Songs like La Gioconda (1997 - Remaster), Act I: Carneval! Baccanal! by Amilcare Ponchielli
Based on a tempo of (+/- 10%) and a similar genre
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Jacques Offenbach
Les Contes d'Hoffmann: Barcarolle
79 bpm • D Maj • 04:36 • -30.03db
36% Popularity • 19% Danceability • 3% Energy • 36% Liveness
59% Instrumentalness • 8% Positiveness
36% Popularity • 19% Danceability • 3% Energy • 36% Liveness
59% Instrumentalness • 8% Positiveness
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Frédéric Chopin
Les Sylphides: 7. Valse
79 bpm • C# min • 04:21 • -23.87db
23% Popularity • 19% Danceability • 10% Energy • 27% Liveness
64% Instrumentalness • 9% Positiveness
23% Popularity • 19% Danceability • 10% Energy • 27% Liveness
64% Instrumentalness • 9% Positiveness
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Amilcare Ponchielli
Ponchielli: La Gioconda, Op. 9, Act 3: "...
79 bpm • C Maj • 02:06 • -16.02db
2% Popularity • 23% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
2% Popularity • 23% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
79 bpm • F# min • 03:17 • -15.56db
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
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Louise Farrenc
Nonet in E-Flat Major, Op. 38: III. Sche...
79 bpm • C Maj • 05:07 • -25db
45% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
45% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Major, Op. 88, B. 16...
79 bpm • G min • 05:50 • -23db
29% Popularity • 14% Danceability • 9% Energy • 36% Liveness
95% Instrumentalness • 34% Positiveness
29% Popularity • 14% Danceability • 9% Energy • 36% Liveness
95% Instrumentalness • 34% Positiveness
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Edward Elgar
Chanson de nuit, Op.15 No.1
80 bpm • G Maj • 04:32 • -28db
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
78 bpm • E Maj • 03:12 • -16.8db
45% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
45% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
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Amilcare Ponchielli
Ponchielli: La Gioconda, Op. 9, Act 1: "...
79 bpm • F Maj • 02:33 • -14.54db
3% Popularity • 40% Danceability • 47% Energy • 85% Liveness
90% Instrumentalness • 40% Positiveness
3% Popularity • 40% Danceability • 47% Energy • 85% Liveness
90% Instrumentalness • 40% Positiveness
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Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan: The Tale of Tsa...
80 bpm • G Maj • 01:30 • -27.64db
54% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
54% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
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Hector Berlioz
La damnation de Faust, Op. 24, Part II: ...
80 bpm • D Maj • 02:22 • -36.64db
39% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
39% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72: No. 2 in E Mi...
80 bpm • E min • 01:18 • -29.24db
51% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
51% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
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Edward Elgar
Elgar: Chanson de matin, Op. 15 No. 2
80 bpm • G Maj • 03:43 • -26db
20% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Ludwig Minkus
La Bayadere: Variation 3: Moderato
78 bpm • D Maj • 01:16 • -22.94db
34% Popularity • 44% Danceability • 4% Energy • 14% Liveness
30% Instrumentalness • 24% Positiveness
34% Popularity • 44% Danceability • 4% Energy • 14% Liveness
30% Instrumentalness • 24% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 2: Sia gloria ai canti...
79 bpm • F Maj • 04:09 • -20.54db
6% Popularity • 22% Danceability • 9% Energy • 31% Liveness
0% Instrumentalness • 9% Positiveness
6% Popularity • 22% Danceability • 9% Energy • 31% Liveness
0% Instrumentalness • 9% Positiveness
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Franz von Suppé
Morning, Noon and Night in Vienna
80 bpm • F Maj • 08:08 • -14.05db
23% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
23% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
80 bpm • F Maj • 03:59 • -23db
20% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
20% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
Rachmaninoff: Rachmaninov: 12 Songs, Op....
78 bpm • A Maj • 02:27 • -21db
30% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
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Tchaïkovsky
Op. 66 - Panorama - Remastered 2024
80 bpm • G Maj • 03:00 • -33.58db
25% Popularity • 8% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
25% Popularity • 8% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
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Philharmonische Vereinigung Arte Sinfonica
" Faust " , Ballettmusik: Nr. 5 Moderato...
80 bpm • A Maj • 02:33 • -31.47db
26% Popularity • 17% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
26% Popularity • 17% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
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Amilcare Ponchielli
Ponchielli: La Gioconda, Op. 9, Act 1: "...
79 bpm • F Maj • 02:23 • -16db
3% Popularity • 41% Danceability • 41% Energy • 65% Liveness
87% Instrumentalness • 54% Positiveness
3% Popularity • 41% Danceability • 41% Energy • 65% Liveness
87% Instrumentalness • 54% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: III. Gavotte (All...
