceability • 22% Energy • 10% Liveness
45% Instrumentalness • 23% Positiveness
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Heinrich Schütz
O süßer, o Freundlicher
110 bpm • G min • 04:22 • -20.01db
6% Popularity • 35% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
6% Popularity • 35% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Sigismondo D'India
Ha di serp'il velen, di tigr'il morso
109 bpm • G# Maj • 02:10 • -24db
8% Popularity • 32% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 32% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Singet dem Herrn ein neues Lied, BWV 225...
112 bpm • A Maj • 09:06 • -28.65db
15% Popularity • 23% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 23% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: III. Ad ma...
113 bpm • G min • 08:20 • -22.32db
8% Popularity • 25% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 25% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Thomas Weelkes
O happy he
114 bpm • B min • 01:40 • -26.07db
13% Popularity • 25% Danceability • 11% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
13% Popularity • 25% Danceability • 11% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Anónimo
Pasión: O Vos Omnes. Coro.
114 bpm • F# Maj • 02:04 • -14.8db
12% Popularity • 22% Danceability • 18% Energy • 12% Liveness
6% Instrumentalness • 9% Positiveness
12% Popularity • 22% Danceability • 18% Energy • 12% Liveness
6% Instrumentalness • 9% Positiveness
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Heinrich Schütz
Il Primo Libro de Madrigali, Op. 1, SWV ...
109 bpm • G min • 03:28 • -25.44db
6% Popularity • 22% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 5% Positiveness
6% Popularity • 22% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 5% Positiveness
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Johann Michael Bach
Herr, ich warte auf dein Heil
106 bpm • C Maj • 04:52 • -23.01db
11% Popularity • 19% Danceability • 7% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 7% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Christ lag in Todesbanden, BWV 4: I. Sin...
108 bpm • E min • 01:08 • -23.89db
24% Popularity • 21% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
Intonatione dell'undicesimo tono
106 bpm • C Maj • 00:38 • -36db
10% Popularity • 20% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 30% Positiveness
10% Popularity • 20% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 30% Positiveness
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Wolfgang Carl Briegel
Ach, Herr, lehre doch mich
106 bpm • A# Maj • 04:59 • -21.11db
8% Popularity • 22% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 22% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": Celi...
115 bpm • F# min • 02:57 • -26.55db
14% Popularity • 34% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 34% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Heinrich Schütz
Herr, auf dich traue ich, SWV 377
112 bpm • F# Maj • 03:15 • -20db
7% Popularity • 24% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 24% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Jean-Baptiste Lully
Exaudiat te Dominus, LWV 77 No. 15: IV. ...
105 bpm • F min • 02:38 • -18.3db
12% Popularity • 19% Danceability • 23% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 19% Danceability • 23% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
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Thomas Morley
Burial Service: III. Thou Knowest, Lord,...
105 bpm • G min • 01:42 • -26db
17% Popularity • 20% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad manus: ...
116 bpm • G min • 01:41 • -15db
17% Popularity • 27% Danceability • 20% Energy • 14% Liveness
32% Instrumentalness • 11% Positiveness
17% Popularity • 27% Danceability • 20% Energy • 14% Liveness
32% Instrumentalness • 11% Positiveness
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Johann Hermann Schein
Wie lieblich sind deine Wohnungen
105 bpm • D min • 03:58 • -23.04db
12% Popularity • 15% Danceability • 9% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 9% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
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Giaches de Wert
Gaudete in Domino
116 bpm • G min • 01:32 • -20.09db
15% Popularity • 20% Danceability • 28% Energy • 10% Liveness
43% Instrumentalness • 15% Positiveness
15% Popularity • 20% Danceability • 28% Energy • 10% Liveness
43% Instrumentalness • 15% Positiveness
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Heinrich Schütz
O lieber Herre Gott, SWV 381
108 bpm • G# min • 03:34 • -19.96db
5% Popularity • 23% Danceability • 14% Energy • 9% Liveness
2% Instrumentalness • 12% Positiveness
5% Popularity • 23% Danceability • 14% Energy • 9% Liveness
2% Instrumentalness • 12% Positiveness
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Jean-Baptiste Lully
Exaudiat te Dominus (Psalm 19): Gloria
115 bpm • A# Maj • 01:55 • -16db
17% Popularity • 50% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 48% Positiveness
17% Popularity • 50% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 48% Positiveness
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Cipriano de Rore
Tutti i madrigali a quattro voci, R 2513...
