Songs like Komm zu mir by Rudi Schuricke
Based on a tempo of (+/- 10%) and a similar genre
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Willy Schneider
Auf Der Heide Blüh'n Die Letzten Rosen
113 bpm • C# Maj • 04:01 • -10db
13% Popularity • 38% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 38% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Rex Gildo
Das Ende der Liebe (Tell Laura I Love He...
113 bpm • A Maj • 02:42 • -9.05db
13% Popularity • 65% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 65% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Wolfgang Neuss
Ach, das könnte schön sein
113 bpm • C Maj • 02:23 • -8db
23% Popularity • 58% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 58% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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Gerd Böttcher
Jambalaya
113 bpm • F# Maj • 01:59 • -12.4db
11% Popularity • 78% Danceability • 53% Energy • 51% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 78% Danceability • 53% Energy • 51% Liveness
0% Instrumentalness • 88% Positiveness
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Willi Kollo
Wir tanzen um die Welt: Einmal wirst du ...
113 bpm • D# Maj • 03:00 • -15db
7% Popularity • 69% Danceability • 15% Energy • 10% Liveness
2% Instrumentalness • 70% Positiveness
7% Popularity • 69% Danceability • 15% Energy • 10% Liveness
2% Instrumentalness • 70% Positiveness
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Rudi Schuricke
Ich schau Dir tief in deine treuen Augen
114 bpm • E Maj • 02:59 • -10.73db
3% Popularity • 44% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
3% Popularity • 44% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Leo Leandros
Alle Mädchen wollen küssen
112 bpm • C Maj • 02:19 • -6.3db
11% Popularity • 77% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 77% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Peter Beil
Und ein Zug fährt durch die Nacht
114 bpm • A min • 02:45 • -6.5db
13% Popularity • 58% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 58% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Alexandra
Erstes Morgenrot
114 bpm • C Maj • 03:19 • -11db
25% Popularity • 34% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 34% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Liane Haid
Adieu, mein kleiner Gardeoffizier (Aus d...
112 bpm • D# Maj • 04:22 • -13db
4% Popularity • 45% Danceability • 19% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
4% Popularity • 45% Danceability • 19% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Heinz Erhardt
Fräulein Mabel
114 bpm • C Maj • 02:36 • -13db
10% Popularity • 71% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 71% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Rudi Schuricke
Weiße Perlen bedeuten Tränen
112 bpm • A# Maj • 03:19 • -10.12db
3% Popularity • 38% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
3% Popularity • 38% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Lys Assia
Was kann schöner sein
112 bpm • F Maj • 02:06 • -5.52db
14% Popularity • 35% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 35% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Ted Herold
Moonlight
112 bpm • A# Maj • 02:43 • -10db
25% Popularity • 57% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 57% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Billy Mo
Ich kauf' mir lieber einen Tirolerhut
114 bpm • C# Maj • 02:27 • -13db
26% Popularity • 62% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 62% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Caterina Valente
Ich wär' so gern bei dir
114 bpm • F Maj • 03:10 • -10.6db
10% Popularity • 44% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 44% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Gerd Böttcher
Du schaust mich an
114 bpm • F Maj • 02:11 • -15db
14% Popularity • 64% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 64% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Rudi Schuricke
Einmal wirst du wieder bei mir sein
112 bpm • D# Maj • 03:03 • -19db
7% Popularity • 68% Danceability • 11% Energy • 9% Liveness
22% Instrumentalness • 67% Positiveness
7% Popularity • 68% Danceability • 11% Energy • 9% Liveness
22% Instrumentalness • 67% Positiveness
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Harald Juhnke
Ich wünsch' euch eine gute Nacht
112 bpm • E Maj • 03:26 • -13.67db
13% Popularity • 68% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 68% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Hans Blum
Charly Brown
114 bpm • G# Maj • 02:26 • -9.68db
16% Popularity • 60% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 60% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Jimmy Makulis
Gitarren klingen leise durch die Nacht
114 bpm • D# Maj • 03:11 • -9db
22% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Fred Bertelmann
Es gibt immer einen Weg
114 bpm • B Maj • 02:38 • -13.56db
19% Popularity • 67% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 67% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
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Ralf Bendix
Wo meine Sonne scheint (Island In The Su...
