Songs like La horse - Bande originale du film "La horse" by Jean-Claude Vannier
Based on a tempo of (+/- 10%) and a similar genre
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The Fabulous Three
White Sands Pt 1
121 bpm • F min • 02:01 • -8db
46% Popularity • 67% Danceability • 56% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
46% Popularity • 67% Danceability • 56% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
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Alain Goraguer
Déshominisation (I)
121 bpm • F# min • 03:50 • -11.1db
33% Popularity • 58% Danceability • 62% Energy • 8% Liveness
95% Instrumentalness • 46% Positiveness
33% Popularity • 58% Danceability • 62% Energy • 8% Liveness
95% Instrumentalness • 46% Positiveness
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MRR-ADM
4our
121 bpm • E Maj • 03:12 • -5.34db
15% Popularity • 56% Danceability • 98% Energy • 32% Liveness
89% Instrumentalness • 59% Positiveness
15% Popularity • 56% Danceability • 98% Energy • 32% Liveness
89% Instrumentalness • 59% Positiveness
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Karl Hector & The Malcouns
Kingdom of D'mt
121 bpm • G# Maj • 03:15 • -7db
43% Popularity • 73% Danceability • 59% Energy • 11% Liveness
73% Instrumentalness • 84% Positiveness
43% Popularity • 73% Danceability • 59% Energy • 11% Liveness
73% Instrumentalness • 84% Positiveness
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Jean-Claude Vannier
La horse - Bande originale du film "La h...
121 bpm • G min • 03:36 • -14.68db
28% Popularity • 43% Danceability • 55% Energy • 22% Liveness
69% Instrumentalness • 34% Positiveness
28% Popularity • 43% Danceability • 55% Energy • 22% Liveness
69% Instrumentalness • 34% Positiveness
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Sun Ra
The Lady with the Golden Stockings - a.k...
121 bpm • B min • 07:45 • -17.26db
21% Popularity • 75% Danceability • 33% Energy • 17% Liveness
79% Instrumentalness • 54% Positiveness
21% Popularity • 75% Danceability • 33% Energy • 17% Liveness
79% Instrumentalness • 54% Positiveness
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Klaus Weiss
Survivor
121 bpm • A Maj • 02:43 • -18db
29% Popularity • 45% Danceability • 24% Energy • 19% Liveness
85% Instrumentalness • 20% Positiveness
29% Popularity • 45% Danceability • 24% Energy • 19% Liveness
85% Instrumentalness • 20% Positiveness
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The Fabulous Three
Recording 82
121 bpm • F min • 03:20 • -12db
28% Popularity • 55% Danceability • 71% Energy • 11% Liveness
91% Instrumentalness • 65% Positiveness
28% Popularity • 55% Danceability • 71% Energy • 11% Liveness
91% Instrumentalness • 65% Positiveness
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Alain Goraguer
Strip Tease
121 bpm • D min • 02:24 • -15db
36% Popularity • 38% Danceability • 29% Energy • 13% Liveness
98% Instrumentalness • 32% Positiveness
36% Popularity • 38% Danceability • 29% Energy • 13% Liveness
98% Instrumentalness • 32% Positiveness
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Nora Dean
Angie La La
121 bpm • F Maj • 03:00 • -9db
23% Popularity • 87% Danceability • 55% Energy • 10% Liveness
18% Instrumentalness • 91% Positiveness
23% Popularity • 87% Danceability • 55% Energy • 10% Liveness
18% Instrumentalness • 91% Positiveness
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Janko Nilovic
Xenos Cosmos
121 bpm • A min • 04:57 • -9.99db
10% Popularity • 34% Danceability • 79% Energy • 6% Liveness
53% Instrumentalness • 48% Positiveness
10% Popularity • 34% Danceability • 79% Energy • 6% Liveness
53% Instrumentalness • 48% Positiveness
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Louis Hardin
Lament I, "Bird's Lament" - Instrumental
122 bpm • G Maj • 01:46 • -13.75db
38% Popularity • 63% Danceability • 53% Energy • 9% Liveness
93% Instrumentalness • 71% Positiveness
38% Popularity • 63% Danceability • 53% Energy • 9% Liveness
93% Instrumentalness • 71% Positiveness
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Jean-Claude Vannier
La chambre rose
120 bpm • D min • 01:43 • -11.07db
1% Popularity • 30% Danceability • 25% Energy • 13% Liveness
46% Instrumentalness • 38% Positiveness
1% Popularity • 30% Danceability • 25% Energy • 13% Liveness
46% Instrumentalness • 38% Positiveness
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François de Roubaix
Adieu l'ami
122 bpm • A# Maj • 03:08 • -12.96db
11% Popularity • 50% Danceability • 52% Energy • 18% Liveness
