Songs like La Bohème / Act 2: "Quando m'en vo" - Live by Giacomo Puccini
Based on a tempo of (+/- 10%) and a similar genre
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Richard Wagner
Lohengrin, WWV 75 / Act III: "In fernem ...
82 bpm • A Maj • 10:25 • -13.34db
23% Popularity • 23% Danceability • 26% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 26% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Turandot / Act 3: "Nessun dorma"
82 bpm • D Maj • 03:14 • -15db
8% Popularity • 15% Danceability • 18% Energy • 8% Liveness
11% Instrumentalness • 7% Positiveness
8% Popularity • 15% Danceability • 18% Energy • 8% Liveness
11% Instrumentalness • 7% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 1:...
82 bpm • G# Maj • 05:48 • -17.5db
17% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
17% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
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John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Birgit Nilsson
Tosca, Act 2: "vissi D'arte"
82 bpm • G# Maj • 04:21 • -14db
19% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
La fille du régiment / Act 1: Ah! mes a...
82 bpm • D# Maj • 01:43 • -14.88db
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act III: Lie...
82 bpm • B Maj • 08:43 • -17db
15% Popularity • 18% Danceability • 21% Energy • 13% Liveness
27% Instrumentalness • 3% Positiveness
15% Popularity • 18% Danceability • 21% Energy • 13% Liveness
27% Instrumentalness • 3% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "O soave fanciulla"
83 bpm • C Maj • 04:03 • -22.52db
9% Popularity • 16% Danceability • 8% Energy • 9% Liveness
5% Instrumentalness • 5% Positiveness
9% Popularity • 16% Danceability • 8% Energy • 9% Liveness
5% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
40% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Victoria de los Ángeles
Als die alte Mutter
81 bpm • D Maj • 02:36 • -14db
26% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
26% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
83 bpm • A# Maj • 05:28 • -24.23db
35% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
35% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
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Gaetana Lama
Silenzio cantatore
83 bpm • E min • 04:52 • -18.37db
22% Popularity • 17% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
22% Popularity • 17% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492, Atto terzo S...
81 bpm • A# Maj • 02:55 • -25db
29% Popularity • 37% Danceability • 7% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 37% Danceability • 7% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act I: "Tre sbirri, una ...
83 bpm • D# Maj • 03:58 • -12db
4% Popularity • 19% Danceability • 32% Energy • 15% Liveness
8% Instrumentalness • 16% Positiveness
4% Popularity • 19% Danceability • 32% Energy • 15% Liveness
8% Instrumentalness • 16% Positiveness
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Ernesto de Curtis
Torna a Surriento (Arr. Chiaramello)
83 bpm • E Maj • 04:22 • -16.47db
39% Popularity • 24% Danceability • 19% Energy • 18% Liveness
4% Instrumentalness • 14% Positiveness
39% Popularity • 24% Danceability • 19% Energy • 18% Liveness
4% Instrumentalness • 14% Positiveness
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Renata Tebaldi
Madama Butterfly - Act II
81 bpm • F# Maj • 04:50 • -18.17db
14% Popularity • 22% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 22% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
31% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
31% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
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Alfredo Kraus
Les Pecheurs De Perles: Je Crois Entendr...
81 bpm • A min • 05:23 • -21.74db
14% Popularity • 23% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 23% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K. 588 / Act I: "Soave ...
81 bpm • E Maj • 02:51 • -27db
29% Popularity • 10% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 10% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Giacomo Puccini
La Bohème: Act I: O soave fanciulla
83 bpm • G Maj • 03:55 • -19.73db
9% Popularity • 19% Danceability • 8% Energy • 16% Liveness
3% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 8% Energy • 16% Liveness
3% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
83 bpm • F Maj • 03:35 • -23.24db
19% Popularity • 13% Danceability • 8% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 8% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
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Francesco Paolo Tosti
'A vucchella
81 bpm • F Maj • 03:08 • -21.22db
32% Popularity • 14% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
32% Popularity • 14% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo
81 bpm • F Maj • 03:10 • -19.56db
51% Popularity • 10% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 4% Positiveness
51% Popularity • 10% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act 3: "Mild...
81 bpm • B Maj • 06:58 • -15db
12% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
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Alfredo Catalani
La Wally, Act I: Ebben?... Ne andrò lon...
