Songs like Kousíček Za Prahou. Tango by Jindřich Bauer
Based on a tempo of (+/- 10%) and a similar genre
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Jindřich Bauer
Kousíček Za Prahou. Tango
128 bpm • G Maj • 01:02 • -8.99db
0% Popularity • 56% Danceability • 45% Energy • 67% Liveness
0% Instrumentalness • 87% Positiveness
0% Popularity • 56% Danceability • 45% Energy • 67% Liveness
0% Instrumentalness • 87% Positiveness
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Luftwaffenmusikkorps 2 Karlsruhe
Silberkondor
128 bpm • D# Maj • 02:22 • -11db
8% Popularity • 54% Danceability • 48% Energy • 9% Liveness
95% Instrumentalness • 69% Positiveness
8% Popularity • 54% Danceability • 48% Energy • 9% Liveness
95% Instrumentalness • 69% Positiveness
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Helsingin poliisisoittokunta
Fuhrmann: Poliisikomentajan tervehdysfan...
128 bpm • A# Maj • 01:20 • -12.33db
16% Popularity • 54% Danceability • 46% Energy • 9% Liveness
92% Instrumentalness • 84% Positiveness
16% Popularity • 54% Danceability • 46% Energy • 9% Liveness
92% Instrumentalness • 84% Positiveness
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Mistříňanka
Já ti povím
128 bpm • D# Maj • 03:02 • -7.19db
13% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Kranzberg Blos
Polkatanz
128 bpm • F Maj • 03:07 • -9.76db
11% Popularity • 75% Danceability • 24% Energy • 8% Liveness
83% Instrumentalness • 97% Positiveness
11% Popularity • 75% Danceability • 24% Energy • 8% Liveness
83% Instrumentalness • 97% Positiveness
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Tannschacher Klarinettenmusik
Auf der Knofeleben
129 bpm • A# Maj • 02:18 • -11.89db
10% Popularity • 83% Danceability • 56% Energy • 20% Liveness
87% Instrumentalness • 98% Positiveness
10% Popularity • 83% Danceability • 56% Energy • 20% Liveness
87% Instrumentalness • 98% Positiveness
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Die Tiroler Blasmusikanten
Nach Regen scheint Sonne
127 bpm • D# Maj • 02:10 • -15.02db
10% Popularity • 68% Danceability • 29% Energy • 37% Liveness
20% Instrumentalness • 99% Positiveness
10% Popularity • 68% Danceability • 29% Energy • 37% Liveness
20% Instrumentalness • 99% Positiveness
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Die 12 Mährischen
Geburt
129 bpm • A# Maj • 03:33 • -9.68db
19% Popularity • 54% Danceability • 56% Energy • 9% Liveness
96% Instrumentalness • 81% Positiveness
19% Popularity • 54% Danceability • 56% Energy • 9% Liveness
96% Instrumentalness • 81% Positiveness
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Vacenovjáci
Z vědérka vínko
127 bpm • D# Maj • 02:22 • -8.69db
10% Popularity • 59% Danceability • 50% Energy • 26% Liveness
1% Instrumentalness • 92% Positiveness
10% Popularity • 59% Danceability • 50% Energy • 26% Liveness
1% Instrumentalness • 92% Positiveness
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Mistříňanka
Husárek
128 bpm • A# Maj • 03:43 • -7.22db
10% Popularity • 86% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 86% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Brněnská Moravěnka
Moje Milá
127 bpm • D# Maj • 03:11 • -13.29db
14% Popularity • 74% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 74% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Lukas Bruckmeyer und seine Böhmischen Kameraden
In Vita Optimum
129 bpm • C# Maj • 03:46 • -12.52db
13% Popularity • 47% Danceability • 34% Energy • 6% Liveness
88% Instrumentalness • 56% Positiveness
13% Popularity • 47% Danceability • 34% Energy • 6% Liveness
88% Instrumentalness • 56% Positiveness
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Tannschacher Klarinettenmusik
Penkenjoch Polka
129 bpm • A# Maj • 03:02 • -10.42db
13% Popularity • 77% Danceability • 55% Energy • 30% Liveness
98% Instrumentalness • 98% Positiveness
13% Popularity • 77% Danceability • 55% Energy • 30% Liveness
98% Instrumentalness • 98% Positiveness
