Songs like La Strada Del Bosco by Gino Bechi
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Emmerich Kálmán
Die Csárdásfürstin · Operette in 3 A...
105 bpm • B Maj • 05:58 • -15.71db
7% Popularity • 32% Danceability • 25% Energy • 84% Liveness
0% Instrumentalness • 17% Positiveness
7% Popularity • 32% Danceability • 25% Energy • 84% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Gino Bechi
La strada del bosco (Fuga e due voci)
105 bpm • C Maj • 03:39 • -13.75db
0% Popularity • 39% Danceability • 19% Energy • 28% Liveness
4% Instrumentalness • 54% Positiveness
0% Popularity • 39% Danceability • 19% Energy • 28% Liveness
4% Instrumentalness • 54% Positiveness
► Preview
Nicolas Urcelay
Perjura
106 bpm • F Maj • 03:10 • -20.55db
9% Popularity • 32% Danceability • 15% Energy • 42% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 32% Danceability • 15% Energy • 42% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Coros Cantores De Madrid
La Canción del Olvido: "Canción de Ros...
106 bpm • G Maj • 02:08 • -19.7db
14% Popularity • 34% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 34% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Giuseppe Verdi
Verdi: Aida, Act 1: "Celeste Aida" (Rada...
106 bpm • A# Maj • 03:29 • -13.13db
1% Popularity • 24% Danceability • 23% Energy • 33% Liveness
0% Instrumentalness • 7% Positiveness
1% Popularity • 24% Danceability • 23% Energy • 33% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Mirella Freni
La Bohème: Si, mi chiamano Mimì
104 bpm • D Maj • 05:20 • -14.99db
10% Popularity • 27% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 27% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Riccardo Muti
Verdi: Nabucco, Act 3: Coro di schiavi e...
104 bpm • C# Maj • 04:14 • -18.96db
7% Popularity • 17% Danceability • 8% Energy • 12% Liveness
34% Instrumentalness • 13% Positiveness
7% Popularity • 17% Danceability • 8% Energy • 12% Liveness
34% Instrumentalness • 13% Positiveness
► Preview
Gino Bechi
La Strada Del Bosco
105 bpm • C Maj • 03:35 • -10.88db
7% Popularity • 47% Danceability • 24% Energy • 29% Liveness
4% Instrumentalness • 52% Positiveness
7% Popularity • 47% Danceability • 24% Energy • 29% Liveness
4% Instrumentalness • 52% Positiveness
► Preview
Licinio Refice
Cecilia: Padre! Ho pregato
106 bpm • F min • 04:57 • -15.05db
8% Popularity • 29% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
8% Popularity • 29% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Charles Gounod
Ave Maria - After Johann Sebastian Bach'...
106 bpm • G Maj • 03:01 • -12.9db
1% Popularity • 20% Danceability • 34% Energy • 15% Liveness
6% Instrumentalness • 17% Positiveness
1% Popularity • 20% Danceability • 34% Energy • 15% Liveness
6% Instrumentalness • 17% Positiveness
► Preview
Giuseppe Verdi
Rigoletto, Act I: Partite? Crudele!
106 bpm • G# Maj • 02:11 • -21.04db
13% Popularity • 52% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 52% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Johann Strauss II
Strauss II, J: La chauve-souris, Act 1: ...
106 bpm • E Maj • 03:25 • -15.88db
8% Popularity • 40% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 40% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Ruperto Chapí
La Tempestad, Acto I: Salve, Costas de B...
104 bpm • D Maj • 05:09 • -10.28db
8% Popularity • 30% Danceability • 22% Energy • 25% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 30% Danceability • 22% Energy • 25% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: "Oh! Il Signore vi...
103 bpm • E min • 03:39 • -17.96db
8% Popularity • 35% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 35% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Ángeles Ottein
Dúo de Rosa y Rufo, Pt. 1
103 bpm • B Maj • 04:13 • -9.63db
8% Popularity • 42% Danceability • 31% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 42% Danceability • 31% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Coro del Gran Teatro Lírico de Bacelona
Las Golondrinas: "Romanza de la primaver...
