Songs like La Reine de la Nuit by Clementine Laforêt
Based on a tempo of (+/- 10%) and a similar genre
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Tommy Twinkle
Frère Jacques
121 bpm • D# Maj • 02:06 • -24.69db
47% Popularity • 55% Danceability • 6% Energy • 22% Liveness
96% Instrumentalness • 48% Positiveness
47% Popularity • 55% Danceability • 6% Energy • 22% Liveness
96% Instrumentalness • 48% Positiveness
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Klara Knight
Vargsången
123 bpm • A# Maj • 01:51 • -29.06db
18% Popularity • 69% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 41% Positiveness
18% Popularity • 69% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 41% Positiveness
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Federico Albanese
Kato
123 bpm • C min • 03:22 • -33.63db
11% Popularity • 27% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 12% Positiveness
11% Popularity • 27% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 12% Positiveness
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bzur
Fragmental II
124 bpm • F min • 02:39 • -24.47db
10% Popularity • 60% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
10% Popularity • 60% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
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Stushnoff
Zora's Domain
120 bpm • F# min • 03:42 • -25.44db
21% Popularity • 49% Danceability • 36% Energy • 14% Liveness
94% Instrumentalness • 16% Positiveness
21% Popularity • 49% Danceability • 36% Energy • 14% Liveness
94% Instrumentalness • 16% Positiveness
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Becky Ainge
Winter Tale
120 bpm • C Maj • 01:41 • -20.94db
28% Popularity • 57% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 48% Positiveness
28% Popularity • 57% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 48% Positiveness
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July Sunrise
Lullaby At Midnight - Cello And Felt Pia...
124 bpm • A min • 01:00 • -25.29db
35% Popularity • 28% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 32% Positiveness
35% Popularity • 28% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 32% Positiveness
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Waltzin
Follow Him
124 bpm • G# min • 02:28 • -23.49db
10% Popularity • 38% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
10% Popularity • 38% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Ichiko Aoba
theme of Amiko
124 bpm • F Maj • 01:34 • -25.96db
38% Popularity • 19% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
38% Popularity • 19% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
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Giuliano Poles
Aether
124 bpm • F# min • 02:10 • -32.88db
22% Popularity • 30% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
22% Popularity • 30% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Albin de la Simone
Umami
120 bpm • A min • 02:57 • -20.26db
26% Popularity • 65% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
26% Popularity • 65% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
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Sander Vanackere
Étude À Deux
120 bpm • A# min • 03:04 • -27.47db
9% Popularity • 56% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
9% Popularity • 56% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
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Hjördís
Ásdís
120 bpm • C min • 02:47 • -22.9db
10% Popularity • 52% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 27% Positiveness
10% Popularity • 52% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 27% Positiveness
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Martin Czerny
Dance of Mortal Dreams & Rainy Mood
120 bpm • D min • 02:44 • -24.6db
9% Popularity • 22% Danceability • 7% Energy • 36% Liveness
44% Instrumentalness • 10% Positiveness
9% Popularity • 22% Danceability • 7% Energy • 36% Liveness
44% Instrumentalness • 10% Positiveness
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Murfreesboro
Barn at Hwy 96
124 bpm • G Maj • 01:17 • -22.11db
18% Popularity • 70% Danceability • 11% Energy • 13% Liveness
71% Instrumentalness • 47% Positiveness
18% Popularity • 70% Danceability • 11% Energy • 13% Liveness
71% Instrumentalness • 47% Positiveness
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Itoko Toma
The Room
120 bpm • A Maj • 02:27 • -17db
32% Popularity • 32% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 26% Positiveness
32% Popularity • 32% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 26% Positiveness
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Lester Milton
Rivers Run
124 bpm • B Maj • 02:22 • -29.74db
49% Popularity • 42% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 38% Positiveness
49% Popularity • 42% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 38% Positiveness
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Beyond Stillness
Morning Mirage - Alternate Violin Versio...
