Songs like La Gioconda / Act 3: Dance Of The Hours by Amilcare Ponchielli
Based on a tempo of (+/- 10%) and a similar genre
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Amilcare Ponchielli
La Gioconda / Act 3: Dance Of The Hours
138 bpm • E Maj • 01:26 • -30db
50% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
47% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
47% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
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Wolfgang Amadeus Mozart
Serenade in G, K.525 "Eine kleine Nachtm...
138 bpm • G Maj • 05:53 • -15db
23% Popularity • 52% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 44% Positiveness
23% Popularity • 52% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 44% Positiveness
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Gioachino Rossini
La Gazza Ladra - La Urraca Ladrona Obert...
138 bpm • E Maj • 03:04 • -15.42db
36% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
36% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
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Antonio Vivaldi
Viola d'amore Concerto in A Minor, RV 39...
139 bpm • G# min • 03:10 • -17.66db
45% Popularity • 49% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 49% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 4: No. 13,...
137 bpm • E Maj • 04:17 • -23db
37% Popularity • 15% Danceability • 3% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
37% Popularity • 15% Danceability • 3% Energy • 16% Liveness
94% Instrumentalness • 3% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 2. Etude
140 bpm • A min • 01:12 • -24db
58% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
58% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
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Amilcare Ponchielli
La Gioconda, acte 4: La danse des heures
136 bpm • E Maj • 10:16 • -22db
19% Popularity • 34% Danceability • 4% Energy • 6% Liveness
7% Instrumentalness • 16% Positiveness
19% Popularity • 34% Danceability • 4% Energy • 6% Liveness
7% Instrumentalness • 16% Positiveness
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Max Bruch
Kol Nidrei, Op. 47
136 bpm • D Maj • 08:16 • -21.76db
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
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Andre Kostelanetz
Carmen: Habanera - Instrumental
136 bpm • D Maj • 01:54 • -15db
46% Popularity • 37% Danceability • 16% Energy • 19% Liveness
66% Instrumentalness • 54% Positiveness
46% Popularity • 37% Danceability • 16% Energy • 19% Liveness
66% Instrumentalness • 54% Positiveness
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Ludwig Minkus
Paquita: Variation 5: Allegro non troppo...
140 bpm • E min • 01:05 • -23.2db
57% Popularity • 44% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 48% Positiveness
57% Popularity • 44% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 48% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
136 bpm • G min • 03:03 • -14db
51% Popularity • 35% Danceability • 41% Energy • 12% Liveness
88% Instrumentalness • 67% Positiveness
51% Popularity • 35% Danceability • 41% Energy • 12% Liveness
88% Instrumentalness • 67% Positiveness
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Carl Maria von Weber
Weber: Clarinet Concertino in E-Flat Maj...
140 bpm • D# Maj • 02:24 • -21.32db
7% Popularity • 32% Danceability • 10% Energy • 13% Liveness
19% Instrumentalness • 33% Positiveness
7% Popularity • 32% Danceability • 10% Energy • 13% Liveness
19% Instrumentalness • 33% Positiveness
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Orquesta Sinfónica De Eslovaquia
Rapsodia Hungara No 2
141 bpm • C# Maj • 09:23 • -17.53db
25% Popularity • 42% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 17% Positiveness
25% Popularity • 42% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 17% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: Romance
135 bpm • C# Maj • 04:16 • -15db
23% Popularity • 19% Danceability • 13% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 13% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
51% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
51% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
142 bpm • G min • 02:55 • -18.66db
48% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
48% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
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Léo Delibes
Sylvia, Suite: 3. Pizzicati
142 bpm • C min • 02:08 • -31db
31% Popularity • 39% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
31% Popularity • 39% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Silverwood Quartet
Vivaldi: Winter From The Four Seasons 1....
142 bpm • F min • 03:36 • -12.96db
48% Popularity • 49% Danceability • 17% Energy • 14% Liveness
88% Instrumentalness • 13% Positiveness
48% Popularity • 49% Danceability • 17% Energy • 14% Liveness
88% Instrumentalness • 13% Positiveness
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Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 4: No. 13,...