107 bpm • G Maj • 03:17 • -13.75db
9% Popularity • 44% Danceability • 20% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 44% Danceability • 20% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Ataúlfo Argenta
Los gavilanes, Acto I: No hay por qué g...
107 bpm • F Maj • 02:46 • -13.48db
12% Popularity • 38% Danceability • 24% Energy • 38% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 38% Danceability • 24% Energy • 38% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Artisti per l'Italia
Inno a Roma
103 bpm • F Maj • 03:52 • -8.68db
3% Popularity • 43% Danceability • 37% Energy • 10% Liveness
6% Instrumentalness • 50% Positiveness
3% Popularity • 43% Danceability • 37% Energy • 10% Liveness
6% Instrumentalness • 50% Positiveness
► Preview
Gaetano Donizetti
Lucrezia Borgia / Act 2: Il segreto per ...
107 bpm • C Maj • 01:47 • -17.25db
18% Popularity • 39% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 39% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Giulietta Simionato
Beato voi, compar Alfio
102 bpm • G Maj • 01:05 • -22.44db
0% Popularity • 36% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 36% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Anibal Vela
Golondrón
107 bpm • A Maj • 03:16 • -9db
8% Popularity • 50% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 50% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Leonard Bernstein
MASS: No. 4, Prefatory Prayers
102 bpm • C min • 05:26 • -12.4db
8% Popularity • 47% Danceability • 32% Energy • 63% Liveness
3% Instrumentalness • 46% Positiveness
8% Popularity • 47% Danceability • 32% Energy • 63% Liveness
3% Instrumentalness • 46% Positiveness
► Preview
Christoph Willibald Gluck
Gluck: Iphigénie en Tauride, Wq. 46, Ac...
102 bpm • G Maj • 04:05 • -15.86db
9% Popularity • 25% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 25% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Ruperto Chapí
La Tempestad, Acto I: ¡Angela Mía, Mi ...
102 bpm • D# Maj • 06:04 • -9.87db
7% Popularity • 36% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
7% Popularity • 36% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Gaetano Donizetti
Lucia di Lammermoor, Act I: Percorrete l...
102 bpm • A# Maj • 02:27 • -12.28db
10% Popularity • 36% Danceability • 40% Energy • 17% Liveness
7% Instrumentalness • 31% Positiveness
10% Popularity • 36% Danceability • 40% Energy • 17% Liveness
7% Instrumentalness • 31% Positiveness
► Preview
Jerónimo Giménez
La tempranica: La tarantula e un bicho m...
109 bpm • C Maj • 01:43 • -16.49db
14% Popularity • 54% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 54% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Ángeles Ottein
Guarda Rufo que vienen los novios
109 bpm • B min • 04:40 • -10db
7% Popularity • 42% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 42% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Bedřich Smetana
The Bartered Bride: ACT II, Scene 1. Sbo...
101 bpm • F Maj • 05:08 • -14.94db
8% Popularity • 28% Danceability • 29% Energy • 11% Liveness
3% Instrumentalness • 25% Positiveness
8% Popularity • 28% Danceability • 29% Energy • 11% Liveness
3% Instrumentalness • 25% Positiveness
► Preview
Harry Secombe
With A Song In My Heart
102 bpm • C min • 02:50 • -13.58db
13% Popularity • 28% Danceability • 43% Energy • 33% Liveness
31% Instrumentalness • 45% Positiveness
13% Popularity • 28% Danceability • 43% Energy • 33% Liveness
31% Instrumentalness • 45% Positiveness
► Preview
Georges Bizet
Carmen: Act I: Sur la place, chacun pass...
101 bpm • A# Maj • 02:10 • -26db
5% Popularity • 33% Danceability • 4% Energy • 29% Liveness
55% Instrumentalness • 26% Positiveness
5% Popularity • 33% Danceability • 4% Energy • 29% Liveness
55% Instrumentalness • 26% Positiveness
► Preview
Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 1: "...
