Songs like La donna del lago (The Lady of the Lake), Act II: Tanti affetti in un momento by Gioachino Rossini
Based on a tempo of (+/- 10%) and a similar genre
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AntonÃn Dvořák
Slavonic Dances, Series 1, Op. 46, B. 83...
130 bpm • G Maj • 04:44 • -15.92db
11% Popularity • 41% Danceability • 22% Energy • 14% Liveness
88% Instrumentalness • 47% Positiveness
11% Popularity • 41% Danceability • 22% Energy • 14% Liveness
88% Instrumentalness • 47% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
130 bpm • E Maj • 05:52 • -25.2db
8% Popularity • 40% Danceability • 5% Energy • 26% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 40% Danceability • 5% Energy • 26% Liveness
0% Instrumentalness • 11% Positiveness
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Franz von Suppé
Light Cavalry
130 bpm • A Maj • 06:59 • -13db
14% Popularity • 30% Danceability • 27% Energy • 24% Liveness
85% Instrumentalness • 15% Positiveness
14% Popularity • 30% Danceability • 27% Energy • 24% Liveness
85% Instrumentalness • 15% Positiveness
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Amilcare Ponchielli
Dance of the Hours from Act III of "La G...
130 bpm • E Maj • 10:20 • -17.77db
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
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Claudio Monteverdi
L'Orfeo: Toccata
129 bpm • F# min • 01:40 • -15.03db
27% Popularity • 36% Danceability • 30% Energy • 32% Liveness
7% Instrumentalness • 36% Positiveness
27% Popularity • 36% Danceability • 30% Energy • 32% Liveness
7% Instrumentalness • 36% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: V. Rigaudon (Alle...
129 bpm • G Maj • 04:01 • -27.06db
27% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
27% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 8 i...
129 bpm • G Maj • 04:42 • -12db
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
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Gioachino Rossini
Petite messe solennelle, Credo: X. Credo...
131 bpm • B Maj • 04:14 • -22.52db
19% Popularity • 31% Danceability • 12% Energy • 13% Liveness
21% Instrumentalness • 13% Positiveness
19% Popularity • 31% Danceability • 12% Energy • 13% Liveness
21% Instrumentalness • 13% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31: Prélude
129 bpm • D min • 03:33 • -16.85db
38% Popularity • 26% Danceability • 27% Energy • 6% Liveness
86% Instrumentalness • 23% Positiveness
38% Popularity • 26% Danceability • 27% Energy • 6% Liveness
86% Instrumentalness • 23% Positiveness
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George Frideric Handel
Handel: Solomon, HWV 67, Act 3: Sinfonia...
131 bpm • A# Maj • 02:48 • -13.7db
28% Popularity • 54% Danceability • 47% Energy • 37% Liveness
77% Instrumentalness • 86% Positiveness
28% Popularity • 54% Danceability • 47% Energy • 37% Liveness
77% Instrumentalness • 86% Positiveness
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Vincenzo Bellini
I Puritani / Act 2: Cinta di fiori
129 bpm • G# Maj • 05:01 • -16.87db
25% Popularity • 26% Danceability • 18% Energy • 8% Liveness
21% Instrumentalness • 9% Positiveness
25% Popularity • 26% Danceability • 18% Energy • 8% Liveness
21% Instrumentalness • 9% Positiveness
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Renata Tebaldi
Un Bel Di Vedremo (Madame Butterfly)
128 bpm • C# Maj • 04:52 • -10.89db
30% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: III. Alborad...
128 bpm • A# Maj • 01:11 • -15db
38% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
38% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
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Gioachino Rossini
Petite messe solennelle, Credo: XII. Et ...
129 bpm • B Maj • 04:51 • -22db
18% Popularity • 31% Danceability • 14% Energy • 20% Liveness
4% Instrumentalness • 18% Positiveness
18% Popularity • 31% Danceability • 14% Energy • 20% Liveness
4% Instrumentalness • 18% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 2: "Quando me'n...
132 bpm • A Maj • 04:40 • -16db
29% Popularity • 33% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 33% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: Schmerzen
132 bpm • C min • 02:31 • -19.33db
31% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Antonio Salieri
Cublai, gran Khan dei Tartari: Fra i bar...
128 bpm • G Maj • 03:37 • -18.13db
15% Popularity • 41% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 41% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 2: VI. Danse Boh...
