Songs like Krumme Symphonie - Live @ Trabrennbahn Hamburg by Bosse
Based on a tempo of (+/- 10%) and a similar genre
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Wir sind Helden
Ist das so?
172 bpm • F# min • 03:04 • -3.96db
32% Popularity • 60% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 60% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Chefboss
Kein Geld der Welt
172 bpm • C# min • 03:12 • -5.16db
15% Popularity • 75% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 75% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
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Alligatoah
Erntedank
172 bpm • G Maj • 03:51 • -7.53db
38% Popularity • 52% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 52% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Bosse
Krumme Symphonie - Live @ Trabrennbahn H...
172 bpm • F# min • 03:37 • -3.9db
11% Popularity • 36% Danceability • 96% Energy • 95% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 36% Danceability • 96% Energy • 95% Liveness
0% Instrumentalness • 36% Positiveness
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Peter Maffay
Leuchtturm - MTV Unplugged
172 bpm • C# min • 03:59 • -7.46db
38% Popularity • 48% Danceability • 94% Energy • 96% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 48% Danceability • 94% Energy • 96% Liveness
0% Instrumentalness • 50% Positiveness
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Echt
(Fast) Wie ein Mädchen
171 bpm • C Maj • 03:39 • -5.99db
21% Popularity • 44% Danceability • 75% Energy • 18% Liveness
2% Instrumentalness • 50% Positiveness
21% Popularity • 44% Danceability • 75% Energy • 18% Liveness
2% Instrumentalness • 50% Positiveness
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Kapelle Petra
Die Jugend heutzutage
173 bpm • C Maj • 03:24 • -6.15db
18% Popularity • 53% Danceability • 69% Energy • 9% Liveness
1% Instrumentalness • 58% Positiveness
18% Popularity • 53% Danceability • 69% Energy • 9% Liveness
1% Instrumentalness • 58% Positiveness
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![Reeperbahn 2011 (What It's Like) [feat. Jan Delay] - MTV Unplugged Radio Version cover art](https://i.scdn.co/image/ab67616d00001e02e7fa17905e8bc6b33cc6510d)
Udo Lindenberg
Reeperbahn 2011 (What It's Like) - MTV ...
170 bpm • C Maj • 03:33 • -7.1db
41% Popularity • 60% Danceability • 69% Energy • 92% Liveness
0% Instrumentalness • 65% Positiveness
41% Popularity • 60% Danceability • 69% Energy • 92% Liveness
0% Instrumentalness • 65% Positiveness
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Herbert Grönemeyer
Und immer
170 bpm • C Maj • 03:34 • -6.44db
33% Popularity • 58% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 58% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Bosse
Kraft
173 bpm • A Maj • 03:30 • -3.76db
14% Popularity • 44% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 44% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Fynn Kliemann
Dunkelblau
170 bpm • E min • 03:19 • -5.27db
39% Popularity • 59% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 59% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Betterov
Platz am Fenster
170 bpm • G Maj • 03:44 • -2.87db
34% Popularity • 42% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 42% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Kapelle Petra
Seitdem ich Johnny Cash bin
170 bpm • A Maj • 03:02 • -4db
25% Popularity • 47% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 47% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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LEA
Immer wenn wir uns sehn ("Das schönste ...
170 bpm • C# min • 03:05 • -4.8db
58% Popularity • 58% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
58% Popularity • 58% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Lemo
Rückwärts gegen die Einbahn
175 bpm • C Maj • 03:33 • -6.75db
12% Popularity • 44% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 44% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Bosse
Krumme Symphonie
170 bpm • F# min • 03:13 • -5.4db
32% Popularity • 60% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 60% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Querbeat
Endstufe 2
175 bpm • G# min • 02:54 • -5.27db
28% Popularity • 57% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 57% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Enno Bunger
Heimlich
176 bpm • C# Maj • 03:06 • -4.34db
24% Popularity • 49% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 49% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Wir sind Helden
23:55: Alles auf Anfang
176 bpm • F min • 03:09 • -5.5db
31% Popularity • 37% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 37% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Kapelle Petra
An irgendeinem Tag wird die Welt unterge...