116 bpm • G min • 02:23 • -12.83db
11% Popularity • 22% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 22% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
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Jan Dismas Zelenka
Missa Sancti Spiritus, ZWV 4: Kyrie elei...
116 bpm • C# Maj • 01:21 • -13.32db
18% Popularity • 28% Danceability • 35% Energy • 9% Liveness
64% Instrumentalness • 33% Positiveness
18% Popularity • 28% Danceability • 35% Energy • 9% Liveness
64% Instrumentalness • 33% Positiveness
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Hans Leo Hassler
O Haupt voll Blut und Wunden
104 bpm • D Maj • 04:27 • -25.63db
13% Popularity • 22% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
13% Popularity • 22% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Singet dem Herrn ein neues Lied, BWV 225...
104 bpm • A Maj • 04:31 • -18.3db
6% Popularity • 36% Danceability • 31% Energy • 21% Liveness
27% Instrumentalness • 31% Positiveness
6% Popularity • 36% Danceability • 31% Energy • 21% Liveness
27% Instrumentalness • 31% Positiveness
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Heinrich Schütz
Schütz: Von Gott will ich nicht lassen,...
107 bpm • G min • 05:43 • -18.45db
5% Popularity • 33% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
5% Popularity • 33% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Gioachino Rossini
Petite messe solennelle: X. Gloria. Cum ...
104 bpm • F Maj • 05:35 • -16db
9% Popularity • 25% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
9% Popularity • 25% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
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Jan Pieterszoon Sweelinck
Est-ce Mars, SwWV 321: Variation 7
117 bpm • B Maj • 00:51 • -19db
17% Popularity • 20% Danceability • 9% Energy • 13% Liveness
57% Instrumentalness • 27% Positiveness
17% Popularity • 20% Danceability • 9% Energy • 13% Liveness
57% Instrumentalness • 27% Positiveness
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Michael Haydn
Missa Quadragesimalis, MH 552: Kyrie
117 bpm • G# min • 02:06 • -19.52db
18% Popularity • 23% Danceability • 14% Energy • 16% Liveness
3% Instrumentalness • 14% Positiveness
18% Popularity • 23% Danceability • 14% Energy • 16% Liveness
3% Instrumentalness • 14% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Sicut erat in pri...
117 bpm • F# Maj • 02:04 • -16.12db
22% Popularity • 31% Danceability • 32% Energy • 10% Liveness
57% Instrumentalness • 63% Positiveness
22% Popularity • 31% Danceability • 32% Energy • 10% Liveness
57% Instrumentalness • 63% Positiveness
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Anónimo
Pasión: Omnes Vidéntes. Alto Y Bajo,...
103 bpm • A Maj • 03:29 • -14.68db
13% Popularity • 34% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 34% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Heinrich Schütz
Geistliche Chormusik, Op. 11: Die Himmel...
114 bpm • G min • 05:01 • -19.45db
4% Popularity • 24% Danceability • 13% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
4% Popularity • 24% Danceability • 13% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Crato B?er
Aria Sunamithica
103 bpm • G min • 05:19 • -18.27db
13% Popularity • 32% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 32% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: V. Plorans plora...
103 bpm • F# Maj • 01:45 • -17.17db
14% Popularity • 25% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 25% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Michael Haydn
Missa Quadragesimalis, MH 552: Dona nobi...