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Marie Jakoubková
Pro Tatínka
127 bpm • D# Maj • 02:38 • -14.17db
0% Popularity • 78% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 78% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Legrúti
Na Padělkách
127 bpm • D# Maj • 02:13 • -7.9db
9% Popularity • 68% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 68% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Mistříňanka
Mistříňáci, To Sú Chlapci
128 bpm • G# Maj • 02:33 • -13db
16% Popularity • 60% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 60% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Brněnská Moravěnka
Jehlička
127 bpm • F Maj • 03:33 • -14.04db
11% Popularity • 74% Danceability • 37% Energy • 16% Liveness
81% Instrumentalness • 84% Positiveness
11% Popularity • 74% Danceability • 37% Energy • 16% Liveness
81% Instrumentalness • 84% Positiveness
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Woodyblechpeckers
Bierbua Polka
127 bpm • D# Maj • 02:35 • -7.82db
9% Popularity • 52% Danceability • 42% Energy • 8% Liveness
72% Instrumentalness • 55% Positiveness
9% Popularity • 52% Danceability • 42% Energy • 8% Liveness
72% Instrumentalness • 55% Positiveness
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St. Johanner Musi
Hinter der Sonnleit'n
127 bpm • D# Maj • 02:20 • -10.22db
13% Popularity • 72% Danceability • 49% Energy • 5% Liveness
94% Instrumentalness • 87% Positiveness
13% Popularity • 72% Danceability • 49% Energy • 5% Liveness
94% Instrumentalness • 87% Positiveness
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Karel Hegner
Pod Kopcem Hostýnem
129 bpm • G# Maj • 03:03 • -14db
13% Popularity • 63% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 63% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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Pavel Karlík
Zazpívaj slavíčku
129 bpm • D# Maj • 02:20 • -8.24db
13% Popularity • 77% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 77% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
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Mistříňanka
Mamičko Já Sa Vydám
129 bpm • D# Maj • 02:50 • -8db
14% Popularity • 85% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 85% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Raffaello
Polka Niederösterreich
127 bpm • C Maj • 01:19 • -13.11db
11% Popularity • 78% Danceability • 27% Energy • 7% Liveness
56% Instrumentalness • 1% Positiveness
11% Popularity • 78% Danceability • 27% Energy • 7% Liveness
56% Instrumentalness • 1% Positiveness
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Moravěnka
Kdyby byla Morava
127 bpm • D# Maj • 03:38 • -6.09db
11% Popularity • 60% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 60% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Antonín Pavluš
Pro Kamaráda
129 bpm • D# Maj • 03:10 • -14.88db
9% Popularity • 39% Danceability • 34% Energy • 28% Liveness
88% Instrumentalness • 66% Positiveness
9% Popularity • 39% Danceability • 34% Energy • 28% Liveness
88% Instrumentalness • 66% Positiveness
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Karel Hegner
Falešná Frajárka
129 bpm • G# Maj • 02:40 • -14db
14% Popularity • 70% Danceability • 31% Energy • 15% Liveness
2% Instrumentalness • 93% Positiveness
14% Popularity • 70% Danceability • 31% Energy • 15% Liveness
2% Instrumentalness • 93% Positiveness
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Egerländer6
Schlagzeilen
126 bpm • A# Maj • 03:10 • -10.4db
8% Popularity • 64% Danceability • 30% Energy • 4% Liveness
64% Instrumentalness • 79% Positiveness
8% Popularity • 64% Danceability • 30% Energy • 4% Liveness
64% Instrumentalness • 79% Positiveness
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Mistříňanka
Zpěv Skřivana
129 bpm • G# Maj • 02:44 • -12db
21% Popularity • 64% Danceability • 39% Energy • 12% Liveness
94% Instrumentalness • 96% Positiveness
