Songs like La Faille by Blankass
Based on a tempo of (+/- 10%) and a similar genre
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Tété
Fils de Cham
132 bpm • E min • 04:03 • -5db
33% Popularity • 68% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 68% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Da Silva
Tout va pour le mieux
132 bpm • F# Maj • 03:11 • -9.25db
40% Popularity • 67% Danceability • 50% Energy • 8% Liveness
29% Instrumentalness • 70% Positiveness
40% Popularity • 67% Danceability • 50% Energy • 8% Liveness
29% Instrumentalness • 70% Positiveness
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Blankass
La Faille
132 bpm • E min • 05:57 • -2.52db
6% Popularity • 44% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
6% Popularity • 44% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Eiffel
Minouche
132 bpm • B Maj • 03:59 • -8db
20% Popularity • 56% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 56% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Giedre
Ferme ta gueule et apporte-moi une bièr...
132 bpm • G Maj • 03:36 • -14.97db
22% Popularity • 76% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 76% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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As De Trêfle
Jessica
132 bpm • G Maj • 02:50 • -7.29db
22% Popularity • 57% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 57% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Aldebert
Dis-moi dimanche
132 bpm • G# Maj • 03:17 • -7.07db
11% Popularity • 74% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 74% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Merzhin
Bandit
133 bpm • G min • 03:38 • -5.88db
30% Popularity • 53% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 53% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Balbino Medellin
Gitan de Paname
131 bpm • F min • 04:03 • -4.96db
14% Popularity • 69% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 69% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Ridan
Rentre chez toi
131 bpm • G# Maj • 04:35 • -4.54db
28% Popularity • 64% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 64% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Sinsémilia
Bienvenue en chiraquie
133 bpm • B Maj • 04:21 • -6.78db
26% Popularity • 76% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 76% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
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As De Trêfle
Jessica
131 bpm • G Maj • 02:44 • -10.44db
43% Popularity • 46% Danceability • 70% Energy • 92% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 46% Danceability • 70% Energy • 92% Liveness
0% Instrumentalness • 55% Positiveness
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Da Silva
Un après-midi à la plage
131 bpm • C# min • 02:04 • -6.6db
20% Popularity • 73% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 73% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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ÉTÉ 67
Les pilules
131 bpm • C# Maj • 04:26 • -7db
15% Popularity • 36% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 36% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Deportivo
La Brise
133 bpm • A Maj • 03:42 • -3db
23% Popularity • 33% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 33% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Ridan
L'agriculteur
131 bpm • B min • 05:10 • -9.04db
43% Popularity • 78% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 78% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Les Wampas
Petite fille
134 bpm • A Maj • 02:39 • -11.63db
36% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Sinsémilia
La mauvaise réputation
131 bpm • B min • 02:37 • -6db
46% Popularity • 80% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
46% Popularity • 80% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Da Silva
Rien n'a vraiment changé
131 bpm • D min • 02:15 • -4.69db
36% Popularity • 54% Danceability • 67% Energy • 16% Liveness
12% Instrumentalness • 84% Positiveness
36% Popularity • 54% Danceability • 67% Energy • 16% Liveness
12% Instrumentalness • 84% Positiveness
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No One Is Innocent
Révolution.com
130 bpm • A min • 03:27 • -4.93db
34% Popularity • 51% Danceability • 91% Energy • 55% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 51% Danceability • 91% Energy • 55% Liveness
0% Instrumentalness • 46% Positiveness
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Les Wriggles
Tant pis !