108 bpm • C Maj • 02:20 • -13.56db
2% Popularity • 36% Danceability • 28% Energy • 15% Liveness
1% Instrumentalness • 23% Positiveness
2% Popularity • 36% Danceability • 28% Energy • 15% Liveness
1% Instrumentalness • 23% Positiveness
► Preview
Giuseppe Verdi
La traviata, Act I: Ebben, che diavol fa...
101 bpm • D# Maj • 01:30 • -22.96db
9% Popularity • 42% Danceability • 9% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 42% Danceability • 9% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Gino Bechi
Mandolinate A Sera
100 bpm • C Maj • 02:10 • -12db
0% Popularity • 28% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 28% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Coro del Gran Teatro Lírico de Bacelona
Las Golondrinas: "Final, Se marcha"
100 bpm • D Maj • 04:10 • -12.83db
9% Popularity • 36% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 36% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Jacques Offenbach
Offenbach: Orphée aux enfers, Act 1: Ro...
111 bpm • G Maj • 02:32 • -18.87db
8% Popularity • 68% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 68% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
Rafael Sanchez Cestero
Adiós trigueña
111 bpm • D# Maj • 03:10 • -12.48db
8% Popularity • 28% Danceability • 31% Energy • 29% Liveness
2% Instrumentalness • 25% Positiveness
8% Popularity • 28% Danceability • 31% Energy • 29% Liveness
2% Instrumentalness • 25% Positiveness
► Preview
Bruna Rasa
Oh! Il Signore vi manda, compar Alfio!
99 bpm • C min • 05:47 • -14.15db
0% Popularity • 34% Danceability • 24% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 34% Danceability • 24% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Giuseppe Verdi
Verdi: La traviata, Act 3: "Ah, Violetta...
110 bpm • F# min • 01:59 • -15.09db
1% Popularity • 40% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
1% Popularity • 40% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Gino Bechi
Un disco dall'Italia
111 bpm • D# Maj • 02:02 • -13.73db
0% Popularity • 37% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 37% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
worldwide anthem
China National anthem
99 bpm • G Maj • 01:27 • -8.64db
9% Popularity • 57% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 57% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Luigi Arditi
Il bacio
111 bpm • D Maj • 03:48 • -16.79db
15% Popularity • 41% Danceability • 19% Energy • 52% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 41% Danceability • 19% Energy • 52% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Giovanni Battista Pergolesi
Tre giorni son che Nina
99 bpm • G min • 01:43 • -19db
23% Popularity • 31% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 31% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Gaetano Donizetti
Linda di Chamounix, A. 62, Act I Scene 3...
98 bpm • A Maj • 02:40 • -28.84db
18% Popularity • 34% Danceability • 2% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 34% Danceability • 2% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Giuseppe Verdi
Verdi: La traviata, Act 2: "Ogni suo ave...
110 bpm • C Maj • 01:38 • -10.97db
1% Popularity • 44% Danceability • 27% Energy • 65% Liveness
0% Instrumentalness • 49% Positiveness
1% Popularity • 44% Danceability • 27% Energy • 65% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Gino Bechi
Ricordati Di Me
99 bpm • D Maj • 01:48 • -9.88db
1% Popularity • 56% Danceability • 30% Energy • 40% Liveness
3% Instrumentalness • 75% Positiveness
1% Popularity • 56% Danceability • 30% Energy • 40% Liveness
3% Instrumentalness • 75% Positiveness
► Preview
Jacques Offenbach
Offenbach: La vie parisienne, Act 1: Ch�...
98 bpm • C Maj • 05:31 • -18.53db
10% Popularity • 48% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 48% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Tamara Radjenovic
Mercè, dilette amiche
112 bpm • A min • 04:09 • -11.95db
10% Popularity • 46% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 46% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Agnes Baltsa
Carmen (Act I, Sequedille)
112 bpm • D Maj • 02:04 • -14.83db
20% Popularity • 44% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 44% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Ángeles Ottein
Tú no te vayas
112 bpm • A# Maj • 04:26 • -9db
7% Popularity • 50% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
7% Popularity • 50% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Giuseppe Verdi
La forza del destino, Act II, Scene I: A...
