Songs like La Vie En Rose - From "How I Met Your Mother: Season 9" by Cristin Milioti
Based on a tempo of (+/- 10%) and a similar genre
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A.C. Newman
Be Not So Fearful
80 bpm • B Maj • 02:18 • -11db
34% Popularity • 62% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 62% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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The Lumineers
Ho Hey
80 bpm • C Maj • 02:43 • -9.07db
79% Popularity • 68% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
79% Popularity • 68% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Laura Dreyfuss
Requiem
80 bpm • E Maj • 04:19 • -6.52db
50% Popularity • 41% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
50% Popularity • 41% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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The Brothers Bright
Yours Alone
80 bpm • D Maj • 02:56 • -9.36db
18% Popularity • 17% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 17% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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T.V. Carpio
I Want To Hold Your Hand
81 bpm • B Maj • 02:45 • -9.75db
43% Popularity • 55% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 55% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Jeremy Irons
To Make You Feel My Love
81 bpm • D Maj • 03:28 • -20.16db
14% Popularity • 53% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 18% Positiveness
14% Popularity • 53% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 18% Positiveness
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Hadley Fraser
But For Me
79 bpm • D Maj • 04:21 • -6.21db
10% Popularity • 42% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 42% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Lily Allen
Somewhere Only We Know
81 bpm • A# Maj • 03:28 • -10.59db
61% Popularity • 31% Danceability • 29% Energy • 10% Liveness
5% Instrumentalness • 29% Positiveness
61% Popularity • 31% Danceability • 29% Energy • 10% Liveness
5% Instrumentalness • 29% Positiveness
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George Ezra
Coat of Armour
79 bpm • G Maj • 03:57 • -10.78db
42% Popularity • 39% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 39% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Emma Stone
Audition (The Fools Who Dream)
79 bpm • D min • 04:12 • -13db
36% Popularity • 33% Danceability • 13% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 33% Danceability • 13% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Evan Rachel Wood
If I Fell
79 bpm • G Maj • 02:36 • -18db
40% Popularity • 47% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
40% Popularity • 47% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Leslie Odom Jr.
What Are We Waiting For
81 bpm • D Maj • 03:24 • -9.73db
31% Popularity • 24% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 24% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Damien Rice
Delicate
81 bpm • F Maj • 05:12 • -14.5db
56% Popularity • 34% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
56% Popularity • 34% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Markéta Irglová
If You Want Me
79 bpm • F# min • 03:48 • -12.07db
45% Popularity • 60% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
45% Popularity • 60% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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Iron & Wine
Each Coming Night
81 bpm • D Maj • 03:27 • -16db
51% Popularity • 47% Danceability • 24% Energy • 12% Liveness
46% Instrumentalness • 36% Positiveness
51% Popularity • 47% Danceability • 24% Energy • 12% Liveness
46% Instrumentalness • 36% Positiveness
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Colton Ryan
A Little Closer
81 bpm • E Maj • 04:09 • -14.86db
41% Popularity • 30% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 30% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Adele
First Love
81 bpm • C Maj • 03:10 • -13.46db
42% Popularity • 68% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
42% Popularity • 68% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Andrew Garfield
Boho Days
81 bpm • C# Maj • 01:28 • -8.9db
54% Popularity • 78% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 78% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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Hunter Parrish
Beautiful City
81 bpm • C# Maj • 03:48 • -15.14db
36% Popularity • 44% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 44% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Andrew Lloyd Webber
Memory
82 bpm • D# Maj • 05:20 • -9.67db
44% Popularity • 25% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
44% Popularity • 25% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Emily Kinney
Be Good
78 bpm • A Maj • 02:59 • -9db
33% Popularity • 68% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
33% Popularity • 68% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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The Solids
You Don't Know What You've Begun
78 bpm • G Maj • 03:20 • -9.87db
20% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Joy Williams
What Can I Do (But Love You)
82 bpm • D Maj • 03:08 • -9db
34% Popularity • 43% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 43% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Keira Knightley
A Step You Can’t Take Back
82 bpm • F Maj • 03:21 • -7.25db
47% Popularity • 63% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
47% Popularity • 63% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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fun.