90% Instrumentalness • 39% Positiveness
11% Popularity • 50% Danceability • 52% Energy • 18% Liveness
90% Instrumentalness • 39% Positiveness
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Booker T. & the M.G.'s
Sunny
122 bpm • D min • 03:26 • -15.73db
35% Popularity • 62% Danceability • 25% Energy • 22% Liveness
64% Instrumentalness • 40% Positiveness
35% Popularity • 62% Danceability • 25% Energy • 22% Liveness
64% Instrumentalness • 40% Positiveness
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Silver Apples
Missin You
122 bpm • D Maj • 03:42 • -22.62db
16% Popularity • 84% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
16% Popularity • 84% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
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Mulatu Astatke
Emnete
120 bpm • C# Maj • 03:29 • -12db
41% Popularity • 75% Danceability • 44% Energy • 6% Liveness
85% Instrumentalness • 87% Positiveness
41% Popularity • 75% Danceability • 44% Energy • 6% Liveness
85% Instrumentalness • 87% Positiveness
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Sven Wunder
Magnolia
120 bpm • C Maj • 03:02 • -12.35db
32% Popularity • 37% Danceability • 57% Energy • 5% Liveness
81% Instrumentalness • 42% Positiveness
32% Popularity • 37% Danceability • 57% Energy • 5% Liveness
81% Instrumentalness • 42% Positiveness
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Les Baxter
Tropicando
122 bpm • F min • 02:37 • -13.58db
37% Popularity • 39% Danceability • 54% Energy • 14% Liveness
64% Instrumentalness • 55% Positiveness
37% Popularity • 39% Danceability • 54% Energy • 14% Liveness
64% Instrumentalness • 55% Positiveness
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François de Roubaix
Xavier à la maison d’arrêt - Thème ...
120 bpm • A# min • 02:36 • -27.38db
16% Popularity • 83% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 38% Positiveness
16% Popularity • 83% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 38% Positiveness
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Heshoo Beshoo Group
Emakhaya
123 bpm • D Maj • 07:18 • -9db
30% Popularity • 79% Danceability • 69% Energy • 17% Liveness
63% Instrumentalness • 45% Positiveness
30% Popularity • 79% Danceability • 69% Energy • 17% Liveness
63% Instrumentalness • 45% Positiveness
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Herbie Hancock
Blow-Up (Main Title)
122 bpm • C Maj • 01:32 • -13db
29% Popularity • 47% Danceability • 56% Energy • 12% Liveness
31% Instrumentalness • 88% Positiveness
29% Popularity • 47% Danceability • 56% Energy • 12% Liveness
31% Instrumentalness • 88% Positiveness
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The Sorcerers
In Pursuit Of Shai Hulud
119 bpm • D# Maj • 03:41 • -8db
30% Popularity • 80% Danceability • 67% Energy • 16% Liveness
85% Instrumentalness • 96% Positiveness
30% Popularity • 80% Danceability • 67% Energy • 16% Liveness
85% Instrumentalness • 96% Positiveness
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Jean-Claude Vannier
Fantôme soirée
119 bpm • D min • 01:09 • -10.06db
0% Popularity • 72% Danceability • 45% Energy • 7% Liveness
41% Instrumentalness • 42% Positiveness
0% Popularity • 72% Danceability • 45% Energy • 7% Liveness
41% Instrumentalness • 42% Positiveness
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Michael Bundt
Whose Eye Is the Sun?
119 bpm • D# Maj • 05:27 • -19db
12% Popularity • 51% Danceability • 40% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
12% Popularity • 51% Danceability • 40% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
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François de Roubaix
La scoumoune - Thème principal
119 bpm • A# min • 02:28 • -19db
27% Popularity • 35% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
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Lalo Schifrin
Bullitt (Main Title) - Movie
119 bpm • G Maj • 03:08 • -9db
28% Popularity • 52% Danceability • 42% Energy • 9% Liveness
79% Instrumentalness • 28% Positiveness
28% Popularity • 52% Danceability • 42% Energy • 9% Liveness
79% Instrumentalness • 28% Positiveness
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Roger Webb
Flying Objects
123 bpm • A min • 03:40 • -9.57db
27% Popularity • 63% Danceability • 74% Energy • 34% Liveness
92% Instrumentalness • 90% Positiveness
27% Popularity • 63% Danceability • 74% Energy • 34% Liveness
92% Instrumentalness • 90% Positiveness
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The Equatics
What They Doin?