98 bpm • F# Maj • 03:24 • -16.57db
16% Popularity • 43% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 43% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Gino Bechi
Chi fa da se (Pronto - chi parla?)
98 bpm • A Maj • 02:13 • -12.36db
0% Popularity • 67% Danceability • 25% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
0% Popularity • 67% Danceability • 25% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
► Preview
Jacques Offenbach
Offenbach: La vie parisienne, Act 1: Ch�...
112 bpm • D Maj • 03:46 • -23.83db
8% Popularity • 52% Danceability • 7% Energy • 61% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 52% Danceability • 7% Energy • 61% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Roberto Murolo
Napule e Surriento
98 bpm • G Maj • 02:38 • -14.36db
11% Popularity • 50% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 50% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 1: P...
113 bpm • A# Maj • 04:24 • -16.94db
9% Popularity • 28% Danceability • 20% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
9% Popularity • 28% Danceability • 20% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
► Preview
Louise Bertin
Fausto, Act IV: Stretta. A morte vergogn...
98 bpm • B Maj • 01:56 • -9.26db
12% Popularity • 34% Danceability • 48% Energy • 38% Liveness
27% Instrumentalness • 49% Positiveness
12% Popularity • 34% Danceability • 48% Energy • 38% Liveness
27% Instrumentalness • 49% Positiveness
► Preview
André Messager
Il est dans les nuits espagnoles (La Fia...
113 bpm • C Maj • 03:13 • -14.15db
7% Popularity • 45% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
7% Popularity • 45% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Francesco Albanese
Camerata Richard
113 bpm • F Maj • 03:32 • -12.34db
8% Popularity • 57% Danceability • 22% Energy • 26% Liveness
14% Instrumentalness • 40% Positiveness
8% Popularity • 57% Danceability • 22% Energy • 26% Liveness
14% Instrumentalness • 40% Positiveness
► Preview
Camille Saint-Saëns
Samson et Dalila, Op. 47: Act III: Salut...
113 bpm • D# Maj • 01:18 • -16.49db
12% Popularity • 39% Danceability • 23% Energy • 60% Liveness
2% Instrumentalness • 47% Positiveness
12% Popularity • 39% Danceability • 23% Energy • 60% Liveness
2% Instrumentalness • 47% Positiveness
► Preview
Teresa Berganza
"Habanera: Canta Y No Llores" (Don Gil D...
97 bpm • A# Maj • 02:23 • -7db
19% Popularity • 21% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 21% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Vive la France
Vous n'aurez pas l'Alsace et la Lorraine
114 bpm • D Maj • 02:35 • -10.99db
11% Popularity • 52% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 52% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Johann Strauss II
Die Fledermaus: Act II: Introduction: Ei...
114 bpm • E Maj • 01:31 • -12.64db
22% Popularity • 46% Danceability • 40% Energy • 27% Liveness
88% Instrumentalness • 73% Positiveness
22% Popularity • 46% Danceability • 40% Energy • 27% Liveness
88% Instrumentalness • 73% Positiveness
► Preview
Jacques Offenbach
Hoffmanns Erzählungen: Prologue: Aus de...
114 bpm • F Maj • 01:27 • -17.02db
13% Popularity • 42% Danceability • 5% Energy • 11% Liveness
44% Instrumentalness • 18% Positiveness
13% Popularity • 42% Danceability • 5% Energy • 11% Liveness
44% Instrumentalness • 18% Positiveness
► Preview
André Rieu
Libiamo, ARV_10 - Live
97 bpm • A# Maj • 04:21 • -13.36db
25% Popularity • 31% Danceability • 64% Energy • 97% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 31% Danceability • 64% Energy • 97% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 2: "...
114 bpm • C# Maj • 03:32 • -16.11db
7% Popularity • 26% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
7% Popularity • 26% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
► Preview
Christoph Willibald Gluck
Gluck: Iphigénie en Tauride, Wq. 46, Ac...