120 bpm • G# Maj • 01:00 • -19.6db
28% Popularity • 27% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
28% Popularity • 27% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Karim Kamar
Everything In It's Right Place
124 bpm • F min • 03:30 • -26.2db
10% Popularity • 49% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
10% Popularity • 49% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Anime Keys
Recollection - Piano
120 bpm • A# min • 01:07 • -22.33db
33% Popularity • 78% Danceability • 26% Energy • 10% Liveness
97% Instrumentalness • 38% Positiveness
33% Popularity • 78% Danceability • 26% Energy • 10% Liveness
97% Instrumentalness • 38% Positiveness
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Jef Martens
Terre brûlée
120 bpm • C# min • 01:38 • -26.22db
11% Popularity • 46% Danceability • 9% Energy • 10% Liveness
65% Instrumentalness • 27% Positiveness
11% Popularity • 46% Danceability • 9% Energy • 10% Liveness
65% Instrumentalness • 27% Positiveness
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Stushnoff
Sheik
119 bpm • D# Maj • 02:41 • -25.94db
24% Popularity • 48% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 32% Positiveness
24% Popularity • 48% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 32% Positiveness
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Zeppi
La Seconda
119 bpm • A# min • 01:14 • -24.44db
12% Popularity • 42% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 50% Positiveness
12% Popularity • 42% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 50% Positiveness
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Ezequiel Johnson
Growing Old
119 bpm • F Maj • 02:06 • -32.94db
51% Popularity • 38% Danceability • 2% Energy • 13% Liveness
98% Instrumentalness • 42% Positiveness
51% Popularity • 38% Danceability • 2% Energy • 13% Liveness
98% Instrumentalness • 42% Positiveness
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Bon Coeur
Les jours d'après
119 bpm • C min • 02:34 • -23.42db
34% Popularity • 32% Danceability • 11% Energy • 17% Liveness
94% Instrumentalness • 30% Positiveness
34% Popularity • 32% Danceability • 11% Energy • 17% Liveness
94% Instrumentalness • 30% Positiveness
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ibi
Medicine
119 bpm • G min • 04:20 • -30.55db
18% Popularity • 34% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
18% Popularity • 34% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Library Tapes
Fragment I
119 bpm • C Maj • 01:31 • -28db
39% Popularity • 87% Danceability • 1% Energy • 15% Liveness
97% Instrumentalness • 31% Positiveness
39% Popularity • 87% Danceability • 1% Energy • 15% Liveness
97% Instrumentalness • 31% Positiveness
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Sven Grimm
Serenity
119 bpm • G min • 02:23 • -27.56db
33% Popularity • 46% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
33% Popularity • 46% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Kim Akvileja
The Trolley and the Tree
118 bpm • C# min • 01:59 • -26.76db
61% Popularity • 55% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 35% Positiveness
61% Popularity • 55% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 35% Positiveness
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JB Dunckel
Playjoy
118 bpm • A# Maj • 01:32 • -15.34db
23% Popularity • 36% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
23% Popularity • 36% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
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Vanessa Zamora
japón
119 bpm • F# Maj • 03:34 • -21.15db
30% Popularity • 45% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
30% Popularity • 45% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Aron Bergen
K.
126 bpm • G min • 02:08 • -26.04db
24% Popularity • 62% Danceability • 4% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
24% Popularity • 62% Danceability • 4% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
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ROZEN
Hateno Village (Piano Reflections)
118 bpm • G Maj • 03:38 • -21.09db
15% Popularity • 70% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 46% Positiveness
15% Popularity • 70% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 46% Positiveness
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Dominique Charpentier
Brume
126 bpm • F# Maj • 02:09 • -21.46db
19% Popularity • 45% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 17% Positiveness
19% Popularity • 45% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 17% Positiveness
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Enzo Corne
mercury
127 bpm • C Maj • 02:12 • -29.11db
22% Popularity • 31% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
22% Popularity • 31% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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Emma Jackson
Ada
127 bpm • A min • 02:53 • -19.39db
13% Popularity • 55% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 38% Positiveness
13% Popularity • 55% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 38% Positiveness
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Cameron Segal
Together Once More
117 bpm • F Maj • 02:43 • -25.05db
15% Popularity • 59% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 31% Positiveness
15% Popularity • 59% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 31% Positiveness
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Tyra Lindqvist
Berceuse
127 bpm • C# min • 02:39 • -32.28db