Why Am I the One
82 bpm • F# Maj • 04:46 • -7db
46% Popularity • 41% Danceability • 50% Energy • 60% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 41% Danceability • 50% Energy • 60% Liveness
0% Instrumentalness • 50% Positiveness
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Once Ensemble
Gold (A Cappella)
82 bpm • E Maj • 02:28 • -25.25db
26% Popularity • 22% Danceability • 3% Energy • 28% Liveness
0% Instrumentalness • 9% Positiveness
26% Popularity • 22% Danceability • 3% Energy • 28% Liveness
0% Instrumentalness • 9% Positiveness
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Amy Adams
If I Didn't Care
78 bpm • F Maj • 03:07 • -16db
23% Popularity • 33% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 33% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Josh Radnor
Superdate
82 bpm • F# Maj • 01:43 • -14.87db
25% Popularity • 52% Danceability • 19% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 52% Danceability • 19% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Hozier
Cherry Wine - Live
83 bpm • C# Maj • 04:00 • -14.85db
69% Popularity • 42% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
69% Popularity • 42% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Julie Andrews
Something Good
78 bpm • C# Maj • 03:19 • -25db
44% Popularity • 25% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 25% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Kooman & Dimond
Lost in the Waves
77 bpm • D# Maj • 04:21 • -11.87db
27% Popularity • 36% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 36% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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dodie
Arms Unfolding
83 bpm • D Maj • 01:35 • -15.89db
41% Popularity • 44% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 44% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Matthew Perryman Jones
Only You
83 bpm • E Maj • 04:08 • -14db
40% Popularity • 49% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 49% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Mandy Harvey
Mara's Song
77 bpm • A Maj • 03:03 • -9.01db
23% Popularity • 61% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 61% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Kodaline
High Hopes
77 bpm • E Maj • 03:50 • -6.37db
65% Popularity • 49% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
65% Popularity • 49% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Matt Maltese
Even If It's a Lie - Demo
83 bpm • D Maj • 03:57 • -6db
52% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
52% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Catherine Feeny
Mr Blue - Radio Mix
83 bpm • A# Maj • 03:02 • -9db
25% Popularity • 57% Danceability • 54% Energy • 36% Liveness
27% Instrumentalness • 56% Positiveness
25% Popularity • 57% Danceability • 54% Energy • 36% Liveness
27% Instrumentalness • 56% Positiveness
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A Great Big World
Already Home
83 bpm • D Maj • 03:50 • -7.34db
34% Popularity • 60% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 60% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Avriel & the Sequoias
Sage and Stone
83 bpm • E Maj • 05:23 • -12.55db
26% Popularity • 20% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 20% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Cristin Milioti
715 creeks
77 bpm • D Maj • 03:11 • -13db
23% Popularity • 45% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 45% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Grant Gustin
Runnin' Home to You
77 bpm • G Maj • 02:46 • -9.92db
54% Popularity • 33% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
54% Popularity • 33% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Gary Jules
I Want You to Want Me
77 bpm • E Maj • 03:03 • -11db
37% Popularity • 25% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 25% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Mumford & Sons
After The Storm
77 bpm • G Maj • 04:07 • -13.42db
40% Popularity • 49% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 49% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Correatown
All The World (I Tell Myself)
77 bpm • F# min • 04:33 • -14.72db
36% Popularity • 49% Danceability • 29% Energy • 9% Liveness
84% Instrumentalness • 26% Positiveness
36% Popularity • 49% Danceability • 29% Energy • 9% Liveness
84% Instrumentalness • 26% Positiveness
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Charlie Mars
I Do I Do
77 bpm • E Maj • 04:08 • -10db
31% Popularity • 56% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 56% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Rachael Yamagata
I Wish You Love
84 bpm • B Maj • 03:32 • -17.09db
38% Popularity • 32% Danceability • 19% Energy • 16% Liveness
2% Instrumentalness • 26% Positiveness
38% Popularity • 32% Danceability • 19% Energy • 16% Liveness
2% Instrumentalness • 26% Positiveness
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Tom Rosenthal
How Could I Not?
