Songs like La La Land Suite by Jacob Koller
Based on a tempo of (+/- 10%) and a similar genre
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Nobuyuki Tsujii
美の巨人たち エンディング・...
106 bpm • G# Maj • 02:35 • -14db
39% Popularity • 40% Danceability • 41% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
39% Popularity • 40% Danceability • 41% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
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Eddie Higgins
Autumn Leaves
106 bpm • F min • 04:33 • -9.23db
19% Popularity • 41% Danceability • 56% Energy • 26% Liveness
17% Instrumentalness • 55% Positiveness
19% Popularity • 41% Danceability • 56% Energy • 26% Liveness
17% Instrumentalness • 55% Positiveness
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Lelio Luttazzi
Ma l'amore no
106 bpm • G# Maj • 01:11 • -14.19db
51% Popularity • 76% Danceability • 22% Energy • 13% Liveness
95% Instrumentalness • 35% Positiveness
51% Popularity • 76% Danceability • 22% Energy • 13% Liveness
95% Instrumentalness • 35% Positiveness
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Peter Sandberg
My Heart Is For You
106 bpm • C# Maj • 05:34 • -19.83db
42% Popularity • 42% Danceability • 7% Energy • 33% Liveness
60% Instrumentalness • 10% Positiveness
42% Popularity • 42% Danceability • 7% Energy • 33% Liveness
60% Instrumentalness • 10% Positiveness
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Jacob Koller
La La Land Suite
106 bpm • A Maj • 07:11 • -14db
35% Popularity • 46% Danceability • 28% Energy • 10% Liveness
82% Instrumentalness • 31% Positiveness
35% Popularity • 46% Danceability • 28% Energy • 10% Liveness
82% Instrumentalness • 31% Positiveness
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Sherwood Roberts
A Thousand Stars
107 bpm • G Maj • 00:59 • -16db
42% Popularity • 44% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
42% Popularity • 44% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
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Frédéric Chopin
Waltz Op. 69 No. 2
107 bpm • B min • 05:29 • -30.03db
32% Popularity • 37% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
32% Popularity • 37% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Frenmad
Speak Softly Love
107 bpm • C min • 03:01 • -23.68db
8% Popularity • 45% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 34% Positiveness
8% Popularity • 45% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 34% Positiveness
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Hiromi
Blackbird
105 bpm • G Maj • 05:21 • -22.01db
37% Popularity • 30% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
37% Popularity • 30% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Claude Bolling
Baroque and Blue, Pt. 1
107 bpm • G Maj • 02:31 • -19db
35% Popularity • 52% Danceability • 21% Energy • 26% Liveness
91% Instrumentalness • 62% Positiveness
35% Popularity • 52% Danceability • 21% Energy • 26% Liveness
91% Instrumentalness • 62% Positiveness
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Yiruma
Chaconne
104 bpm • G Maj • 04:11 • -18.02db
37% Popularity • 45% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 15% Positiveness
37% Popularity • 45% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 15% Positiveness
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Justin Hurwitz
Summer Montage / Madeline
108 bpm • G Maj • 02:04 • -6.78db
57% Popularity • 60% Danceability • 50% Energy • 26% Liveness
80% Instrumentalness • 65% Positiveness
57% Popularity • 60% Danceability • 50% Energy • 26% Liveness
80% Instrumentalness • 65% Positiveness
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朝香智子
Shape of You
108 bpm • A Maj • 04:21 • -12.86db
3% Popularity • 55% Danceability • 33% Energy • 15% Liveness
90% Instrumentalness • 36% Positiveness
3% Popularity • 55% Danceability • 33% Energy • 15% Liveness
90% Instrumentalness • 36% Positiveness
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Vince Giordano And The Nighthawks
The Lady is a Tramp
108 bpm • C Maj • 03:49 • -15.52db
38% Popularity • 81% Danceability • 38% Energy • 23% Liveness
92% Instrumentalness • 91% Positiveness
38% Popularity • 81% Danceability • 38% Energy • 23% Liveness
92% Instrumentalness • 91% Positiveness
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Bob Acri
Sleep Away (Reprise)
104 bpm • C min • 03:38 • -20.67db
28% Popularity • 31% Danceability • 8% Energy • 26% Liveness
58% Instrumentalness • 17% Positiveness
28% Popularity • 31% Danceability • 8% Energy • 26% Liveness
58% Instrumentalness • 17% Positiveness
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Jacob Koller
Mission Impossible
108 bpm • C Maj • 02:06 • -15.67db
13% Popularity • 48% Danceability • 37% Energy • 10% Liveness
87% Instrumentalness • 79% Positiveness
13% Popularity • 48% Danceability • 37% Energy • 10% Liveness
87% Instrumentalness • 79% Positiveness
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Kotaro Oshio
黄昏
104 bpm • E min • 04:32 • -12.95db
30% Popularity • 62% Danceability • 37% Energy • 10% Liveness
82% Instrumentalness • 37% Positiveness
30% Popularity • 62% Danceability • 37% Energy • 10% Liveness
82% Instrumentalness • 37% Positiveness
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Irving Berlin
Annie Get Your Gun: They Say It's Wonder...