135 bpm • E Maj • 03:53 • -24db
15% Popularity • 16% Danceability • 2% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 2% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
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Leroy Anderson
The Waltzing Cat
134 bpm • G Maj • 02:46 • -22db
37% Popularity • 36% Danceability • 7% Energy • 6% Liveness
68% Instrumentalness • 25% Positiveness
37% Popularity • 36% Danceability • 7% Energy • 6% Liveness
68% Instrumentalness • 25% Positiveness
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Georges Bizet
Carmen Suite No. 2: 2. Habanera
134 bpm • D Maj • 02:02 • -29.61db
46% Popularity • 46% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 46% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Johannes Brahms
Danse hongroise n°5
134 bpm • D min • 02:14 • -21db
42% Popularity • 42% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 71% Positiveness
42% Popularity • 42% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 71% Positiveness
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Léo Delibes
Delibes: Coppélia, Act I: No. 1, Valse
143 bpm • D# Maj • 02:45 • -19db
26% Popularity • 27% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
26% Popularity • 27% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: No. 8 Romance
133 bpm • C# Maj • 06:28 • -20.3db
24% Popularity • 18% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 1: Preludio
133 bpm • F Maj • 04:21 • -24.73db
10% Popularity • 17% Danceability • 4% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 4% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Johannes Brahms
Danza Hungara Nº5
143 bpm • G min • 02:57 • -15.94db
41% Popularity • 33% Danceability • 16% Energy • 14% Liveness
40% Instrumentalness • 33% Positiveness
41% Popularity • 33% Danceability • 16% Energy • 14% Liveness
40% Instrumentalness • 33% Positiveness
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Antonio Vivaldi
The Four Seasons, Violin Concerto in G M...
133 bpm • G Maj • 02:59 • -19db
41% Popularity • 36% Danceability • 36% Energy • 25% Liveness
89% Instrumentalness • 73% Positiveness
41% Popularity • 36% Danceability • 36% Energy • 25% Liveness
89% Instrumentalness • 73% Positiveness
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Jean Sibelius
Sibelius: Finlandia, Op. 26
144 bpm • G# Maj • 08:31 • -14.64db
10% Popularity • 21% Danceability • 18% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 18% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
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Johann Nepomuk Hummel
Hummel: Trumpet Concerto In E Flat - Iii...
144 bpm • D# Maj • 03:44 • -18.13db
44% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
44% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
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Amilcare Ponchielli
Dance of the Hours - Instrumental
133 bpm • G Maj • 03:02 • -12.52db
18% Popularity • 61% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 42% Positiveness
18% Popularity • 61% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 42% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 In the Hall ...
132 bpm • E min • 02:25 • -18.12db
32% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
32% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1 (version for ...
144 bpm • G min • 02:15 • -15.95db
57% Popularity • 32% Danceability • 13% Energy • 25% Liveness
81% Instrumentalness • 27% Positiveness
57% Popularity • 32% Danceability • 13% Energy • 25% Liveness
81% Instrumentalness • 27% Positiveness
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Antonio Vivaldi
Concerto for 2 Mandolins, Strings and Co...
144 bpm • C# Maj • 03:50 • -21db
52% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
52% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
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Camille Saint-Saëns
Bacchanale
145 bpm • D min • 06:27 • -19.76db
33% Popularity • 20% Danceability • 22% Energy • 8% Liveness
23% Instrumentalness • 14% Positiveness
33% Popularity • 20% Danceability • 22% Energy • 8% Liveness
23% Instrumentalness • 14% Positiveness
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Gioachino Rossini
Obertura De Guillermo Tell (Final)
145 bpm • E Maj • 03:42 • -10.91db
41% Popularity • 41% Danceability • 60% Energy • 13% Liveness
8% Instrumentalness • 53% Positiveness
41% Popularity • 41% Danceability • 60% Energy • 13% Liveness
8% Instrumentalness • 53% Positiveness
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Joseph Haydn
Haydn: Trumpet Concerto In E Flat - Iii ...
145 bpm • D# Maj • 04:25 • -17.45db
39% Popularity • 40% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 42% Positiveness
39% Popularity • 40% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 42% Positiveness
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Carl Maria von Weber
Weber: Clarinet Concertino in E-Flat Maj...
131 bpm • A# Maj • 04:26 • -26db
5% Popularity • 25% Danceability • 4% Energy • 13% Liveness
15% Instrumentalness • 12% Positiveness
5% Popularity • 25% Danceability • 4% Energy • 13% Liveness
15% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Clarinet Concerto in A Major, K....
131 bpm • A Maj • 08:22 • -18.17db
27% Popularity • 36% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 41% Positiveness
27% Popularity • 36% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 41% Positiveness
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Antonio Vivaldi
Cello Concerto in E Minor, RV 409: II. A...
145 bpm • E min • 01:01 • -19db
58% Popularity • 40% Danceability • 23% Energy • 15% Liveness
64% Instrumentalness • 83% Positiveness
58% Popularity • 40% Danceability • 23% Energy • 15% Liveness
64% Instrumentalness • 83% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
58% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
58% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Johann Sebastian Bach
Overture (Suite) No. 2 in B Minor, BWV 1...