27% Popularity • 44% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 47% Positiveness
27% Popularity • 44% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 47% Positiveness
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Luis Berra
Embrace on Ponte Vecchio
117 bpm • F# min • 02:23 • -26.62db
17% Popularity • 49% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 48% Positiveness
17% Popularity • 49% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 48% Positiveness
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Oskar Schuster
Síscéal
127 bpm • G min • 02:40 • -21.87db
28% Popularity • 57% Danceability • 16% Energy • 10% Liveness
72% Instrumentalness • 29% Positiveness
28% Popularity • 57% Danceability • 16% Energy • 10% Liveness
72% Instrumentalness • 29% Positiveness
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Dani Ela
When You Sing
127 bpm • G min • 02:18 • -24.55db
9% Popularity • 42% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
9% Popularity • 42% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Maude Laterre
Pandoritude
117 bpm • A min • 02:16 • -25.18db
0% Popularity • 38% Danceability • 29% Energy • 8% Liveness
94% Instrumentalness • 46% Positiveness
0% Popularity • 38% Danceability • 29% Energy • 8% Liveness
94% Instrumentalness • 46% Positiveness
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Ralegh Long
Felix's Route - Edit
128 bpm • A min • 01:17 • -23.55db
14% Popularity • 46% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
14% Popularity • 46% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Scott Twynholm
Schumann's Resonance
128 bpm • C Maj • 04:35 • -23.28db
19% Popularity • 36% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
19% Popularity • 36% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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HOYO-MiX
L'envers et l'endroit
128 bpm • E min • 01:55 • -16.4db
31% Popularity • 23% Danceability • 24% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
31% Popularity • 23% Danceability • 24% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Infinite Stream
Midnight Waltz (Slowed)
116 bpm • C# min • 03:12 • -28.32db
20% Popularity • 38% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
20% Popularity • 38% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
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Katharine Petkovski
interlude
116 bpm • D Maj • 02:22 • -23.96db
25% Popularity • 40% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 49% Positiveness
25% Popularity • 40% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 49% Positiveness
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Peter Sandberg
Frihet
128 bpm • A# Maj • 02:38 • -19.52db
43% Popularity • 45% Danceability • 14% Energy • 13% Liveness
96% Instrumentalness • 8% Positiveness
43% Popularity • 45% Danceability • 14% Energy • 13% Liveness
96% Instrumentalness • 8% Positiveness
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Willow Valley
Beautiful Sky - Violin Version
116 bpm • D# Maj • 01:02 • -18.62db
27% Popularity • 26% Danceability • 8% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
27% Popularity • 26% Danceability • 8% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
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TPR
Solitaire
116 bpm • C# Maj • 03:21 • -25.86db
7% Popularity • 70% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
7% Popularity • 70% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Andreas Waldetoft
Faster Than Light - piano
116 bpm • D min • 03:51 • -27.8db
5% Popularity • 36% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
5% Popularity • 36% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Harmony Night
Whisper - Violin Version
116 bpm • D min • 01:00 • -16.54db
23% Popularity • 33% Danceability • 8% Energy • 9% Liveness
65% Instrumentalness • 11% Positiveness
23% Popularity • 33% Danceability • 8% Energy • 9% Liveness
65% Instrumentalness • 11% Positiveness
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Nils Frahm
Acting
116 bpm • D# Maj • 03:16 • -35.65db
26% Popularity • 39% Danceability • 9% Energy • 23% Liveness
95% Instrumentalness • 19% Positiveness
26% Popularity • 39% Danceability • 9% Energy • 23% Liveness
95% Instrumentalness • 19% Positiveness
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Snow in April
Softly
129 bpm • G Maj • 02:05 • -21.94db
35% Popularity • 42% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 60% Positiveness
35% Popularity • 42% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 60% Positiveness
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Matsuii
you
129 bpm • B Maj • 03:28 • -24.57db
19% Popularity • 56% Danceability • 4% Energy • 14% Liveness
94% Instrumentalness • 7% Positiveness
19% Popularity • 56% Danceability • 4% Energy • 14% Liveness
94% Instrumentalness • 7% Positiveness
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Osito & Amiguitos
Edelweiss
129 bpm • C Maj • 02:25 • -17.23db
18% Popularity • 60% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
18% Popularity • 60% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
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Ralegh Long
Felix's Route
129 bpm • A min • 02:23 • -24.72db
13% Popularity • 42% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
13% Popularity • 42% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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Josh Kramer
Loom
115 bpm • E Maj • 02:41 • -26.72db
9% Popularity • 56% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
