Songs like La Vida Es Un Carnaval by Issac Delgado
Based on a tempo of (+/- 10%) and a similar genre
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Osvaldo Montero
Baila Como Quieras
103 bpm • G min • 03:40 • -4.05db
28% Popularity • 75% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 75% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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El Niño y la Verdad
Yo Si Camino La Habana - Remasterizado
103 bpm • G# Maj • 06:11 • -5.45db
25% Popularity • 84% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 84% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Candido Fabre
La Habana Quiere Guarachar Contigo
103 bpm • F# min • 06:05 • -5db
25% Popularity • 60% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 60% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Luis Enrique
Yo Voy Pa Encima
103 bpm • G min • 03:26 • -3.12db
40% Popularity • 74% Danceability • 94% Energy • 45% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 74% Danceability • 94% Energy • 45% Liveness
0% Instrumentalness • 75% Positiveness
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Issac Delgado
La Vida Es Un Carnaval
103 bpm • A min • 05:05 • -7.12db
24% Popularity • 52% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 52% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Tito Puente
Hay Que Trabajar
103 bpm • D Maj • 05:46 • -14.96db
9% Popularity • 54% Danceability • 55% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
9% Popularity • 54% Danceability • 55% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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Salsa Celtica
Yo Me Voy Ii
103 bpm • B min • 03:52 • -6.59db
21% Popularity • 61% Danceability • 72% Energy • 9% Liveness
6% Instrumentalness • 86% Positiveness
21% Popularity • 61% Danceability • 72% Energy • 9% Liveness
6% Instrumentalness • 86% Positiveness
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Rodolfo Guerra y su Sincopa Latina
Demasiado Corazón
103 bpm • A Maj • 04:47 • -8.76db
14% Popularity • 83% Danceability • 76% Energy • 24% Liveness
5% Instrumentalness • 94% Positiveness
14% Popularity • 83% Danceability • 76% Energy • 24% Liveness
5% Instrumentalness • 94% Positiveness
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Dj Ricky Campanelli
Mani Picao (Salsaton Version)
102 bpm • F Maj • 04:34 • -4.72db
13% Popularity • 83% Danceability • 85% Energy • 34% Liveness
1% Instrumentalness • 94% Positiveness
13% Popularity • 83% Danceability • 85% Energy • 34% Liveness
1% Instrumentalness • 94% Positiveness
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German Villarreal
Ran Kan Kan
102 bpm • D Maj • 04:05 • -5db
42% Popularity • 80% Danceability • 95% Energy • 8% Liveness
37% Instrumentalness • 92% Positiveness
42% Popularity • 80% Danceability • 95% Energy • 8% Liveness
37% Instrumentalness • 92% Positiveness
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Issac Delgado
La Vida es un Carnaval
103 bpm • A min • 05:05 • -6.29db
7% Popularity • 52% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
7% Popularity • 52% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Pupy y Los Que Son Son
Un Loco En Moto
104 bpm • E min • 04:51 • -5.1db
21% Popularity • 68% Danceability • 87% Energy • 47% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 68% Danceability • 87% Energy • 47% Liveness
0% Instrumentalness • 92% Positiveness
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El Expreso De Oriente
Guarachando
102 bpm • F# min • 05:03 • -4.89db
17% Popularity • 57% Danceability • 91% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 57% Danceability • 91% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Juan Formell y Los Van Van
Esto te pone la cabeza mala
102 bpm • A min • 04:08 • -5.56db
39% Popularity • 64% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 64% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
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Xiomara Alfaro
Moliendo Café (Calypso)
104 bpm • G# min • 02:49 • -6.64db
33% Popularity • 64% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 64% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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José Mª Vitier García Marruz
La Mejor Noche
104 bpm • F Maj • 04:18 • -13.5db
1% Popularity • 80% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
1% Popularity • 80% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Maraca
Castígala
102 bpm • A# min • 03:54 • -4db
27% Popularity • 77% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 77% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Wayne Gorbea's Salsa Picante
Cogle El Gusto
102 bpm • C Maj • 09:11 • -10db
26% Popularity • 57% Danceability • 75% Energy • 18% Liveness
57% Instrumentalness • 95% Positiveness
26% Popularity • 57% Danceability • 75% Energy • 18% Liveness
57% Instrumentalness • 95% Positiveness
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Sergio George's Salsa Giants
Bajo la Tormenta
102 bpm • B Maj • 04:30 • -4.57db
48% Popularity • 84% Danceability • 88% Energy • 55% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 84% Danceability • 88% Energy • 55% Liveness
0% Instrumentalness • 87% Positiveness
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TIMBALIVE
De Miami a La Habana
104 bpm • G min • 05:29 • -5.22db
40% Popularity • 78% Danceability • 82% Energy • 84% Liveness
0% Instrumentalness • 76% Positiveness