168 bpm • A# Maj • 03:30 • -4.86db
43% Popularity • 53% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 53% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Antje Schomaker
Lost Indieboy
176 bpm • A Maj • 03:19 • -5.73db
29% Popularity • 51% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 51% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Bosse
Pjöngjang
168 bpm • F# Maj • 03:33 • -4.63db
15% Popularity • 45% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 45% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Julia Engelmann
Jetzt
168 bpm • G# Maj • 03:54 • -8db
36% Popularity • 58% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 58% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Fynn Kliemann
Die Hook
168 bpm • A# min • 02:52 • -4.86db
38% Popularity • 71% Danceability • 55% Energy • 52% Liveness
0% Instrumentalness • 91% Positiveness
38% Popularity • 71% Danceability • 55% Energy • 52% Liveness
0% Instrumentalness • 91% Positiveness
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Marcus Wiebusch
Jede Zeit hat ihre Pest
168 bpm • D Maj • 03:33 • -7.99db
14% Popularity • 61% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 61% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Echt
Meisterwerk
167 bpm • A min • 04:51 • -7.46db
29% Popularity • 39% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
29% Popularity • 39% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
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Antje Schomaker
Ich Muss Gar Nichts
176 bpm • D Maj • 03:06 • -5.19db
43% Popularity • 69% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 69% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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OK KID
Wolke
178 bpm • B min • 03:41 • -8.2db
10% Popularity • 32% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 32% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Von Wegen Lisbeth
Bitch
178 bpm • A# Maj • 03:47 • -5.61db
55% Popularity • 58% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
55% Popularity • 58% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Nisse
Taxi
166 bpm • B Maj • 03:47 • -6.47db
10% Popularity • 65% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 65% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Samy Deluxe
Füchse - SaMTV Unplugged
180 bpm • C Maj • 04:28 • -4.52db
30% Popularity • 54% Danceability • 84% Energy • 82% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 54% Danceability • 84% Energy • 82% Liveness
0% Instrumentalness • 47% Positiveness
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Echt
Spurlos
166 bpm • C Maj • 06:23 • -10.84db
21% Popularity • 29% Danceability • 45% Energy • 38% Liveness
7% Instrumentalness • 8% Positiveness
21% Popularity • 29% Danceability • 45% Energy • 38% Liveness
7% Instrumentalness • 8% Positiveness
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KAFFKIEZ
Frei
180 bpm • B min • 02:45 • -6.05db
53% Popularity • 50% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
53% Popularity • 50% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Antje Schomaker
Verschwendete Zeit
167 bpm • F# Maj • 03:01 • -7db
37% Popularity • 59% Danceability • 80% Energy • 11% Liveness
1% Instrumentalness • 85% Positiveness
37% Popularity • 59% Danceability • 80% Energy • 11% Liveness
1% Instrumentalness • 85% Positiveness
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OK KID
E09 Epilog
165 bpm • B Maj • 04:35 • -7.22db
17% Popularity • 56% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 56% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Bosse
Brillant
180 bpm • E min • 03:22 • -4.68db
11% Popularity • 56% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 56% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Kapelle Petra
Ameland
180 bpm • C Maj • 03:24 • -5.38db
29% Popularity • 44% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 44% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Echt
Nicht so furchtbar schlau
179 bpm • E Maj • 03:51 • -7.22db
23% Popularity • 45% Danceability • 73% Energy • 48% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 45% Danceability • 73% Energy • 48% Liveness
0% Instrumentalness • 69% Positiveness
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SDP
FUCK BABY I'M IN LOVE (aus "Sing meinen ...