78 bpm • G Maj • 03:31 • -21.35db
28% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
28% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • F# min • 04:09 • -17db
37% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
37% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: Aquariu...
81 bpm • A min • 02:01 • -31.36db
50% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
50% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
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Mikhail Glinka
Ruslan and Ludmila: Overture
81 bpm • F Maj • 05:05 • -16.6db
22% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
22% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo
81 bpm • F Maj • 03:10 • -19.56db
51% Popularity • 10% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 4% Positiveness
51% Popularity • 10% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 4% Positiveness
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Amilcare Ponchielli
Danza delle ore
78 bpm • E Maj • 08:48 • -21.36db
3% Popularity • 13% Danceability • 12% Energy • 11% Liveness
75% Instrumentalness • 6% Positiveness
3% Popularity • 13% Danceability • 12% Energy • 11% Liveness
75% Instrumentalness • 6% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
61% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
61% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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Johannes Brahms
Academic Festival Overture, Op. 80
77 bpm • C Maj • 09:23 • -13db
29% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
29% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
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Nikolai Rimsky-Korsakov
Tale of Tsar Saltan, Op. 57: Flight of t...
77 bpm • D min • 01:37 • -31db
48% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
48% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
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Dmitri Shostakovich
Shostakovich: Suite for Jazz Orchestra N...
81 bpm • D# Maj • 02:42 • -34db
32% Popularity • 28% Danceability • 1% Energy • 18% Liveness
86% Instrumentalness • 22% Positiveness
32% Popularity • 28% Danceability • 1% Energy • 18% Liveness
86% Instrumentalness • 22% Positiveness
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Johann Strauss II
Perpetuum mobile, Op. 257
81 bpm • D# Maj • 02:51 • -25.52db
33% Popularity • 48% Danceability • 23% Energy • 74% Liveness
60% Instrumentalness • 69% Positiveness
33% Popularity • 48% Danceability • 23% Energy • 74% Liveness
60% Instrumentalness • 69% Positiveness
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Amilcare Ponchielli
Ponchielli: La Gioconda, Op. 9, Act 4: "...
78 bpm • C Maj • 01:07 • -18.26db
2% Popularity • 32% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
2% Popularity • 32% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 1: "Ah, j...
77 bpm • C Maj • 03:52 • -12.17db
30% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Slovak Radio Symphony Orchestra
Gold Und Silber (Gold And Silver), Op. 7...
81 bpm • C Maj • 08:42 • -22.44db
31% Popularity • 18% Danceability • 6% Energy • 22% Liveness
94% Instrumentalness • 22% Positiveness
31% Popularity • 18% Danceability • 6% Energy • 22% Liveness
94% Instrumentalness • 22% Positiveness
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Arthur Fiedler
Le barbier de Séville Largo al factotum...
77 bpm • C Maj • 04:23 • -12db
25% Popularity • 36% Danceability • 43% Energy • 41% Liveness
88% Instrumentalness • 53% Positiveness
25% Popularity • 36% Danceability • 43% Energy • 41% Liveness
88% Instrumentalness • 53% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
44% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
44% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Amilcare Ponchielli
Ponchielli: La Gioconda, Op. 9, Act 2: "...
81 bpm • G# Maj • 02:33 • -12.84db
1% Popularity • 39% Danceability • 32% Energy • 33% Liveness
16% Instrumentalness • 38% Positiveness
1% Popularity • 39% Danceability • 32% Energy • 33% Liveness
16% Instrumentalness • 38% Positiveness
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Evergreen Symphony Orchestra
Le Corsaire: Act II - "5. Grand Pas: Var...
77 bpm • F Maj • 01:28 • -27.33db
35% Popularity • 35% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 35% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
77 bpm • C# Maj • 05:20 • -19.91db
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Ludwig van Beethoven
Wind Quintet in E-Flat Major, Hess 19: I...
82 bpm • D# Maj • 01:34 • -25db
54% Popularity • 43% Danceability • 2% Energy • 16% Liveness
88% Instrumentalness • 53% Positiveness
54% Popularity • 43% Danceability • 2% Energy • 16% Liveness
88% Instrumentalness • 53% Positiveness
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Anton Arensky
Egipetskiye nochi (Egyptian Nights), Op....
82 bpm • C min • 03:45 • -33.15db
23% Popularity • 35% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
23% Popularity • 35% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
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Gaetano Donizetti
La fille du régiment / Act 1: Ah! mes a...
82 bpm • D# Maj • 01:43 • -14.88db
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Amilcare Ponchielli
La Gioconda, Op. 9, Act II: Ma chi vien?...
81 bpm • A# min • 04:47 • -13.44db
1% Popularity • 23% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
1% Popularity • 23% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23: No. 16, Anitra's Danc...
82 bpm • A min • 03:26 • -33.31db
30% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
30% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
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Jules Massenet
La Vierge / Scene 4: The Assumption: Le ...