119 bpm • E min • 03:26 • -8.52db
26% Popularity • 58% Danceability • 70% Energy • 29% Liveness
65% Instrumentalness • 28% Positiveness
26% Popularity • 58% Danceability • 70% Energy • 29% Liveness
65% Instrumentalness • 28% Positiveness
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Silver Apples
Lovefingers
119 bpm • F# Maj • 04:09 • -9.15db
36% Popularity • 59% Danceability • 62% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
36% Popularity • 59% Danceability • 62% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Brian Eno
The Jezebel Spirit
119 bpm • A# Maj • 04:54 • -5.66db
25% Popularity • 77% Danceability • 92% Energy • 39% Liveness
90% Instrumentalness • 96% Positiveness
25% Popularity • 77% Danceability • 92% Energy • 39% Liveness
90% Instrumentalness • 96% Positiveness
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David Axelrod
Urizen
118 bpm • A# min • 04:03 • -11.78db
22% Popularity • 39% Danceability • 49% Energy • 14% Liveness
76% Instrumentalness • 56% Positiveness
22% Popularity • 39% Danceability • 49% Energy • 14% Liveness
76% Instrumentalness • 56% Positiveness
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The Fabulous Three
Nightbird
118 bpm • F min • 02:07 • -9.86db
41% Popularity • 66% Danceability • 59% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
41% Popularity • 66% Danceability • 59% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
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Demon Fuzz
Past, Present & Future
124 bpm • B min • 09:55 • -5.91db
22% Popularity • 46% Danceability • 84% Energy • 7% Liveness
81% Instrumentalness • 39% Positiveness
22% Popularity • 46% Danceability • 84% Energy • 7% Liveness
81% Instrumentalness • 39% Positiveness
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The Braz Gonsalves 7
Raga Rock
124 bpm • F Maj • 06:12 • -13.05db
13% Popularity • 49% Danceability • 57% Energy • 11% Liveness
58% Instrumentalness • 47% Positiveness
13% Popularity • 49% Danceability • 57% Energy • 11% Liveness
58% Instrumentalness • 47% Positiveness
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The Chantays
Wayward Nile
124 bpm • A# min • 02:58 • -16db
31% Popularity • 81% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 90% Positiveness
31% Popularity • 81% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 90% Positiveness
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Shocking Blue
Acka Raga
118 bpm • F Maj • 03:07 • -9.05db
32% Popularity • 55% Danceability • 52% Energy • 12% Liveness
80% Instrumentalness • 58% Positiveness
32% Popularity • 55% Danceability • 52% Energy • 12% Liveness
80% Instrumentalness • 58% Positiveness
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Mulatu Astatke
Gubèlyé (My Gubel)
124 bpm • F min • 04:40 • -13.01db
39% Popularity • 46% Danceability • 28% Energy • 16% Liveness
41% Instrumentalness • 26% Positiveness
39% Popularity • 46% Danceability • 28% Energy • 16% Liveness
41% Instrumentalness • 26% Positiveness
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The Fabulous Three
White Sands Pt2
118 bpm • A# min • 02:11 • -9.03db
32% Popularity • 76% Danceability • 68% Energy • 34% Liveness
74% Instrumentalness • 88% Positiveness
32% Popularity • 76% Danceability • 68% Energy • 34% Liveness
74% Instrumentalness • 88% Positiveness
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Vampire Sound Inc.