84 bpm • G# Maj • 01:53 • -19db
29% Popularity • 43% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 43% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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dodie
6/10
77 bpm • G Maj • 03:05 • -15.95db
41% Popularity • 26% Danceability • 16% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
41% Popularity • 26% Danceability • 16% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Amanda Seyfried
Mean Ol’ Moon
76 bpm • C min • 02:03 • -17.87db
39% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Glen Hansard
Lies
84 bpm • F Maj • 03:59 • -11.36db
39% Popularity • 22% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
39% Popularity • 22% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
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Jason Segel
Night Night Little Marvin
76 bpm • G Maj • 01:21 • -11.88db
21% Popularity • 61% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 61% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 39% Positiveness
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Charles Strouse
Tomorrow
84 bpm • G# Maj • 02:29 • -8.48db
43% Popularity • 34% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
43% Popularity • 34% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Eliza Noxon
Hummingbird
76 bpm • C Maj • 02:38 • -9db
32% Popularity • 60% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 60% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Ray LaMontagne
Without Words
76 bpm • D Maj • 04:17 • -14.85db
13% Popularity • 58% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 58% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Steve Kazee
Leave
84 bpm • C# min • 03:06 • -10.97db
31% Popularity • 31% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
31% Popularity • 31% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Zee Avi
Dream a Little Dream of Me
84 bpm • C Maj • 01:51 • -12.14db
44% Popularity • 56% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
44% Popularity • 56% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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The Lumineers
Ophelia
76 bpm • F Maj • 02:40 • -6.52db
71% Popularity • 66% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
71% Popularity • 66% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Hayley Taylor
No More Wishing
76 bpm • C# Maj • 03:59 • -7.57db
29% Popularity • 50% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 50% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Rosi Golan
C'est L'amour
76 bpm • E Maj • 03:17 • -14db
30% Popularity • 69% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 69% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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The Secret Sisters
Tomorrow Will Be Kinder - from The Hunge...
84 bpm • A Maj • 03:25 • -18.14db
39% Popularity • 34% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 34% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Birdy
Tee Shirt - Soundtrack Version
76 bpm • A Maj • 02:39 • -9.5db
53% Popularity • 68% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
53% Popularity • 68% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Lorde
Liability
76 bpm • A# min • 02:51 • -11.25db
72% Popularity • 59% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
72% Popularity • 59% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Avriel & the Sequoias
Quarter Past Four
76 bpm • D Maj • 04:30 • -19.73db
33% Popularity • 55% Danceability • 9% Energy • 6% Liveness
2% Instrumentalness • 31% Positiveness
33% Popularity • 55% Danceability • 9% Energy • 6% Liveness
2% Instrumentalness • 31% Positiveness
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The Helio Sequence
Mr. Tambourine Man
85 bpm • D Maj • 05:43 • -12db
35% Popularity • 39% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 39% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Doubleclicks
Oh, Mr. Darcy
75 bpm • G Maj • 03:16 • -11db
13% Popularity • 72% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 72% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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The 88
No One Here
85 bpm • G Maj • 04:32 • -14db
24% Popularity • 56% Danceability • 5% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 56% Danceability • 5% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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Maroon 5
Come Away To The Water
85 bpm • B min • 05:13 • -14.33db
35% Popularity • 40% Danceability • 49% Energy • 14% Liveness
2% Instrumentalness • 29% Positiveness
35% Popularity • 40% Danceability • 49% Energy • 14% Liveness
2% Instrumentalness • 29% Positiveness
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Jose Vanders
Literature Lovers
75 bpm • G Maj • 04:40 • -17.31db
24% Popularity • 48% Danceability • 10% Energy • 13% Liveness
79% Instrumentalness • 30% Positiveness
24% Popularity • 48% Danceability • 10% Energy • 13% Liveness
79% Instrumentalness • 30% Positiveness
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Stars
In Our Bedroom After The War
75 bpm • G# min • 06:46 • -7.84db
39% Popularity • 49% Danceability • 48% Energy • 20% Liveness
3% Instrumentalness • 46% Positiveness
39% Popularity • 49% Danceability • 48% Energy • 20% Liveness
3% Instrumentalness • 46% Positiveness
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Avriel & the Sequoias
Fields and Pier
85 bpm • E Maj • 04:20 • -17.37db
29% Popularity • 24% Danceability • 20% Energy • 11% Liveness
85% Instrumentalness • 15% Positiveness
29% Popularity • 24% Danceability • 20% Energy • 11% Liveness
85% Instrumentalness • 15% Positiveness
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Grant Gustin
Runnin' Home to You - Guitar Version
85 bpm • G Maj • 02:45 • -11db
40% Popularity • 39% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
40% Popularity • 39% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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dodie
Sick of Losing Soulmates
75 bpm • D Maj • 04:27 • -17.22db
52% Popularity • 49% Danceability • 24% Energy • 35% Liveness
16% Instrumentalness • 15% Positiveness
52% Popularity • 49% Danceability • 24% Energy • 35% Liveness