131 bpm • B min • 01:30 • -21.86db
59% Popularity • 52% Danceability • 27% Energy • 8% Liveness
9% Instrumentalness • 96% Positiveness
59% Popularity • 52% Danceability • 27% Energy • 8% Liveness
9% Instrumentalness • 96% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: I. Mornin...
131 bpm • E Maj • 03:58 • -30.64db
25% Popularity • 16% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Staatskapelle Dresden
Die verkaufte Braut: Overture
146 bpm • F Maj • 06:28 • -17.61db
11% Popularity • 35% Danceability • 35% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
11% Popularity • 35% Danceability • 35% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
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Wolfgang Amadeus Mozart
Die Hochzeit des Figaro, K. 492, 3. Akt:...
145 bpm • D Maj • 04:04 • -17.32db
56% Popularity • 31% Danceability • 14% Energy • 18% Liveness
92% Instrumentalness • 30% Positiveness
56% Popularity • 31% Danceability • 14% Energy • 18% Liveness
92% Instrumentalness • 30% Positiveness
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Giuseppe Verdi
La traviata / Act I: Prelude
131 bpm • B Maj • 03:33 • -35db
43% Popularity • 23% Danceability • 1% Energy • 56% Liveness
29% Instrumentalness • 4% Positiveness
43% Popularity • 23% Danceability • 1% Energy • 56% Liveness
29% Instrumentalness • 4% Positiveness
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Fela Sowande
African Suite: V. Akinla: Allegro non tr...
130 bpm • C Maj • 03:14 • -38db
37% Popularity • 50% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
37% Popularity • 50% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Amilcare Ponchielli
Dance of the Hours from Act III of "La G...
130 bpm • E Maj • 10:20 • -17.77db
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
25% Popularity • 34% Danceability • 12% Energy • 6% Liveness
21% Instrumentalness • 16% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
130 bpm • E min • 08:46 • -16.39db
4% Popularity • 27% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
4% Popularity • 27% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Niccolò Paganini
Sonata for Violin and Guitar in A Minor,...
147 bpm • A min • 01:38 • -16.74db
61% Popularity • 56% Danceability • 15% Energy • 8% Liveness
57% Instrumentalness • 73% Positiveness
61% Popularity • 56% Danceability • 15% Energy • 8% Liveness
57% Instrumentalness • 73% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Clarinet Concerto in A Major, K....
130 bpm • A Maj • 11:52 • -20.78db
31% Popularity • 34% Danceability • 11% Energy • 7% Liveness
41% Instrumentalness • 24% Positiveness
31% Popularity • 34% Danceability • 11% Energy • 7% Liveness
41% Instrumentalness • 24% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 4...
147 bpm • C Maj • 03:35 • -20db
9% Popularity • 20% Danceability • 17% Energy • 5% Liveness
33% Instrumentalness • 33% Positiveness
9% Popularity • 20% Danceability • 17% Energy • 5% Liveness
33% Instrumentalness • 33% Positiveness
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Ludwig van Beethoven
Bagatelle in A Minor, WoO 59 "Für Elise...
130 bpm • A min • 03:36 • -29.93db
33% Popularity • 34% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 29% Positiveness
33% Popularity • 34% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 29% Positiveness
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Ferdinand Hérold
La fille mal gardée (Rev. Lanchbery), A...
130 bpm • G min • 02:11 • -20.98db
18% Popularity • 43% Danceability • 11% Energy • 59% Liveness
87% Instrumentalness • 36% Positiveness
18% Popularity • 43% Danceability • 11% Energy • 59% Liveness
87% Instrumentalness • 36% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
60% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
60% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
► Preview
Aram Khachaturian
Spartacus: Adagio of Spartacus and Phryg...
129 bpm • G# Maj • 09:09 • -22.37db
29% Popularity • 17% Danceability • 8% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 8% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31: Prélude
129 bpm • D min • 03:33 • -16.85db
37% Popularity • 26% Danceability • 27% Energy • 6% Liveness
86% Instrumentalness • 23% Positiveness
37% Popularity • 26% Danceability • 27% Energy • 6% Liveness
86% Instrumentalness • 23% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Sinfonia concertante for Oboe, C...