Dedicated to Love
124 bpm • G Maj • 02:31 • -8.15db
13% Popularity • 59% Danceability • 55% Energy • 39% Liveness
22% Instrumentalness • 70% Positiveness
13% Popularity • 59% Danceability • 55% Energy • 39% Liveness
22% Instrumentalness • 70% Positiveness
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Alan Parker
Solid Satin
125 bpm • G# Maj • 02:17 • -17db
15% Popularity • 73% Danceability • 62% Energy • 9% Liveness
90% Instrumentalness • 46% Positiveness
15% Popularity • 73% Danceability • 62% Energy • 9% Liveness
90% Instrumentalness • 46% Positiveness
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Alessandro Alessandroni
Knell
125 bpm • B min • 01:48 • -12.36db
10% Popularity • 76% Danceability • 50% Energy • 22% Liveness
80% Instrumentalness • 86% Positiveness
10% Popularity • 76% Danceability • 50% Energy • 22% Liveness
80% Instrumentalness • 86% Positiveness
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Space Art
Onyx
125 bpm • F# Maj • 03:41 • -9.48db
26% Popularity • 46% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 46% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Sven Libaek
Dark World
125 bpm • A min • 04:32 • -19.87db
22% Popularity • 45% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 40% Positiveness
22% Popularity • 45% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 40% Positiveness
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Janko Nilovic
Maze Of Sounds
125 bpm • G min • 03:24 • -11.26db
32% Popularity • 63% Danceability • 25% Energy • 8% Liveness
20% Instrumentalness • 74% Positiveness
32% Popularity • 63% Danceability • 25% Energy • 8% Liveness
20% Instrumentalness • 74% Positiveness
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Charlie Megira
The Girl Who Was Frightened of Ashtrays
117 bpm • B min • 03:50 • -19.38db
38% Popularity • 72% Danceability • 13% Energy • 14% Liveness
93% Instrumentalness • 56% Positiveness
38% Popularity • 72% Danceability • 13% Energy • 14% Liveness
93% Instrumentalness • 56% Positiveness
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François de Roubaix
Dracula à Woodstock (Des Poissons Et De...
117 bpm • A Maj • 01:07 • -12.73db
16% Popularity • 36% Danceability • 38% Energy • 17% Liveness
82% Instrumentalness • 34% Positiveness
16% Popularity • 36% Danceability • 38% Energy • 17% Liveness
82% Instrumentalness • 34% Positiveness
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Amanaz
Amanaz
126 bpm • C# Maj • 02:40 • -11.38db
34% Popularity • 44% Danceability • 45% Energy • 15% Liveness
14% Instrumentalness • 79% Positiveness
34% Popularity • 44% Danceability • 45% Energy • 15% Liveness
14% Instrumentalness • 79% Positiveness
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Jean Constantin
École buissonnière
126 bpm • A min • 02:09 • -15.47db
23% Popularity • 58% Danceability • 42% Energy • 26% Liveness
9% Instrumentalness • 70% Positiveness
23% Popularity • 58% Danceability • 42% Energy • 26% Liveness
9% Instrumentalness • 70% Positiveness
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Jean-Claude Vannier
Flipbook
116 bpm • D min • 00:58 • -14.6db
0% Popularity • 30% Danceability • 56% Energy • 19% Liveness
83% Instrumentalness • 4% Positiveness
0% Popularity • 30% Danceability • 56% Energy • 19% Liveness
83% Instrumentalness • 4% Positiveness
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Perrey and Kingsley
Swan's Splashdown
126 bpm • A Maj • 02:20 • -11.49db
24% Popularity • 93% Danceability • 68% Energy • 9% Liveness
94% Instrumentalness • 98% Positiveness
24% Popularity • 93% Danceability • 68% Energy • 9% Liveness
94% Instrumentalness • 98% Positiveness
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23 Skidoo
Vegas El Bandito
116 bpm • G Maj • 02:45 • -7.82db
15% Popularity • 84% Danceability • 76% Energy • 29% Liveness
90% Instrumentalness • 87% Positiveness
15% Popularity • 84% Danceability • 76% Energy • 29% Liveness
90% Instrumentalness • 87% Positiveness
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Nino Nardini
Malaysia
126 bpm • G min • 02:08 • -12.99db
31% Popularity • 72% Danceability • 32% Energy • 30% Liveness
85% Instrumentalness • 74% Positiveness
31% Popularity • 72% Danceability • 32% Energy • 30% Liveness
85% Instrumentalness • 74% Positiveness
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Eden Ahbez
Tradewind
126 bpm • G min • 03:01 • -18.03db
34% Popularity • 64% Danceability • 32% Energy • 18% Liveness