21% Popularity • 64% Danceability • 39% Energy • 12% Liveness
94% Instrumentalness • 96% Positiveness
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Pavel Karlík
Z rána huběnka
129 bpm • A# Maj • 02:13 • -9db
10% Popularity • 60% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 60% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Raffaello
Raffaello Medley
126 bpm • C Maj • 01:19 • -12.93db
9% Popularity • 73% Danceability • 32% Energy • 7% Liveness
25% Instrumentalness • 99% Positiveness
9% Popularity • 73% Danceability • 32% Energy • 7% Liveness
25% Instrumentalness • 99% Positiveness
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DIE G'FIERIGEN
Achensee Marsch
130 bpm • C Maj • 02:53 • -12.15db
16% Popularity • 65% Danceability • 28% Energy • 10% Liveness
16% Instrumentalness • 94% Positiveness
16% Popularity • 65% Danceability • 28% Energy • 10% Liveness
16% Instrumentalness • 94% Positiveness
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Orchester Holger Mück
Dokters-Märschla
126 bpm • D# Maj • 02:04 • -9.41db
14% Popularity • 84% Danceability • 38% Energy • 7% Liveness
96% Instrumentalness • 96% Positiveness
14% Popularity • 84% Danceability • 38% Energy • 7% Liveness
96% Instrumentalness • 96% Positiveness
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ReRo Noten
50 Meter Blech
130 bpm • G# Maj • 03:05 • -10.14db
8% Popularity • 72% Danceability • 28% Energy • 24% Liveness
85% Instrumentalness • 86% Positiveness
8% Popularity • 72% Danceability • 28% Energy • 24% Liveness
85% Instrumentalness • 86% Positiveness
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Mistříňanka
Co je to za muziku
129 bpm • A# Maj • 01:47 • -7db
12% Popularity • 68% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 68% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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SPECKBACHER STADTMUSIK HALL IN TIROL
Es Wintat Schon Eina
130 bpm • D# Maj • 01:25 • -22.09db
18% Popularity • 19% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 17% Positiveness
18% Popularity • 19% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 17% Positiveness
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Brauhaus Musikanten
Domi Adventus
130 bpm • D# Maj • 03:55 • -9.97db
10% Popularity • 58% Danceability • 36% Energy • 21% Liveness
94% Instrumentalness • 63% Positiveness
10% Popularity • 58% Danceability • 36% Energy • 21% Liveness
94% Instrumentalness • 63% Positiveness
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Jindřich Bauer
Eluška
126 bpm • G# Maj • 02:48 • -15.35db
0% Popularity • 59% Danceability • 15% Energy • 7% Liveness
91% Instrumentalness • 68% Positiveness
0% Popularity • 59% Danceability • 15% Energy • 7% Liveness
91% Instrumentalness • 68% Positiveness
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Walter Scholz
Die Teufelszunge
126 bpm • D# Maj • 03:07 • -6.26db
13% Popularity • 66% Danceability • 85% Energy • 12% Liveness
90% Instrumentalness • 66% Positiveness
13% Popularity • 66% Danceability • 85% Energy • 12% Liveness
90% Instrumentalness • 66% Positiveness
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Lácaranka
Zaplakaly očenka
130 bpm • F Maj • 02:34 • -7.79db
15% Popularity • 70% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 70% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
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Mistříňanka
Na Hodech
126 bpm • F Maj • 03:25 • -7.55db
13% Popularity • 75% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 75% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Arlphoniker
Im Gedenken
126 bpm • A# Maj • 02:11 • -7db
11% Popularity • 62% Danceability • 27% Energy • 7% Liveness
73% Instrumentalness • 77% Positiveness
11% Popularity • 62% Danceability • 27% Energy • 7% Liveness
73% Instrumentalness • 77% Positiveness
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Hippacher Musikanten
Schauet auf zum Herrn (Kyrie/Pöhamer Mu...