112 bpm • A# Maj • 02:43 • -8.86db
9% Popularity • 61% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 61% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Rudi Godden
Ich brauche keine Millionen
115 bpm • A Maj • 02:04 • -11db
11% Popularity • 72% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 72% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Paul Kuhn
Ich M?cht' Auf Deiner Hochzeit Tanzen
115 bpm • D Maj • 02:31 • -6db
14% Popularity • 77% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 77% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Alexandra
Sehnsucht (Das Lied der Taiga)
111 bpm • D Maj • 02:51 • -11.1db
33% Popularity • 25% Danceability • 40% Energy • 40% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 25% Danceability • 40% Energy • 40% Liveness
0% Instrumentalness • 31% Positiveness
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Heinz Erhardt
Tante Hedwig
115 bpm • A# Maj • 03:05 • -10db
16% Popularity • 83% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 83% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Rudi Schuricke
O sole mio (Du meine Sonne)
115 bpm • D# Maj • 02:48 • -12.05db
5% Popularity • 31% Danceability • 35% Energy • 18% Liveness
1% Instrumentalness • 24% Positiveness
5% Popularity • 31% Danceability • 35% Energy • 18% Liveness
1% Instrumentalness • 24% Positiveness
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Ilse Werner
Schön war es doch - 1944
115 bpm • C Maj • 02:51 • -12.27db
9% Popularity • 56% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 56% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Hans Rehmstedt
Woran liegt's, daß ich Dir nicht gefall...
111 bpm • D# Maj • 02:49 • -14.38db
1% Popularity • 69% Danceability • 27% Energy • 19% Liveness
31% Instrumentalness • 54% Positiveness
1% Popularity • 69% Danceability • 27% Energy • 19% Liveness
31% Instrumentalness • 54% Positiveness
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Lolita
Am Strand von Mindanao
115 bpm • A Maj • 02:38 • -11db
10% Popularity • 48% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 48% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Alexandra
Zigeunerjunge
111 bpm • C Maj • 03:08 • -9.25db
36% Popularity • 58% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 58% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Fred Raymond
In einer kleinen Konditorei
115 bpm • D# Maj • 03:02 • -15.65db
16% Popularity • 49% Danceability • 34% Energy • 11% Liveness
32% Instrumentalness • 69% Positiveness
16% Popularity • 49% Danceability • 34% Energy • 11% Liveness
32% Instrumentalness • 69% Positiveness
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Rudi Schuricke
Warum weinst du kleine Tamara
115 bpm • G Maj • 03:33 • -12.17db
2% Popularity • 36% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
2% Popularity • 36% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Gerhard Wendland
Ich sende dir Rosen
116 bpm • G# Maj • 02:27 • -11.21db
13% Popularity • 48% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 48% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Conny Froboess
Teenager Melodie
116 bpm • G# Maj • 02:35 • -10db
15% Popularity • 80% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 80% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Friedrich Schroeder
Oh, diese Maenner: Wind weht weit ueber'...
116 bpm • G Maj • 02:53 • -15.35db
1% Popularity • 70% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
1% Popularity • 70% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Ivo Robic
Danke schön
110 bpm • D Maj • 02:46 • -10.29db
11% Popularity • 35% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 35% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Austin Egen
Heut war ich bei der Frieda
110 bpm • G# Maj • 03:01 • -11db
10% Popularity • 89% Danceability • 40% Energy • 5% Liveness
20% Instrumentalness • 96% Positiveness
10% Popularity • 89% Danceability • 40% Energy • 5% Liveness
20% Instrumentalness • 96% Positiveness
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Willy Schneider
Man müsste nochmal zwanzig sein
116 bpm • C# Maj • 04:19 • -7.33db
7% Popularity • 46% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
7% Popularity • 46% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Peter Kreuder
Hallo Janine!: Eins, zwei drei, vier, fu...