103 bpm • G# min • 02:05 • -20.05db
19% Popularity • 25% Danceability • 10% Energy • 22% Liveness
13% Instrumentalness • 19% Positiveness
19% Popularity • 25% Danceability • 10% Energy • 22% Liveness
13% Instrumentalness • 19% Positiveness
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Henry Purcell
Canzona, Z. 860
117 bpm • C# min • 02:24 • -30.35db
8% Popularity • 44% Danceability • 1% Energy • 6% Liveness
94% Instrumentalness • 26% Positiveness
8% Popularity • 44% Danceability • 1% Energy • 6% Liveness
94% Instrumentalness • 26% Positiveness
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Peter Philips
Ecce vicit Leo
118 bpm • A# Maj • 02:24 • -18.87db
13% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Heinrich Schütz
Das ist je gewißlich wahr, SWV 277
106 bpm • A min • 04:43 • -18.71db
13% Popularity • 22% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
13% Popularity • 22% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
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Guillaume Dufay
Se la face ay pale
103 bpm • A# Maj • 02:53 • -23db
13% Popularity • 22% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 22% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Giulio Caccini
All'imperio d'Amore: 7. Ineffabile ardor...
103 bpm • A# Maj • 00:54 • -16db
20% Popularity • 18% Danceability • 26% Energy • 30% Liveness
99% Instrumentalness • 5% Positiveness
20% Popularity • 18% Danceability • 26% Energy • 30% Liveness
99% Instrumentalness • 5% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: IV. Te per orbem terrar...
118 bpm • C Maj • 03:31 • -22.21db
7% Popularity • 23% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 23% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245, Pt. 2 (Sung i...
119 bpm • B Maj • 01:24 • -20.63db
7% Popularity • 50% Danceability • 28% Energy • 42% Liveness
8% Instrumentalness • 87% Positiveness
7% Popularity • 50% Danceability • 28% Energy • 42% Liveness
8% Instrumentalness • 87% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad latus: ...
101 bpm • D min • 01:16 • -16.54db
16% Popularity • 28% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 28% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
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Heinrich Schütz
Ich bin eine rufende Stimme, SWV 383
114 bpm • D# min • 04:23 • -21.32db
4% Popularity • 22% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
4% Popularity • 22% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Philippe Verdelot
Gloriar mi poss io donne
101 bpm • C# min • 02:16 • -19.16db
11% Popularity • 19% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 19% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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William Croft
Burial Sentences: IV. Man that is Born o...
101 bpm • D# Maj • 01:24 • -22.47db
14% Popularity • 28% Danceability • 7% Energy • 13% Liveness
28% Instrumentalness • 3% Positiveness
14% Popularity • 28% Danceability • 7% Energy • 13% Liveness
28% Instrumentalness • 3% Positiveness
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Antonio Lotti
Credo in F Major: II. Crucifixus à 8
101 bpm • B min • 03:12 • -16.82db
15% Popularity • 16% Danceability • 19% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 19% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Magnificat in D Major, BWV 243: X. Susce...
101 bpm • A# min • 02:08 • -22.85db
13% Popularity • 21% Danceability • 7% Energy • 10% Liveness
33% Instrumentalness • 4% Positiveness
13% Popularity • 21% Danceability • 7% Energy • 10% Liveness
33% Instrumentalness • 4% Positiveness
► Preview
Samuel Scheidt
Battle Suite: II. Courant
101 bpm • A min • 01:38 • -18.52db
12% Popularity • 44% Danceability • 14% Energy • 20% Liveness
94% Instrumentalness • 15% Positiveness
12% Popularity • 44% Danceability • 14% Energy • 20% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
Heinrich Schütz
Musicalische Exequien, SWV 279: Concert ...
115 bpm • E min • 03:58 • -22.63db
19% Popularity • 20% Danceability • 5% Energy • 21% Liveness
33% Instrumentalness • 8% Positiveness
19% Popularity • 20% Danceability • 5% Energy • 21% Liveness
33% Instrumentalness • 8% Positiveness
► Preview
Dietrich Buxtehude
Jesu meines Lebens Leben, BuxWV 62
121 bpm • D min • 06:31 • -21.62db
15% Popularity • 31% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 31% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
The Sixteen
Cantata II: Ad genua (To the Knees): Ut ...