114 bpm • B min • 03:53 • -10.73db
8% Popularity • 38% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 38% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Giuseppe Verdi
La traviata, Act II: Di Provenza il mar
114 bpm • C# Maj • 04:24 • -11.45db
0% Popularity • 35% Danceability • 32% Energy • 73% Liveness
5% Instrumentalness • 7% Positiveness
0% Popularity • 35% Danceability • 32% Energy • 73% Liveness
5% Instrumentalness • 7% Positiveness
► Preview
Estrella Alsina
Luisa Fernanda, Acto i: Romanza de Javie...
97 bpm • D# min • 03:09 • -9.98db
11% Popularity • 30% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 30% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Jesús Mª Arozamena
La Condesa de la Aguja y el Dedal: "Perd...
96 bpm • D Maj • 03:18 • -11.97db
0% Popularity • 20% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 20% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Joaquín Rodrigo
Rodrigo: 4 Madrigales amatorios: No. 4, ...
114 bpm • E Maj • 02:09 • -16.05db
9% Popularity • 39% Danceability • 25% Energy • 79% Liveness
11% Instrumentalness • 28% Positiveness
9% Popularity • 39% Danceability • 25% Energy • 79% Liveness
11% Instrumentalness • 28% Positiveness
► Preview
Celine Byrne
Gounod: L'Air des Bijoux, Faust
96 bpm • E Maj • 04:38 • -15.97db
7% Popularity • 34% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 34% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Luigi Arditi
Il Bacio
96 bpm • D Maj • 04:35 • -21.36db
9% Popularity • 32% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 32% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Giuseppe Verdi
Don Carlo, Act II: CORTEO REALE: Spuntat...
114 bpm • E Maj • 03:21 • -16.45db
1% Popularity • 33% Danceability • 11% Energy • 50% Liveness
50% Instrumentalness • 34% Positiveness
1% Popularity • 33% Danceability • 11% Energy • 50% Liveness
50% Instrumentalness • 34% Positiveness
► Preview
Gaetano Donizetti
Lucia di Lammermoor, Act III: Tombe degl...
96 bpm • D# Maj • 04:11 • -16.63db
8% Popularity • 23% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 23% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Gino Bechi
Piccola Butterfly
116 bpm • C min • 02:38 • -11.48db
0% Popularity • 41% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 41% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Tomás Bretón
La Verbena de la Paloma, Act I: Rita y J...
96 bpm • C Maj • 04:13 • -16.97db
8% Popularity • 40% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 40% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Parma Brass Quintet
La traviata: "Addio del passato"
95 bpm • A min • 02:38 • -11.59db
8% Popularity • 28% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 28% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Miguel Ramos Carrión
El Rey Que Rabió: "Ahí llega ya la mú...
116 bpm • C Maj • 06:01 • -11.29db
8% Popularity • 48% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 48% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Giuseppe Verdi
La forza del destino, Act II, Scene I: S...
116 bpm • A Maj • 02:32 • -15.24db
15% Popularity • 45% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 45% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Georges Bizet
Les Pêcheurs de perles: Act I: Sur la g...
116 bpm • A# Maj • 03:50 • -21.75db
16% Popularity • 30% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 30% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Estrella Alsina
Luisa Fernanda, Acto ii: Por el amor de ...
95 bpm • F Maj • 04:17 • -14.78db
8% Popularity • 34% Danceability • 33% Energy • 63% Liveness
2% Instrumentalness • 16% Positiveness
8% Popularity • 34% Danceability • 33% Energy • 63% Liveness
2% Instrumentalness • 16% Positiveness
► Preview
Pedro Figueredo
キューバ共和国 バヤモの歌
116 bpm • G Maj • 00:58 • -11.63db
9% Popularity • 64% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 64% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Chor der Deutschen Oper Berlin
Faust: Hoch, Ruhm und Ehre
117 bpm • A# Maj • 03:21 • -16db
8% Popularity • 47% Danceability • 34% Energy • 18% Liveness
1% Instrumentalness • 30% Positiveness
8% Popularity • 47% Danceability • 34% Energy • 18% Liveness
1% Instrumentalness • 30% Positiveness
► Preview
Teresa Berganza
Asturiana
94 bpm • F min • 02:44 • -11.5db
8% Popularity • 28% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 28% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Giuseppe Verdi
Ernani: Ernani, Act III: Recitative and ...
