Songs like Krishna Nee by Ravi Chandra
Based on a tempo of (+/- 10%) and a similar genre
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Parupalli Ranganath
Ramudu Raghavudu
169 bpm • G Maj • 05:08 • -12.29db
17% Popularity • 46% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 46% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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S. P. Sailaja
Muddugare Yasoda
169 bpm • B Maj • 06:26 • -5.61db
0% Popularity • 56% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 56% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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J.Manikandan
Krishna Nee
169 bpm • C min • 07:46 • -6db
2% Popularity • 44% Danceability • 72% Energy • 23% Liveness
94% Instrumentalness • 80% Positiveness
2% Popularity • 44% Danceability • 72% Energy • 23% Liveness
94% Instrumentalness • 80% Positiveness
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Parupalli Sri Ranganath
Narayanate namo namo
169 bpm • F min • 04:46 • -8.98db
18% Popularity • 60% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 60% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Mylai S. Rajendran & Party
Rama Nannu
169 bpm • D# min • 07:22 • -12.89db
13% Popularity • 37% Danceability • 70% Energy • 56% Liveness
89% Instrumentalness • 40% Positiveness
13% Popularity • 37% Danceability • 70% Energy • 56% Liveness
89% Instrumentalness • 40% Positiveness
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Bombay Sisters
Vande Vasudevam
168 bpm • C# Maj • 07:01 • -12.07db
10% Popularity • 49% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 49% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Mano
Siggu Sigguantavvu
168 bpm • G Maj • 04:24 • -8.86db
9% Popularity • 61% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 61% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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M. K. Thyagaraja Bhagavathar
Sivaperuman
170 bpm • F min • 03:16 • -13.55db
1% Popularity • 43% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 72% Positiveness
1% Popularity • 43% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 72% Positiveness
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Sujatha
Vedamaathe Saraswathi Devi
168 bpm • G Maj • 06:59 • -7.47db
14% Popularity • 62% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 62% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Sulamangalam Sisters
Engiruntho
170 bpm • C min • 05:21 • -12.04db
18% Popularity • 50% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 50% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Ananth Kumar
Deva Deva Kalayamithe - Mayamalavagowla ...
170 bpm • G Maj • 06:33 • -3.09db
10% Popularity • 46% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 46% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Bombay Sisters
Kartukaravai Kanangal
168 bpm • D Maj • 02:05 • -3.3db
8% Popularity • 59% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 59% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Mano
Chentha Neevu
170 bpm • F min • 04:57 • -7.6db
13% Popularity • 69% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 69% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Nithyasree Mahadevan
Muppathu Moovar - Nithyasree Mahadevan
171 bpm • C# Maj • 01:19 • -7.73db
23% Popularity • 55% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 55% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
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Unnikrishnan
Jo Achchuthanandha
167 bpm • F# Maj • 08:12 • -8.92db
11% Popularity • 43% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 43% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Thiruthuraipoondi Radhakrishnan Pappa
Avvavinai Sivavinai
171 bpm • C# Maj • 01:48 • -10.73db
17% Popularity • 53% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 53% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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J.Manikandan
Alaipayude
167 bpm • A# Maj • 07:04 • -5db
6% Popularity • 46% Danceability • 87% Energy • 10% Liveness
94% Instrumentalness • 85% Positiveness
6% Popularity • 46% Danceability • 87% Energy • 10% Liveness
94% Instrumentalness • 85% Positiveness
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Bombay Sisters
Chandram Bhaja
168 bpm • F# Maj • 05:00 • -8.78db
11% Popularity • 34% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 34% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Johnson
Neelakkankodiyil (Male)
172 bpm • F min • 04:32 • -9.02db
7% Popularity • 35% Danceability • 62% Energy • 28% Liveness
81% Instrumentalness • 76% Positiveness
7% Popularity • 35% Danceability • 62% Energy • 28% Liveness
81% Instrumentalness • 76% Positiveness
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Nithyasree Mahadevan
Kuthuvilakku Eriya - Nithyasree Mahadeva...
167 bpm • G# Maj • 01:48 • -7.37db
11% Popularity • 56% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 56% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Unnikrishnan
Kshana Madhuna
171 bpm • A# Maj • 05:47 • -5.82db
7% Popularity • 42% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
7% Popularity • 42% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Veeramanidaasan
Yendha Thisaiyilum Unn Mughamae - Langua...