130 bpm • D# Maj • 03:07 • -12.7db
7% Popularity • 17% Danceability • 14% Energy • 27% Liveness
93% Instrumentalness • 11% Positiveness
7% Popularity • 17% Danceability • 14% Energy • 27% Liveness
93% Instrumentalness • 11% Positiveness
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Original Hopfenbläser
Ein Leben lang
130 bpm • F Maj • 03:55 • -9.87db
11% Popularity • 35% Danceability • 40% Energy • 23% Liveness
53% Instrumentalness • 76% Positiveness
11% Popularity • 35% Danceability • 40% Energy • 23% Liveness
53% Instrumentalness • 76% Positiveness
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Edelweiss-Sextett
Durch's Alpenland
131 bpm • D# Maj • 02:07 • -7.34db
7% Popularity • 76% Danceability • 69% Energy • 10% Liveness
94% Instrumentalness • 97% Positiveness
7% Popularity • 76% Danceability • 69% Energy • 10% Liveness
94% Instrumentalness • 97% Positiveness
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Raffaello
Hoch Almer
131 bpm • C Maj • 01:43 • -12.16db
7% Popularity • 82% Danceability • 27% Energy • 12% Liveness
9% Instrumentalness • 99% Positiveness
7% Popularity • 82% Danceability • 27% Energy • 12% Liveness
9% Instrumentalness • 99% Positiveness
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Mistříňanka
Na Přivítanou
130 bpm • G# Maj • 01:07 • -11.54db
13% Popularity • 62% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 62% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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Stříbrňanka
U Moravy lavečka
131 bpm • G# Maj • 02:31 • -6.06db
11% Popularity • 60% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 60% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Lácaranka
Směs košilatých melodií Lácaranky
131 bpm • D# Maj • 06:36 • -8.06db
14% Popularity • 66% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 66% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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edelBlech
Marsch der Titanen
125 bpm • D# Maj • 03:28 • -8.23db
10% Popularity • 74% Danceability • 36% Energy • 14% Liveness
93% Instrumentalness • 63% Positiveness
10% Popularity • 74% Danceability • 36% Energy • 14% Liveness
93% Instrumentalness • 63% Positiveness
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Die Pfaffenwinkler
Musikanten mit Herz
125 bpm • D# Maj • 03:10 • -9.57db
10% Popularity • 42% Danceability • 42% Energy • 23% Liveness
93% Instrumentalness • 78% Positiveness
10% Popularity • 42% Danceability • 42% Energy • 23% Liveness
93% Instrumentalness • 78% Positiveness
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Die 12 Mährischen
Maty
125 bpm • G# Maj • 03:57 • -9.75db
18% Popularity • 68% Danceability • 50% Energy • 34% Liveness
94% Instrumentalness • 88% Positiveness
18% Popularity • 68% Danceability • 50% Energy • 34% Liveness
94% Instrumentalness • 88% Positiveness
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Mistříňanka
Zařehtali vrané koně
126 bpm • F Maj • 02:42 • -6.37db
9% Popularity • 75% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 75% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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Stříbrňanka
Vím, vím
131 bpm • D# Maj • 02:39 • -6.26db
10% Popularity • 69% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 69% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Raffaello
Stern
124 bpm • C Maj • 01:36 • -3.83db
9% Popularity • 76% Danceability • 40% Energy • 7% Liveness
40% Instrumentalness • 98% Positiveness
9% Popularity • 76% Danceability • 40% Energy • 7% Liveness
40% Instrumentalness • 98% Positiveness
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Lácaranka
Trnečková huběnka
132 bpm • G# Maj • 03:16 • -6.68db
10% Popularity • 73% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 73% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
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Alte Reintaler
Hochzeitspolka
132 bpm • A# Maj • 02:04 • -4.61db
8% Popularity • 78% Danceability • 58% Energy • 5% Liveness
89% Instrumentalness • 96% Positiveness