108 bpm • D# Maj • 02:51 • -21.94db
25% Popularity • 44% Danceability • 5% Energy • 23% Liveness
94% Instrumentalness • 8% Positiveness
25% Popularity • 44% Danceability • 5% Energy • 23% Liveness
94% Instrumentalness • 8% Positiveness
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Kassia
Tico-Tico no Fubá
108 bpm • A min • 03:04 • -13.94db
22% Popularity • 49% Danceability • 35% Energy • 18% Liveness
88% Instrumentalness • 63% Positiveness
22% Popularity • 49% Danceability • 35% Energy • 18% Liveness
88% Instrumentalness • 63% Positiveness
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Stephan Noel Lang
16-Bar-Blues
109 bpm • C Maj • 02:38 • -13.7db
40% Popularity • 71% Danceability • 34% Energy • 19% Liveness
93% Instrumentalness • 63% Positiveness
40% Popularity • 71% Danceability • 34% Energy • 19% Liveness
93% Instrumentalness • 63% Positiveness
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Nazareno Aversa
Tico Tico
103 bpm • C Maj • 02:12 • -23.5db
12% Popularity • 52% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 60% Positiveness
12% Popularity • 52% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 60% Positiveness
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Jacob Koller
City Of Stars
109 bpm • D min • 03:25 • -12.6db
30% Popularity • 49% Danceability • 31% Energy • 9% Liveness
87% Instrumentalness • 18% Positiveness
30% Popularity • 49% Danceability • 31% Energy • 9% Liveness
87% Instrumentalness • 18% Positiveness
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Scott Hamilton
Pure Imagination
109 bpm • D# Maj • 05:17 • -13.98db
35% Popularity • 46% Danceability • 11% Energy • 11% Liveness
18% Instrumentalness • 17% Positiveness
35% Popularity • 46% Danceability • 11% Energy • 11% Liveness
18% Instrumentalness • 17% Positiveness
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Toru Takemitsu
The Last Waltz
103 bpm • E Maj • 03:13 • -21db
27% Popularity • 56% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
27% Popularity • 56% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
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Kazumi Tateishi Trio
海の見える街（魔女の宅急便�...
103 bpm • G# Maj • 03:11 • -12.89db
35% Popularity • 52% Danceability • 29% Energy • 28% Liveness
97% Instrumentalness • 62% Positiveness
35% Popularity • 52% Danceability • 29% Energy • 28% Liveness
97% Instrumentalness • 62% Positiveness
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Erik Satie
Je te veux
103 bpm • C Maj • 05:14 • -25db
35% Popularity • 40% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 18% Positiveness
35% Popularity • 40% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 18% Positiveness
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The Cast of 101 Dalmatians
A Beautiful Spring Day - Original
102 bpm • C Maj • 03:14 • -22.87db
27% Popularity • 48% Danceability • 6% Energy • 13% Liveness
95% Instrumentalness • 21% Positiveness
27% Popularity • 48% Danceability • 6% Energy • 13% Liveness
95% Instrumentalness • 21% Positiveness
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Platina Jazz
A Town With An Ocean View
102 bpm • E min • 03:14 • -17db
31% Popularity • 63% Danceability • 26% Energy • 11% Liveness
81% Instrumentalness • 70% Positiveness
31% Popularity • 63% Danceability • 26% Energy • 11% Liveness
81% Instrumentalness • 70% Positiveness
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Massimo Roberti
Ev'rybody Wants To Be A Cat - Jazz Versi...