110 bpm • F Maj • 02:53 • -13.9db
3% Popularity • 84% Danceability • 40% Energy • 14% Liveness
19% Instrumentalness • 96% Positiveness
3% Popularity • 84% Danceability • 40% Energy • 14% Liveness
19% Instrumentalness • 96% Positiveness
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Conny Froboess
Mariandl
116 bpm • B Maj • 02:28 • -9.47db
26% Popularity • 38% Danceability • 38% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 38% Danceability • 38% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Peter Igelhoff
Zwei Frauen: Der Onkel Doktor hat gesagt
110 bpm • C Maj • 03:13 • -16.42db
13% Popularity • 80% Danceability • 19% Energy • 10% Liveness
39% Instrumentalness • 65% Positiveness
13% Popularity • 80% Danceability • 19% Energy • 10% Liveness
39% Instrumentalness • 65% Positiveness
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Freddy Quinn
Du musst alles vergessen
116 bpm • G Maj • 02:43 • -14.56db
19% Popularity • 54% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 54% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Fred Bertelmann
Der Dumme im Leben ist immer der Mann
116 bpm • C Maj • 02:22 • -7db
10% Popularity • 54% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 54% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Zarah Leander
Merci, mon ami
110 bpm • D# Maj • 03:11 • -12.44db
21% Popularity • 62% Danceability • 20% Energy • 16% Liveness
3% Instrumentalness • 46% Positiveness
21% Popularity • 62% Danceability • 20% Energy • 16% Liveness
3% Instrumentalness • 46% Positiveness
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Gus Backus
Ich steh an der Bar und habe kein Geld
117 bpm • D Maj • 02:34 • -6.14db
28% Popularity • 78% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 78% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Conny Froboess
Pack die Badehose ein - Remastered 2005
110 bpm • C# Maj • 03:16 • -5.01db
31% Popularity • 49% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 49% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Kurt Widmann & sein Orchester
Mir geht's gut
117 bpm • F Maj • 02:30 • -10.34db
0% Popularity • 80% Danceability • 48% Energy • 60% Liveness
51% Instrumentalness • 94% Positiveness
0% Popularity • 80% Danceability • 48% Energy • 60% Liveness
51% Instrumentalness • 94% Positiveness
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Rudi Schuricke
Mandolino - Mandolino
117 bpm • B min • 03:38 • -10.61db
5% Popularity • 45% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
5% Popularity • 45% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Ivo Robic
Rot ist der Wein
109 bpm • F Maj • 02:39 • -8db
21% Popularity • 48% Danceability • 38% Energy • 47% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 48% Danceability • 38% Energy • 47% Liveness
0% Instrumentalness • 36% Positiveness
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Johannes Heesters
Man müsste Klavier spielen können
117 bpm • G# Maj • 03:01 • -11db
17% Popularity • 60% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 60% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Freddy
Ich bin ein Vagabund
117 bpm • D Maj • 02:45 • -12.35db
12% Popularity • 70% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 70% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Conny Froboess
Ich möcht mit dir träumen
109 bpm • F Maj • 02:09 • -11.97db
17% Popularity • 60% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 60% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Fred Bertelmann
2 Gitarren am Meer
117 bpm • A# Maj • 03:43 • -14db
12% Popularity • 49% Danceability • 50% Energy • 15% Liveness
5% Instrumentalness • 64% Positiveness
12% Popularity • 49% Danceability • 50% Energy • 15% Liveness
5% Instrumentalness • 64% Positiveness
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Rudi Schuricke
Auf Wiedersehen
109 bpm • G Maj • 02:41 • -10db
27% Popularity • 49% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 49% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Wolfgang Sauer
Wenn die Glocken hell erklingen
109 bpm • G Maj • 03:07 • -12db
10% Popularity • 61% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 61% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Zarah Leander
Der Wind hat mir ein Lied erzählt
109 bpm • D min • 02:52 • -11db
23% Popularity • 47% Danceability • 29% Energy • 16% Liveness
1% Instrumentalness • 35% Positiveness
23% Popularity • 47% Danceability • 29% Energy • 16% Liveness
1% Instrumentalness • 35% Positiveness
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Das Fontana-Tanzorchester
Charleston-Boy, From : ''Die Nacht vor d...