81 bpm • E min • 04:38 • -22db
10% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Tosca / Act 1: "Recondita armonia"
83 bpm • F Maj • 02:56 • -15.09db
22% Popularity • 22% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 22% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen, WD 31 / Act 2: "La fleur que tu ...
80 bpm • C# Maj • 04:20 • -16db
17% Popularity • 19% Danceability • 18% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 18% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
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Charles Gounod
Roméo et Juliette, Acte II: "L'amour......
80 bpm • F Maj • 06:10 • -18.27db
15% Popularity • 14% Danceability • 11% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 11% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
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Richard Wagner
Tannhauser: O du mein holder Abendstern
84 bpm • G Maj • 04:45 • -20db
24% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
24% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Alfredo Catalani
Catalani: La Wally, Act 1: "Ebben, ne an...
84 bpm • E Maj • 03:43 • -18db
19% Popularity • 28% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
19% Popularity • 28% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madame Butterfly, 1. Akt: Vogliatemi ben...
83 bpm • A# Maj • 02:54 • -50.14db
40% Popularity • 14% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Carl Orff
Carmina Burana / 3. Cour d'amours: "In t...
80 bpm • E min • 02:27 • -36db
33% Popularity • 14% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
39% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
39% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
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Renata Tebaldi
Si, Mi Chiamano Mimì - la Boheme Atto I
80 bpm • D Maj • 04:56 • -14.01db
28% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act II...
80 bpm • F# min • 03:54 • -22.6db
29% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 3: "Sul...
80 bpm • A# Maj • 03:30 • -22.48db
44% Popularity • 22% Danceability • 6% Energy • 43% Liveness
0% Instrumentalness • 8% Positiveness
44% Popularity • 22% Danceability • 6% Energy • 43% Liveness
0% Instrumentalness • 8% Positiveness
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Giacomo Puccini
Manon Lescaut: "Donna non vidi mai"
83 bpm • A# Maj • 02:35 • -16.11db
19% Popularity • 19% Danceability • 25% Energy • 39% Liveness
3% Instrumentalness • 16% Positiveness
19% Popularity • 19% Danceability • 25% Energy • 39% Liveness
3% Instrumentalness • 16% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
80 bpm • D# Maj • 04:56 • -17.52db
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 1: "Quanto è bel...
80 bpm • C Maj • 03:20 • -15.64db
26% Popularity • 31% Danceability • 23% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 31% Danceability • 23% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo
84 bpm • F Maj • 03:40 • -21.01db
32% Popularity • 12% Danceability • 15% Energy • 18% Liveness
84% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 15% Energy • 18% Liveness
84% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 14 Romances, Op. 34: No. 14...
84 bpm • F# min • 05:20 • -16db
28% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
28% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Georges Bizet
Les pêcheurs de perles, WD 13 / Act 1: ...
80 bpm • A min • 03:48 • -18.84db
20% Popularity • 15% Danceability • 14% Energy • 12% Liveness
12% Instrumentalness • 7% Positiveness
20% Popularity • 15% Danceability • 14% Energy • 12% Liveness
12% Instrumentalness • 7% Positiveness
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Giacomo Puccini
La Bohème, Act I: O soave fanciulla (Ro...
83 bpm • C Maj • 04:00 • -19db
21% Popularity • 16% Danceability • 13% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
21% Popularity • 16% Danceability • 13% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
La Sonnambula / Act 1: "Perdona, o mia d...
79 bpm • G# Maj • 10:58 • -18.5db
29% Popularity • 28% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
29% Popularity • 28% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Gaetano Donizetti
L'elisir d'amore, Act II: Una furtiva la...
80 bpm • A# min • 04:52 • -19db
26% Popularity • 24% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
26% Popularity • 24% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Act I: Regina coel...
84 bpm • G Maj • 06:15 • -16db
8% Popularity • 13% Danceability • 24% Energy • 30% Liveness
19% Instrumentalness • 9% Positiveness
8% Popularity • 13% Danceability • 24% Energy • 30% Liveness
19% Instrumentalness • 9% Positiveness
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Chor der Staatsoper Wien
Giacomo Puccini: Madame Butterfly - Summ...
85 bpm • A# Maj • 02:35 • -31db
31% Popularity • 27% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 27% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Katia Ricciarelli
Gianni Schicchi (O mio bambino caro)
79 bpm • G# Maj • 02:55 • -14db
34% Popularity • 20% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 5% Positiveness
34% Popularity • 20% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Tosca: Act III: O dolci mani mansuete e ...