121 bpm • D Maj • 01:06 • -22.68db
11% Popularity • 26% Danceability • 9% Energy • 14% Liveness
3% Instrumentalness • 15% Positiveness
11% Popularity • 26% Danceability • 9% Energy • 14% Liveness
3% Instrumentalness • 15% Positiveness
► Preview
Heinrich Isaac
Motet: Parce, Domine
100 bpm • A min • 01:40 • -21.81db
26% Popularity • 13% Danceability • 10% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
26% Popularity • 13% Danceability • 10% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
► Preview
Giovanni Gabrieli
Exaudi, Deus, orationem meam in F Minor,...
100 bpm • A Maj • 03:05 • -20db
22% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
► Preview
Samuel Scheidt
Ich ruf zu dir, Herr Jesu Christ, SSWV 2...
99 bpm • D min • 01:18 • -31.91db
24% Popularity • 18% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
24% Popularity • 18% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
► Preview
Heinrich Schütz
Johannes-Passion, SWV 481: Introitus: "D...
105 bpm • A min • 02:35 • -19.53db
5% Popularity • 40% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
5% Popularity • 40% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: IVa. Ad la...
122 bpm • C# min • 02:03 • -20.1db
12% Popularity • 32% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 32% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Philippe Verdelot
Igno soave
99 bpm • G# min • 01:59 • -19.29db
11% Popularity • 20% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 20% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Amy Beach
3 Shakespeare Choruses, Op. 39: No. 1. O...
99 bpm • D Maj • 01:49 • -24db
14% Popularity • 23% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
14% Popularity • 23% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
► Preview
Johann Christoph Bach
Mit Weinen hebt sichs an (Aria)
99 bpm • G Maj • 06:24 • -29db
7% Popularity • 15% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 15% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Thomas Morley
Burial Service: I. Man that is Born of a...
98 bpm • G min • 01:26 • -29.64db
20% Popularity • 17% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 17% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Heinrich Schütz
Johannes-Passion, SWV 481: "Wäre dieser...
115 bpm • C Maj • 01:17 • -18.54db
5% Popularity • 38% Danceability • 13% Energy • 45% Liveness
0% Instrumentalness • 36% Positiveness
5% Popularity • 38% Danceability • 13% Energy • 45% Liveness
0% Instrumentalness • 36% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: Cantata I....
122 bpm • B min • 01:33 • -15.96db
12% Popularity • 21% Danceability • 15% Energy • 14% Liveness
9% Instrumentalness • 5% Positiveness
12% Popularity • 21% Danceability • 15% Energy • 14% Liveness
9% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Singet dem Herrn ein neues Lied, BWV 225...
123 bpm • A Maj • 04:13 • -26.09db
4% Popularity • 25% Danceability • 8% Energy • 15% Liveness
6% Instrumentalness • 10% Positiveness
4% Popularity • 25% Danceability • 8% Energy • 15% Liveness
6% Instrumentalness • 10% Positiveness
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Jacopo Peri
Euridice, Prologo - La Tragedia: Io che ...
98 bpm • F Maj • 06:04 • -31db
9% Popularity • 26% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 26% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Johann Michael Bach
Ich weiss, dass mein Erlöser lebet
123 bpm • G Maj • 02:50 • -25.84db
12% Popularity • 18% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Arcadelt
Missa Noe Noe: II. Gloria
124 bpm • D min • 04:28 • -25.11db
9% Popularity • 18% Danceability • 8% Energy • 18% Liveness
84% Instrumentalness • 13% Positiveness
9% Popularity • 18% Danceability • 8% Energy • 18% Liveness
84% Instrumentalness • 13% Positiveness
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Heinrich Schütz
No. 133, Psalm Siehe, wie fein und liebl...
115 bpm • A# Maj • 07:18 • -14.63db
11% Popularity • 23% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
11% Popularity • 23% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: IIa. Ad ge...
124 bpm • D Maj • 03:06 • -22.6db
8% Popularity • 23% Danceability • 4% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 4% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Michael Haydn
Missa pro Quadragesima, MH 551: Sanctus
124 bpm • E Maj • 01:26 • -21.33db
19% Popularity • 25% Danceability • 9% Energy • 33% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 25% Danceability • 9% Energy • 33% Liveness
0% Instrumentalness • 14% Positiveness
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Johannes Ockeghem
Intemerata Dei mater: II. Nec sine te ma...