110 bpm • E min • 03:25 • -21.92db
24% Popularity • 77% Danceability • 13% Energy • 9% Liveness
90% Instrumentalness • 81% Positiveness
24% Popularity • 77% Danceability • 13% Energy • 9% Liveness
90% Instrumentalness • 81% Positiveness
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Michael Giacchino
Jazz Cafe
110 bpm • C Maj • 01:19 • -23.91db
28% Popularity • 81% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 38% Positiveness
28% Popularity • 81% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 38% Positiveness
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Jacob Koller
Black Orpheus
110 bpm • A min • 04:26 • -17.22db
11% Popularity • 46% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
11% Popularity • 46% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
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Erik Satie
Je te veux
102 bpm • G Maj • 03:26 • -27.35db
17% Popularity • 49% Danceability • 5% Energy • 15% Liveness
90% Instrumentalness • 37% Positiveness
17% Popularity • 49% Danceability • 5% Energy • 15% Liveness
90% Instrumentalness • 37% Positiveness
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Justin Hurwitz
Chicken On A Stick
101 bpm • C# min • 01:39 • -21.58db
40% Popularity • 49% Danceability • 13% Energy • 12% Liveness
83% Instrumentalness • 36% Positiveness
40% Popularity • 49% Danceability • 13% Energy • 12% Liveness
83% Instrumentalness • 36% Positiveness
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Kassia
Fly Me to the Moon - Piano Solo Version
111 bpm • A min • 02:43 • -18.42db
29% Popularity • 43% Danceability • 13% Energy • 13% Liveness
88% Instrumentalness • 23% Positiveness
29% Popularity • 43% Danceability • 13% Energy • 13% Liveness
88% Instrumentalness • 23% Positiveness
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Matt Herskowitz
Bach à la Jazz
112 bpm • C min • 03:25 • -18.72db
8% Popularity • 39% Danceability • 32% Energy • 69% Liveness
86% Instrumentalness • 46% Positiveness
8% Popularity • 39% Danceability • 32% Energy • 69% Liveness
86% Instrumentalness • 46% Positiveness
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The Eddie Higgins Trio
Minor Swing
101 bpm • C Maj • 03:18 • -9.45db
15% Popularity • 48% Danceability • 53% Energy • 17% Liveness
89% Instrumentalness • 52% Positiveness
15% Popularity • 48% Danceability • 53% Energy • 17% Liveness
89% Instrumentalness • 52% Positiveness
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Jacob Koller
Marunouchi Sadisutikku
102 bpm • D# Maj • 04:26 • -13.49db
18% Popularity • 47% Danceability • 31% Energy • 12% Liveness
91% Instrumentalness • 41% Positiveness
18% Popularity • 47% Danceability • 31% Energy • 12% Liveness
91% Instrumentalness • 41% Positiveness
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Slowtea
Good Morning In Paris
112 bpm • G Maj • 03:28 • -12.89db
31% Popularity • 75% Danceability • 20% Energy • 13% Liveness
32% Instrumentalness • 41% Positiveness
31% Popularity • 75% Danceability • 20% Energy • 13% Liveness
32% Instrumentalness • 41% Positiveness
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Justin Hurwitz
Mia & Sebastian’s Theme (Celesta)
100 bpm • F Maj • 01:27 • -26db
48% Popularity • 17% Danceability • 7% Energy • 20% Liveness
44% Instrumentalness • 17% Positiveness
48% Popularity • 17% Danceability • 7% Energy • 20% Liveness
44% Instrumentalness • 17% Positiveness
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Lianne G.