164 bpm • C min • 03:32 • -8db
36% Popularity • 62% Danceability • 65% Energy • 76% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 62% Danceability • 65% Energy • 76% Liveness
0% Instrumentalness • 73% Positiveness
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Antje Schomaker
Auf Augenhöhe
164 bpm • G# Maj • 02:39 • -4db
48% Popularity • 69% Danceability • 51% Energy • 12% Liveness
2% Instrumentalness • 68% Positiveness
48% Popularity • 69% Danceability • 51% Energy • 12% Liveness
2% Instrumentalness • 68% Positiveness
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Herbert Grönemeyer
Bleibt alles anders - Remastered 2016
164 bpm • A# min • 04:42 • -9.07db
32% Popularity • 43% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 43% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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OK KID
Pattaya
180 bpm • C Maj • 03:23 • -7.79db
12% Popularity • 76% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 76% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Georg Auf Lieder
Tarzan und Jane
164 bpm • D Maj • 02:50 • -5.42db
11% Popularity • 46% Danceability • 88% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
11% Popularity • 46% Danceability • 88% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
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Echt
Kurz nach dem Aufstehen
179 bpm • C Maj • 03:48 • -4.85db
18% Popularity • 40% Danceability • 74% Energy • 64% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 40% Danceability • 74% Energy • 64% Liveness
0% Instrumentalness • 43% Positiveness
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Wir sind Helden
Darf ich das behalten
182 bpm • G# min • 03:18 • -8db
34% Popularity • 52% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 52% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Robert Redweik
Tempo raus
162 bpm • C Maj • 02:56 • -5.37db
31% Popularity • 56% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 56% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 60% Positiveness
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Von Wegen Lisbeth
Drüben bei Penny
162 bpm • E min • 04:34 • -6.02db
33% Popularity • 74% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 74% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Die Ärzte
Perfekt
162 bpm • D# Maj • 02:37 • -4.99db
47% Popularity • 51% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
47% Popularity • 51% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Alex Mofa Gang
Helden deiner Jugend
162 bpm • G# min • 02:53 • -6.3db
12% Popularity • 60% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 60% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Julia Engelmann
Stille Poeten
162 bpm • B min • 03:22 • -8db
40% Popularity • 57% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 57% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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BRUCKNER
In drei Jahren - Nirgendwo Session
161 bpm • B Maj • 03:22 • -6.71db
17% Popularity • 48% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 48% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Alligatoah
So gut wie neu
184 bpm • D# Maj • 04:06 • -7.87db
32% Popularity • 54% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 54% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Bosse
So oder so
184 bpm • G min • 03:09 • -4.69db
47% Popularity • 36% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
47% Popularity • 36% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Prinz Pi
Messer
160 bpm • E min • 03:04 • -8.2db
34% Popularity • 61% Danceability • 58% Energy • 46% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 61% Danceability • 58% Energy • 46% Liveness
0% Instrumentalness • 37% Positiveness
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Kapelle Petra
Perfektes Paar
184 bpm • F Maj • 03:14 • -7.94db
15% Popularity • 51% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 51% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Die Fantastischen Vier
Gebt uns ruhig die Schuld (den Rest kön...
160 bpm • C# Maj • 04:14 • -3.98db
37% Popularity • 80% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
37% Popularity • 80% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Die Ärzte
Himmelblau
160 bpm • G# min • 03:18 • -6.21db
52% Popularity • 48% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
52% Popularity • 48% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Von Wegen Lisbeth
Wieso
160 bpm • G min • 03:10 • -4.62db
36% Popularity • 80% Danceability • 77% Energy • 4% Liveness
19% Instrumentalness • 97% Positiveness
36% Popularity • 80% Danceability • 77% Energy • 4% Liveness
19% Instrumentalness • 97% Positiveness
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Wir sind Helden
Nur ein Wort
185 bpm • B Maj • 03:56 • -4.65db
66% Popularity • 48% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
66% Popularity • 48% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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Alex Mofa Gang
Hinter den Fassaden
160 bpm • A Maj • 03:15 • -5.79db
15% Popularity • 50% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 50% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Moop Mama
Alle Kinder
160 bpm • D Maj • 03:27 • -7.05db
38% Popularity • 80% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
38% Popularity • 80% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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#zweiraumsilke
Nachtbus
160 bpm • D Maj • 03:00 • -5db
12% Popularity • 68% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 68% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Fynn Kliemann
Der Mann und das Meer
160 bpm • D# min • 03:55 • -9.67db
37% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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IL CIVETTO
Rio-Reiser-Platz
160 bpm • D Maj • 03:02 • -5.75db
51% Popularity • 67% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
51% Popularity • 67% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Deichkind
Porzellan und Elefanten
159 bpm • F# min • 03:36 • -9db
39% Popularity • 62% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
39% Popularity • 62% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Von Wegen Lisbeth
Westkreuz
159 bpm • C Maj • 03:47 • -3.8db
44% Popularity • 68% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
44% Popularity • 68% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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BRUCKNER
Es gibt Tage
186 bpm • D Maj • 04:12 • -7.83db
17% Popularity • 56% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 56% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Enno Bunger
Euphorie