172 bpm • G min • 04:54 • -7.69db
13% Popularity • 45% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 45% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Sanjay Subrahmanyan
Shobillu Sapthaswara - Jaganmohini - Roo...
172 bpm • D Maj • 08:41 • -9db
14% Popularity • 47% Danceability • 70% Energy • 6% Liveness
1% Instrumentalness • 83% Positiveness
14% Popularity • 47% Danceability • 70% Energy • 6% Liveness
1% Instrumentalness • 83% Positiveness
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Bombay Sisters
Marukkulaviya
167 bpm • F# Maj • 03:04 • -4.75db
7% Popularity • 48% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 48% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Sikkil Gurucharan
Keezhvaanam
166 bpm • D Maj • 01:51 • -8.06db
23% Popularity • 60% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 60% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Nithyasree Mahadevan
Pullin Vaai Keendalai - Nithyasree Mahad...
166 bpm • C# Maj • 01:44 • -7.21db
14% Popularity • 52% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 52% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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P. Jayachandran
Akaleyanennal
172 bpm • G min • 05:41 • -9.1db
12% Popularity • 60% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 60% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Mahanadhi Shobana
SUTRUM VIZHI CHUDARDAAN
166 bpm • F# min • 05:16 • -9.05db
11% Popularity • 61% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 61% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Malladi Brothers
Smariso Sarvada
166 bpm • C Maj • 03:28 • -5.76db
16% Popularity • 40% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 40% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Pushpavanam Kuppusamy
Haro Hara
172 bpm • E min • 06:11 • -6.83db
12% Popularity • 49% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 49% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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S. Janaki
Ayodya Kadhiloche
166 bpm • E Maj • 05:11 • -8.54db
12% Popularity • 60% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 60% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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Nithyasree Mahadevan
Thoomani Maadathu - Nithyasree Mahadevan
172 bpm • G# Maj • 02:32 • -7.14db
9% Popularity • 48% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 48% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Bombay Sisters
Koorvel
165 bpm • B Maj • 01:46 • -5.72db
15% Popularity • 56% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 56% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Sirkazhi Govindarajan
Thithikka Thithikka
166 bpm • E min • 03:00 • -8.34db
4% Popularity • 43% Danceability • 57% Energy • 39% Liveness
0% Instrumentalness • 67% Positiveness
4% Popularity • 43% Danceability • 57% Energy • 39% Liveness
0% Instrumentalness • 67% Positiveness
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Priya Sisters
Anthayu Neeve
173 bpm • G# min • 05:44 • -8.65db
24% Popularity • 39% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 39% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Thiruvizha Jayashankar
Gajavadana - Sreerenjini - Adi
173 bpm • C min • 10:02 • -3.48db
11% Popularity • 45% Danceability • 97% Energy • 31% Liveness
92% Instrumentalness • 54% Positiveness
11% Popularity • 45% Danceability • 97% Energy • 31% Liveness
92% Instrumentalness • 54% Positiveness
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Unni Menon
Ganapathiye Gajamugane
173 bpm • G# Maj • 03:56 • -4.54db
15% Popularity • 53% Danceability • 80% Energy • 12% Liveness
90% Instrumentalness • 92% Positiveness
15% Popularity • 53% Danceability • 80% Energy • 12% Liveness
90% Instrumentalness • 92% Positiveness
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Nithyasree Mahadevan
Nottru Chuvarkam - Nithyasree Mahadevan
172 bpm • C# min • 01:51 • -7.45db
8% Popularity • 49% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 49% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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A.Kanyakumari,R.Ramesh
Marugelara
173 bpm • C# Maj • 05:26 • -7.81db
7% Popularity • 37% Danceability • 73% Energy • 12% Liveness
45% Instrumentalness • 65% Positiveness
7% Popularity • 37% Danceability • 73% Energy • 12% Liveness
45% Instrumentalness • 65% Positiveness
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Vijay Yesudas
Sai Oh Sai Baba
165 bpm • F Maj • 04:23 • -17.42db
22% Popularity • 55% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 55% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Ranjani-Gayatri
Srivalli Devasena Pathe - Natabhairavi -...