Jazz Finale
112 bpm • C Maj • 01:35 • -19.09db
8% Popularity • 59% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
8% Popularity • 59% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
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Enrico Pieranunzi
Improvisation No. 15 in C minor, FP 176 ...
100 bpm • D Maj • 05:10 • -18.51db
17% Popularity • 39% Danceability • 18% Energy • 17% Liveness
59% Instrumentalness • 4% Positiveness
17% Popularity • 39% Danceability • 18% Energy • 17% Liveness
59% Instrumentalness • 4% Positiveness
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The Flax
A Gentle Touch
112 bpm • C# Maj • 02:16 • -17.97db
24% Popularity • 25% Danceability • 5% Energy • 16% Liveness
81% Instrumentalness • 15% Positiveness
24% Popularity • 25% Danceability • 5% Energy • 16% Liveness
81% Instrumentalness • 15% Positiveness
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Hollywood Film Music Orchestra
French Cafe
112 bpm • F Maj • 02:26 • -16.74db
32% Popularity • 47% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
32% Popularity • 47% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Brandon Mills
Just The Way You Are
112 bpm • G Maj • 03:56 • -20db
37% Popularity • 57% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
37% Popularity • 57% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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Erik Satie
Je te veux
112 bpm • C Maj • 04:29 • -20db
50% Popularity • 46% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 22% Positiveness
50% Popularity • 46% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 22% Positiveness
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Itzhak Perlman
Elite Syncopations (arr. I. Perlman for ...
100 bpm • G Maj • 03:04 • -20.76db
28% Popularity • 67% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 67% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Enrico Pieranunzi
Passepied nouveau
112 bpm • F min • 04:50 • -19.31db
35% Popularity • 38% Danceability • 24% Energy • 9% Liveness
87% Instrumentalness • 32% Positiveness
35% Popularity • 38% Danceability • 24% Energy • 9% Liveness
87% Instrumentalness • 32% Positiveness
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Justin Hurwitz
Chinatown
100 bpm • B min • 01:22 • -24.98db
41% Popularity • 50% Danceability • 16% Energy • 18% Liveness
85% Instrumentalness • 18% Positiveness
41% Popularity • 50% Danceability • 16% Energy • 18% Liveness
85% Instrumentalness • 18% Positiveness
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Sangah Noona
Lucy in the Sky With Diamonds (Piano)
100 bpm • D Maj • 04:23 • -10.92db
13% Popularity • 37% Danceability • 33% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
13% Popularity • 37% Danceability • 33% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
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The Sweetgreens
Moon River
113 bpm • D min • 03:13 • -25.96db
43% Popularity • 60% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 12% Positiveness
43% Popularity • 60% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 12% Positiveness
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Erik Satie
Je Te Veux : Je Te Veux
112 bpm • C Maj • 04:26 • -26db
38% Popularity • 36% Danceability • 8% Energy • 13% Liveness
92% Instrumentalness • 16% Positiveness
38% Popularity • 36% Danceability • 8% Energy • 13% Liveness
92% Instrumentalness • 16% Positiveness
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Jacob Koller
The Pink Panther Theme
113 bpm • F Maj • 03:48 • -11.85db
15% Popularity • 52% Danceability • 41% Energy • 12% Liveness
89% Instrumentalness • 79% Positiveness
15% Popularity • 52% Danceability • 41% Energy • 12% Liveness
89% Instrumentalness • 79% Positiveness
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Chris Minh Doky
Godfather
113 bpm • A Maj • 06:05 • -18.48db
21% Popularity • 47% Danceability • 17% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
21% Popularity • 47% Danceability • 17% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
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Yuka
海の見える街（魔女の宅急便�...
