Songs like La bella dormente nel bosco (Sleeping Beauty), P. 176: La tiepida notte intesse ghirlande di tremule stelle by Ottorino Respighi
Based on a tempo of (+/- 10%) and a similar genre
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
55% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
55% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Carl Maria von Weber
Divertimento No. 6 in G Major, Op. 38: D...
119 bpm • G Maj • 01:12 • -27db
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: IV. I pi...
120 bpm • B Maj • 05:36 • -16.36db
23% Popularity • 18% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
23% Popularity • 18% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Lazar Berman
Chaconne in sol maggiore : Variazione 10
120 bpm • G min • 01:01 • -37.28db
51% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
51% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
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Gabriel Fauré
Cello Sonata No. 1 in D Minor, Op. 109: ...
120 bpm • D# Maj • 06:59 • -18.9db
43% Popularity • 23% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
43% Popularity • 23% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 159
120 bpm • C Maj • 02:23 • -27db
51% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
51% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
120 bpm • E min • 00:57 • -21.65db
29% Popularity • 50% Danceability • 9% Energy • 7% Liveness
58% Instrumentalness • 58% Positiveness
29% Popularity • 50% Danceability • 9% Energy • 7% Liveness
58% Instrumentalness • 58% Positiveness
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Carl Maria von Weber
7 Variations on an original theme, Op. 9...
121 bpm • F Maj • 00:57 • -35db
59% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
59% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Francis Poulenc
Cello Sonata, FP 143: Cavatine: Tres cal...
122 bpm • A# min • 06:22 • -25db
36% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
36% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus, K. 618 (Transcr. Liszt...
115 bpm • B Maj • 04:02 • -38.66db
22% Popularity • 49% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
22% Popularity • 49% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
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Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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AntonÃn Dvořák
4 Romantic Pieces, Op. 75, B. 150: I. Al...
115 bpm • A# Maj • 02:56 • -27.06db
37% Popularity • 21% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 17% Positiveness
37% Popularity • 21% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 17% Positiveness
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Carl Maria von Weber
Variations on a Theme from the Opera Sil...
123 bpm • A# Maj • 01:10 • -17.02db
44% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
44% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
49% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
49% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
46% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
46% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
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Vladimir Rebikov
Valse Mélancolique
113 bpm • B min • 01:34 • -24db
42% Popularity • 53% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
42% Popularity • 53% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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Ottorino Respighi
Ancient Airs And Dances, Suite No. 1, P....
117 bpm • D Maj • 03:45 • -17.1db
5% Popularity • 48% Danceability • 19% Energy • 17% Liveness
90% Instrumentalness • 53% Positiveness
5% Popularity • 48% Danceability • 19% Energy • 17% Liveness
90% Instrumentalness • 53% Positiveness
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Franz Schubert
Waltz, D. 1/14, "Kupelwieser-Walzer"
113 bpm • F# Maj • 01:36 • -34db
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Robert Schumann
No. 7, Träumerei
114 bpm • F Maj • 02:54 • -38db
38% Popularity • 47% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 37% Positiveness
38% Popularity • 47% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 37% Positiveness
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Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
35% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
35% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
126 bpm • E min • 05:46 • -27db
59% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
59% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
125 bpm • D Maj • 02:47 • -23db
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
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Béla Bartók
44 Duos for 2 Violins, BB 104, Vol. 1: P...
112 bpm • B min • 00:53 • -24.71db
35% Popularity • 27% Danceability • 3% Energy • 27% Liveness
61% Instrumentalness • 6% Positiveness
35% Popularity • 27% Danceability • 3% Energy • 27% Liveness
61% Instrumentalness • 6% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 4. Bittendes Kind
113 bpm • D Maj • 00:59 • -38db
54% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
54% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
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César Franck
Prélude, fugue et variation in B Minor,...
112 bpm • F# Maj • 00:59 • -30.77db
51% Popularity • 33% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
51% Popularity • 33% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
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Edvard Grieg
Lyric Pieces, Book 9, Op. 68: Badnlat (C...
112 bpm • E Maj • 02:11 • -35.63db
59% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
59% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
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Alexander Scriabin
2 Pieces for the Left Hand, Op. 9: No. 1...
127 bpm • F# min • 02:11 • -29db
45% Popularity • 36% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
45% Popularity • 36% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
126 bpm • B min • 03:02 • -29db
38% Popularity • 47% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 19% Positiveness
38% Popularity • 47% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 19% Positiveness
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Jean Sibelius
4 Lyric Pieces, Op. 74: No. 1 Ekloge (Ec...
127 bpm • A min • 03:36 • -27.49db
32% Popularity • 30% Danceability • 6% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 30% Danceability • 6% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: Arietta