82 bpm • G Maj • 05:02 • -26.14db
55% Popularity • 16% Danceability • 9% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
55% Popularity • 16% Danceability • 9% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Amilcare Ponchielli
Ponchielli: La Gioconda, Op. 9, Act 1: "...
77 bpm • D Maj • 03:33 • -18.99db
1% Popularity • 25% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
1% Popularity • 25% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Johann Strauss II
Pizzicato Polka
82 bpm • C Maj • 02:43 • -27.56db
27% Popularity • 55% Danceability • 11% Energy • 5% Liveness
11% Instrumentalness • 61% Positiveness
27% Popularity • 55% Danceability • 11% Energy • 5% Liveness
11% Instrumentalness • 61% Positiveness
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Francesco Cilea
Adriana Lecouvreur / Act I: "Ecco: respi...
82 bpm • G# Maj • 03:42 • -18.62db
32% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Léo Delibes
Coppelia: Act I - Mazurka
82 bpm • G Maj • 04:08 • -20.01db
29% Popularity • 30% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
29% Popularity • 30% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
► Preview
Amilcare Ponchielli
Ponchielli: La Gioconda, Op. 9: Preludio
77 bpm • F Maj • 05:01 • -23.05db
2% Popularity • 8% Danceability • 6% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
2% Popularity • 8% Danceability • 6% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Johann Strauss II
Frühlingsstimmen, Op. 410
76 bpm • F# min • 06:14 • -16.7db
22% Popularity • 33% Danceability • 17% Energy • 23% Liveness
50% Instrumentalness • 34% Positiveness
22% Popularity • 33% Danceability • 17% Energy • 23% Liveness
50% Instrumentalness • 34% Positiveness
► Preview
Nora Mercz
Tritsch-Tratsch Polka, Op. 214
76 bpm • D Maj • 01:39 • -21.53db
40% Popularity • 71% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 30% Positiveness
40% Popularity • 71% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 30% Positiveness
► Preview
Alexander Borodin
Nocturne (Arr. Cullen for Cello and Orch...
76 bpm • A Maj • 04:05 • -27db
31% Popularity • 20% Danceability • 10% Energy • 33% Liveness
93% Instrumentalness • 10% Positiveness
31% Popularity • 20% Danceability • 10% Energy • 33% Liveness
93% Instrumentalness • 10% Positiveness
► Preview
Luigi Boccherini
String Quintet E, Op.13, No.5: 3. Menuet...
83 bpm • A Maj • 04:10 • -30db
36% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
36% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
► Preview
Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • G min • 02:53 • -21.77db
53% Popularity • 23% Danceability • 7% Energy • 8% Liveness
39% Instrumentalness • 26% Positiveness
53% Popularity • 23% Danceability • 7% Energy • 8% Liveness
39% Instrumentalness • 26% Positiveness
► Preview
Amilcare Ponchielli
Ponchielli: La Gioconda, Op. 9, Act 2: "...
83 bpm • D# Maj • 04:27 • -14.05db
1% Popularity • 22% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
1% Popularity • 22% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
► Preview
Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Camille Saint-Saëns
Le Carnaval des Animaux, R.125: 4. Tortu...
83 bpm • A# Maj • 02:16 • -37db
47% Popularity • 21% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
47% Popularity • 21% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
► Preview
Alexander Glazunov
Raymonda, Op. 57: Act II - Variation I
83 bpm • C# Maj • 01:06 • -34db
47% Popularity • 37% Danceability • 3% Energy • 23% Liveness
76% Instrumentalness • 46% Positiveness
47% Popularity • 37% Danceability • 3% Energy • 23% Liveness
76% Instrumentalness • 46% Positiveness
► Preview
Joseph Haydn
Haydn: String Quartet in C Major, Op. 76...
83 bpm • G Maj • 01:11 • -30db
51% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
51% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
► Preview
Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
52% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
52% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
► Preview
Amilcare Ponchielli
La Gioconda / Act 2: Laggiù fra le nebb...
75 bpm • D Maj • 03:40 • -21.65db
6% Popularity • 23% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 23% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: The Young Prince A...
84 bpm • G Maj • 10:02 • -24.24db
18% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 5. Sp...
84 bpm • C# Maj • 02:46 • -10.08db
24% Popularity • 24% Danceability • 36% Energy • 14% Liveness
94% Instrumentalness • 24% Positiveness
24% Popularity • 24% Danceability • 36% Energy • 14% Liveness
94% Instrumentalness • 24% Positiveness
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Amilcare Ponchielli
Ponchielli: La Gioconda, Op. 9, Act 2 Sc...
82 bpm • D# Maj • 04:15 • -14.9db
3% Popularity • 20% Danceability • 23% Energy • 10% Liveness
7% Instrumentalness • 18% Positiveness
3% Popularity • 20% Danceability • 23% Energy • 10% Liveness
7% Instrumentalness • 18% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
75 bpm • A Maj • 02:23 • -22.89db
30% Popularity • 9% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
30% Popularity • 9% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Gli aranci olezza...