130 bpm • D Maj • 02:14 • -7db
3% Popularity • 78% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
3% Popularity • 78% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Giedre
L'amour à l'envers
130 bpm • B Maj • 02:49 • -9.61db
16% Popularity • 72% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 72% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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ÉTÉ 67
Dis-moi encore
130 bpm • F min • 03:34 • -6.51db
21% Popularity • 53% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 53% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Babet
Je pense à nous
134 bpm • G Maj • 03:05 • -8.45db
17% Popularity • 61% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 61% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Da Silva
Au moment des amours
130 bpm • F Maj • 02:50 • -5db
39% Popularity • 71% Danceability • 80% Energy • 12% Liveness
74% Instrumentalness • 56% Positiveness
39% Popularity • 71% Danceability • 80% Energy • 12% Liveness
74% Instrumentalness • 56% Positiveness
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No One Is Innocent
La peur
134 bpm • G Maj • 03:40 • -6db
31% Popularity • 58% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 58% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Zebda
En groupe en ligue en procession
130 bpm • F Maj • 03:20 • -6.03db
18% Popularity • 65% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 65% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Ridan
Alerte à la bombe
130 bpm • C min • 03:41 • -8.25db
22% Popularity • 84% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 84% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Les Wriggles
Petit bonhomme
130 bpm • E min • 03:23 • -15.49db
34% Popularity • 82% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 82% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Astonvilla
Tête de lune
130 bpm • A Maj • 04:42 • -3.81db
20% Popularity • 50% Danceability • 89% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 50% Danceability • 89% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
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Louis Bertignac
Je joue
130 bpm • F Maj • 03:19 • -4.9db
10% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Tarmac
Ce Sourire Est Pour Moi
130 bpm • G min • 03:54 • -6.55db
31% Popularity • 68% Danceability • 85% Energy • 7% Liveness
2% Instrumentalness • 97% Positiveness
31% Popularity • 68% Danceability • 85% Energy • 7% Liveness
2% Instrumentalness • 97% Positiveness
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Stephan Eicher
Elle Vient Me Voir
130 bpm • E Maj • 02:48 • -6.63db
14% Popularity • 56% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 56% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Ridan
Demain
130 bpm • E Maj • 03:37 • -13.1db
27% Popularity • 65% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 65% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Giedre
Les petits secrets
129 bpm • F# min • 02:32 • -12.84db
22% Popularity • 74% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 74% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Mano Solo
15 ans du matin
130 bpm • D min • 02:29 • -10.69db
31% Popularity • 49% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 49% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Oldelaf et Monsieur D.
Rue de Nantes
129 bpm • G Maj • 04:10 • -8.47db
31% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Karpatt
En pleine mer
129 bpm • G Maj • 03:15 • -5.64db
32% Popularity • 68% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 68% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Astonvilla
J'aime regarder les filles
135 bpm • F# Maj • 03:11 • -7.65db
13% Popularity • 56% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 56% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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ÉTÉ 67
Tu n'es pas lÃ
128 bpm • E min • 03:31 • -5.49db
18% Popularity • 39% Danceability • 78% Energy • 72% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 39% Danceability • 78% Energy • 72% Liveness
0% Instrumentalness • 65% Positiveness
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Merzhin
Les nains de jardin
136 bpm • D min • 03:28 • -3.41db
40% Popularity • 60% Danceability • 95% Energy • 35% Liveness
19% Instrumentalness • 77% Positiveness
40% Popularity • 60% Danceability • 95% Energy • 35% Liveness
19% Instrumentalness • 77% Positiveness
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Renan Luce
La Boîte
128 bpm • C min • 03:14 • -8.7db
27% Popularity • 71% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 71% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Bertrand Cantat
Chuis con
136 bpm • G Maj • 03:20 • -6.59db
18% Popularity • 64% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 64% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Riké
Oublie moi
136 bpm • A# min • 02:57 • -5.63db
17% Popularity • 69% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 69% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Thomas Fersen
C'est tout ce qu'il me reste
128 bpm • C min • 03:08 • -8db
36% Popularity • 77% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 77% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Mister Mat
Désespérément optimiste
136 bpm • G Maj • 03:11 • -5.92db
18% Popularity • 68% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
18% Popularity • 68% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Merzhin
Nains de jardins
136 bpm • D min • 03:43 • -3db
36% Popularity • 62% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 62% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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Matmatah
Le rhume des foins
136 bpm • G Maj • 02:16 • -5.28db
38% Popularity • 53% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 53% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Les Wriggles
Papillons
128 bpm • E min • 03:26 • -9.76db
24% Popularity • 75% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 75% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Mademoiselle K
Jalouse
136 bpm • G Maj • 03:46 • -7.38db
43% Popularity • 65% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
43% Popularity • 65% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Da Silva
Les loges de la colère
128 bpm • G min • 02:31 • -6.86db
26% Popularity • 80% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 80% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Ridan
Le quotidien
128 bpm • A# min • 03:57 • -8.07db
22% Popularity • 94% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 94% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Merzhin
A la chaleur des missiles
128 bpm • A# Maj • 03:21 • -4db
20% Popularity • 52% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 52% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Matmatah
Nous y sommes
128 bpm • E min • 04:17 • -6db
41% Popularity • 57% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 57% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Deportivo
Révolution Benco
128 bpm • B Maj • 02:16 • -4.95db
22% Popularity • 52% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 52% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Mano Solo
Je suis venu vous voir
137 bpm • D# Maj • 03:54 • -9db
34% Popularity • 32% Danceability • 40% Energy • 49% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 32% Danceability • 40% Energy • 49% Liveness
0% Instrumentalness • 24% Positiveness
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Les Wriggles
La petite olive
127 bpm • A Maj • 02:53 • -9.43db
33% Popularity • 61% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 61% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Oldelaf et Monsieur D.