84% Instrumentalness • 54% Positiveness
34% Popularity • 64% Danceability • 32% Energy • 18% Liveness
84% Instrumentalness • 54% Positiveness
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Nino Ferrer
Métronomie
116 bpm • E min • 09:06 • -9.41db
9% Popularity • 42% Danceability • 78% Energy • 33% Liveness
87% Instrumentalness • 24% Positiveness
9% Popularity • 42% Danceability • 78% Energy • 33% Liveness
87% Instrumentalness • 24% Positiveness
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Jean-Claude Vannier
Katmandou 1
116 bpm • D Maj • 01:10 • -13.31db
4% Popularity • 64% Danceability • 38% Energy • 33% Liveness
27% Instrumentalness • 65% Positiveness
4% Popularity • 64% Danceability • 38% Energy • 33% Liveness
27% Instrumentalness • 65% Positiveness
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Salah Ragab
Egypt Strut
116 bpm • C Maj • 04:55 • -6.68db
32% Popularity • 66% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 68% Positiveness
32% Popularity • 66% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 68% Positiveness
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Dave Pike Set
Mathar
116 bpm • G min • 03:43 • -6db
41% Popularity • 66% Danceability • 79% Energy • 14% Liveness
78% Instrumentalness • 51% Positiveness
41% Popularity • 66% Danceability • 79% Energy • 14% Liveness
78% Instrumentalness • 51% Positiveness
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The Space Lady
Ghost Riders in the Sky
116 bpm • E Maj • 05:06 • -17db
31% Popularity • 44% Danceability • 38% Energy • 14% Liveness
94% Instrumentalness • 44% Positiveness
31% Popularity • 44% Danceability • 38% Energy • 14% Liveness
94% Instrumentalness • 44% Positiveness
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Amanaz
Green Apple
127 bpm • A# min • 03:50 • -9.44db
37% Popularity • 64% Danceability • 51% Energy • 11% Liveness
91% Instrumentalness • 63% Positiveness
37% Popularity • 64% Danceability • 51% Energy • 11% Liveness
91% Instrumentalness • 63% Positiveness
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Bernard Estardy
Ala mia thra
116 bpm • C min • 03:00 • -8db
15% Popularity • 41% Danceability • 67% Energy • 26% Liveness
66% Instrumentalness • 15% Positiveness
15% Popularity • 41% Danceability • 67% Energy • 26% Liveness
66% Instrumentalness • 15% Positiveness
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Jean-Claude Vannier
Katmandou 6
116 bpm • D min • 02:12 • -14.52db
2% Popularity • 34% Danceability • 23% Energy • 18% Liveness
16% Instrumentalness • 39% Positiveness
2% Popularity • 34% Danceability • 23% Energy • 18% Liveness
16% Instrumentalness • 39% Positiveness
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Manu Dibango
Ceddo End Title
127 bpm • G Maj • 05:09 • -13db
20% Popularity • 73% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
20% Popularity • 73% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
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Kiyoshi Yamaya
Aizu Bandaisan
115 bpm • A min • 02:55 • -7.75db
22% Popularity • 54% Danceability • 70% Energy • 11% Liveness
1% Instrumentalness • 85% Positiveness
22% Popularity • 54% Danceability • 70% Energy • 11% Liveness
1% Instrumentalness • 85% Positiveness
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Dave Pike Set
Regards from Freddie Horrowitz
115 bpm • G Maj • 04:40 • -9.5db
17% Popularity • 42% Danceability • 54% Energy • 10% Liveness
9% Instrumentalness • 45% Positiveness
17% Popularity • 42% Danceability • 54% Energy • 10% Liveness
9% Instrumentalness • 45% Positiveness
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The Paradise Bangkok Molam International Band
ลำสั้นดิสโก้
127 bpm • C Maj • 04:32 • -8.55db
32% Popularity • 57% Danceability • 76% Energy • 17% Liveness
80% Instrumentalness • 70% Positiveness
32% Popularity • 57% Danceability • 76% Energy • 17% Liveness
80% Instrumentalness • 70% Positiveness
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Serge Gainsbourg
L'hôtel particulier
127 bpm • A Maj • 04:05 • -18.91db
35% Popularity • 67% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 38% Positiveness
35% Popularity • 67% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 38% Positiveness
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Kava Kon
Chinese Surfer
115 bpm • D Maj • 02:51 • -8db
24% Popularity • 75% Danceability • 64% Energy • 14% Liveness
88% Instrumentalness • 82% Positiveness
