Songs like Lachrimæ Antiquæ by John Dowland
Based on a tempo of (+/- 10%) and a similar genre
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Silvius Leopold Weiss
Parthie in D Minor: I. Fantasia
92 bpm • C# min • 01:26 • -25.21db
10% Popularity • 36% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
10% Popularity • 36% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
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Robert de Visée
Passacaille en ré mineur
92 bpm • C# min • 02:42 • -26.75db
13% Popularity • 32% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
13% Popularity • 32% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
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Robert Parsons
A Song of Mr Robert Parsons
92 bpm • G# min • 01:55 • -29db
26% Popularity • 12% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
26% Popularity • 12% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
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Francesco Spinacino
Recercare (I)
92 bpm • G min • 02:09 • -37.09db
33% Popularity • 35% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 53% Positiveness
33% Popularity • 35% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 53% Positiveness
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John Dowland
Lachrimæ Antiquæ
92 bpm • G min • 04:39 • -22.49db
10% Popularity • 11% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
10% Popularity • 11% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Stephen Stubbs
Refrain 2
93 bpm • A min • 01:43 • -41db
30% Popularity • 42% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 19% Positiveness
30% Popularity • 42% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 19% Positiveness
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Josquin des Prez
Mille regretz
93 bpm • A min • 01:56 • -30db
32% Popularity • 21% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Hopkinson Smith
Three Feminine Portraits - La Mia Barbar...
93 bpm • D min • 05:01 • -23.45db
12% Popularity • 29% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 36% Positiveness
12% Popularity • 29% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 36% Positiveness
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Antonio Vivaldi
Nisi Dominus (Psalm 126), RV 608 - Arr. ...
93 bpm • D Maj • 04:27 • -28db
13% Popularity • 12% Danceability • 2% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 2% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
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Henry Purcell
A New Ground in E Minor, Z .682
93 bpm • D# min • 02:49 • -36.54db
18% Popularity • 24% Danceability • 1% Energy • 12% Liveness
98% Instrumentalness • 23% Positiveness
18% Popularity • 24% Danceability • 1% Energy • 12% Liveness
98% Instrumentalness • 23% Positiveness
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John Dowland
Galliard in C Minor, P. 35
93 bpm • G min • 01:48 • -24.89db
5% Popularity • 35% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 44% Positiveness
5% Popularity • 35% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 44% Positiveness
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Rolf Lislevand
Paysanos
93 bpm • F# min • 02:06 • -34db
12% Popularity • 44% Danceability • 2% Energy • 18% Liveness
94% Instrumentalness • 10% Positiveness
12% Popularity • 44% Danceability • 2% Energy • 18% Liveness
94% Instrumentalness • 10% Positiveness
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Michael Praetorius
Terpsichore*: Bransle de la Torche
91 bpm • C Maj • 02:14 • -26.03db
21% Popularity • 49% Danceability • 4% Energy • 18% Liveness
10% Instrumentalness • 46% Positiveness
21% Popularity • 49% Danceability • 4% Energy • 18% Liveness
10% Instrumentalness • 46% Positiveness
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Tarquinio Merula
Folle è ben che si crede
93 bpm • C Maj • 02:59 • -24db
13% Popularity • 31% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 31% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Antonio Vivaldi
Sonata No. 5 in E Minor, RV 40, Op. 14: ...
93 bpm • D# min • 02:55 • -24.16db
14% Popularity • 25% Danceability • 10% Energy • 13% Liveness
78% Instrumentalness • 11% Positiveness
14% Popularity • 25% Danceability • 10% Energy • 13% Liveness
78% Instrumentalness • 11% Positiveness
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David Kellner
Fantasia in D Major
93 bpm • C# Maj • 03:14 • -22.38db
18% Popularity • 39% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
18% Popularity • 39% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Jacques Gallot
Folies d'Espagne
93 bpm • G# min • 06:10 • -30db
13% Popularity • 41% Danceability • 4% Energy • 11% Liveness
72% Instrumentalness • 12% Positiveness
13% Popularity • 41% Danceability • 4% Energy • 11% Liveness
72% Instrumentalness • 12% Positiveness
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Heinrich Ignaz Franz von Biber
Harmonia Artificioso Ariosa, Partia V in...