165 bpm • G min • 04:52 • -5.47db
19% Popularity • 34% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 34% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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G Balakrishna Prasad
Munula Tapamunade
174 bpm • F min • 06:20 • -8.53db
13% Popularity • 48% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 48% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Bombay Sisters
Vade Venkatadri
174 bpm • F# Maj • 05:08 • -11.79db
8% Popularity • 53% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 53% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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M. S. Sheela
Jagadoddarana
174 bpm • G# Maj • 06:54 • -5.71db
16% Popularity • 29% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 29% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Nithyasree Mahadevan
Margazhi Thingal - Nithyasree Mahadevan
164 bpm • G# Maj • 01:48 • -6.83db
26% Popularity • 55% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 55% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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P. Susheela
Badrachalamuna
164 bpm • E min • 05:29 • -12.56db
8% Popularity • 36% Danceability • 38% Energy • 22% Liveness
6% Instrumentalness • 42% Positiveness
8% Popularity • 36% Danceability • 38% Energy • 22% Liveness
6% Instrumentalness • 42% Positiveness
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Durga Viswanath
Ranjani Mridu
164 bpm • C# Maj • 06:29 • -3.44db
7% Popularity • 60% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 60% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Mambalam M.K.S. Siva
Alaipayuthe Kanna - Ragam - Kanada, Thal...
164 bpm • D# Maj • 06:47 • -7.62db
11% Popularity • 43% Danceability • 87% Energy • 31% Liveness
89% Instrumentalness • 61% Positiveness
11% Popularity • 43% Danceability • 87% Energy • 31% Liveness
89% Instrumentalness • 61% Positiveness
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J.Manikandan
Kuraiondrum Illai
174 bpm • A# Maj • 07:00 • -6.15db
9% Popularity • 41% Danceability • 83% Energy • 9% Liveness
92% Instrumentalness • 61% Positiveness
9% Popularity • 41% Danceability • 83% Energy • 9% Liveness
92% Instrumentalness • 61% Positiveness
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Yesudas
Amruthakanikal
174 bpm • A min • 04:53 • -13.04db
12% Popularity • 47% Danceability • 37% Energy • 28% Liveness
70% Instrumentalness • 46% Positiveness
12% Popularity • 47% Danceability • 37% Energy • 28% Liveness
70% Instrumentalness • 46% Positiveness
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P Rama
Banda Banda Chenda
163 bpm • A# Maj • 04:24 • -7.34db
9% Popularity • 48% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 48% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Mahanadhi Shobana
Nottru Chuvarkam - Mahanadhi Shobana
175 bpm • G# Maj • 01:44 • -9.6db
9% Popularity • 40% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 40% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Sirkazhi Govindarajan
Thavakkolam Thanil
164 bpm • F# min • 04:17 • -9.33db
9% Popularity • 48% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 48% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Mambalam M.K.S. Siva
Pranamamyaham - Ragam - Gowlai, Thalam -...
174 bpm • D# Maj • 07:54 • -8db
18% Popularity • 43% Danceability • 88% Energy • 8% Liveness
88% Instrumentalness • 67% Positiveness
18% Popularity • 43% Danceability • 88% Energy • 8% Liveness
88% Instrumentalness • 67% Positiveness
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IndianRaga
Thiruppugazh - Ragamalika - Tala Kanta N...
163 bpm • E Maj • 04:11 • -9.45db
10% Popularity • 48% Danceability • 83% Energy • 10% Liveness
2% Instrumentalness • 62% Positiveness
10% Popularity • 48% Danceability • 83% Energy • 10% Liveness
2% Instrumentalness • 62% Positiveness
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M. S. Meera
Nadaswaram Mangala Vadiyam
163 bpm • D# Maj • 03:58 • -5.43db
20% Popularity • 50% Danceability • 83% Energy • 30% Liveness
92% Instrumentalness • 70% Positiveness
20% Popularity • 50% Danceability • 83% Energy • 30% Liveness
92% Instrumentalness • 70% Positiveness
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Nithyasree Mahadevan
Unthu Matha Kalitran - Nithyasree Mahade...