128 bpm • A min • 04:33 • -22.38db
28% Popularity • 42% Danceability • 5% Energy • 7% Liveness
1% Instrumentalness • 42% Positiveness
28% Popularity • 42% Danceability • 5% Energy • 7% Liveness
1% Instrumentalness • 42% Positiveness
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Jacques Offenbach
Offenbach: Orphée aux enfers, Act 1: Ba...
128 bpm • G Maj • 01:45 • -19.69db
11% Popularity • 65% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 55% Positiveness
11% Popularity • 65% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 55% Positiveness
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Gioachino Rossini
Stabat Mater: 10. Amen
131 bpm • G min • 05:58 • -17db
16% Popularity • 21% Danceability • 30% Energy • 26% Liveness
95% Instrumentalness • 13% Positiveness
16% Popularity • 21% Danceability • 30% Energy • 26% Liveness
95% Instrumentalness • 13% Positiveness
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Modest Mussorgsky
Sorochintsi Fair, Act I: Gopak (Hopak)
127 bpm • G Maj • 01:49 • -16.84db
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
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Georges Bizet
Carmen Suite No. 1: 5. Les toréadors
127 bpm • F Maj • 02:18 • -16.13db
52% Popularity • 34% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
52% Popularity • 34% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio Espagnol, Op. 34: III. Alborad...
133 bpm • D# Maj • 01:09 • -19db
34% Popularity • 36% Danceability • 23% Energy • 16% Liveness
66% Instrumentalness • 74% Positiveness
34% Popularity • 36% Danceability • 23% Energy • 16% Liveness
66% Instrumentalness • 74% Positiveness
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Edward Elgar
5 Military Marches, Op. 39, "Pomp and Ci...
127 bpm • D Maj • 06:11 • -16db
27% Popularity • 32% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 18% Positiveness
27% Popularity • 32% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 18% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 3...
126 bpm • D Maj • 07:06 • -17.59db
9% Popularity • 26% Danceability • 22% Energy • 55% Liveness
49% Instrumentalness • 10% Positiveness
9% Popularity • 26% Danceability • 22% Energy • 55% Liveness
49% Instrumentalness • 10% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia: La calunnia è ...
131 bpm • D Maj • 04:26 • -17db
11% Popularity • 43% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
11% Popularity • 43% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 7 i...
134 bpm • C min • 03:38 • -14db
25% Popularity • 44% Danceability • 21% Energy • 5% Liveness
88% Instrumentalness • 56% Positiveness
25% Popularity • 44% Danceability • 21% Energy • 5% Liveness
88% Instrumentalness • 56% Positiveness
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Antonio Vivaldi
Orlando furioso, RV 728 / Act 2: "Ah fug...
126 bpm • C Maj • 02:21 • -12.62db
20% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Luigi Boccherini
String Quintet in E Major, Op. 11 No. 5,...
126 bpm • A Maj • 03:29 • -30.98db
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Georges Bizet
Bizet: Carmen, Act 1: "L'amour est un oi...
134 bpm • D Maj • 04:22 • -17.33db
49% Popularity • 36% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 36% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Gioachino Rossini
Petite messe solennelle (1863 chamber ve...
129 bpm • C Maj • 02:16 • -33db
18% Popularity • 22% Danceability • 4% Energy • 6% Liveness
94% Instrumentalness • 12% Positiveness
18% Popularity • 22% Danceability • 4% Energy • 6% Liveness
94% Instrumentalness • 12% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: No. ...
126 bpm • A# Maj • 04:27 • -18.14db
31% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1 (version for ...
135 bpm • G min • 03:01 • -17db
37% Popularity • 26% Danceability • 22% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
37% Popularity • 26% Danceability • 22% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
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Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
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Richard Wagner
Die Meistersinger von Nürnberg, WWV 96 ...
135 bpm • C Maj • 10:02 • -18db
24% Popularity • 33% Danceability • 18% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
24% Popularity • 33% Danceability • 18% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Gioachino Rossini
Semiramide / Act 1: "Serbami ognor"
131 bpm • D# Maj • 08:00 • -19.43db
1% Popularity • 34% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
1% Popularity • 34% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Giacomo Puccini
La bohème, SC 67 / Act 1: "Si sente meg...
124 bpm • D min • 02:42 • -18.79db
29% Popularity • 36% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
29% Popularity • 36% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
36% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
The Hebrides, Op. 26 "Fingal's Cave"
137 bpm • D Maj • 09:59 • -18db
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: IV. Aragonais...