40% Popularity • 78% Danceability • 82% Energy • 84% Liveness
0% Instrumentalness • 76% Positiveness
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Manolito Simonet y su Trabuco
La Noche
102 bpm • G Maj • 05:49 • -4.65db
23% Popularity • 71% Danceability • 88% Energy • 46% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 71% Danceability • 88% Energy • 46% Liveness
0% Instrumentalness • 84% Positiveness
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FredyClan
Yo Vengo de Cuba
104 bpm • G# Maj • 04:48 • -3.2db
40% Popularity • 69% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 69% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Calle Real
Somos Calle Real
102 bpm • G Maj • 06:57 • -8.29db
11% Popularity • 72% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 72% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Juan Carlos Rodriguez
Guajira Urbana
104 bpm • A Maj • 02:34 • -8.3db
13% Popularity • 72% Danceability • 66% Energy • 32% Liveness
14% Instrumentalness • 81% Positiveness
13% Popularity • 72% Danceability • 66% Energy • 32% Liveness
14% Instrumentalness • 81% Positiveness
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Juan Guillermo
Devuélveme El Besito
104 bpm • C Maj • 04:04 • -4db
23% Popularity • 80% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 80% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Havana Mambo
Mi Mojito
102 bpm • F Maj • 04:44 • -10.04db
7% Popularity • 86% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
7% Popularity • 86% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Manolito Simonet y su Trabuco
Camina
102 bpm • D Maj • 05:34 • -6db
32% Popularity • 76% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 76% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Tirso Duarte y La Mecanica Loca
A Lo Loco Titi
102 bpm • C Maj • 05:50 • -5.71db
36% Popularity • 68% Danceability • 90% Energy • 43% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 68% Danceability • 90% Energy • 43% Liveness
0% Instrumentalness • 96% Positiveness
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Sounds of Havana
Ay Ay Amor
102 bpm • C Maj • 05:24 • -5.66db
22% Popularity • 70% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 70% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
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Raul Paz
Buena Suerte
102 bpm • E min • 03:39 • -3.64db
41% Popularity • 78% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 78% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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Adalberto Álvarez y su Son
A bailar el toca toca
102 bpm • D min • 05:24 • -7.22db
9% Popularity • 72% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 72% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Issac Delgado
El Negro Vuelve A La Habana
104 bpm • C Maj • 03:53 • -3db
23% Popularity • 63% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 63% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Grupo Galé
Ven a Medellín
102 bpm • A# min • 08:16 • -7.94db
10% Popularity • 58% Danceability • 82% Energy • 88% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 58% Danceability • 82% Energy • 88% Liveness
0% Instrumentalness • 89% Positiveness
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Mamborama
Cuba Te Llama
101 bpm • C Maj • 04:37 • -8.07db
23% Popularity • 65% Danceability • 89% Energy • 18% Liveness
38% Instrumentalness • 96% Positiveness
23% Popularity • 65% Danceability • 89% Energy • 18% Liveness
38% Instrumentalness • 96% Positiveness
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Chiquito Team Band
Abreme Los Caminos
104 bpm • C Maj • 03:21 • -3db
31% Popularity • 75% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 75% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Calle Real
Bienvenido
105 bpm • F min • 05:29 • -5.45db
12% Popularity • 70% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 70% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Septeto Santiaguero
Amor Silvestre
105 bpm • C min • 04:30 • -4.75db
29% Popularity • 64% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 64% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Amaury Founder
La Bamba - Salsa Version
105 bpm • C Maj • 03:36 • -3db
24% Popularity • 78% Danceability • 96% Energy • 8% Liveness
1% Instrumentalness • 91% Positiveness
24% Popularity • 78% Danceability • 96% Energy • 8% Liveness
1% Instrumentalness • 91% Positiveness
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TIMBALIVE
Tu Quieres Lo Que Quiero Yo
105 bpm • E min • 04:45 • -5.45db
24% Popularity • 76% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 76% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Grupo Extra
Me Enamore de Ti y Que - Salsa Version
105 bpm • B min • 03:38 • -4.24db
18% Popularity • 73% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 73% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
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Issac Delgado
Salsa, Timba Y Amor
101 bpm • G# Maj • 05:25 • -3.63db
24% Popularity • 78% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 78% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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Kaoma
Banto
101 bpm • C Maj • 04:09 • -7db
38% Popularity • 79% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 79% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
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Juan Manuel
Para Que Me Mate Un Hombre Que Me Mate U...