162 bpm • E Maj • 02:20 • -7.31db
12% Popularity • 56% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 56% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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J.Manikandan
Maadu Meykka
176 bpm • A# Maj • 06:50 • -7.06db
1% Popularity • 44% Danceability • 73% Energy • 30% Liveness
93% Instrumentalness • 81% Positiveness
1% Popularity • 44% Danceability • 73% Energy • 30% Liveness
93% Instrumentalness • 81% Positiveness
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T.K.Palani Swamy
Mangalam
176 bpm • D Maj • 05:50 • -6.54db
13% Popularity • 44% Danceability • 96% Energy • 7% Liveness
88% Instrumentalness • 70% Positiveness
13% Popularity • 44% Danceability • 96% Energy • 7% Liveness
88% Instrumentalness • 70% Positiveness
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Sivasri Skandaprasad
Kannan Varugindra Neram Version 2
162 bpm • G# Maj • 05:59 • -6.5db
14% Popularity • 54% Danceability • 53% Energy • 15% Liveness
4% Instrumentalness • 66% Positiveness
14% Popularity • 54% Danceability • 53% Energy • 15% Liveness
4% Instrumentalness • 66% Positiveness
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Mahanadi Shobana
Ettrugirom
176 bpm • C Maj • 07:53 • -6.95db
10% Popularity • 61% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 61% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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V. Ramakrishna
Slokam
176 bpm • C Maj • 01:03 • -5db
0% Popularity • 52% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 52% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Mylai S. Rajendran & Party
Dasaradhanaar(Odam)
161 bpm • D# Maj • 02:49 • -12.27db
7% Popularity • 49% Danceability • 70% Energy • 33% Liveness
91% Instrumentalness • 44% Positiveness
7% Popularity • 49% Danceability • 70% Energy • 33% Liveness
91% Instrumentalness • 44% Positiveness
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Mano
Srishaila Vasa
177 bpm • D# min • 05:35 • -4.63db
9% Popularity • 49% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 49% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Ilaiyaraaja
Poonkaaviyam
177 bpm • F min • 04:43 • -15.12db
18% Popularity • 49% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 49% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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P. Jayachandran
Thuyilunaruka
161 bpm • C# min • 03:51 • -10.27db
11% Popularity • 58% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 58% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Haripriya
Nigama Nigama
161 bpm • G# min • 05:26 • -3.8db
10% Popularity • 40% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 40% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
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N. R. P. Ravichandhran
Bhagyada Lakshmi
178 bpm • A# min • 02:35 • -6db
6% Popularity • 38% Danceability • 93% Energy • 23% Liveness
96% Instrumentalness • 92% Positiveness
6% Popularity • 38% Danceability • 93% Energy • 23% Liveness
96% Instrumentalness • 92% Positiveness
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T.K.Palani Swami
Theretheeygarada
161 bpm • B min • 07:13 • -5.93db
7% Popularity • 40% Danceability • 92% Energy • 9% Liveness
89% Instrumentalness • 71% Positiveness
7% Popularity • 40% Danceability • 92% Energy • 9% Liveness
89% Instrumentalness • 71% Positiveness
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Lalgudi G. Jayaraman
Varnam - Ragam: Neelambari / Talam: Adi ...
161 bpm • G Maj • 09:03 • -12db
9% Popularity • 42% Danceability • 39% Energy • 18% Liveness
88% Instrumentalness • 55% Positiveness
9% Popularity • 42% Danceability • 39% Energy • 18% Liveness
88% Instrumentalness • 55% Positiveness
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G Balakrishna Prasad
Jayalakshmi Varalakshmi
160 bpm • C# Maj • 08:11 • -4.4db
12% Popularity • 37% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 37% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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Savitha Sai
Kadimalar Kamalangal
160 bpm • B Maj • 01:37 • -13.21db
17% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Kaliyamurthy & V.G.balasubramaniyam
Siddhi Vinayagam ? Shanmuga Priya ? Rupa...
178 bpm • D# Maj • 05:44 • -15.6db
9% Popularity • 46% Danceability • 58% Energy • 7% Liveness
85% Instrumentalness • 60% Positiveness
9% Popularity • 46% Danceability • 58% Energy • 7% Liveness
85% Instrumentalness • 60% Positiveness
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K. Hariprasad
Azhagu Deivam - Senjurutti - Adi
160 bpm • F Maj • 07:12 • -9.61db
10% Popularity • 59% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 59% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Mambalam M.K.S. Siva
Vara Leela Gana Lola - Ragam - Sankarabh...