8% Popularity • 78% Danceability • 58% Energy • 5% Liveness
89% Instrumentalness • 96% Positiveness
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Petr Altman
Panský Kovář. Polka
124 bpm • D# Maj • 00:45 • -9.19db
0% Popularity • 74% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 74% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Mistříňanka
Galánečka
126 bpm • F# Maj • 03:55 • -13.97db
12% Popularity • 63% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 96% Positiveness
12% Popularity • 63% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 96% Positiveness
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Stříbrňanka
Pod hradem
132 bpm • D# Maj • 03:23 • -9.8db
10% Popularity • 65% Danceability • 40% Energy • 13% Liveness
93% Instrumentalness • 83% Positiveness
10% Popularity • 65% Danceability • 40% Energy • 13% Liveness
93% Instrumentalness • 83% Positiveness
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Original Grünhainer Jagdhornbläser
Hubertusmarsch
124 bpm • A# Maj • 01:23 • -13.58db
7% Popularity • 51% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 64% Positiveness
7% Popularity • 51% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 64% Positiveness
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Zdeněk Matouš
Mladá Řeka
124 bpm • C min • 02:42 • -13.33db
0% Popularity • 77% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
0% Popularity • 77% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Brauhaus Musikanten
Hochfeiler Marsch
124 bpm • G# Maj • 02:51 • -8.68db
9% Popularity • 55% Danceability • 36% Energy • 24% Liveness
89% Instrumentalness • 85% Positiveness
9% Popularity • 55% Danceability • 36% Energy • 24% Liveness
89% Instrumentalness • 85% Positiveness
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Antonín Pavluš
Šohajova Škoda
132 bpm • A# Maj • 02:23 • -13.26db
14% Popularity • 71% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 71% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Wolfito Vetter und Deine Blasmusik
Viva La Woodstock
124 bpm • D# Maj • 03:23 • -9.74db
11% Popularity • 62% Danceability • 22% Energy • 31% Liveness
81% Instrumentalness • 55% Positiveness
11% Popularity • 62% Danceability • 22% Energy • 31% Liveness
81% Instrumentalness • 55% Positiveness
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Stříbrňanka
Ze Stříbrnic
132 bpm • F Maj • 03:07 • -10.84db
9% Popularity • 71% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 71% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Lácaranka
Rozmarýn z lásky
132 bpm • G# Maj • 03:45 • -7.81db
8% Popularity • 66% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 66% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Die Schwindligen 15
Musikanten-Zauber
124 bpm • D# Maj • 05:07 • -8.88db
9% Popularity • 40% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 36% Positiveness
9% Popularity • 40% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 36% Positiveness
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Ištvánci
Nevěděla frajárka
133 bpm • D# Maj • 02:25 • -6.43db
11% Popularity • 68% Danceability • 67% Energy • 11% Liveness
2% Instrumentalness • 83% Positiveness
11% Popularity • 68% Danceability • 67% Energy • 11% Liveness
2% Instrumentalness • 83% Positiveness
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Die Tiroler Blasmusikanten
Zum Schützenfest
124 bpm • F Maj • 02:48 • -15.69db
11% Popularity • 78% Danceability • 28% Energy • 12% Liveness
71% Instrumentalness • 98% Positiveness
11% Popularity • 78% Danceability • 28% Energy • 12% Liveness
71% Instrumentalness • 98% Positiveness
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Théo Jetten
Les Montagnards
123 bpm • F Maj • 03:10 • -16.12db
7% Popularity • 50% Danceability • 44% Energy • 11% Liveness
57% Instrumentalness • 87% Positiveness
7% Popularity • 50% Danceability • 44% Energy • 11% Liveness
57% Instrumentalness • 87% Positiveness
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ReRo Noten
Zuversicht
124 bpm • D# Maj • 03:34 • -10.81db
10% Popularity • 30% Danceability • 26% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