Raoul mon pitbull
127 bpm • E min • 03:33 • -6.33db
33% Popularity • 83% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 83% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Merzhin
Fait divers
137 bpm • G Maj • 02:23 • -4.12db
20% Popularity • 55% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 55% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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Archimède
L'été revient
127 bpm • G Maj • 03:59 • -4.51db
21% Popularity • 54% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 54% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Giedre
On fait tous caca - Remix Dancefloor
127 bpm • C# Maj • 03:45 • -9.23db
10% Popularity • 73% Danceability • 70% Energy • 9% Liveness
2% Instrumentalness • 52% Positiveness
10% Popularity • 73% Danceability • 70% Energy • 9% Liveness
2% Instrumentalness • 52% Positiveness
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As De Trêfle
Levons Nos Verres
137 bpm • A min • 04:25 • -5.5db
27% Popularity • 45% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 45% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Les Wriggles
Des laisses
127 bpm • G Maj • 02:48 • -9.6db
4% Popularity • 79% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
4% Popularity • 79% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Elista
La vie à deux
137 bpm • C# min • 03:25 • -5.96db
9% Popularity • 56% Danceability • 92% Energy • 56% Liveness
6% Instrumentalness • 96% Positiveness
9% Popularity • 56% Danceability • 92% Energy • 56% Liveness
6% Instrumentalness • 96% Positiveness
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Tarmac
Tordu Tour Du Monde
137 bpm • G Maj • 02:23 • -21.22db
30% Popularity • 43% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
30% Popularity • 43% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Blankass
Les miens
138 bpm • G Maj • 04:08 • -3.65db
5% Popularity • 35% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
5% Popularity • 35% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Stephan Eicher
Ni Remords, Ni Regrets
138 bpm • D Maj • 03:56 • -7.27db
33% Popularity • 60% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 60% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Archimède
On aura tout essayé
138 bpm • C Maj • 03:52 • -6.51db
14% Popularity • 49% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 49% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Romain Humeau
Toi
138 bpm • A# Maj • 03:33 • -13.08db
12% Popularity • 60% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 60% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Da Silva
Se fendre les joues
138 bpm • F# min • 02:32 • -6.88db
42% Popularity • 65% Danceability • 57% Energy • 13% Liveness
4% Instrumentalness • 88% Positiveness
42% Popularity • 65% Danceability • 57% Energy • 13% Liveness
4% Instrumentalness • 88% Positiveness
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Merzhin
Conscience
126 bpm • E min • 03:44 • -4db
27% Popularity • 63% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 63% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Blankass
Anna
138 bpm • E min • 04:05 • -4.96db
14% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Thomas Fersen
Le chat botté
126 bpm • E min • 03:38 • -8.59db
41% Popularity • 69% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
41% Popularity • 69% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Romeo
Petite conne
126 bpm • D# Maj • 03:26 • -7.06db
10% Popularity • 72% Danceability • 63% Energy • 8% Liveness
1% Instrumentalness • 71% Positiveness
10% Popularity • 72% Danceability • 63% Energy • 8% Liveness
1% Instrumentalness • 71% Positiveness
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Les Wampas
J'ai avalé une mouche
126 bpm • A Maj • 02:31 • -2.17db
26% Popularity • 48% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 48% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Da Silva
L'averse
138 bpm • A min • 03:01 • -4.68db
36% Popularity • 67% Danceability • 84% Energy • 66% Liveness
3% Instrumentalness • 92% Positiveness
36% Popularity • 67% Danceability • 84% Energy • 66% Liveness
3% Instrumentalness • 92% Positiveness
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Pigalle
Madame Louise, Elle Est Exquise
126 bpm • A min • 03:23 • -10db
29% Popularity • 73% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 73% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Les Innocents
Je vais à Bang-Bang