100 bpm • E min • 03:02 • -13db
36% Popularity • 59% Danceability • 16% Energy • 29% Liveness
30% Instrumentalness • 39% Positiveness
36% Popularity • 59% Danceability • 16% Energy • 29% Liveness
30% Instrumentalness • 39% Positiveness
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MauColi
Autumn Leaves
113 bpm • D min • 02:55 • -15.21db
39% Popularity • 42% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 22% Positiveness
39% Popularity • 42% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 22% Positiveness
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Nicholas Yee
La La Land Medley
99 bpm • D# Maj • 06:09 • -17.31db
36% Popularity • 26% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
36% Popularity • 26% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Javier Navarrete
Liebestraum
113 bpm • D# Maj • 01:00 • -19.14db
50% Popularity • 40% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
50% Popularity • 40% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Jacob Koller
Round Midnight
100 bpm • D# min • 05:01 • -15.72db
9% Popularity • 34% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
9% Popularity • 34% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Jacques Loussier Trio
Gymnopédie No. 1: Var. 1
99 bpm • G Maj • 04:33 • -22db
33% Popularity • 55% Danceability • 11% Energy • 14% Liveness
83% Instrumentalness • 11% Positiveness
33% Popularity • 55% Danceability • 11% Energy • 14% Liveness
83% Instrumentalness • 11% Positiveness
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Platina Jazz
Merry-Go-Round of Life
99 bpm • D min • 04:32 • -22db
26% Popularity • 60% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 24% Positiveness
26% Popularity • 60% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 24% Positiveness
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Franz Gordon
Flirting at the Masquerade
99 bpm • E Maj • 03:14 • -21.91db
36% Popularity • 34% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
36% Popularity • 34% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Justin Hurwitz
Boise
99 bpm • B min • 01:13 • -13db
42% Popularity • 61% Danceability • 35% Energy • 6% Liveness
96% Instrumentalness • 82% Positiveness
42% Popularity • 61% Danceability • 35% Energy • 6% Liveness
96% Instrumentalness • 82% Positiveness
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julian
Mia & Sebastian's Theme
99 bpm • A Maj • 01:27 • -26.96db
43% Popularity • 39% Danceability • 6% Energy • 13% Liveness
95% Instrumentalness • 45% Positiveness
43% Popularity • 39% Danceability • 6% Energy • 13% Liveness
95% Instrumentalness • 45% Positiveness
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Oscar Peterson
Jazz Exercise No 2
99 bpm • G Maj • 01:04 • -23.41db
17% Popularity • 29% Danceability • 23% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
17% Popularity • 29% Danceability • 23% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
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Nobuyuki Tsujii
それでも、生きてゆく - 2011年...
99 bpm • A Maj • 03:18 • -22.7db
31% Popularity • 54% Danceability • 10% Energy • 8% Liveness
86% Instrumentalness • 16% Positiveness
31% Popularity • 54% Danceability • 10% Energy • 8% Liveness
86% Instrumentalness • 16% Positiveness
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Enrico Pieranunzi
Kingdom - Where Nobody Dies
114 bpm • D Maj • 06:58 • -15.2db
16% Popularity • 33% Danceability • 10% Energy • 9% Liveness
67% Instrumentalness • 11% Positiveness
16% Popularity • 33% Danceability • 10% Energy • 9% Liveness
67% Instrumentalness • 11% Positiveness
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Eddie Higgins
Once Upon a Summertime
114 bpm • F Maj • 03:54 • -17.62db
14% Popularity • 44% Danceability • 20% Energy • 13% Liveness
94% Instrumentalness • 8% Positiveness
14% Popularity • 44% Danceability • 20% Energy • 13% Liveness
94% Instrumentalness • 8% Positiveness
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Claude Bolling
Irlandaise, Pt. 1
114 bpm • A min • 01:40 • -21.63db
37% Popularity • 46% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 48% Positiveness
37% Popularity • 46% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 48% Positiveness
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Satoshi Takebe
The Editing Room in Sunset
114 bpm • D Maj • 01:25 • -15.53db
43% Popularity • 67% Danceability • 30% Energy • 12% Liveness
65% Instrumentalness • 20% Positiveness
43% Popularity • 67% Danceability • 30% Energy • 12% Liveness
65% Instrumentalness • 20% Positiveness
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Shinya Kiyozuka
ハレナハレ
98 bpm • C Maj • 03:02 • -7.5db
37% Popularity • 44% Danceability • 30% Energy • 29% Liveness
18% Instrumentalness • 25% Positiveness
37% Popularity • 44% Danceability • 30% Energy • 29% Liveness
18% Instrumentalness • 25% Positiveness
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Frédéric Chopin
Nocturne Op. 9 #2 In Eb
98 bpm • D# Maj • 04:34 • -24.32db
13% Popularity • 34% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
13% Popularity • 34% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
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Yiruma
Nocturnal Mind in d Minor - Piano Septet...