105 bpm • A# min • 03:05 • -6.12db
10% Popularity • 85% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 85% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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M. Scalici
Es la musica
105 bpm • G Maj • 04:34 • -5.64db
8% Popularity • 70% Danceability • 89% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 70% Danceability • 89% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
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El Niño y la Verdad
Con Eleggúa y Con Orula
105 bpm • F# min • 05:14 • -1.8db
37% Popularity • 77% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 77% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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LARITZA BACALLAO
Estrés (Sólo Se Vive Una Vez)
101 bpm • C min • 03:29 • -2db
29% Popularity • 80% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 80% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Alexander Abreu and Havana D' Primera
Hoy Quiero Fiesta
105 bpm • C Maj • 04:27 • -6db
24% Popularity • 84% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 84% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Issac Delgado
El Pregón Del Chocolate
105 bpm • C Maj • 03:08 • -9.75db
18% Popularity • 83% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 83% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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FredyClan
Yo Vengo de Cuba
101 bpm • A# min • 04:30 • -5.4db
44% Popularity • 72% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
44% Popularity • 72% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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David Cedeño
Celia Cruz Medley
101 bpm • F Maj • 04:24 • -4.31db
8% Popularity • 77% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 77% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Pape Fall
African Salsa
101 bpm • D min • 05:34 • -7.26db
29% Popularity • 91% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 91% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Vieja Trova Santiaguera
Me Dieron la Clave
106 bpm • D Maj • 03:28 • -12.97db
38% Popularity • 59% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
38% Popularity • 59% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Manolín, El Médico De La Salsa
La Bola
100 bpm • G# Maj • 05:16 • -12.78db
30% Popularity • 53% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 53% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Elio Revé Y Su Charangón
1999
100 bpm • B min • 04:55 • -8.6db
19% Popularity • 52% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 52% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Manzanita
Arranca
100 bpm • E min • 04:03 • -12.94db
34% Popularity • 80% Danceability • 74% Energy • 32% Liveness
2% Instrumentalness • 94% Positiveness
34% Popularity • 80% Danceability • 74% Energy • 32% Liveness
2% Instrumentalness • 94% Positiveness
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Faustino Oramas El Guayabero
Como Baila Marieta
100 bpm • D min • 07:06 • -5.58db
16% Popularity • 76% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 76% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Kolektivo
La Timba
106 bpm • F Maj • 03:52 • -11db
20% Popularity • 82% Danceability • 69% Energy • 13% Liveness
2% Instrumentalness • 84% Positiveness
20% Popularity • 82% Danceability • 69% Energy • 13% Liveness
2% Instrumentalness • 84% Positiveness
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La Maxima 79
Cuchi Cuchi
100 bpm • G min • 03:53 • -4.9db
24% Popularity • 62% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 62% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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TIMBALIVE
Chirrin Chirran
106 bpm • F Maj • 04:10 • -5.55db
42% Popularity • 83% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
42% Popularity • 83% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Cuba Quartet
Suena Mi Tambor
106 bpm • A Maj • 03:16 • -6.64db
19% Popularity • 74% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 74% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Cuba Cuba
Azukar
100 bpm • G Maj • 04:14 • -9db
17% Popularity • 69% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 69% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
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Mayito Rivera
Guachipupa
100 bpm • F Maj • 04:15 • -6.5db
31% Popularity • 79% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 79% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Berna Jam
Mi Rumba
100 bpm • A min • 04:54 • -6.62db
28% Popularity • 73% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 73% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Sr Ortegon
Sólo Tú
100 bpm • G min • 02:11 • -7.6db
34% Popularity • 78% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 78% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Juan Formell y Los Van Van
Tim-Pop Con Birdland - Live
106 bpm • G Maj • 07:42 • -6.45db
16% Popularity • 63% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 63% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Don Perignon
El Tamal
100 bpm • D min • 04:41 • -6.12db
9% Popularity • 79% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 79% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Gerardo Rosales
Salsa Bali
106 bpm • C Maj • 03:43 • -6.15db
18% Popularity • 84% Danceability • 77% Energy • 5% Liveness
17% Instrumentalness • 95% Positiveness
18% Popularity • 84% Danceability • 77% Energy • 5% Liveness
17% Instrumentalness • 95% Positiveness
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TIMBALIVE
El Dinero
100 bpm • D min • 04:23 • -4.94db
40% Popularity • 78% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
40% Popularity • 78% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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PALO!