111 bpm • D# Maj • 01:23 • -31db
63% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
63% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
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Leopold Godowsky
12 Schubert Songs: Heidenroslein (Hedge ...
127 bpm • G Maj • 02:02 • -27db
43% Popularity • 46% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 33% Positiveness
43% Popularity • 46% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 33% Positiveness
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Ottorino Respighi
Suite in E Major, P. 51: II. Adagio
112 bpm • C# Maj • 08:05 • -25.62db
6% Popularity • 17% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
6% Popularity • 17% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
111 bpm • A# Maj • 01:40 • -25.59db
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
60% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
60% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Ottorino Respighi
La Boutique Fantasque: Valse lente
126 bpm • G Maj • 05:46 • -26.33db
3% Popularity • 32% Danceability • 4% Energy • 14% Liveness
76% Instrumentalness • 10% Positiveness
3% Popularity • 32% Danceability • 4% Energy • 14% Liveness
76% Instrumentalness • 10% Positiveness
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Aram Khachaturian
Children's Album No. 1 "Pictures of Chil...
111 bpm • F min • 01:27 • -22db
50% Popularity • 41% Danceability • 16% Energy • 17% Liveness
93% Instrumentalness • 36% Positiveness
50% Popularity • 41% Danceability • 16% Energy • 17% Liveness
93% Instrumentalness • 36% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 2: Menuet
128 bpm • D# Maj • 04:27 • -31.31db
41% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
41% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
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Gabriel Fauré
Requiem, Op. 48:IV. Pie Jesu (Arr. for P...
110 bpm • A# Maj • 03:09 • -36.6db
26% Popularity • 43% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 39% Positiveness
26% Popularity • 43% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 39% Positiveness
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Janos Sebestyen
Prelude In G Minor, BWV 930 : Praeambulu...
129 bpm • G min • 01:27 • -24.02db
59% Popularity • 32% Danceability • 24% Energy • 16% Liveness
90% Instrumentalness • 60% Positiveness
59% Popularity • 32% Danceability • 24% Energy • 16% Liveness
90% Instrumentalness • 60% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: Scher...
129 bpm • C min • 04:40 • -25db
37% Popularity • 41% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 76% Positiveness
37% Popularity • 41% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 76% Positiveness
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Ottorino Respighi
Suite No. 1, P. 109: I. Balletto Detto '...
127 bpm • D Maj • 02:59 • -22.83db
29% Popularity • 37% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 26% Positiveness
29% Popularity • 37% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 26% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
52% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
52% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 1 Ariet...
130 bpm • D# Maj • 01:25 • -41db
50% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
50% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 13. Le ...
130 bpm • G Maj • 02:45 • -31.63db
58% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
58% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
54% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
54% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Alexander Scriabin
3 Pieces, Op. 2: Prelude in B Major, Op....
131 bpm • B Maj • 00:59 • -41db
55% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
55% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Frédéric Chopin
Preludes, Op. 28: No. 4, Largo
109 bpm • A min • 02:11 • -25.93db
60% Popularity • 38% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
60% Popularity • 38% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Pablo de Sarasate
Nocturne-serenade, Op. 45
108 bpm • A# Maj • 06:23 • -28.7db
27% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
27% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
► Preview
Maurice Ravel
Ravel: Sonatine, M. 40: II. Mouvement de...
131 bpm • C# Maj • 02:56 • -27.01db
33% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
33% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
59% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
59% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
► Preview
Felix Mendelssohn
Piano Concerto No. 2 in D Minor, Op. 40,...
131 bpm • A# Maj • 07:44 • -30.09db
35% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
35% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
Ancient Airs And Dances, Suite No. 3, P....
109 bpm • C min • 03:03 • -19.21db
43% Popularity • 20% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
43% Popularity • 20% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
► Preview
Johann Sebastian Bach
Savior of the Nations, Come, BWV 659 (Ar...
131 bpm • G min • 04:39 • -23db
43% Popularity • 19% Danceability • 8% Energy • 13% Liveness
73% Instrumentalness • 5% Positiveness
43% Popularity • 19% Danceability • 8% Energy • 13% Liveness
73% Instrumentalness • 5% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
► Preview
Frédéric Chopin
Nocturne No. 6 in G Minor, Op. 15 No. 3
132 bpm • D min • 03:56 • -25.61db
50% Popularity • 45% Danceability • 2% Energy • 20% Liveness
93% Instrumentalness • 11% Positiveness
50% Popularity • 45% Danceability • 2% Energy • 20% Liveness
93% Instrumentalness • 11% Positiveness
► Preview
Maurice Ravel
Ravel: Miroirs, M. 43: V. La Vallée des...