81 bpm • C Maj • 01:33 • -26.69db
35% Popularity • 21% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
35% Popularity • 21% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act 1: Vorsp...
85 bpm • A Maj • 11:46 • -26db
8% Popularity • 9% Danceability • 3% Energy • 8% Liveness
73% Instrumentalness • 2% Positiveness
8% Popularity • 9% Danceability • 3% Energy • 8% Liveness
73% Instrumentalness • 2% Positiveness
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Vincenzo Bellini
Ma rendi pur contento
79 bpm • G# Maj • 02:23 • -21.97db
26% Popularity • 28% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 28% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Pietro Mascagni
Mascagni: Cavalleria rusticana: Intermez...
85 bpm • F Maj • 03:57 • -17.85db
14% Popularity • 14% Danceability • 10% Energy • 36% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 10% Energy • 36% Liveness
92% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: "Una...
79 bpm • A# min • 04:17 • -22.29db
21% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Dame Joan Sutherland
La traviata, Act 1: "Libiamo, ne' lieti ...
79 bpm • A# Maj • 03:15 • -19db
33% Popularity • 32% Danceability • 15% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 32% Danceability • 15% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
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Giacomo Puccini
Turandot: Act III Scene 1: Tu, che di ge...
83 bpm • D# min • 04:53 • -19db
17% Popularity • 23% Danceability • 14% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 14% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Francesco Cilea
L'arlesiana / Act 2: È la solita storia...
79 bpm • A min • 04:22 • -15.82db
22% Popularity • 21% Danceability • 21% Energy • 95% Liveness
1% Instrumentalness • 6% Positiveness
22% Popularity • 21% Danceability • 21% Energy • 95% Liveness
1% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
85 bpm • A Maj • 03:15 • -22.35db
32% Popularity • 24% Danceability • 6% Energy • 73% Liveness
2% Instrumentalness • 29% Positiveness
32% Popularity • 24% Danceability • 6% Energy • 73% Liveness
2% Instrumentalness • 29% Positiveness
► Preview
Christoph Willibald Gluck
Gluck: Orphée et Eurydice, Act 3: "J'ai...
79 bpm • E min • 04:22 • -20.16db
17% Popularity • 32% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 32% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Vincenzo Bellini
Norma / Act I: Casta Diva
85 bpm • G Maj • 06:28 • -23.91db
15% Popularity • 26% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
15% Popularity • 26% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
► Preview
Charles Gounod
Roméo et Juliette, CG 9 / Act 2: "L'amo...
79 bpm • G min • 01:00 • -18.56db
34% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Giacomo Puccini
Adagetto in F Major
81 bpm • F Maj • 04:15 • -31db
21% Popularity • 8% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
21% Popularity • 8% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Anonymous
Turandot, Act III: Nessun dorma (arr. fo...
85 bpm • D Maj • 03:14 • -23db
30% Popularity • 20% Danceability • 6% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 6% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Umberto Giordano
Andrea Chénier / Act 4: "Come un bel d�...
85 bpm • F# Maj • 03:09 • -17.17db
18% Popularity • 25% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 25% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Camille Saint-Saëns
Samson et Dalila, Op. 47, Act II: Mon co...
85 bpm • C# Maj • 05:43 • -15db
15% Popularity • 16% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Reynaldo Hahn
L'Heure exquise
79 bpm • C# Maj • 02:28 • -33.12db
26% Popularity • 24% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
26% Popularity • 24% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
79 bpm • F# min • 03:17 • -15.56db
30% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
30% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
► Preview
Giacomo Puccini
Turandot, SC 91: Nessun dorma
85 bpm • D Maj • 03:20 • -18db
9% Popularity • 21% Danceability • 24% Energy • 13% Liveness
43% Instrumentalness • 12% Positiveness
9% Popularity • 21% Danceability • 24% Energy • 13% Liveness
43% Instrumentalness • 12% Positiveness
► Preview
Jacques Offenbach
Les contes d'Hoffmann: Les oiseaux dans ...
86 bpm • G# Maj • 06:34 • -18.4db
22% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
22% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
► Preview
Gioachino Rossini
William Tell / Act 4: "Ah.. non mi lasci...