94 bpm • F# min • 04:20 • -21.45db
25% Popularity • 33% Danceability • 12% Energy • 11% Liveness
30% Instrumentalness • 19% Positiveness
25% Popularity • 33% Danceability • 12% Energy • 11% Liveness
30% Instrumentalness • 19% Positiveness
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Hopkinson Smith
Fortune My Foe
90 bpm • G min • 04:31 • -26.51db
14% Popularity • 37% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 21% Positiveness
14% Popularity • 37% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 21% Positiveness
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Alessandro Piccinini
Toccata VIII
94 bpm • F# min • 01:48 • -22.35db
24% Popularity • 54% Danceability • 5% Energy • 12% Liveness
81% Instrumentalness • 14% Positiveness
24% Popularity • 54% Danceability • 5% Energy • 12% Liveness
81% Instrumentalness • 14% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Major: II. All...
90 bpm • C# Maj • 02:10 • -28db
21% Popularity • 40% Danceability • 8% Energy • 11% Liveness
80% Instrumentalness • 73% Positiveness
21% Popularity • 40% Danceability • 8% Energy • 11% Liveness
80% Instrumentalness • 73% Positiveness
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Robert de Visée
De Visée: Pièces de théorbe et de lut...
94 bpm • C# min • 03:32 • -28db
15% Popularity • 22% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
15% Popularity • 22% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
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William Byrd
Byrd: Miserere a 4
90 bpm • A# Maj • 01:33 • -25.78db
12% Popularity • 17% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 25% Positiveness
12% Popularity • 17% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 25% Positiveness
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Johann Sebastian Bach
Suite No. 5 In G Minor (after BWV 995 & ...
94 bpm • F min • 03:04 • -24.44db
25% Popularity • 62% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 22% Positiveness
25% Popularity • 62% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 22% Positiveness
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Antonio Vivaldi
Concerto for Violin and Strings in E, Op...
94 bpm • D# Maj • 03:53 • -18db
24% Popularity • 27% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 27% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 21% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad genua: ...
94 bpm • F min • 01:15 • -25.85db
27% Popularity • 38% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 11% Positiveness
27% Popularity • 38% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 11% Positiveness
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Stephen Stubbs
Recercar
90 bpm • A# Maj • 01:13 • -34db
28% Popularity • 37% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 48% Positiveness
28% Popularity • 37% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 48% Positiveness
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Robert Johnson
Pavan No. 1 in C Minor
94 bpm • A# min • 05:15 • -28db
3% Popularity • 35% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
3% Popularity • 35% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Andrea Falconieri
Ciaconna
94 bpm • C Maj • 03:28 • -17db
18% Popularity • 55% Danceability • 22% Energy • 20% Liveness
93% Instrumentalness • 78% Positiveness
18% Popularity • 55% Danceability • 22% Energy • 20% Liveness
93% Instrumentalness • 78% Positiveness
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Esaias Reusner
Delitiae testudinis Suite No. 13 in E-Fl...
94 bpm • D Maj • 03:48 • -27db
19% Popularity • 43% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 19% Positiveness
19% Popularity • 43% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 19% Positiveness
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Jordi Savall
Lachrimae Antiquae
90 bpm • A min • 04:41 • -21.68db
22% Popularity • 10% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
22% Popularity • 10% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Diego Ortiz
Pass'emezzo antico
90 bpm • E Maj • 02:20 • -24db
10% Popularity • 25% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 32% Positiveness
10% Popularity • 25% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 32% Positiveness
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Dietrich Becker
Sonata & Suite in D-Dur: Sonata & Suite ...
90 bpm • C# Maj • 01:29 • -18db
15% Popularity • 21% Danceability • 10% Energy • 11% Liveness
60% Instrumentalness • 11% Positiveness
15% Popularity • 21% Danceability • 10% Energy • 11% Liveness
60% Instrumentalness • 11% Positiveness
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William Lawes
Pieces for 2 Lutes: III. Corant
90 bpm • A Maj • 01:46 • -31db
25% Popularity • 39% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 29% Positiveness
25% Popularity • 39% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 29% Positiveness
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Edward Martin and Paul Berget
Sonata in C Major (Weiss) - Allegro 1 an...