123 bpm • D min • 02:14 • -20db
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia, Act II: Contro ...
128 bpm • D Maj • 05:54 • -16.95db
4% Popularity • 39% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
4% Popularity • 39% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Giacomo Puccini
Madama Butterfly, SC 74, Act II: Addio f...
137 bpm • C# Maj • 02:07 • -13.2db
39% Popularity • 19% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
39% Popularity • 19% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: II. Arabi...
123 bpm • F Maj • 04:54 • -18.41db
23% Popularity • 44% Danceability • 10% Energy • 10% Liveness
32% Instrumentalness • 24% Positiveness
23% Popularity • 44% Danceability • 10% Energy • 10% Liveness
32% Instrumentalness • 24% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 2: Chanson boh...
137 bpm • C Maj • 04:36 • -17.88db
11% Popularity • 39% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 39% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
123 bpm • G min • 04:47 • -24.84db
24% Popularity • 48% Danceability • 24% Energy • 18% Liveness
94% Instrumentalness • 54% Positiveness
24% Popularity • 48% Danceability • 24% Energy • 18% Liveness
94% Instrumentalness • 54% Positiveness
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Antonio Salieri
Axur: "Come fuggir, Fiammetta… Son que...
138 bpm • D# Maj • 07:35 • -21.46db
9% Popularity • 36% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 36% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Gioachino Rossini
Variazzioni di clarinetto in C Major
128 bpm • C Maj • 08:19 • -23.49db
16% Popularity • 34% Danceability • 8% Energy • 9% Liveness
8% Instrumentalness • 27% Positiveness
16% Popularity • 34% Danceability • 8% Energy • 9% Liveness
8% Instrumentalness • 27% Positiveness
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Jacques Offenbach
La belle Hélène: Overture
138 bpm • E Maj • 08:31 • -19.19db
20% Popularity • 26% Danceability • 22% Energy • 11% Liveness
78% Instrumentalness • 20% Positiveness
20% Popularity • 26% Danceability • 22% Energy • 11% Liveness
78% Instrumentalness • 20% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 3: Dance Of The Hours
138 bpm • E Maj • 01:26 • -30db
50% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 2 i...
138 bpm • G Maj • 04:55 • -14.77db
24% Popularity • 26% Danceability • 22% Energy • 17% Liveness
88% Instrumentalness • 19% Positiveness
24% Popularity • 26% Danceability • 22% Energy • 17% Liveness
88% Instrumentalness • 19% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
137 bpm • E Maj • 06:22 • -23.46db
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
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Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
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Gioachino Rossini
Petite messe solennelle, Credo: XI. Cruc...
132 bpm • G# Maj • 03:18 • -24.42db
17% Popularity • 29% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 29% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Tannhäuser - Paris version / Act II: "F...
122 bpm • B Maj • 07:08 • -14.83db
14% Popularity • 22% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
14% Popularity • 22% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Antonio Salieri
Il Talismano
122 bpm • A Maj • 03:17 • -18db
16% Popularity • 46% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 37% Positiveness
16% Popularity • 46% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 37% Positiveness
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Carl Maria von Weber
Aufforderung zum Tanz, Op. 65 (Orch. Ber...
122 bpm • D Maj • 08:47 • -18db
22% Popularity • 31% Danceability • 13% Energy • 13% Liveness
80% Instrumentalness • 12% Positiveness
22% Popularity • 31% Danceability • 13% Energy • 13% Liveness
80% Instrumentalness • 12% Positiveness
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Joseph Haydn
Haydn: Symphony No. 94 in G Major, Hob. ...
140 bpm • G Maj • 04:01 • -16.26db
33% Popularity • 44% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 50% Positiveness
33% Popularity • 44% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 50% Positiveness
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Manuel de Falla
El sombrero de tres picos, Pt. 1: III. D...
121 bpm • D Maj • 03:34 • -21.9db
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
► Preview
Gioachino Rossini
Rossini : La Cenerentola : Act 2 "Della ...