78 bpm • C min • 09:43 • -13db
31% Popularity • 26% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 26% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Georges Bizet
Les Pecheurs des Perles / Act 1: "Au fon...
78 bpm • D# Maj • 05:25 • -16.03db
33% Popularity • 14% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 7% Positiveness
33% Popularity • 14% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 7% Positiveness
► Preview
Pietro Mascagni
Intermezzo From Cavalleria Rusticana
86 bpm • F Maj • 03:19 • -21.17db
40% Popularity • 9% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
40% Popularity • 9% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
86 bpm • C# Maj • 05:57 • -18db
21% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
21% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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Giacomo Puccini
La Rondine: Act III: Non maledire, ascol...
83 bpm • F# Maj • 02:31 • -11db
24% Popularity • 26% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 26% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 24% Positiveness
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Vincenzo Bellini
I puritani / Act I: A te, o cara
86 bpm • D Maj • 05:46 • -16.27db
40% Popularity • 16% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
40% Popularity • 16% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Charles Gounod
Roméo et Juliette, Act I: Ah! Je veux v...
78 bpm • G Maj • 03:35 • -15.09db
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act III: When I...
86 bpm • G min • 03:54 • -21db
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "A casa, amici" - ...
86 bpm • C Maj • 02:43 • -21db
27% Popularity • 30% Danceability • 7% Energy • 30% Liveness
1% Instrumentalness • 16% Positiveness
27% Popularity • 30% Danceability • 7% Energy • 30% Liveness
1% Instrumentalness • 16% Positiveness
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Erich Wolfgang Korngold
Act I: Glück, das mir verblieb (Mariett...
78 bpm • A# Maj • 06:08 • -16.28db
13% Popularity • 19% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Turandot / Act 3: "Diecimile anni al nos...
81 bpm • D Maj • 02:24 • -10.01db
18% Popularity • 20% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 20% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
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Wolfgang Amadeus Mozart
Fiordiligi, Dorabella and Don Alfonso's ...
87 bpm • E Maj • 03:33 • -26.71db
19% Popularity • 18% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, CG 9, Act 1:...
78 bpm • F Maj • 03:55 • -18.15db
16% Popularity • 30% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 30% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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Claudio Scimone
Handel: Rinaldo, HWV 7, Act 2: Aria. "La...
87 bpm • D Maj • 04:34 • -19.95db
22% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
22% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
78 bpm • F min • 04:38 • -18db
30% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
30% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Regina coeli laet...
87 bpm • G Maj • 05:25 • -14db
15% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
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Giacomo Puccini
La Rondine: Act I: Chi il bel sogno di D...
81 bpm • F Maj • 05:01 • -16.52db
18% Popularity • 25% Danceability • 27% Energy • 71% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 25% Danceability • 27% Energy • 71% Liveness
0% Instrumentalness • 17% Positiveness
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Léo Delibes
Lakmé, Act 1: Dôme épais le jasmin "F...
77 bpm • B Maj • 01:30 • -15.81db
44% Popularity • 30% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 30% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
87 bpm • E Maj • 03:42 • -21db
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act III: "Ch...
77 bpm • C Maj • 03:55 • -17.2db
23% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: "Una furtiva ...
87 bpm • A# min • 04:10 • -24.75db
42% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
42% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Mirella Freni
Turandot: Tu, che di gel sei cinta
87 bpm • B Maj • 02:31 • -13.82db
24% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act 1 Scene 9: "Tre sbir...
81 bpm • D# Maj • 04:31 • -12.64db
7% Popularity • 16% Danceability • 36% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
7% Popularity • 16% Danceability • 36% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Vincenzo Bellini
Norma / Act I: Casta Diva
87 bpm • G Maj • 08:16 • -21db
12% Popularity • 23% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
12% Popularity • 23% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: 7. Zdes' khorosho
77 bpm • A Maj • 02:19 • -15db
26% Popularity • 19% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
26% Popularity • 19% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Elena Filipova
Messa da Requiem: II Lacrymosa
77 bpm • A# min • 05:45 • -22db
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 1: "Ah, j...
77 bpm • C Maj • 03:52 • -12.17db
31% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt, Act I: Glück, das mir v...
88 bpm • A# Maj • 05:59 • -19.41db
22% Popularity • 18% Danceability • 12% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 12% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Salve Regina
81 bpm • F Maj • 04:40 • -28.41db
14% Popularity • 17% Danceability • 1% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 1% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