Al Monte
100 bpm • G min • 05:15 • -4.72db
36% Popularity • 81% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
36% Popularity • 81% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Berna Jam
Camina
100 bpm • E min • 05:29 • -6db
27% Popularity • 69% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 69% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
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Oscar D'León
La Canto
100 bpm • F Maj • 04:30 • -5.32db
27% Popularity • 80% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 80% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Ricky Martin
Vente Pa' Ca - Versión Salsa
100 bpm • E min • 03:45 • -2.67db
41% Popularity • 72% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 72% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Lady Laura
Es una Bola
100 bpm • B min • 03:55 • -7.02db
7% Popularity • 80% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 80% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Yerba Buena
La Candela
100 bpm • A# Maj • 05:41 • -6.79db
34% Popularity • 84% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 84% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Candido Fabre Y Su Banda
De Cuba Vengo y Cubano Soy
100 bpm • G min • 04:51 • -6db
27% Popularity • 69% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 69% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Berna Jam
Fiesta
100 bpm • F Maj • 05:03 • -7.44db
24% Popularity • 77% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 77% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Seo Fernandez
Remenea
100 bpm • B min • 04:13 • -5.07db
34% Popularity • 80% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 80% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Mamborama
La Gata Loca
100 bpm • A Maj • 04:41 • -2db
24% Popularity • 67% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 67% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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TIMBALIVE
Como Miami No Hay Na' - Bonus Track
100 bpm • C Maj • 04:54 • -3.51db
37% Popularity • 78% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
37% Popularity • 78% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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El Niño y la Verdad
La Palangana
100 bpm • G Maj • 04:17 • -1.89db
25% Popularity • 73% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 73% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Paulo FG
Te Boté
100 bpm • G# Maj • 04:54 • -12.87db
13% Popularity • 85% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 85% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Berna Jam
Rumbeando
100 bpm • C Maj • 04:52 • -7db
31% Popularity • 79% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 79% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Manolín, El Médico De La Salsa
A Pagar Alla
100 bpm • C# Maj • 08:05 • -14.36db
10% Popularity • 48% Danceability • 65% Energy • 32% Liveness
1% Instrumentalness • 69% Positiveness
10% Popularity • 48% Danceability • 65% Energy • 32% Liveness
1% Instrumentalness • 69% Positiveness
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Maykel Blanco Y Su Salsa Mayor
Ya Tú No Coronas
100 bpm • D Maj • 04:49 • -3.27db
39% Popularity • 61% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 61% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
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Elio Revé Y Su Charangón
Fresquecito.Com
106 bpm • E min • 04:34 • -7db
30% Popularity • 63% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 63% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Salsa Celtica
Ave Maria de Escocia Medley
107 bpm • G Maj • 07:33 • -8db
28% Popularity • 63% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 63% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Charlie Cruz
Amarte Es Un Problema
107 bpm • A# min • 05:04 • -1.92db
22% Popularity • 77% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 77% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Berna Jam
Y Ahora Baila
100 bpm • C Maj • 05:51 • -4.87db
33% Popularity • 77% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 77% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Jeremy Bosch
Acércate
99 bpm • A# min • 05:16 • -5.56db
16% Popularity • 68% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 68% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Carlos Oliva y Los Sobrinos del Juez
Vehicle / Tu Carrito
107 bpm • A# min • 04:16 • -5db
22% Popularity • 71% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 71% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Pirulo y la Tribu
Crema, Crema
107 bpm • A# Maj • 06:05 • -4.93db
27% Popularity • 76% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 76% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Grupo Galé
Ven a Medellín
99 bpm • C# Maj • 05:35 • -9.93db
41% Popularity • 67% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
41% Popularity • 67% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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Calle Real
Princesa (Timba)
99 bpm • G# Maj • 06:19 • -7.25db
29% Popularity • 62% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 62% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Berna Jam
Que Bola Que Vuelta
100 bpm • G Maj • 05:02 • -6.68db
32% Popularity • 72% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 72% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Tony Succar
Sentimiento Original
107 bpm • C# Maj • 05:19 • -3.51db
28% Popularity • 77% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 77% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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La Maxima 79
Iboru Iboya (Edit)
107 bpm • D Maj • 02:25 • -6.16db
15% Popularity • 80% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 80% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Alex Matos
Lo Malo Se Va Bailando - Prod. by Robert...
107 bpm • D Maj • 04:15 • -3db
39% Popularity • 79% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 79% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Charlie Cruz
Curame
107 bpm • C# Maj • 04:07 • -4db
8% Popularity • 74% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 74% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