95 bpm • G Maj • 04:23 • -13.82db
0% Popularity • 27% Danceability • 20% Energy • 17% Liveness
20% Instrumentalness • 18% Positiveness
0% Popularity • 27% Danceability • 20% Energy • 17% Liveness
20% Instrumentalness • 18% Positiveness
► Preview
Léo Delibes
Delibes: Lakmé, Act 1: "Les fleurs me p...
95 bpm • E min • 04:07 • -23.02db
8% Popularity • 20% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Leo Nucci
Lasciami cantare una canzone
94 bpm • D Maj • 05:36 • -13.83db
14% Popularity • 23% Danceability • 22% Energy • 13% Liveness
10% Instrumentalness • 10% Positiveness
14% Popularity • 23% Danceability • 22% Energy • 13% Liveness
10% Instrumentalness • 10% Positiveness
► Preview
Gaetano Donizetti
L'elisir d'amore / Act II: "Io son ricco...
117 bpm • A# Maj • 04:49 • -20.93db
9% Popularity • 64% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 64% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Celine Byrne
Torroba: La Petenera, La Marchenera
94 bpm • A min • 02:54 • -14.37db
8% Popularity • 32% Danceability • 24% Energy • 22% Liveness
2% Instrumentalness • 11% Positiveness
8% Popularity • 32% Danceability • 24% Energy • 22% Liveness
2% Instrumentalness • 11% Positiveness
► Preview
Coro Cantores de Madrid
Los Gavilanes: "No hay por que gemir"
93 bpm • E Maj • 02:52 • -13.89db
10% Popularity • 30% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 30% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Giuseppe Verdi
Aida: Act I: Si: corre voce che l'Etiope...
94 bpm • B min • 01:28 • -26db
24% Popularity • 35% Danceability • 6% Energy • 27% Liveness
6% Instrumentalness • 22% Positiveness
24% Popularity • 35% Danceability • 6% Energy • 27% Liveness
6% Instrumentalness • 22% Positiveness
► Preview
Maria Caniglia
Andrea Chénier : Act II - Ecco il mio p...
93 bpm • B Maj • 08:54 • -13.75db
0% Popularity • 30% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 30% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Léo Delibes
Lakmé / Flower Duet: Viens, Mallika, le...
94 bpm • B Maj • 01:06 • -20.03db
17% Popularity • 34% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 34% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Gino Bechi
Incantesimo
93 bpm • C Maj • 03:29 • -8.61db
0% Popularity • 29% Danceability • 43% Energy • 8% Liveness
62% Instrumentalness • 19% Positiveness
0% Popularity • 29% Danceability • 43% Energy • 8% Liveness
62% Instrumentalness • 19% Positiveness
► Preview
Chor der Deutschen Oper Berlin
Rigoletto: Scorrendo uniti remota via
118 bpm • A Maj • 01:51 • -18.62db
10% Popularity • 47% Danceability • 15% Energy • 7% Liveness
56% Instrumentalness • 83% Positiveness
10% Popularity • 47% Danceability • 15% Energy • 7% Liveness
56% Instrumentalness • 83% Positiveness
► Preview
幸福男聲合唱團
流水
93 bpm • C Maj • 02:38 • -16db
6% Popularity • 17% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
6% Popularity • 17% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Giuseppe Verdi
La forza del destino, Act II, Scene I: V...
117 bpm • D Maj • 02:01 • -15.02db
15% Popularity • 55% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 55% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Carlo Bergonzi
Tosca: Recondita armonia
93 bpm • F Maj • 02:48 • -14.7db
9% Popularity • 18% Danceability • 22% Energy • 11% Liveness
25% Instrumentalness • 8% Positiveness
9% Popularity • 18% Danceability • 22% Energy • 11% Liveness
25% Instrumentalness • 8% Positiveness
► Preview
Gaetano Donizetti
L'elisir d'amore: Act II: Una furtiva la...
93 bpm • A# min • 04:59 • -21.41db
16% Popularity • 19% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