98 bpm • D min • 03:31 • -16.44db
47% Popularity • 24% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
47% Popularity • 24% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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The Eddie Higgins Trio
In a Sentimental Mood
114 bpm • F Maj • 04:38 • -11.62db
28% Popularity • 45% Danceability • 32% Energy • 14% Liveness
92% Instrumentalness • 16% Positiveness
28% Popularity • 45% Danceability • 32% Energy • 14% Liveness
92% Instrumentalness • 16% Positiveness
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Yuriko Nakamura
Carnaval
98 bpm • E min • 03:24 • -16.03db
18% Popularity • 27% Danceability • 28% Energy • 10% Liveness
87% Instrumentalness • 26% Positiveness
18% Popularity • 27% Danceability • 28% Energy • 10% Liveness
87% Instrumentalness • 26% Positiveness
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Jacob Koller
RAIN
98 bpm • G# Maj • 03:58 • -17.96db
14% Popularity • 27% Danceability • 28% Energy • 20% Liveness
86% Instrumentalness • 11% Positiveness
14% Popularity • 27% Danceability • 28% Energy • 20% Liveness
86% Instrumentalness • 11% Positiveness
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yuma yamaguchi
黒い汗
115 bpm • F Maj • 01:51 • -12.33db
33% Popularity • 87% Danceability • 33% Energy • 9% Liveness
8% Instrumentalness • 54% Positiveness
33% Popularity • 87% Danceability • 33% Energy • 9% Liveness
8% Instrumentalness • 54% Positiveness
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Tifita
'Watashi' no Theme
115 bpm • C Maj • 02:24 • -19.33db
31% Popularity • 57% Danceability • 8% Energy • 14% Liveness
89% Instrumentalness • 6% Positiveness
31% Popularity • 57% Danceability • 8% Energy • 14% Liveness
89% Instrumentalness • 6% Positiveness
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George Fenton
Goodnight Dear Void
115 bpm • E min • 01:07 • -20db
44% Popularity • 27% Danceability • 7% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
44% Popularity • 27% Danceability • 7% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
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Claudio Gizzi
Breve amore in G Major
97 bpm • E min • 03:58 • -20.07db
14% Popularity • 32% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
14% Popularity • 32% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
► Preview
James A Norkawich
Theme From New York, New York
116 bpm • D# min • 03:07 • -16.52db
28% Popularity • 52% Danceability • 12% Energy • 7% Liveness
94% Instrumentalness • 39% Positiveness
28% Popularity • 52% Danceability • 12% Energy • 7% Liveness
94% Instrumentalness • 39% Positiveness
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Jacob Koller
My Favorite Things
116 bpm • E min • 04:52 • -12.24db
27% Popularity • 37% Danceability • 35% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
27% Popularity • 37% Danceability • 35% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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The Golden Hour Quartet
Michelle
97 bpm • F min • 02:40 • -19.68db
31% Popularity • 54% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
31% Popularity • 54% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Jeremy Ng
Mia & Sebastian's Theme
116 bpm • A Maj • 04:27 • -20.75db
37% Popularity • 43% Danceability • 10% Energy • 8% Liveness
86% Instrumentalness • 11% Positiveness
37% Popularity • 43% Danceability • 10% Energy • 8% Liveness
86% Instrumentalness • 11% Positiveness
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Dean Parks
Living on Luck
97 bpm • C min • 03:00 • -17db
29% Popularity • 82% Danceability • 14% Energy • 11% Liveness
56% Instrumentalness • 28% Positiveness
29% Popularity • 82% Danceability • 14% Energy • 11% Liveness
56% Instrumentalness • 28% Positiveness
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Eddie Higgins
虹の彼方に
116 bpm • D# Maj • 04:16 • -13.57db