16% Instrumentalness • 15% Positiveness
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Diane
Will The Sun Ever Shine Again
85 bpm • B Maj • 02:40 • -14db
25% Popularity • 56% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 56% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Jim Sturgess
Girl
75 bpm • C Maj • 01:04 • -14.67db
41% Popularity • 33% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 33% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Kodaline
Blood and Bones
75 bpm • D Maj • 03:52 • -8.51db
39% Popularity • 47% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
39% Popularity • 47% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Troye Sivan
The Fault in Our Stars
75 bpm • D# Maj • 03:07 • -21.42db
52% Popularity • 48% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
52% Popularity • 48% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Panic! At The Disco
Impossible Year
86 bpm • A# Maj • 03:22 • -8.77db
52% Popularity • 17% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
52% Popularity • 17% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Andrew Lloyd Webber
All I Ask Of You
86 bpm • C# Maj • 04:54 • -20.93db
55% Popularity • 19% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
55% Popularity • 19% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Landon Pigg
Can't Let Go
86 bpm • C# min • 04:45 • -15db
25% Popularity • 34% Danceability • 30% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
25% Popularity • 34% Danceability • 30% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
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Kuana Torres Kahele
Lava
75 bpm • C Maj • 05:46 • -13db
60% Popularity • 48% Danceability • 21% Energy • 59% Liveness
0% Instrumentalness • 43% Positiveness
60% Popularity • 48% Danceability • 21% Energy • 59% Liveness
0% Instrumentalness • 43% Positiveness
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Adele
Crazy For You
86 bpm • G Maj • 03:28 • -12.3db
45% Popularity • 71% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 71% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jim Sturgess
Strawberry Fields Forever
86 bpm • D# Maj • 03:37 • -7.89db
32% Popularity • 44% Danceability • 68% Energy • 8% Liveness
5% Instrumentalness • 21% Positiveness
32% Popularity • 44% Danceability • 68% Energy • 8% Liveness
5% Instrumentalness • 21% Positiveness
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Joe Purdy
Wash Away (Reprise)
86 bpm • F Maj • 03:00 • -13.94db
43% Popularity • 56% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 56% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Billy Crudup
Sing Along
86 bpm • A min • 04:26 • -14db
27% Popularity • 45% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 45% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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dodie
Secret For The Mad
86 bpm • E Maj • 03:17 • -14.99db
45% Popularity • 49% Danceability • 9% Energy • 9% Liveness
1% Instrumentalness • 39% Positiveness
45% Popularity • 49% Danceability • 9% Energy • 9% Liveness
1% Instrumentalness • 39% Positiveness
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Les Misérables Cast
One Day More
86 bpm • A Maj • 03:41 • -11.95db
52% Popularity • 38% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
52% Popularity • 38% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Sophie Madeleine
Take Your Love with Me
86 bpm • F Maj • 02:04 • -5.54db
28% Popularity • 75% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 75% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Rogue Valley
The Wolves and the Ravens
86 bpm • C Maj • 04:16 • -17.56db
44% Popularity • 30% Danceability • 22% Energy • 10% Liveness
18% Instrumentalness • 24% Positiveness
44% Popularity • 30% Danceability • 22% Energy • 10% Liveness
18% Instrumentalness • 24% Positiveness
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Hugh Grant
Don't Write Me Off
74 bpm • C# Maj • 02:30 • -11.11db
38% Popularity • 64% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 64% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Matthew Morrison
When Your Feet Don’t Touch The Ground
87 bpm • D min • 04:00 • -10.76db
29% Popularity • 32% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 32% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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John Swihart
You're All Alone
74 bpm • B min • 03:58 • -18db
39% Popularity • 18% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Jump, Little Children
Cathedrals
87 bpm • A Maj • 03:55 • -8db
33% Popularity • 36% Danceability • 28% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
33% Popularity • 36% Danceability • 28% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
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Lord Huron
The Night We Met
87 bpm • D Maj • 03:28 • -9.51db
90% Popularity • 54% Danceability • 37% Energy • 64% Liveness
28% Instrumentalness • 10% Positiveness
90% Popularity • 54% Danceability • 37% Energy • 64% Liveness
28% Instrumentalness • 10% Positiveness
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Henry Mancini
Moon River
87 bpm • A# Maj • 02:05 • -19.77db
48% Popularity • 32% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 32% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Nataly Dawn
Maybe a Love Song
87 bpm • E min • 03:00 • -18.88db
21% Popularity • 52% Danceability • 11% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 52% Danceability • 11% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Twenty One Pilots
Oh Ms Believer
73 bpm • C Maj • 03:37 • -8.33db
60% Popularity • 50% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
60% Popularity • 50% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Radnor & Lee
Doorstep
73 bpm • G Maj • 03:32 • -9.94db
22% Popularity • 57% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 57% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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OK Go
Last Leaf
73 bpm • G Maj • 02:33 • -11.5db
18% Popularity • 65% Danceability • 18% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 65% Danceability • 18% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