9% Popularity • 56% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Laura Sullivan
Doux Petit Rêve
129 bpm • D Maj • 02:36 • -26.27db
23% Popularity • 44% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 14% Positiveness
23% Popularity • 44% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 14% Positiveness
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Enzo Corne
reverie
130 bpm • A# Maj • 02:09 • -35.64db
19% Popularity • 34% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 51% Positiveness
19% Popularity • 34% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 51% Positiveness
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Tomas Johan Kristian
Float
115 bpm • E min • 02:47 • -22.75db
15% Popularity • 47% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
15% Popularity • 47% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
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Jef Martens
Every Single Day
130 bpm • B min • 02:28 • -23.46db
2% Popularity • 48% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
2% Popularity • 48% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Sophie Riviere
Le marais d'Emile
115 bpm • F# min • 02:06 • -18.65db
8% Popularity • 38% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
8% Popularity • 38% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
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Ivan Blois
Close To You
115 bpm • A min • 02:07 • -31.32db
41% Popularity • 37% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
41% Popularity • 37% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Mudeth
Forgotten Lullaby (Secret Room)
130 bpm • C min • 01:31 • -15.7db
43% Popularity • 64% Danceability • 12% Energy • 13% Liveness
96% Instrumentalness • 11% Positiveness
43% Popularity • 64% Danceability • 12% Energy • 13% Liveness
96% Instrumentalness • 11% Positiveness
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Enzo Corne
morning tea
115 bpm • A# Maj • 02:03 • -38.56db
28% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
28% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
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Manuel Zito
Lost In The Space
115 bpm • A Maj • 03:32 • -24.21db
24% Popularity • 45% Danceability • 12% Energy • 8% Liveness
95% Instrumentalness • 16% Positiveness
24% Popularity • 45% Danceability • 12% Energy • 8% Liveness
95% Instrumentalness • 16% Positiveness
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ODELIO
Passing By
114 bpm • A min • 02:31 • -21.66db
13% Popularity • 47% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 25% Positiveness
13% Popularity • 47% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 25% Positiveness
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Harmony Night
Morning in Paris
114 bpm • C Maj • 01:24 • -22.31db
22% Popularity • 42% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
22% Popularity • 42% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
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Irena And Vojtech Havlovi
She Is Dissolving
114 bpm • C# min • 02:22 • -30.72db
32% Popularity • 32% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
32% Popularity • 32% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
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Mars Shanley
Broken Music Box
114 bpm • G Maj • 02:55 • -23.42db
13% Popularity • 43% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
13% Popularity • 43% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Bruno Sanfilippo
Absenta
130 bpm • C Maj • 05:18 • -23.8db
17% Popularity • 36% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
17% Popularity • 36% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Alex Smith
Breathe Again
131 bpm • A Maj • 02:16 • -31.32db
26% Popularity • 46% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 19% Positiveness
26% Popularity • 46% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 19% Positiveness
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The Bedtime Fairies
Do You Want to Build a Snowman? Piano M...
131 bpm • D# Maj • 01:27 • -24.62db
23% Popularity • 57% Danceability • 8% Energy • 15% Liveness
90% Instrumentalness • 13% Positiveness
23% Popularity • 57% Danceability • 8% Energy • 15% Liveness
90% Instrumentalness • 13% Positiveness
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Jøsefine
Quasi Stella
131 bpm • A min • 01:40 • -27.49db
0% Popularity • 43% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 38% Positiveness
0% Popularity • 43% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 38% Positiveness
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Giovanni Renzo
Blue
114 bpm • G min • 03:47 • -19.78db
23% Popularity • 45% Danceability • 23% Energy • 8% Liveness
94% Instrumentalness • 29% Positiveness
23% Popularity • 45% Danceability • 23% Energy • 8% Liveness
94% Instrumentalness • 29% Positiveness
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BigRicePiano
Afternoon
114 bpm • F Maj • 02:41 • -41.64db
16% Popularity • 31% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
16% Popularity • 31% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
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Rui Fujishiro
Uchronia
114 bpm • F# Maj • 02:36 • -22.39db
9% Popularity • 42% Danceability • 18% Energy • 16% Liveness
91% Instrumentalness • 79% Positiveness
9% Popularity • 42% Danceability • 18% Energy • 16% Liveness
91% Instrumentalness • 79% Positiveness
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Moises Daniel