90 bpm • B Maj • 08:15 • -21db
12% Popularity • 44% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
12% Popularity • 44% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
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John Dowland
The Right Honourable the Lady Cliftons S...
95 bpm • G min • 01:41 • -23.08db
4% Popularity • 30% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 68% Positiveness
4% Popularity • 30% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 68% Positiveness
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Jordi Savall
Lachrimae Antiquae Novae
94 bpm • A min • 04:51 • -20.97db
5% Popularity • 13% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
5% Popularity • 13% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Stephen Stubbs
Improvisation I on the Folia bass
95 bpm • C# min • 07:45 • -23.17db
15% Popularity • 21% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
15% Popularity • 21% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Minor: I. Arpe...
95 bpm • C# min • 02:03 • -35db
38% Popularity • 18% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
38% Popularity • 18% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Diego Ortiz
Recercadas del Trattado de Glosas: Recer...
95 bpm • D min • 01:42 • -27.15db
29% Popularity • 24% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
29% Popularity • 24% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
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Hopkinson Smith
MRS. White's Nothing
95 bpm • G min • 04:23 • -24db
13% Popularity • 39% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 24% Positiveness
13% Popularity • 39% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 24% Positiveness
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John Dowland
The Lady Russells Paven, P 17
95 bpm • F# Maj • 05:03 • -31.77db
4% Popularity • 36% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 33% Positiveness
4% Popularity • 36% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 33% Positiveness
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Maurizio Cazzati
Ciaccona, Op. 23
95 bpm • C# Maj • 03:07 • -18db
15% Popularity • 49% Danceability • 24% Energy • 10% Liveness
30% Instrumentalness • 69% Positiveness
15% Popularity • 49% Danceability • 24% Energy • 10% Liveness
30% Instrumentalness • 69% Positiveness
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Francesco Corbetta
Passacaille en sol mineur
89 bpm • F# min • 02:37 • -26.26db
21% Popularity • 43% Danceability • 7% Energy • 11% Liveness
9% Instrumentalness • 23% Positiveness
21% Popularity • 43% Danceability • 7% Energy • 11% Liveness
9% Instrumentalness • 23% Positiveness
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Dietrich Buxtehude
Sonata in A-Moll, BuxWV 272: Sonata in A...
89 bpm • G# min • 04:51 • -16.35db
13% Popularity • 41% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
13% Popularity • 41% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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William Byrd
Byrd: Christe redemptor a 4
95 bpm • A# Maj • 02:58 • -26.8db
11% Popularity • 14% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
11% Popularity • 14% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Henry Purcell
Dido and Aeneas / Act 1: Overture
89 bpm • B min • 02:04 • -27db
23% Popularity • 48% Danceability • 28% Energy • 50% Liveness
79% Instrumentalness • 47% Positiveness
23% Popularity • 48% Danceability • 28% Energy • 50% Liveness
79% Instrumentalness • 47% Positiveness
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John Dowland
Mr. Dowland's Midnight, P. 99
89 bpm • C min • 01:55 • -27.71db
23% Popularity • 38% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 39% Positiveness
23% Popularity • 38% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 39% Positiveness
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Traditional
Pasacalles
96 bpm • D min • 02:59 • -44db
10% Popularity • 30% Danceability • 0% Energy • 8% Liveness
58% Instrumentalness • 21% Positiveness
10% Popularity • 30% Danceability • 0% Energy • 8% Liveness
58% Instrumentalness • 21% Positiveness
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Hopkinson Smith
Elizabeth and Essex - Queen Elizabeth's ...
88 bpm • A min • 02:06 • -22.85db
20% Popularity • 30% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 33% Positiveness
20% Popularity • 30% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 33% Positiveness
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Maurizio Cazzati
Correnti e balletti, Op. 4: No. 33, Ciac...
96 bpm • C# Maj • 02:40 • -17.08db
16% Popularity • 45% Danceability • 26% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
16% Popularity • 45% Danceability • 26% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
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Carl Friedrich Abel
27 Pieces (Excerpts): No. 20 in D Minor,...
96 bpm • C# min • 01:37 • -27db
12% Popularity • 25% Danceability • 8% Energy • 13% Liveness
86% Instrumentalness • 17% Positiveness
12% Popularity • 25% Danceability • 8% Energy • 13% Liveness
86% Instrumentalness • 17% Positiveness
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Dietrich Buxtehude
Herr, wenn ich nur dich hab, BuxWV 38
88 bpm • G Maj • 03:40 • -22db
10% Popularity • 25% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 25% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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John Dowland
Galliard in G Minor, P. 21, "John Dowlan...