24% Popularity • 75% Danceability • 64% Energy • 14% Liveness
88% Instrumentalness • 82% Positiveness
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Sun Ra
Plutonian Nights
127 bpm • F# min • 04:22 • -16.65db
24% Popularity • 64% Danceability • 41% Energy • 13% Liveness
6% Instrumentalness • 73% Positiveness
24% Popularity • 64% Danceability • 41% Energy • 13% Liveness
6% Instrumentalness • 73% Positiveness
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Jean-Pierre Mirouze
Scène du port
128 bpm • C min • 03:49 • -5.98db
14% Popularity • 25% Danceability • 42% Energy • 28% Liveness
6% Instrumentalness • 4% Positiveness
14% Popularity • 25% Danceability • 42% Energy • 28% Liveness
6% Instrumentalness • 4% Positiveness
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Agitation Free
First Communication
128 bpm • A Maj • 08:10 • -11.98db
25% Popularity • 47% Danceability • 61% Energy • 10% Liveness
48% Instrumentalness • 34% Positiveness
25% Popularity • 47% Danceability • 61% Energy • 10% Liveness
48% Instrumentalness • 34% Positiveness
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Alan Parker
Punch Bowl
128 bpm • B Maj • 02:42 • -17.94db
13% Popularity • 66% Danceability • 72% Energy • 11% Liveness
88% Instrumentalness • 84% Positiveness
13% Popularity • 66% Danceability • 72% Energy • 11% Liveness
88% Instrumentalness • 84% Positiveness
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Keith Mansfield
Exclusive Blend
114 bpm • F min • 03:24 • -8db
25% Popularity • 60% Danceability • 77% Energy • 17% Liveness
83% Instrumentalness • 72% Positiveness
25% Popularity • 60% Danceability • 77% Energy • 17% Liveness
83% Instrumentalness • 72% Positiveness
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Brainticket
Black Sand
114 bpm • B min • 04:05 • -12db
21% Popularity • 58% Danceability • 54% Energy • 11% Liveness
84% Instrumentalness • 43% Positiveness
21% Popularity • 58% Danceability • 54% Energy • 11% Liveness
84% Instrumentalness • 43% Positiveness
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François de Roubaix
Opération FR1
114 bpm • G min • 03:05 • -13.93db
17% Popularity • 39% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 39% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Africa
Paint It Black
114 bpm • F Maj • 07:28 • -12.17db
29% Popularity • 70% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 70% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Ashra
77 Slightly Delayed
128 bpm • F# Maj • 06:50 • -12.63db
31% Popularity • 50% Danceability • 41% Energy • 20% Liveness
87% Instrumentalness • 41% Positiveness
31% Popularity • 50% Danceability • 41% Energy • 20% Liveness
87% Instrumentalness • 41% Positiveness
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Bernard Estardy
Autoscopie
114 bpm • G Maj • 02:50 • -8.96db
9% Popularity • 57% Danceability • 96% Energy • 31% Liveness
15% Instrumentalness • 61% Positiveness
9% Popularity • 57% Danceability • 96% Energy • 31% Liveness
15% Instrumentalness • 61% Positiveness
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Sven Libaek
Solar Flares
128 bpm • C Maj • 03:31 • -16.16db
35% Popularity • 60% Danceability • 43% Energy • 20% Liveness
82% Instrumentalness • 89% Positiveness
35% Popularity • 60% Danceability • 43% Energy • 20% Liveness
82% Instrumentalness • 89% Positiveness
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Maximum Joy
Silent Street / Silent Dub
129 bpm • C# min • 07:54 • -11.83db
22% Popularity • 62% Danceability • 43% Energy • 8% Liveness
48% Instrumentalness • 68% Positiveness
22% Popularity • 62% Danceability • 43% Energy • 8% Liveness
48% Instrumentalness • 68% Positiveness
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Giuliano Sorgini
Ultima caccia
114 bpm • C Maj • 03:55 • -14.56db
15% Popularity • 75% Danceability • 80% Energy • 9% Liveness
81% Instrumentalness • 51% Positiveness
15% Popularity • 75% Danceability • 80% Energy • 9% Liveness
81% Instrumentalness • 51% Positiveness
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Pierre Cavalli
Chasse à l'homme
129 bpm • D Maj • 02:11 • -5.76db
21% Popularity • 29% Danceability • 98% Energy • 40% Liveness
92% Instrumentalness • 6% Positiveness
21% Popularity • 29% Danceability • 98% Energy • 40% Liveness
92% Instrumentalness • 6% Positiveness
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Nicolas Godin
Snake Dance
129 bpm • B min • 02:12 • -9.32db