Sunrise
131 bpm • C Maj • 02:01 • -31.94db
61% Popularity • 41% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
61% Popularity • 41% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
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Matsuii
let you take my breath
113 bpm • G Maj • 03:25 • -24.81db
15% Popularity • 55% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
15% Popularity • 55% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
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Haru Kitamura
Intimità
114 bpm • G min • 01:52 • -26.1db
14% Popularity • 45% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
14% Popularity • 45% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
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Comet Blue
We Always Find A Way
113 bpm • E min • 02:38 • -25.86db
10% Popularity • 35% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
10% Popularity • 35% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
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Esperanza
Paintings
132 bpm • C# Maj • 02:35 • -21.79db
48% Popularity • 43% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
48% Popularity • 43% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
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Ben Crosland
The Hourglass
113 bpm • E Maj • 02:00 • -22.78db
62% Popularity • 44% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
62% Popularity • 44% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Rossano Snel
Sunday 23
112 bpm • F min • 04:07 • -27.36db
7% Popularity • 54% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
7% Popularity • 54% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Piotr Wiese
Walking in the Fog
133 bpm • G min • 04:52 • -19db
20% Popularity • 48% Danceability • 19% Energy • 10% Liveness
83% Instrumentalness • 28% Positiveness
20% Popularity • 48% Danceability • 19% Energy • 10% Liveness
83% Instrumentalness • 28% Positiveness
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Danny Carroll
OlaFrahm
112 bpm • A# Maj • 05:32 • -30.83db
12% Popularity • 48% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
12% Popularity • 48% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Mellow Piano Music
Mellow Music
112 bpm • G# Maj • 01:22 • -25.49db
12% Popularity • 71% Danceability • 2% Energy • 13% Liveness
85% Instrumentalness • 8% Positiveness
12% Popularity • 71% Danceability • 2% Energy • 13% Liveness
85% Instrumentalness • 8% Positiveness
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Heart Melting Pianist
Majestic - Emotional Piano Sounds
112 bpm • D min • 01:57 • -26.28db
27% Popularity • 47% Danceability • 3% Energy • 12% Liveness
83% Instrumentalness • 5% Positiveness
27% Popularity • 47% Danceability • 3% Energy • 12% Liveness
83% Instrumentalness • 5% Positiveness
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Willow J. Wilson
As If One Bird
133 bpm • C# min • 01:40 • -24.88db
13% Popularity • 37% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 30% Positiveness
13% Popularity • 37% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 30% Positiveness
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Anna Angelina
She Is A Woman
112 bpm • C Maj • 01:40 • -25.55db
0% Popularity • 38% Danceability • 24% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
0% Popularity • 38% Danceability • 24% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
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Waltzin
Though His Ways Are Hard And Steep
133 bpm • G# min • 01:40 • -26.43db
9% Popularity • 47% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 30% Positiveness
9% Popularity • 47% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 30% Positiveness
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Joep Beving
Kawakaari
133 bpm • E min • 05:32 • -24.43db
27% Popularity • 38% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
27% Popularity • 38% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Harmony Night
In The Night Arr. For Strings
133 bpm • C# min • 01:01 • -17.23db
33% Popularity • 25% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 27% Positiveness
33% Popularity • 25% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 27% Positiveness
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Tomas Johan Kristian
Mabanzo
112 bpm • A# min • 03:34 • -17.6db
15% Popularity • 34% Danceability • 29% Energy • 10% Liveness
91% Instrumentalness • 44% Positiveness
15% Popularity • 34% Danceability • 29% Energy • 10% Liveness
91% Instrumentalness • 44% Positiveness
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Jody Riley
Mitt lilla barn
134 bpm • D min • 01:19 • -28.09db
50% Popularity • 62% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 41% Positiveness
50% Popularity • 62% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 41% Positiveness
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Goldmund
Dane Street
111 bpm • F# Maj • 03:08 • -19.38db
18% Popularity • 65% Danceability • 18% Energy • 14% Liveness
92% Instrumentalness • 39% Positiveness
18% Popularity • 65% Danceability • 18% Energy • 14% Liveness
92% Instrumentalness • 39% Positiveness
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A Winged Victory for the Sullen
Keep It Dark, Deutschland
134 bpm • D# Maj • 02:35 • -29db
40% Popularity • 54% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 43% Positiveness
40% Popularity • 54% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 43% Positiveness