89 bpm • G min • 01:14 • -25.05db
6% Popularity • 46% Danceability • 12% Energy • 14% Liveness
81% Instrumentalness • 41% Positiveness
6% Popularity • 46% Danceability • 12% Energy • 14% Liveness
81% Instrumentalness • 41% Positiveness
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Michelangelo Falvetti
Il diluvio universale, Act IV "In l’ar...
96 bpm • F# min • 03:00 • -19.17db
14% Popularity • 50% Danceability • 28% Energy • 14% Liveness
1% Instrumentalness • 57% Positiveness
14% Popularity • 50% Danceability • 28% Energy • 14% Liveness
1% Instrumentalness • 57% Positiveness
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Hopkinson Smith
Lady Rich's Galliard
96 bpm • G Maj • 01:40 • -22.46db
26% Popularity • 45% Danceability • 14% Energy • 12% Liveness
68% Instrumentalness • 38% Positiveness
26% Popularity • 45% Danceability • 14% Energy • 12% Liveness
68% Instrumentalness • 38% Positiveness
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Tarquinio Merula
Merula : Ciaccona
96 bpm • C# Maj • 02:53 • -15.79db
15% Popularity • 44% Danceability • 20% Energy • 12% Liveness
9% Instrumentalness • 56% Positiveness
15% Popularity • 44% Danceability • 20% Energy • 12% Liveness
9% Instrumentalness • 56% Positiveness
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Paolo Pandolfo
sopra l'anticho canto de La Spagna
96 bpm • D min • 09:49 • -21.21db
12% Popularity • 24% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
12% Popularity • 24% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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William Christie
Purcell : King Arthur : Air
96 bpm • C min • 01:03 • -30db
35% Popularity • 43% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 43% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
John Dowland
A Fancy, P 6
89 bpm • F# min • 02:53 • -31.24db
5% Popularity • 28% Danceability • 4% Energy • 7% Liveness
92% Instrumentalness • 43% Positiveness
5% Popularity • 28% Danceability • 4% Energy • 7% Liveness
92% Instrumentalness • 43% Positiveness
► Preview
Giovanni Girolamo Kapsberger
Passacaglia
88 bpm • A min • 02:58 • -27db
20% Popularity • 44% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
20% Popularity • 44% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
Christopher Tye
In Nomine à 5 "Crye"
96 bpm • C min • 01:56 • -22.21db
9% Popularity • 28% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 36% Positiveness
9% Popularity • 28% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 36% Positiveness
► Preview
Alessandro Piccinini
Toccata XX
96 bpm • D min • 02:39 • -22.76db
16% Popularity • 37% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 41% Positiveness
16% Popularity • 37% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 41% Positiveness
► Preview
Vincenzo Capirola
Che farala che dirala
97 bpm • F min • 02:00 • -29.09db
27% Popularity • 43% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 58% Positiveness
27% Popularity • 43% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 58% Positiveness
► Preview
Stephen Stubbs
Refrain 3
88 bpm • A min • 01:50 • -39.48db
24% Popularity • 43% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 22% Positiveness
24% Popularity • 43% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 22% Positiveness
► Preview
John Dowland
The most sacred Queene Elizabeth, her Ga...
96 bpm • F Maj • 01:13 • -26.96db
8% Popularity • 30% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 78% Positiveness
8% Popularity • 30% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 78% Positiveness
► Preview
Giovanni Girolamo Kapsberger
Toccata arpeggiata
87 bpm • D min • 02:55 • -23.62db
15% Popularity • 21% Danceability • 24% Energy • 12% Liveness
94% Instrumentalness • 48% Positiveness
15% Popularity • 21% Danceability • 24% Energy • 12% Liveness
94% Instrumentalness • 48% Positiveness
► Preview
Christopher Tye
In Nomine No. 20, 'Crye'
98 bpm • C# min • 01:54 • -24.23db
27% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
27% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
► Preview
Henry Purcell
Round O ZT684
98 bpm • C min • 01:49 • -22db
20% Popularity • 29% Danceability • 20% Energy • 6% Liveness
6% Instrumentalness • 50% Positiveness
20% Popularity • 29% Danceability • 20% Energy • 6% Liveness
6% Instrumentalness • 50% Positiveness
► Preview
Joseph-Nicolas-Pancrace Royer
Pieces de clavecin, Book 1: I. L'Aimable...