132 bpm • C# Maj • 06:06 • -33db
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
AntonÃn Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
► Preview
Ottorino Respighi
6 Pezzi, P. 44: No. 4. Minuetto
132 bpm • G Maj • 03:26 • -28.5db
37% Popularity • 42% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 25% Positiveness
37% Popularity • 42% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 25% Positiveness
► Preview
Mikhail Glinka
Mazurka in C Minor
106 bpm • C min • 02:35 • -31db
42% Popularity • 39% Danceability • 1% Energy • 22% Liveness
85% Instrumentalness • 14% Positiveness
42% Popularity • 39% Danceability • 1% Energy • 22% Liveness
85% Instrumentalness • 14% Positiveness
► Preview
Franz Schubert
Variations on an Original Theme in A-Fla...
133 bpm • D# Maj • 02:03 • -36.8db
44% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
44% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
► Preview
Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 2 ...
133 bpm • C# Maj • 02:00 • -31.22db
43% Popularity • 24% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
43% Popularity • 24% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
► Preview
Zdeněk Fibich
Moods, Impressions and Reminiscences, Op...
133 bpm • C# Maj • 01:41 • -26db
45% Popularity • 47% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 21% Positiveness
45% Popularity • 47% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 21% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Ottorino Respighi
Belkis, Queen of Sheba Suite, P. 177: I....
133 bpm • F min • 08:10 • -24.44db
3% Popularity • 18% Danceability • 1% Energy • 16% Liveness
80% Instrumentalness • 4% Positiveness
3% Popularity • 18% Danceability • 1% Energy • 16% Liveness
80% Instrumentalness • 4% Positiveness
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Friedrich Burgmüller
25 Ètudes Faciles Et Progressives, Op. ...
134 bpm • D Maj • 01:06 • -26db
55% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
55% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
134 bpm • C Maj • 01:17 • -34db
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Clara Schumann
3 Romances, Op. 11: I. Andante
106 bpm • D# min • 03:30 • -31db
38% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
38% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: I. Prelude: Song...
134 bpm • A# Maj • 02:30 • -29db
45% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
45% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Jean-Philippe Rameau
Rigaudons I, II & Double
106 bpm • E Maj • 01:02 • -24db
50% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
50% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
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Edvard Grieg
Pièces Lyriques, Op. 47 No. 3: Mélodie
105 bpm • F Maj • 04:16 • -30.93db
50% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
50% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Johann Christian Bach
Sonata No. 5 in A Major, Op. 17, No. 5: ...
135 bpm • A Maj • 03:38 • -27.59db
41% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
41% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Franz Schubert
Auf dem Wasser zu singen, D. 774 - Trans...
105 bpm • G# min • 03:52 • -20.8db
46% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
46% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Francis Poulenc
Piano Concerto in C-Sharp Minor, FP 146:...
135 bpm • G# Maj • 09:40 • -22.85db
25% Popularity • 26% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
25% Popularity • 26% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
136 bpm • B min • 04:15 • -30db
29% Popularity • 52% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 17% Positiveness
29% Popularity • 52% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 17% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 25 in G Major, Op. 79 "...
136 bpm • D# Maj • 02:33 • -37db
37% Popularity • 30% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
37% Popularity • 30% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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Robert Schumann
Schumann: Davidsbündlertänze, Op. 6, H...
135 bpm • D# Maj • 02:02 • -36db
43% Popularity • 29% Danceability • 0% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
43% Popularity • 29% Danceability • 0% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
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Reynaldo Hahn
Douze valses, Le ruban dénoué: No. 1, ...
104 bpm • F# min • 01:26 • -26.49db
52% Popularity • 40% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
52% Popularity • 40% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Jean-Philippe Rameau
The Arts and the Hours
136 bpm • C# Maj • 04:45 • -36.7db
63% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
63% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Franz Liszt
Berceuse, S. 174
136 bpm • C# Maj • 09:36 • -30db
34% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 57, Book VI: VI. Hjemv...
137 bpm • E min • 04:33 • -34db
43% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
43% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice" (Dance ...
103 bpm • D min • 04:42 • -34.5db
33% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
33% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
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Mieczysław Weinberg
Aria, Op. 9
103 bpm • A# Maj • 03:38 • -20.34db
35% Popularity • 15% Danceability • 9% Energy • 8% Liveness
4% Instrumentalness • 3% Positiveness
35% Popularity • 15% Danceability • 9% Energy • 8% Liveness
4% Instrumentalness • 3% Positiveness
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Maurice Ravel
Antar (After N. Rimsky-Korsakov): No. 7....
138 bpm • F Maj • 01:05 • -34db
62% Popularity • 15% Danceability • 1% Energy • 29% Liveness
86% Instrumentalness • 4% Positiveness
62% Popularity • 15% Danceability • 1% Energy • 29% Liveness
86% Instrumentalness • 4% Positiveness
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Alexander Glazunov
Raymonda, Op. 57: Prélude et la Romanes...
102 bpm • E min • 03:46 • -23.66db
36% Popularity • 29% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 8% Positiveness
36% Popularity • 29% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 8% Positiveness