147 bpm • D# Maj • 08:48 • -20.61db
22% Popularity • 38% Danceability • 11% Energy • 20% Liveness
81% Instrumentalness • 38% Positiveness
22% Popularity • 38% Danceability • 11% Energy • 20% Liveness
81% Instrumentalness • 38% Positiveness
► Preview
Carl Maria von Weber
Oberon, J. 306: Overture
129 bpm • D Maj • 09:21 • -18db
12% Popularity • 28% Danceability • 16% Energy • 18% Liveness
88% Instrumentalness • 13% Positiveness
12% Popularity • 28% Danceability • 16% Energy • 18% Liveness
88% Instrumentalness • 13% Positiveness
► Preview
Bedřich Smetana
Má vlast, JB 1:112: II. Vltava, "The Mo...
128 bpm • C Maj • 02:57 • -12.12db
23% Popularity • 22% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
23% Popularity • 22% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
149 bpm • G min • 02:49 • -14.1db
55% Popularity • 29% Danceability • 46% Energy • 17% Liveness
94% Instrumentalness • 51% Positiveness
55% Popularity • 29% Danceability • 46% Energy • 17% Liveness
94% Instrumentalness • 51% Positiveness
► Preview
Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Georges Bizet
Carmen, WD 31: Prelude to Act 1
128 bpm • F Maj • 02:16 • -18.66db
33% Popularity • 38% Danceability • 36% Energy • 21% Liveness
89% Instrumentalness • 66% Positiveness
33% Popularity • 38% Danceability • 36% Energy • 21% Liveness
89% Instrumentalness • 66% Positiveness
► Preview
Modest Mussorgsky
Sorochintsi Fair, Act I: Gopak (Hopak)
127 bpm • G Maj • 01:49 • -16.84db
46% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
46% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
► Preview
Wolfgang Amadeus Mozart
Piano Sonata No. 11 in A Major, K. 331: ...
129 bpm • A Maj • 03:32 • -19.76db
31% Popularity • 60% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 92% Positiveness
31% Popularity • 60% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 92% Positiveness
► Preview
Carl Maria von Weber
Weber: Clarinet Concerto No. 1 in F Mino...
128 bpm • F min • 08:11 • -21db
10% Popularity • 28% Danceability • 10% Energy • 9% Liveness
34% Instrumentalness • 10% Positiveness
10% Popularity • 28% Danceability • 10% Energy • 9% Liveness
34% Instrumentalness • 10% Positiveness
► Preview
Gioachino Rossini
Overture, William Tell (Finale)
150 bpm • E Maj • 03:31 • -16.57db
41% Popularity • 36% Danceability • 41% Energy • 8% Liveness
53% Instrumentalness • 62% Positiveness
41% Popularity • 36% Danceability • 41% Energy • 8% Liveness
53% Instrumentalness • 62% Positiveness
► Preview
Léo Delibes
Sylvia: Act III: Divertissement: Pizzica...
127 bpm • D# Maj • 02:13 • -41.14db
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
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Georges Bizet
Carmen Suite No. 1: 5. Les toréadors
127 bpm • F Maj • 02:18 • -16.13db
52% Popularity • 34% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
52% Popularity • 34% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
► Preview
Camille Saint-Saëns
Carnival of the Animals, R. 125: XIII. T...
127 bpm • G Maj • 03:06 • -41.41db
28% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
28% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Karoly Botvay
The 4 Seasons: Violin Concerto in F mino...
151 bpm • F min • 03:29 • -25.1db
58% Popularity • 44% Danceability • 10% Energy • 8% Liveness
58% Instrumentalness • 34% Positiveness
58% Popularity • 44% Danceability • 10% Energy • 8% Liveness
58% Instrumentalness • 34% Positiveness
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Carl Maria von Weber
Weber: Clarinet Concerto No. 1 in F Mino...
127 bpm • F Maj • 06:20 • -21.52db
11% Popularity • 37% Danceability • 12% Energy • 10% Liveness
58% Instrumentalness • 21% Positiveness
11% Popularity • 37% Danceability • 12% Energy • 10% Liveness
58% Instrumentalness • 21% Positiveness
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Edward Elgar
5 Military Marches, Op. 39, "Pomp and Ci...
127 bpm • D Maj • 06:11 • -16db
27% Popularity • 32% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 18% Positiveness
27% Popularity • 32% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 18% Positiveness
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Luigi Boccherini
String Quintet in E Major, Op. 11 No. 5,...
126 bpm • A Maj • 03:29 • -30.98db
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): II...
127 bpm • D Maj • 02:06 • -33.29db
52% Popularity • 35% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 48% Positiveness
52% Popularity • 35% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 48% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: VII. Aq...