98 bpm • F# min • 06:14 • -23db
15% Popularity • 28% Danceability • 21% Energy • 12% Liveness
80% Instrumentalness • 38% Positiveness
15% Popularity • 28% Danceability • 21% Energy • 12% Liveness
80% Instrumentalness • 38% Positiveness
► Preview
Francesco Corbetta
Partie de Chaconne en ut majeur
98 bpm • B Maj • 02:38 • -24.94db
13% Popularity • 39% Danceability • 11% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
13% Popularity • 39% Danceability • 11% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
► Preview
John Dowland
Lachrimae
87 bpm • F# min • 05:15 • -37db
30% Popularity • 32% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
30% Popularity • 32% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
► Preview
Arcangelo Corelli
Sonata Op. 5, No. 10: Sarabanda
86 bpm • C# min • 03:57 • -29db
26% Popularity • 22% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
Susie Napper
Le sacre du printemps
86 bpm • G# min • 01:13 • -33.59db
1% Popularity • 9% Danceability • 6% Energy • 44% Liveness
97% Instrumentalness • 9% Positiveness
1% Popularity • 9% Danceability • 6% Energy • 44% Liveness
97% Instrumentalness • 9% Positiveness
► Preview
Henry Purcell
Fantasias and In Nomines: Fantazia I in ...
98 bpm • C# min • 02:36 • -22.03db
19% Popularity • 23% Danceability • 7% Energy • 10% Liveness
70% Instrumentalness • 28% Positiveness
19% Popularity • 23% Danceability • 7% Energy • 10% Liveness
70% Instrumentalness • 28% Positiveness
► Preview
Barbara Strozzi
L’Eraclito amoroso
98 bpm • E min • 06:21 • -14.67db
10% Popularity • 34% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 34% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
François Couperin
Second livre de pièces de clavecin, Ord...
86 bpm • A Maj • 02:44 • -17.92db
16% Popularity • 15% Danceability • 31% Energy • 15% Liveness
81% Instrumentalness • 55% Positiveness
16% Popularity • 15% Danceability • 31% Energy • 15% Liveness
81% Instrumentalness • 55% Positiveness
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John Dowland
Lachrimae Antiquae from Lachrimae, or Se...
97 bpm • G min • 04:17 • -30db
14% Popularity • 12% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 12% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Robert de Visée
Prélude en ré mineur
86 bpm • C# min • 01:15 • -28db
36% Popularity • 25% Danceability • 4% Energy • 15% Liveness
76% Instrumentalness • 23% Positiveness
36% Popularity • 25% Danceability • 4% Energy • 15% Liveness
76% Instrumentalness • 23% Positiveness
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Silvius Leopold Weiss
Lute Sonata No. 34 in D Minor: I. Prelud...
86 bpm • C min • 01:44 • -26.62db
22% Popularity • 37% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
22% Popularity • 37% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
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Henry Purcell
The Queen's Funeral March, Z. 860
86 bpm • C# Maj • 02:47 • -25.94db
11% Popularity • 39% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
11% Popularity • 39% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Johann Paul Von Westhoff
Sonata No. 3 in D Minor: III. Imitatione...
98 bpm • G# Maj • 01:53 • -23db
11% Popularity • 45% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 43% Positiveness
11% Popularity • 45% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 43% Positiveness
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Josquin des Prez
Obsecro Te
86 bpm • C min • 05:41 • -38.36db
33% Popularity • 47% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
33% Popularity • 47% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
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John Dowland
Lachrimae or Seven Tears: XIV. The Earl ...