12% Popularity • 50% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 50% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Bill Charlap
Pure Imagination
116 bpm • C# Maj • 03:17 • -16.38db
37% Popularity • 52% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
37% Popularity • 52% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Vasco
Picnic Rose
116 bpm • D Maj • 02:53 • -11.72db
34% Popularity • 89% Danceability • 15% Energy • 11% Liveness
26% Instrumentalness • 87% Positiveness
34% Popularity • 89% Danceability • 15% Energy • 11% Liveness
26% Instrumentalness • 87% Positiveness
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William Bolcom
3 Ghost Rags: No. 1. The Graceful Ghost
116 bpm • A# min • 04:34 • -26.77db
23% Popularity • 40% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
23% Popularity • 40% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
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Classic Rubicon Records
Jazz Suite No.2 : VI. Waltz II
97 bpm • D min • 03:30 • -21.85db
6% Popularity • 49% Danceability • 17% Energy • 8% Liveness
85% Instrumentalness • 36% Positiveness
6% Popularity • 49% Danceability • 17% Energy • 8% Liveness
85% Instrumentalness • 36% Positiveness
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Johann Sebastian Bach
Toccata & Fugue in D Minor, BWV 565: I. ...
116 bpm • D Maj • 02:29 • -19.85db
22% Popularity • 48% Danceability • 38% Energy • 7% Liveness
93% Instrumentalness • 24% Positiveness
22% Popularity • 48% Danceability • 38% Energy • 7% Liveness
93% Instrumentalness • 24% Positiveness
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Harry Nicholson
Quarto de Hotel - Piano Version
117 bpm • A# Maj • 02:33 • -20.41db
19% Popularity • 58% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 58% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Francesco Parrino
Feeling Good
117 bpm • G min • 03:21 • -16.54db
19% Popularity • 61% Danceability • 32% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
19% Popularity • 61% Danceability • 32% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
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Jacob Koller
Akatonbo
117 bpm • D# Maj • 03:23 • -13.56db
9% Popularity • 51% Danceability • 30% Energy • 16% Liveness
88% Instrumentalness • 9% Positiveness
9% Popularity • 51% Danceability • 30% Energy • 16% Liveness
88% Instrumentalness • 9% Positiveness
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Stan Whitmire
Ain't Misbehavin'
117 bpm • D# Maj • 03:59 • -16.82db
30% Popularity • 49% Danceability • 20% Energy • 16% Liveness
88% Instrumentalness • 19% Positiveness
30% Popularity • 49% Danceability • 20% Energy • 16% Liveness
88% Instrumentalness • 19% Positiveness
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Jacques Loussier
Nocturne No. 20 In C-Sharp Minor, Op. Po...
117 bpm • F# min • 01:56 • -19db
36% Popularity • 48% Danceability • 13% Energy • 14% Liveness
91% Instrumentalness • 21% Positiveness
36% Popularity • 48% Danceability • 13% Energy • 14% Liveness
91% Instrumentalness • 21% Positiveness
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Conal Fowkes
This Can't be Love
96 bpm • A# Maj • 03:33 • -19db
30% Popularity • 53% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 67% Positiveness
30% Popularity • 53% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 67% Positiveness
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Eric Rowland
The End Of A Love Affair
117 bpm • F Maj • 06:17 • -11db
43% Popularity • 58% Danceability • 33% Energy • 11% Liveness
80% Instrumentalness • 23% Positiveness
43% Popularity • 58% Danceability • 33% Energy • 11% Liveness
80% Instrumentalness • 23% Positiveness
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Erik Satie
Je te veux
96 bpm • C Maj • 05:35 • -24db
38% Popularity • 41% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
38% Popularity • 41% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