124 bpm • D min • 02:04 • -22.28db
9% Popularity • 17% Danceability • 11% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 11% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Johann Christoph Bach
Der Gerechte, ob er gleich zu zeitlich s...
124 bpm • F Maj • 04:51 • -21.08db
10% Popularity • 28% Danceability • 8% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
10% Popularity • 28% Danceability • 8% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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Giovanni Gabrieli
Canzoni et sonate: Sonata No. 13 (arr. E...
97 bpm • G min • 02:26 • -18db
20% Popularity • 44% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 12% Positiveness
20% Popularity • 44% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 12% Positiveness
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Heinrich Schütz
Die mit Tränen säen, SWV 378
116 bpm • D# min • 04:00 • -22db
9% Popularity • 21% Danceability • 9% Energy • 13% Liveness
10% Instrumentalness • 8% Positiveness
9% Popularity • 21% Danceability • 9% Energy • 13% Liveness
10% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Jesu, meine Freude, BWV 227: IX. Gute Na...
125 bpm • G# min • 03:34 • -21db
17% Popularity • 23% Danceability • 15% Energy • 19% Liveness
6% Instrumentalness • 17% Positiveness
17% Popularity • 23% Danceability • 15% Energy • 19% Liveness
6% Instrumentalness • 17% Positiveness
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Antonio Lotti
Crucifixus a 8 voci
125 bpm • B min • 02:59 • -24.47db
10% Popularity • 19% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
10% Popularity • 19% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Jean-Baptiste Lully
Te deum, LWV 55: IV. Patrem immensae maj...
96 bpm • G min • 02:01 • -14.84db
17% Popularity • 13% Danceability • 29% Energy • 18% Liveness
77% Instrumentalness • 5% Positiveness
17% Popularity • 13% Danceability • 29% Energy • 18% Liveness
77% Instrumentalness • 5% Positiveness
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Johann Michael Bach
Unser Leben währet siebenzig Jahr
97 bpm • C Maj • 03:54 • -25db
10% Popularity • 18% Danceability • 5% Energy • 11% Liveness
35% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 5% Energy • 11% Liveness
35% Instrumentalness • 4% Positiveness
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Orazio Benevoli
Missa Tu es Petrus: V, Agnus Dei
96 bpm • G Maj • 02:11 • -19.59db
11% Popularity • 16% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
11% Popularity • 16% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
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Heinrich Schütz
Johannes-Passion, SWV 481: "Da sprachen ...
116 bpm • C Maj • 02:20 • -18.76db
4% Popularity • 45% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
4% Popularity • 45% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
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Dietrich Buxtehude
Herzlich Lieb hab' ich dich, O Herr, Bux...
126 bpm • C Maj • 06:51 • -20db
10% Popularity • 24% Danceability • 7% Energy • 9% Liveness
26% Instrumentalness • 7% Positiveness
10% Popularity • 24% Danceability • 7% Energy • 9% Liveness
26% Instrumentalness • 7% Positiveness
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Marc-Antoine Charpentier
Sub tuum praesidium, H. 28
126 bpm • G min • 02:18 • -26db
11% Popularity • 24% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 24% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Alonso Mudarra
Tres libros de musica en cifras para vih...
96 bpm • F# Maj • 01:34 • -22.59db
17% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 25% Positiveness
17% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 25% Positiveness
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Johann Christoph Bach
Fürchte dich nicht
96 bpm • A min • 04:35 • -26db
10% Popularity • 18% Danceability • 5% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 18% Danceability • 5% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
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Girolamo Frescobaldi
Frescobaldi: Messa sopra l'aria della mo...
127 bpm • G min • 01:40 • -26db
26% Popularity • 18% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 10% Positiveness
26% Popularity • 18% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 10% Positiveness
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Heinrich Schütz
Geistliche Chormusik: Unser Wandel ist i...
104 bpm • E min • 03:50 • -20.87db
13% Popularity • 19% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