97 bpm • C# min • 01:17 • -19.45db
25% Popularity • 32% Danceability • 11% Energy • 23% Liveness
96% Instrumentalness • 50% Positiveness
25% Popularity • 32% Danceability • 11% Energy • 23% Liveness
96% Instrumentalness • 50% Positiveness
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Robert de Visée
La Mascarade, Rondeau
86 bpm • F# Maj • 01:30 • -25.39db
14% Popularity • 39% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 20% Positiveness
14% Popularity • 39% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 20% Positiveness
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Stephen Stubbs
Refrain 1
86 bpm • A min • 01:41 • -39.5db
32% Popularity • 27% Danceability • 0% Energy • 6% Liveness
77% Instrumentalness • 12% Positiveness
32% Popularity • 27% Danceability • 0% Energy • 6% Liveness
77% Instrumentalness • 12% Positiveness
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Hopkinson Smith
A Fantasie
99 bpm • G Maj • 03:51 • -24db
17% Popularity • 33% Danceability • 11% Energy • 8% Liveness
90% Instrumentalness • 43% Positiveness
17% Popularity • 33% Danceability • 11% Energy • 8% Liveness
90% Instrumentalness • 43% Positiveness
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Monsieur de Sainte-Colombe
Concert XLVIII: Le Raporté
86 bpm • F min • 09:49 • -23.81db
8% Popularity • 12% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
8% Popularity • 12% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Giovanni Paolo Foscarini
Folia
86 bpm • C Maj • 02:31 • -18db
18% Popularity • 58% Danceability • 8% Energy • 11% Liveness
21% Instrumentalness • 35% Positiveness
18% Popularity • 58% Danceability • 8% Energy • 11% Liveness
21% Instrumentalness • 35% Positiveness
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John Dowland
Mr. Dowland's Midnight, P 99
87 bpm • D min • 01:46 • -27.75db
4% Popularity • 40% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 23% Positiveness
4% Popularity • 40% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 23% Positiveness
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Dario Castello
Sonate concertate in stil moderno, Book ...
85 bpm • C# min • 04:43 • -15.76db
15% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Lucas Ruiz de Ribayaz
Luz y norte musical: Pabanas
99 bpm • C# Maj • 02:20 • -35db
9% Popularity • 26% Danceability • 1% Energy • 23% Liveness
97% Instrumentalness • 24% Positiveness
9% Popularity • 26% Danceability • 1% Energy • 23% Liveness
97% Instrumentalness • 24% Positiveness
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Hopkinson Smith
Three Feminine Portraits - Lady Clifton'...
86 bpm • G min • 03:19 • -23.8db
13% Popularity • 31% Danceability • 14% Energy • 20% Liveness
84% Instrumentalness • 48% Positiveness
13% Popularity • 31% Danceability • 14% Energy • 20% Liveness
84% Instrumentalness • 48% Positiveness
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Paolo Pandolfo
Dolce Memoria
85 bpm • A min • 05:09 • -21db
12% Popularity • 21% Danceability • 9% Energy • 27% Liveness
61% Instrumentalness • 10% Positiveness
12% Popularity • 21% Danceability • 9% Energy • 27% Liveness
61% Instrumentalness • 10% Positiveness
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Nicola Matteis Jr.
Fantasia in A Minor 'Alia Fantasia'
100 bpm • C# Maj • 04:05 • -21.82db
11% Popularity • 31% Danceability • 10% Energy • 12% Liveness
5% Instrumentalness • 17% Positiveness
11% Popularity • 31% Danceability • 10% Energy • 12% Liveness
5% Instrumentalness • 17% Positiveness
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John Dowland
Lachrimae, P 15
87 bpm • F# min • 05:23 • -34.05db
5% Popularity • 36% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 19% Positiveness
5% Popularity • 36% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 19% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Major: I. Prel...
85 bpm • C# Maj • 01:40 • -31.51db
36% Popularity • 22% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
36% Popularity • 22% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Jean-Baptiste Lully
Le Bourgeois gentilhomme, LWV 43: Canari...
84 bpm • C min • 01:03 • -22.65db
23% Popularity • 44% Danceability • 20% Energy • 9% Liveness
41% Instrumentalness • 45% Positiveness
23% Popularity • 44% Danceability • 20% Energy • 9% Liveness
41% Instrumentalness • 45% Positiveness