10% Popularity • 30% Danceability • 26% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Peter Schad und seine Oberschwäbischen Dorfmusikanten
Junge Tenöre
123 bpm • G# Maj • 03:06 • -11.16db
13% Popularity • 66% Danceability • 26% Energy • 32% Liveness
93% Instrumentalness • 85% Positiveness
13% Popularity • 66% Danceability • 26% Energy • 32% Liveness
93% Instrumentalness • 85% Positiveness
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Brandenberger Jochvögel
Simson - Marsch
123 bpm • C# Maj • 02:18 • -10.42db
11% Popularity • 71% Danceability • 31% Energy • 12% Liveness
91% Instrumentalness • 84% Positiveness
11% Popularity • 71% Danceability • 31% Energy • 12% Liveness
91% Instrumentalness • 84% Positiveness
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Brněnská Moravěnka
Kapelo, Polku Hrej
133 bpm • D min • 02:29 • -13.45db
16% Popularity • 72% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 72% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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WAGRAINER
Spiderwof
133 bpm • G# Maj • 02:59 • -17.94db
20% Popularity • 81% Danceability • 24% Energy • 31% Liveness
88% Instrumentalness • 89% Positiveness
20% Popularity • 81% Danceability • 24% Energy • 31% Liveness
88% Instrumentalness • 89% Positiveness
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Marinemusikkorps Ostsee
High Shool Cadets
123 bpm • A# Maj • 02:33 • -15db
13% Popularity • 66% Danceability • 54% Energy • 5% Liveness
75% Instrumentalness • 77% Positiveness
13% Popularity • 66% Danceability • 54% Energy • 5% Liveness
75% Instrumentalness • 77% Positiveness
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Mistříňanka
Pod Naším Oknem
134 bpm • F Maj • 03:18 • -11.86db
15% Popularity • 71% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 71% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Die 12 Mährischen
Nesi
123 bpm • G# Maj • 02:55 • -9.47db
17% Popularity • 57% Danceability • 49% Energy • 12% Liveness
90% Instrumentalness • 92% Positiveness
17% Popularity • 57% Danceability • 49% Energy • 12% Liveness
90% Instrumentalness • 92% Positiveness
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Stříbrňanka
Jsi moje děvčátko
134 bpm • G# Maj • 02:50 • -6.71db
9% Popularity • 68% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 68% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Jindřich Bauer
Zůstaň Tu S Námi, Muziko Česká!
122 bpm • F Maj • 02:29 • -13.92db
1% Popularity • 79% Danceability • 45% Energy • 14% Liveness
9% Instrumentalness • 96% Positiveness
1% Popularity • 79% Danceability • 45% Energy • 14% Liveness
9% Instrumentalness • 96% Positiveness
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Maablosn
Carmen-Marsch
122 bpm • A# Maj • 02:16 • -11.23db
25% Popularity • 66% Danceability • 50% Energy • 11% Liveness
82% Instrumentalness • 96% Positiveness
25% Popularity • 66% Danceability • 50% Energy • 11% Liveness
82% Instrumentalness • 96% Positiveness
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Indra Střítezská-Vostrá
Mamince K Svátku
134 bpm • G# Maj • 03:19 • -14.84db
0% Popularity • 57% Danceability • 24% Energy • 25% Liveness
1% Instrumentalness • 55% Positiveness
0% Popularity • 57% Danceability • 24% Energy • 25% Liveness
1% Instrumentalness • 55% Positiveness
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Roland Kohler & seine neue Böhmische Blasmusik
Alpenwelt
122 bpm • C# Maj • 03:13 • -6.74db
11% Popularity • 55% Danceability • 43% Energy • 8% Liveness
92% Instrumentalness • 92% Positiveness
11% Popularity • 55% Danceability • 43% Energy • 8% Liveness
92% Instrumentalness • 92% Positiveness
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Musikkapelle Kiefersfelden
Gebirgsschützen-Marsch
122 bpm • C# Maj • 02:52 • -10.98db
10% Popularity • 58% Danceability • 60% Energy • 18% Liveness
92% Instrumentalness • 86% Positiveness
10% Popularity • 58% Danceability • 60% Energy • 18% Liveness
92% Instrumentalness • 86% Positiveness
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ThornPlace