128 bpm • A Maj • 01:35 • -20.85db
22% Popularity • 38% Danceability • 19% Energy • 19% Liveness
71% Instrumentalness • 47% Positiveness
22% Popularity • 38% Danceability • 19% Energy • 19% Liveness
71% Instrumentalness • 47% Positiveness
► Preview
Charles Gounod
Le veau d'or - from Faust
121 bpm • C min • 02:01 • -10.59db
14% Popularity • 47% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 47% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Richard Wagner
Das Liebesverbot: Overture
120 bpm • G Maj • 08:52 • -13.92db
23% Popularity • 36% Danceability • 56% Energy • 18% Liveness
88% Instrumentalness • 22% Positiveness
23% Popularity • 36% Danceability • 56% Energy • 18% Liveness
88% Instrumentalness • 22% Positiveness
► Preview
Johann Strauss II
Eljen a Magyar, Op. 332
142 bpm • E min • 02:40 • -21.78db
32% Popularity • 52% Danceability • 17% Energy • 53% Liveness
86% Instrumentalness • 71% Positiveness
32% Popularity • 52% Danceability • 17% Energy • 53% Liveness
86% Instrumentalness • 71% Positiveness
► Preview
Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
143 bpm • E Maj • 04:20 • -23.9db
36% Popularity • 23% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 16% Positiveness
36% Popularity • 23% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 16% Positiveness
► Preview
Gaetano Donizetti
Linda di Chamounix, A. 62, Act I Scene 3...
144 bpm • D Maj • 01:23 • -22.33db
42% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
42% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Gioachino Rossini
Il Barbiere di Siviglia: Ehi, Fiorello?
132 bpm • G Maj • 02:57 • -18.57db
6% Popularity • 49% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
6% Popularity • 49% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Bonn Classical Philharmonic
Hungarian Dances No. 5 in G Minor
144 bpm • G min • 02:36 • -14.25db
13% Popularity • 26% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
13% Popularity • 26% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
► Preview
George Frideric Handel
Solomon, HWV 67 / Act III: Sinfonia "The...
118 bpm • A Maj • 03:08 • -17.43db
47% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
47% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
► Preview
Vincenzo Bellini
Norma: Overture
144 bpm • G Maj • 05:32 • -16db
8% Popularity • 26% Danceability • 18% Energy • 8% Liveness
86% Instrumentalness • 12% Positiveness
8% Popularity • 26% Danceability • 18% Energy • 8% Liveness
86% Instrumentalness • 12% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
117 bpm • D min • 02:18 • -26db
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
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Bedřich Smetana
The Bartered Bride: Overture
145 bpm • F Maj • 06:35 • -19.47db
27% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
27% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 2:...
133 bpm • F Maj • 05:49 • -18db
19% Popularity • 40% Danceability • 16% Energy • 35% Liveness
1% Instrumentalness • 12% Positiveness
19% Popularity • 40% Danceability • 16% Energy • 35% Liveness
1% Instrumentalness • 12% Positiveness
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Joseph Haydn
Haydn: Trumpet Concerto In E Flat - Iii ...
145 bpm • D# Maj • 04:25 • -17.45db
39% Popularity • 40% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 42% Positiveness
39% Popularity • 40% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 42% Positiveness
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Carl Maria von Weber
Der Freischutz, J. 277: Huntsmen's Choru...
116 bpm • D Maj • 02:36 • -17db
21% Popularity • 54% Danceability • 23% Energy • 36% Liveness
22% Instrumentalness • 44% Positiveness
21% Popularity • 54% Danceability • 23% Energy • 36% Liveness
22% Instrumentalness • 44% Positiveness
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Vincenzo Bellini
La Norma: Ouverture
146 bpm • G Maj • 05:17 • -16db
15% Popularity • 26% Danceability • 19% Energy • 9% Liveness
85% Instrumentalness • 17% Positiveness
15% Popularity • 26% Danceability • 19% Energy • 9% Liveness
85% Instrumentalness • 17% Positiveness
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Georges Bizet
Bizet: Carmen, Act 2: "Votre toast, je p...
116 bpm • F Maj • 04:52 • -14db
24% Popularity • 42% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
24% Popularity • 42% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62: Sinfonia
115 bpm • A Maj • 00:59 • -37db
37% Popularity • 21% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 21% Positiveness
37% Popularity • 21% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 21% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia, Act I: No. 4, D...
133 bpm • G Maj • 08:42 • -16.46db
8% Popularity • 55% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 55% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Joseph Haydn
Haydn: Mass in D Minor, Hob. XXII:11 "Ne...
115 bpm • G min • 04:26 • -15db
29% Popularity • 42% Danceability • 31% Energy • 15% Liveness
33% Instrumentalness • 9% Positiveness
29% Popularity • 42% Danceability • 31% Energy • 15% Liveness
33% Instrumentalness • 9% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
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Vincenzo Bellini
La Sonnambula / Act 1: Viva! Viva Amina!