126 bpm • A min • 02:41 • -35db
39% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
39% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
49% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
49% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Johannes Brahms
Hungarian Dance No. 5 in G Minor, WoO 1 ...
152 bpm • G min • 02:34 • -15.99db
32% Popularity • 31% Danceability • 16% Energy • 9% Liveness
75% Instrumentalness • 38% Positiveness
32% Popularity • 31% Danceability • 16% Energy • 9% Liveness
75% Instrumentalness • 38% Positiveness
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Janos Sebestyen
Prelude In D Minor, BWV 926 : Prelude In...
126 bpm • G min • 01:15 • -25.58db
64% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
64% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
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Luigi Boccherini
String Quintet in E Major, Op. 11 No. 5,...
126 bpm • A Maj • 03:28 • -30db
47% Popularity • 35% Danceability • 3% Energy • 9% Liveness
43% Instrumentalness • 37% Positiveness
47% Popularity • 35% Danceability • 3% Energy • 9% Liveness
43% Instrumentalness • 37% Positiveness
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Jacques Offenbach
Orpheus in the Underworld: Cancan
152 bpm • D Maj • 02:41 • -17.97db
38% Popularity • 37% Danceability • 57% Energy • 66% Liveness
1% Instrumentalness • 54% Positiveness
38% Popularity • 37% Danceability • 57% Energy • 66% Liveness
1% Instrumentalness • 54% Positiveness
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Georges Bizet
Bizet: Carmen: Prélude
125 bpm • A Maj • 02:14 • -13db
32% Popularity • 32% Danceability • 46% Energy • 18% Liveness
10% Instrumentalness • 66% Positiveness
32% Popularity • 32% Danceability • 46% Energy • 18% Liveness
10% Instrumentalness • 66% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
58% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
58% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
125 bpm • E min • 09:41 • -19.15db
43% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
43% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio, H. 220
125 bpm • C min • 01:13 • -24.08db
65% Popularity • 31% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
65% Popularity • 31% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
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Antonio Vivaldi
III. Presto
152 bpm • G Maj • 02:41 • -16.35db
46% Popularity • 38% Danceability • 35% Energy • 20% Liveness
85% Instrumentalness • 40% Positiveness
46% Popularity • 38% Danceability • 35% Energy • 20% Liveness
85% Instrumentalness • 40% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
153 bpm • D Maj • 03:06 • -15.46db
35% Popularity • 40% Danceability • 17% Energy • 34% Liveness
87% Instrumentalness • 36% Positiveness
35% Popularity • 40% Danceability • 17% Energy • 34% Liveness
87% Instrumentalness • 36% Positiveness
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Mikhail Glinka
Ruslan and Lyudmila, Op. 5: Overture
154 bpm • E min • 05:16 • -24db
26% Popularity • 27% Danceability • 14% Energy • 52% Liveness
85% Instrumentalness • 30% Positiveness
26% Popularity • 27% Danceability • 14% Energy • 52% Liveness
85% Instrumentalness • 30% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 2: II. Habanera ...
123 bpm • D Maj • 02:11 • -26.94db
49% Popularity • 61% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 61% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K. 620: Overture
155 bpm • D# Maj • 07:09 • -21.22db
16% Popularity • 26% Danceability • 9% Energy • 21% Liveness
93% Instrumentalness • 12% Positiveness
16% Popularity • 26% Danceability • 9% Energy • 21% Liveness
93% Instrumentalness • 12% Positiveness
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Anonymous
Rigoletto, Act IV: La donna e mobile (ar...
155 bpm • A# Maj • 01:45 • -17db
43% Popularity • 30% Danceability • 12% Energy • 21% Liveness
91% Instrumentalness • 32% Positiveness
43% Popularity • 30% Danceability • 12% Energy • 21% Liveness
91% Instrumentalness • 32% Positiveness
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Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
122 bpm • D min • 07:39 • -21.71db
22% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
22% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Violin Concerto No. 3 in F Major, RV 293...
122 bpm • F Maj • 05:01 • -17db
46% Popularity • 46% Danceability • 16% Energy • 10% Liveness
26% Instrumentalness • 22% Positiveness
46% Popularity • 46% Danceability • 16% Energy • 10% Liveness
26% Instrumentalness • 22% Positiveness
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Georges Bizet
Farandole
156 bpm • G Maj • 03:52 • -18.03db
32% Popularity • 48% Danceability • 48% Energy • 71% Liveness
94% Instrumentalness • 62% Positiveness
32% Popularity • 48% Danceability • 48% Energy • 71% Liveness
94% Instrumentalness • 62% Positiveness