186 bpm • F Maj • 03:43 • -6.89db
41% Popularity • 44% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 44% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Kapelle Petra
Morgen ist frei
158 bpm • C# Maj • 03:13 • -8db
16% Popularity • 54% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 54% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Philipp Poisel
Wo fängt dein Himmel an
158 bpm • F Maj • 04:33 • -8.32db
18% Popularity • 51% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 51% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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LOTTE
Anders als geplant
158 bpm • F# min • 03:33 • -7.36db
20% Popularity • 63% Danceability • 66% Energy • 51% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 63% Danceability • 66% Energy • 51% Liveness
0% Instrumentalness • 60% Positiveness
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Alex Mofa Gang
Treibholz
187 bpm • A# min • 03:10 • -7.02db
21% Popularity • 52% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
21% Popularity • 52% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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Herbert Grönemeyer
Männer
188 bpm • F Maj • 03:58 • -4.57db
59% Popularity • 65% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
59% Popularity • 65% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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Enno Bunger
Regen
187 bpm • F# min • 04:05 • -9.76db
42% Popularity • 24% Danceability • 59% Energy • 15% Liveness
89% Instrumentalness • 16% Positiveness
42% Popularity • 24% Danceability • 59% Energy • 15% Liveness
89% Instrumentalness • 16% Positiveness
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Bosse
Vier Leben
188 bpm • A Maj • 03:57 • -7db
20% Popularity • 40% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 40% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
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Tomte
Endlich einmal
188 bpm • E min • 05:12 • -6.24db
18% Popularity • 37% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 37% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Kapelle Petra
Also stoßen wir an
188 bpm • D# Maj • 03:55 • -4db
33% Popularity • 41% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 41% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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BRUCKNER
Zehenspitzen
155 bpm • G min • 02:30 • -7.66db
27% Popularity • 70% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 70% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Broilers
Ihr da oben
155 bpm • G# min • 03:54 • -6.81db
43% Popularity • 51% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 51% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Enno Bunger
Stark sein
158 bpm • D# Maj • 03:38 • -8.11db
22% Popularity • 55% Danceability • 50% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 55% Danceability • 50% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
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Die Fantastischen Vier
Ernten was wir säen
155 bpm • G Maj • 04:13 • -4.86db
43% Popularity • 65% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
43% Popularity • 65% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Maxim
Meine Soldaten
154 bpm • B Maj • 03:26 • -4.72db
54% Popularity • 57% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
54% Popularity • 57% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Kapelle Petra
Restart Mann
156 bpm • G Maj • 03:14 • -4.92db
14% Popularity • 53% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 53% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Lina Maly
Wachsen
154 bpm • A min • 03:12 • -8.38db
31% Popularity • 63% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 63% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Lemo
Eine Antwort
153 bpm • A min • 04:37 • -7.59db
13% Popularity • 53% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 53% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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Enno Bunger
Weltuntergang (Alles hört auf)
156 bpm • B Maj • 02:59 • -8.06db
34% Popularity • 57% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 57% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Tomte
Ich sang die ganze Zeit von dir
154 bpm • C# min • 04:22 • -6.32db
42% Popularity • 60% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 60% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Matze Rossi
Kein Zweifeln und Bedauern
153 bpm • C min • 03:21 • -6.71db
19% Popularity • 54% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 54% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Von Wegen Lisbeth
Alexa gib mir mein Geld zurück!
152 bpm • A min • 02:05 • -2.92db
42% Popularity • 80% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
42% Popularity • 80% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Casper
Hinterland
152 bpm • A min • 03:55 • -8db
48% Popularity • 61% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
48% Popularity • 61% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Lemo
Tomaten auf den Papst
152 bpm • G Maj • 04:09 • -7.92db
15% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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BRUCKNER
Lifestyle
152 bpm • A Maj • 02:45 • -4.75db
25% Popularity • 61% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 61% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Tomte
Heureka
153 bpm • C# min • 03:11 • -6.93db
23% Popularity • 59% Danceability • 77% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 59% Danceability • 77% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Bosse
Ich warte auf dich
152 bpm • C min • 03:37 • -7db
39% Popularity • 61% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 61% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
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Von Wegen Lisbeth
Sushi
152 bpm • A# Maj • 03:11 • -5db
46% Popularity • 63% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
46% Popularity • 63% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Juli
Die besten Dinge - Single Edit
152 bpm • B min • 03:11 • -3.33db
30% Popularity • 59% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 59% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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KAFFKIEZ
Himmelblau
152 bpm • A# min • 03:23 • -4.63db
48% Popularity • 52% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 52% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Die Ärzte
Unrockbar
195 bpm • D# min • 04:01 • -7.58db
46% Popularity • 32% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 32% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