21% Popularity • 78% Danceability • 60% Energy • 10% Liveness
89% Instrumentalness • 89% Positiveness
21% Popularity • 78% Danceability • 60% Energy • 10% Liveness
89% Instrumentalness • 89% Positiveness
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Silver Apples
Program
129 bpm • G Maj • 04:05 • -9.19db
33% Popularity • 57% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 57% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Roy Budd
Goodbye Carter
129 bpm • C Maj • 03:42 • -11.36db
17% Popularity • 64% Danceability • 64% Energy • 14% Liveness
73% Instrumentalness • 47% Positiveness
17% Popularity • 64% Danceability • 64% Energy • 14% Liveness
73% Instrumentalness • 47% Positiveness
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Robert Wyatt
At Last I Am Free
114 bpm • F min • 04:17 • -11db
34% Popularity • 45% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 45% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Nino Ferrer
Looking For You
129 bpm • F min • 05:49 • -6.69db
38% Popularity • 36% Danceability • 64% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 36% Danceability • 64% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
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Sonny Sharrock
Blind Willie
113 bpm • E Maj • 03:10 • -15db
27% Popularity • 60% Danceability • 53% Energy • 9% Liveness
80% Instrumentalness • 31% Positiveness
27% Popularity • 60% Danceability • 53% Energy • 9% Liveness
80% Instrumentalness • 31% Positiveness
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David Axelrod
The Mental Traveler
113 bpm • A# min • 04:02 • -8db
12% Popularity • 29% Danceability • 55% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
12% Popularity • 29% Danceability • 55% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
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Arthur Russell
"Instrumentals" Volume 1 - Part 1
113 bpm • F min • 05:19 • -12.56db
26% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Roy Budd
Main Theme - Carter Takes A Train
129 bpm • C Maj • 02:58 • -11.69db
26% Popularity • 53% Danceability • 85% Energy • 45% Liveness
87% Instrumentalness • 71% Positiveness
26% Popularity • 53% Danceability • 85% Energy • 45% Liveness
87% Instrumentalness • 71% Positiveness
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Vampire Sound Inc.
Droge CX 9
130 bpm • A# Maj • 05:13 • -10.38db
25% Popularity • 54% Danceability • 62% Energy • 11% Liveness
85% Instrumentalness • 68% Positiveness
25% Popularity • 54% Danceability • 62% Energy • 11% Liveness
85% Instrumentalness • 68% Positiveness
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The Durutti Column
Katherine
113 bpm • C Maj • 05:31 • -14.66db
28% Popularity • 73% Danceability • 26% Energy • 25% Liveness
17% Instrumentalness • 24% Positiveness
28% Popularity • 73% Danceability • 26% Energy • 25% Liveness
17% Instrumentalness • 24% Positiveness
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Bruno Spoerri
Les Electroniciens
113 bpm • F# min • 02:57 • -8.44db
7% Popularity • 33% Danceability • 91% Energy • 17% Liveness
77% Instrumentalness • 38% Positiveness
7% Popularity • 33% Danceability • 91% Energy • 17% Liveness
77% Instrumentalness • 38% Positiveness
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David Axelrod
The Mental Traveler
113 bpm • A# min • 04:06 • -11.45db
17% Popularity • 29% Danceability • 51% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
17% Popularity • 29% Danceability • 51% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
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Lizzy Mercier Descloux
Jim on the Move
130 bpm • F# min • 02:32 • -12db
29% Popularity • 86% Danceability • 73% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
29% Popularity • 86% Danceability • 73% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Jean-Pierre Mirouze
Sexopolis
112 bpm • G min • 04:42 • -4.59db
34% Popularity • 50% Danceability • 71% Energy • 19% Liveness
92% Instrumentalness • 51% Positiveness
34% Popularity • 50% Danceability • 71% Energy • 19% Liveness
92% Instrumentalness • 51% Positiveness
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Cluster
Hollywood
130 bpm • C# Maj • 04:45 • -17.93db
33% Popularity • 84% Danceability • 33% Energy • 10% Liveness
89% Instrumentalness • 51% Positiveness
33% Popularity • 84% Danceability • 33% Energy • 10% Liveness
89% Instrumentalness • 51% Positiveness