118 bpm • D Maj • 02:37 • -10.21db
13% Popularity • 78% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 78% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Lilian Harvey & Willy Fritsch
An Der Donau, Wenn Der Wein Blüht
118 bpm • D Maj • 02:43 • -10.05db
8% Popularity • 59% Danceability • 26% Energy • 19% Liveness
1% Instrumentalness • 52% Positiveness
8% Popularity • 59% Danceability • 26% Energy • 19% Liveness
1% Instrumentalness • 52% Positiveness
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Friedel Hensch Und Die Cyprys
Die Fischerin vom Bodensee
118 bpm • C Maj • 02:39 • -8db
22% Popularity • 88% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 88% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
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Rudi Schuricke
Lass uns träumen vom Lago Maggiore
117 bpm • D Maj • 03:36 • -12.5db
14% Popularity • 40% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 40% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Harald Juhnke
Was kann ich denn dafür (Somethin' Stup...
108 bpm • E Maj • 03:20 • -8.55db
20% Popularity • 65% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 65% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
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Freddy
Der Legionär
118 bpm • D# Maj • 02:57 • -11.83db
11% Popularity • 50% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 50% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Lonny Kellner
So ein Tag, so wunderschön wie heute
118 bpm • F Maj • 03:22 • -11.79db
15% Popularity • 29% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 29% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Richard Tauber
Adieu, mein kleiner Gardeoffizier
118 bpm • D# Maj • 03:02 • -11db
22% Popularity • 69% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 69% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Willy Hagara
Casetta In Canada
118 bpm • G# Maj • 02:46 • -5.86db
16% Popularity • 74% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 74% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
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Rudi Schuricke
Florentinische Nächte
118 bpm • A Maj • 03:29 • -11db
24% Popularity • 50% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 50% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Trude Herr
In der Spelunke "Zur alten Unke"
118 bpm • F# Maj • 02:55 • -11.17db
15% Popularity • 60% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 60% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Johannes Heesters
Ich werde jede Nacht von ihnen träumen
107 bpm • D Maj • 02:51 • -5db
9% Popularity • 33% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 33% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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Paul Hörbiger
Der Alte Sünder
119 bpm • D# Maj • 03:17 • -7db
11% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Peter Kreuder
Kora Terry: Fur eine Nacht voller Seligk...
107 bpm • D# Maj • 02:25 • -17.88db
4% Popularity • 83% Danceability • 24% Energy • 13% Liveness
4% Instrumentalness • 88% Positiveness
4% Popularity • 83% Danceability • 24% Energy • 13% Liveness
4% Instrumentalness • 88% Positiveness
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Gerhard Wendland
Arrivederci Roma
119 bpm • E Maj • 02:46 • -13db
18% Popularity • 46% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 46% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Rudi Schuricke
Fruhling In Sorrent
108 bpm • G Maj • 02:59 • -12.42db
3% Popularity • 35% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
3% Popularity • 35% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Gerhard Hoffmann Tanzorchester
Regentropfen
119 bpm • C Maj • 02:57 • -15.54db
1% Popularity • 60% Danceability • 16% Energy • 33% Liveness
77% Instrumentalness • 61% Positiveness
1% Popularity • 60% Danceability • 16% Energy • 33% Liveness
77% Instrumentalness • 61% Positiveness
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Max Hansen
Was kann der Sigismund dafür
119 bpm • A# min • 03:15 • -10.67db
9% Popularity • 77% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 77% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Hazy Osterwald Sextett
Konjunktur-Cha-Cha
119 bpm • A Maj • 03:04 • -7db
21% Popularity • 73% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 73% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Caterina Valente
Tipitipitipso
107 bpm • D# Maj • 02:36 • -7.56db
30% Popularity • 74% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
30% Popularity • 74% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Rex Gildo
Jetzt dreht die Welt sich nur um Dich
119 bpm • A# Maj • 02:12 • -7db
28% Popularity • 64% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 64% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Rudi Schuricke
Zwei verliebte Italiener
118 bpm • C Maj • 03:07 • -10.21db
4% Popularity • 67% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
4% Popularity • 67% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Hans Moser
Hallo Dienstmann
119 bpm • D# Maj • 02:38 • -7.41db
13% Popularity • 50% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 50% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Bruce Low
Wenn die Sonne scheint in Texas
119 bpm • F Maj • 02:18 • -6db
14% Popularity • 82% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 82% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Siegfried Arno
Wenn Die Elisabeth Nicht So Schöne Bein...