126 bpm • D Maj • 03:49 • -5.95db
23% Popularity • 64% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 64% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Volo
C'est Pas Tout Ça
139 bpm • B Maj • 03:08 • -8db
36% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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MAUSS
L'angle droit
126 bpm • E Maj • 03:30 • -5.63db
8% Popularity • 59% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 59% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Merzhin
Et toi et moi
125 bpm • C min • 03:27 • -7db
34% Popularity • 54% Danceability • 86% Energy • 6% Liveness
1% Instrumentalness • 88% Positiveness
34% Popularity • 54% Danceability • 86% Energy • 6% Liveness
1% Instrumentalness • 88% Positiveness
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Mano Solo
Pas du gâteau
139 bpm • B Maj • 03:07 • -11.07db
33% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Frédéric Fromet
Je suis bobo
139 bpm • A# Maj • 03:10 • -9.5db
35% Popularity • 72% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 72% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Les Innocents
Un monde parfait
139 bpm • A Maj • 03:50 • -7db
27% Popularity • 57% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 57% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Francis Cabrel
Madame n'aime pas
125 bpm • D Maj • 03:31 • -11.64db
36% Popularity • 67% Danceability • 56% Energy • 12% Liveness
19% Instrumentalness • 37% Positiveness
36% Popularity • 67% Danceability • 56% Energy • 12% Liveness
19% Instrumentalness • 37% Positiveness
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Elista
Debout
125 bpm • C Maj • 03:17 • -5.73db
21% Popularity • 60% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 60% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Jeronimo
Moi Je Voudrais
125 bpm • E min • 02:22 • -4db
15% Popularity • 62% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 62% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
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Matmatah
Marée haute
125 bpm • C min • 04:08 • -6.2db
37% Popularity • 57% Danceability • 79% Energy • 11% Liveness
3% Instrumentalness • 46% Positiveness
37% Popularity • 57% Danceability • 79% Energy • 11% Liveness
3% Instrumentalness • 46% Positiveness
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Le trottoir
Le voile noir
125 bpm • C min • 03:09 • -4.82db
29% Popularity • 68% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 68% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Deportivo
Parmi Eux
125 bpm • C Maj • 02:16 • -2.36db
43% Popularity • 53% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
43% Popularity • 53% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Sinsémilia
Simple d'esprit
125 bpm • B min • 04:48 • -7.92db
25% Popularity • 78% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 78% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Eiffel
Le cœur Australie
125 bpm • G min • 03:27 • -3.82db
16% Popularity • 50% Danceability • 98% Energy • 9% Liveness
3% Instrumentalness • 42% Positiveness
16% Popularity • 50% Danceability • 98% Energy • 9% Liveness
3% Instrumentalness • 42% Positiveness
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La Chanson Du Dimanche
Super Pouvoir D'Achat
140 bpm • F Maj • 03:35 • -4.2db
34% Popularity • 71% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 71% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Les Wampas
Jalabert
140 bpm • E Maj • 01:54 • -4.07db
24% Popularity • 42% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 42% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
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Matmatah
Derrière ton dos
140 bpm • F# min • 04:01 • -4.27db
41% Popularity • 51% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
41% Popularity • 51% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Merzhin
Les heures vagabondes
140 bpm • D Maj • 03:59 • -7.97db
24% Popularity • 58% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 58% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Les Wriggles
Plouf
140 bpm • C# min • 01:56 • -7.2db
31% Popularity • 76% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 76% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Mademoiselle K
Ça me vexe
140 bpm • B min • 03:27 • -4.96db
47% Popularity • 59% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 59% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