116 bpm • F# min • 01:06 • -30db
37% Popularity • 25% Danceability • 10% Energy • 16% Liveness
30% Instrumentalness • 5% Positiveness
37% Popularity • 25% Danceability • 10% Energy • 16% Liveness
30% Instrumentalness • 5% Positiveness
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Georges Bizet
Carmen, WD 31, Act II: Toreador Song. Vo...
115 bpm • F min • 04:48 • -12.1db
28% Popularity • 45% Danceability • 44% Energy • 61% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 45% Danceability • 44% Energy • 61% Liveness
0% Instrumentalness • 43% Positiveness
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Nikolai Rimsky-Korsakov
The Tsar's Bride - original version Tsar...
114 bpm • D Maj • 07:07 • -18.63db
16% Popularity • 28% Danceability • 21% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
16% Popularity • 28% Danceability • 21% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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Gioachino Rossini
La Cenerentola, Act I: Quintet. Signore,...
127 bpm • C Maj • 11:10 • -15db
5% Popularity • 43% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
5% Popularity • 43% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Johann Strauss I
J. Strauss: Radetzky March
112 bpm • A Maj • 02:52 • -17.26db
31% Popularity • 57% Danceability • 41% Energy • 17% Liveness
7% Instrumentalness • 78% Positiveness
31% Popularity • 57% Danceability • 41% Energy • 17% Liveness
7% Instrumentalness • 78% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: II....
113 bpm • A Maj • 06:36 • -26db
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
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Johann Strauss II
Strauss Jr., J.: Frühlingsstimmen, Op. ...
112 bpm • A# Maj • 05:51 • -22.71db
35% Popularity • 29% Danceability • 6% Energy • 34% Liveness
93% Instrumentalness • 35% Positiveness
35% Popularity • 29% Danceability • 6% Energy • 34% Liveness
93% Instrumentalness • 35% Positiveness
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Georges Bizet
Carmen / Act II: Toreador Song: "Votre t...
112 bpm • A# min • 03:49 • -12.54db
43% Popularity • 47% Danceability • 36% Energy • 15% Liveness
23% Instrumentalness • 58% Positiveness
43% Popularity • 47% Danceability • 36% Energy • 15% Liveness
23% Instrumentalness • 58% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: III....
112 bpm • D Maj • 07:14 • -20.77db
30% Popularity • 42% Danceability • 23% Energy • 54% Liveness
29% Instrumentalness • 35% Positiveness
30% Popularity • 42% Danceability • 23% Energy • 54% Liveness
29% Instrumentalness • 35% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 3:...
126 bpm • A# Maj • 11:06 • -18.18db
4% Popularity • 42% Danceability • 27% Energy • 7% Liveness
1% Instrumentalness • 37% Positiveness
4% Popularity • 42% Danceability • 27% Energy • 7% Liveness
1% Instrumentalness • 37% Positiveness
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AntonÃn Dvořák
Dvořák: Symphony No. 9 in E Minor, Op....
112 bpm • E min • 09:17 • -18.03db
14% Popularity • 28% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 10% Positiveness
14% Popularity • 28% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 10% Positiveness
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Luigi Boccherini
String Quintet in E Major, G. 275: III. ...
112 bpm • A Maj • 03:24 • -34db
31% Popularity • 47% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 49% Positiveness
31% Popularity • 47% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 49% Positiveness
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Mikhail Glinka
Ruslan and Lyudmila, Op. 5: Overture
154 bpm • E min • 05:16 • -24db
26% Popularity • 27% Danceability • 14% Energy • 52% Liveness
85% Instrumentalness • 30% Positiveness
26% Popularity • 27% Danceability • 14% Energy • 52% Liveness
85% Instrumentalness • 30% Positiveness
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Georges Bizet
Carmen / Act 1: "Quand je vous aimerai?"...
111 bpm • D Maj • 05:01 • -24.72db
27% Popularity • 37% Danceability • 2% Energy • 70% Liveness
0% Instrumentalness • 12% Positiveness
27% Popularity • 37% Danceability • 2% Energy • 70% Liveness
0% Instrumentalness • 12% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: IV....
155 bpm • A# Maj • 07:01 • -25db
32% Popularity • 39% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
32% Popularity • 39% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia, Act I: No. 6, A...
126 bpm • D Maj • 07:43 • -19db
8% Popularity • 58% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 58% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