75 bpm • A Maj • 07:24 • -22db
27% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
27% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
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Gioachino Rossini
Guillaume Tell (William Tell): Overture ...
74 bpm • G Maj • 02:17 • -39db
37% Popularity • 41% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
37% Popularity • 41% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
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Jacques Offenbach
Barcarolle
74 bpm • D Maj • 03:40 • -18db
16% Popularity • 13% Danceability • 18% Energy • 37% Liveness
69% Instrumentalness • 12% Positiveness
16% Popularity • 13% Danceability • 18% Energy • 37% Liveness
69% Instrumentalness • 12% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 3: Qui chiamata m'avet...
76 bpm • C min • 05:52 • -18.21db
6% Popularity • 25% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
6% Popularity • 25% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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Erik Satie
Satie / Orch. Debussy: 3 Gymnopédies: N...
74 bpm • G Maj • 04:18 • -41.1db
20% Popularity • 10% Danceability • 0% Energy • 9% Liveness
38% Instrumentalness • 7% Positiveness
20% Popularity • 10% Danceability • 0% Energy • 9% Liveness
38% Instrumentalness • 7% Positiveness
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Frédéric Chopin
Les Sylphides: 3. Valse
84 bpm • G Maj • 02:25 • -15db
22% Popularity • 27% Danceability • 19% Energy • 40% Liveness
82% Instrumentalness • 15% Positiveness
22% Popularity • 27% Danceability • 19% Energy • 40% Liveness
82% Instrumentalness • 15% Positiveness
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Felix Mendelssohn
On The Wings Of Song Op. 34 No. 2
84 bpm • D Maj • 03:47 • -19.93db
28% Popularity • 16% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
28% Popularity • 16% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
74 bpm • D# Maj • 01:39 • -35.55db
44% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
74 bpm • F Maj • 01:15 • -18db
19% Popularity • 34% Danceability • 10% Energy • 18% Liveness
93% Instrumentalness • 27% Positiveness
19% Popularity • 34% Danceability • 10% Energy • 18% Liveness
93% Instrumentalness • 27% Positiveness
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Amilcare Ponchielli
Ponchielli: La Gioconda, Op. 9, Act 2: "...
82 bpm • C# Maj • 01:13 • -13.16db
3% Popularity • 44% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
3% Popularity • 44% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Gioachino Rossini
Io sono docile
74 bpm • F Maj • 03:52 • -9.96db
20% Popularity • 32% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 32% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Frédéric Chopin
3 Nouvelles etudes, Op. posth.: II. Etud...
74 bpm • G# Maj • 02:31 • -37db
43% Popularity • 21% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
43% Popularity • 21% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Tim Fain
Swan Lake, Op. 20
85 bpm • F# min • 05:26 • -18.49db
29% Popularity • 22% Danceability • 15% Energy • 12% Liveness
20% Instrumentalness • 22% Positiveness
29% Popularity • 22% Danceability • 15% Energy • 12% Liveness
20% Instrumentalness • 22% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme
73 bpm • F Maj • 01:06 • -30.98db
46% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
46% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
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Pietro Mascagni
Mascagni: Cavalleria rusticana: Intermez...
85 bpm • F Maj • 03:43 • -17.55db
41% Popularity • 10% Danceability • 12% Energy • 41% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 10% Danceability • 12% Energy • 41% Liveness
89% Instrumentalness • 4% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 2: Ma chi vien?...Oh! ...
82 bpm • G Maj • 04:52 • -16.89db
6% Popularity • 22% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
6% Popularity • 22% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Johannes Brahms
Hungarian Dances, WoO 1: No. 1 in G Mino...
73 bpm • G min • 03:11 • -20db
21% Popularity • 18% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 44% Positiveness
21% Popularity • 18% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 44% Positiveness
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Edward Elgar
Salut d'amour, Op. 12 (version for orche...
85 bpm • E Maj • 03:35 • -31.88db
47% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
47% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Adolphe Adam
Giselle / Act 2: Grand pas de deux: Adag...
73 bpm • D# Maj • 06:29 • -30db
39% Popularity • 26% Danceability • 3% Energy • 7% Liveness
73% Instrumentalness • 10% Positiveness
39% Popularity • 26% Danceability • 3% Energy • 7% Liveness
73% Instrumentalness • 10% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: II. Un ba...
86 bpm • A Maj • 06:26 • -22.19db
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: Intermezzo
73 bpm • F Maj • 03:15 • -14.18db
43% Popularity • 13% Danceability • 24% Energy • 23% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 13% Danceability • 24% Energy • 23% Liveness
94% Instrumentalness • 4% Positiveness