119 bpm • G Maj • 02:40 • -9.57db
11% Popularity • 83% Danceability • 60% Energy • 24% Liveness
22% Instrumentalness • 96% Positiveness
11% Popularity • 83% Danceability • 60% Energy • 24% Liveness
22% Instrumentalness • 96% Positiveness
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Paul Hörbiger
Jünger werd' ma nimmer
119 bpm • C Maj • 03:01 • -8db
8% Popularity • 77% Danceability • 24% Energy • 40% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 77% Danceability • 24% Energy • 40% Liveness
0% Instrumentalness • 55% Positiveness
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Fred Bertelmann
Der lachende Vagabund (Gambler's Guitar)
120 bpm • C Maj • 02:47 • -9db
24% Popularity • 69% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 69% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Rudi Schuricke
Warum weinst du kleine Tamara
118 bpm • G Maj • 03:28 • -12.47db
13% Popularity • 32% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 32% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Paul Kuhn
Die Farbe der Liebe
120 bpm • A Maj • 02:25 • -7db
24% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Gerd Böttcher
Für Gaby tu' ich alles
107 bpm • B Maj • 02:18 • -13db
31% Popularity • 64% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 64% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Conny Froboess
I Love You Baby
120 bpm • A# Maj • 02:10 • -11db
30% Popularity • 75% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 98% Positiveness
30% Popularity • 75% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 98% Positiveness
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Bruce Low
Es hängt ein Pferdehalfter an der Wand
120 bpm • A Maj • 03:28 • -12.33db
14% Popularity • 49% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 49% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Willy Hagara
Es kann im Frühling sein
107 bpm • C# Maj • 01:56 • -9db
11% Popularity • 75% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 75% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Rudi Schuricke
Das Marchen Unserer Liebe (San Marco Glo...
119 bpm • E Maj • 03:02 • -11.92db
2% Popularity • 36% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
2% Popularity • 36% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Kurt Widmann
Warum Weshalb Wieso
107 bpm • G# min • 02:49 • -10.91db
5% Popularity • 62% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
5% Popularity • 62% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Siegfried Arno
Wenn die Elisabeth nicht so schöne Bein...
120 bpm • G Maj • 02:37 • -7.95db
17% Popularity • 87% Danceability • 63% Energy • 34% Liveness
10% Instrumentalness • 94% Positiveness
17% Popularity • 87% Danceability • 63% Energy • 34% Liveness
10% Instrumentalness • 94% Positiveness
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Ivo Robic
Mit 17 Fängt Das Leben Erst An (Save Th...
120 bpm • D# Maj • 02:55 • -11.15db
15% Popularity • 67% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 67% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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Bruce Low
Hörst Du mein heimliches Rufen
106 bpm • F Maj • 02:36 • -9.22db
12% Popularity • 36% Danceability • 39% Energy • 32% Liveness
7% Instrumentalness • 38% Positiveness
12% Popularity • 36% Danceability • 39% Energy • 32% Liveness
7% Instrumentalness • 38% Positiveness
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Evelyn Rehs
Ein bisschen Romantik gehort zu jeder Fr...
106 bpm • G# Maj • 02:41 • -17.27db
5% Popularity • 63% Danceability • 12% Energy • 40% Liveness
1% Instrumentalness • 52% Positiveness
5% Popularity • 63% Danceability • 12% Energy • 40% Liveness
1% Instrumentalness • 52% Positiveness
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Rudi Schuricke
Bella, Bella Marie
119 bpm • B Maj • 03:17 • -12db
5% Popularity • 48% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
5% Popularity • 48% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