159 bpm • A# Maj • 02:13 • -8db
10% Popularity • 52% Danceability • 94% Energy • 20% Liveness
88% Instrumentalness • 82% Positiveness
10% Popularity • 52% Danceability • 94% Energy • 20% Liveness
88% Instrumentalness • 82% Positiveness
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Johnson
Ponnazhikoodu
159 bpm • C Maj • 04:22 • -5.26db
15% Popularity • 46% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 46% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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S. Janaki
Kanatharama O Hanuma
179 bpm • G# Maj • 06:23 • -7.46db
21% Popularity • 39% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 39% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Soolamangalam Sisters
Ambikae
159 bpm • B min • 03:03 • -11.13db
12% Popularity • 69% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 69% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Meghna Chandra
Bhole Baba - Uttrakhandi Kumaoni Song
159 bpm • C Maj • 08:38 • -7.29db
0% Popularity • 70% Danceability • 86% Energy • 10% Liveness
1% Instrumentalness • 89% Positiveness
0% Popularity • 70% Danceability • 86% Energy • 10% Liveness
1% Instrumentalness • 89% Positiveness
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A. R. Ramani Ammal
Saranam Saranam Jagadamba
159 bpm • F min • 02:22 • -12db
17% Popularity • 58% Danceability • 62% Energy • 52% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 58% Danceability • 62% Energy • 52% Liveness
0% Instrumentalness • 96% Positiveness
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Deva
Mano Ya Na Mano (short version)
180 bpm • C Maj • 01:02 • -11.53db
13% Popularity • 38% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 38% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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Pallavi
Entha Sundarivamma
158 bpm • G min • 03:33 • -7.81db
8% Popularity • 50% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 50% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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S. Janaki
Neepadayugalame
180 bpm • G min • 04:48 • -3.94db
24% Popularity • 43% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 43% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Mambalam M.K.S. Siva
Thiruppugazh
181 bpm • A# Maj • 02:33 • -9db
11% Popularity • 41% Danceability • 88% Energy • 50% Liveness
89% Instrumentalness • 60% Positiveness
11% Popularity • 41% Danceability • 88% Energy • 50% Liveness
89% Instrumentalness • 60% Positiveness
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Rathnamala Prakash
Thoura Sukhadolagenna
181 bpm • A Maj • 05:38 • -8.03db
13% Popularity • 43% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 43% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Nithyasree Mahadevan
Pullum Silambin Kann - Nithyasree Mahade...
157 bpm • G# Maj • 02:21 • -7db
12% Popularity • 54% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 54% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
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Veeramani Kannan
Arunan Indhiran
157 bpm • B Maj • 01:10 • -7db
10% Popularity • 65% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 65% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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V. Ramakrishna
Siva Govinda Govinda, Pt. 1
157 bpm • C# Maj • 04:44 • -6.02db
0% Popularity • 48% Danceability • 56% Energy • 38% Liveness
11% Instrumentalness • 75% Positiveness
0% Popularity • 48% Danceability • 56% Energy • 38% Liveness
11% Instrumentalness • 75% Positiveness
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S. Mahathi
Nalinakanthi
182 bpm • C# Maj • 04:41 • -6.22db
11% Popularity • 53% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 53% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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J.Manikandan
Govinda
157 bpm • G Maj • 05:32 • -7db
5% Popularity • 42% Danceability • 80% Energy • 6% Liveness
96% Instrumentalness • 84% Positiveness
5% Popularity • 42% Danceability • 80% Energy • 6% Liveness
96% Instrumentalness • 84% Positiveness
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R. Chandrakanth
Azhagana Pazhani
156 bpm • E min • 04:52 • -5.91db
8% Popularity • 52% Danceability • 54% Energy • 51% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 52% Danceability • 54% Energy • 51% Liveness
0% Instrumentalness • 77% Positiveness
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D.V. Ramani
Chettinaattu Seemaiyilae
155 bpm • A Maj • 08:21 • -8.57db
13% Popularity • 63% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 63% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Traditional
Seetha Kalyana
156 bpm • D# Maj • 08:15 • -9.42db
3% Popularity • 47% Danceability • 85% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
3% Popularity • 47% Danceability • 85% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Sikkil Gurucharan
Katrukkaravai
184 bpm • A min • 02:34 • -9.95db
11% Popularity • 51% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 51% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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G Balakrishna Prasad
Kulukaka Nadavaru
155 bpm • G Maj • 05:41 • -5.43db
9% Popularity • 47% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 47% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Bombay Sisters
Papa Punyamula
155 bpm • B Maj • 04:17 • -10.97db
7% Popularity • 48% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
7% Popularity • 48% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Neyveli Santhanagopalan
Sadinchene
155 bpm • F Maj • 07:47 • -7.5db
14% Popularity • 40% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 40% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 71% Positiveness
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Sanjay Subrahmanyan
Thillana
154 bpm • G Maj • 02:39 • -6.24db
32% Popularity • 61% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 61% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