Povídali, povídali
122 bpm • F Maj • 01:51 • -6.71db
9% Popularity • 83% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 83% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Arlphoniker
Geselligkeit
122 bpm • A# Maj • 02:42 • -6db
14% Popularity • 74% Danceability • 37% Energy • 6% Liveness
90% Instrumentalness • 96% Positiveness
14% Popularity • 74% Danceability • 37% Energy • 6% Liveness
90% Instrumentalness • 96% Positiveness
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Vlado Kumpan & Seine Musikanten
Soutezni (Wettbewerbs-Polka)
122 bpm • G# Maj • 03:39 • -9.78db
17% Popularity • 64% Danceability • 40% Energy • 15% Liveness
94% Instrumentalness • 68% Positiveness
17% Popularity • 64% Danceability • 40% Energy • 15% Liveness
94% Instrumentalness • 68% Positiveness
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Blaskapelle Makos
Borsicka-Polka
122 bpm • F Maj • 02:51 • -9.09db
10% Popularity • 65% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 65% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Faltenradio
Ungarischer Maxglaner NR. 5, Kv 492/361
135 bpm • F min • 03:13 • -11db
13% Popularity • 60% Danceability • 31% Energy • 10% Liveness
87% Instrumentalness • 85% Positiveness
13% Popularity • 60% Danceability • 31% Energy • 10% Liveness
87% Instrumentalness • 85% Positiveness
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Marino Manferdini
S isch halt Vollmond - Schottisch
135 bpm • G# Maj • 02:13 • -4.72db
5% Popularity • 78% Danceability • 77% Energy • 18% Liveness
82% Instrumentalness • 98% Positiveness
5% Popularity • 78% Danceability • 77% Energy • 18% Liveness
82% Instrumentalness • 98% Positiveness
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Parforcehornensemble Windhag
60 Jahre Halali
135 bpm • D# Maj • 01:41 • -16.5db
13% Popularity • 69% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 64% Positiveness
13% Popularity • 69% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 64% Positiveness
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Mistříňanka
Dybych Já Měl Koně Vrané
135 bpm • G# Maj • 03:00 • -12.03db
17% Popularity • 68% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 68% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Erika Bauerová
Ty To Víš. Polka
121 bpm • D# Maj • 00:49 • -8.73db
0% Popularity • 64% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
0% Popularity • 64% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Feierab'nd Musig
Für dich und mich - Polka
121 bpm • A# Maj • 02:49 • -9db
5% Popularity • 67% Danceability • 36% Energy • 9% Liveness
96% Instrumentalness • 98% Positiveness
5% Popularity • 67% Danceability • 36% Energy • 9% Liveness
96% Instrumentalness • 98% Positiveness
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Hippacher Musikanten
Die letzte Melodie
135 bpm • C# Maj • 01:58 • -15.94db
8% Popularity • 23% Danceability • 6% Energy • 10% Liveness
99% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 6% Energy • 10% Liveness
99% Instrumentalness • 4% Positiveness
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Peter Schad und seine Oberschwäbischen Dorfmusikanten
La Ola-Polka
121 bpm • A# Maj • 02:54 • -8.34db
8% Popularity • 52% Danceability • 38% Energy • 9% Liveness
88% Instrumentalness • 79% Positiveness
8% Popularity • 52% Danceability • 38% Energy • 9% Liveness
88% Instrumentalness • 79% Positiveness
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Orchester Holger Mück
Holzauktion (Rheinländer)
136 bpm • D# Maj • 02:52 • -8.69db
8% Popularity • 79% Danceability • 28% Energy • 14% Liveness
88% Instrumentalness • 78% Positiveness
8% Popularity • 79% Danceability • 28% Energy • 14% Liveness
88% Instrumentalness • 78% Positiveness
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Spiel des Geb Füs Bat 109
Zürcher Sechseläuten-Marsch
121 bpm • F# Maj • 02:00 • -9.46db
10% Popularity • 70% Danceability • 71% Energy • 34% Liveness
57% Instrumentalness • 41% Positiveness
10% Popularity • 70% Danceability • 71% Energy • 34% Liveness
57% Instrumentalness • 41% Positiveness
