Songs like Lachrimae (Arr. for chromatic kannel by Anna-Liisa Eller) by John Dowland
Based on a tempo of (+/- 10%) and a similar genre
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Gilles Binchois
Chansons: Je me recommande humblement
107 bpm • C# Maj • 01:54 • -16db
14% Popularity • 58% Danceability • 21% Energy • 10% Liveness
97% Instrumentalness • 15% Positiveness
14% Popularity • 58% Danceability • 21% Energy • 10% Liveness
97% Instrumentalness • 15% Positiveness
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Giovanni Girolamo Kapsberger
Libro I d'intavolatura di lauto: Toccata...
107 bpm • E Maj • 02:40 • -24.65db
25% Popularity • 47% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 44% Positiveness
25% Popularity • 47% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 44% Positiveness
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John Dowland
A Fancy
107 bpm • E min • 03:36 • -24.06db
13% Popularity • 37% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 31% Positiveness
13% Popularity • 37% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 31% Positiveness
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Ennemond Gaultier
Prelude in D Minor
107 bpm • G# min • 01:15 • -29.5db
11% Popularity • 43% Danceability • 13% Energy • 34% Liveness
72% Instrumentalness • 64% Positiveness
11% Popularity • 43% Danceability • 13% Energy • 34% Liveness
72% Instrumentalness • 64% Positiveness
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Luis de Narváez
Differencias sobre "Guarda me Las Vacas"
107 bpm • A# Maj • 02:34 • -28.72db
11% Popularity • 30% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 60% Positiveness
11% Popularity • 30% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 60% Positiveness
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Charles Mouton
Gavotte
107 bpm • B Maj • 01:09 • -22db
15% Popularity • 47% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 61% Positiveness
15% Popularity • 47% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 61% Positiveness
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Giovanni Felice Sances
Lagrimosa beltÃ
107 bpm • G Maj • 03:33 • -25db
11% Popularity • 27% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
11% Popularity • 27% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
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Stephen Stubbs
Improvisation II on the Folia bass
107 bpm • B Maj • 06:44 • -23.25db
12% Popularity • 30% Danceability • 7% Energy • 7% Liveness
93% Instrumentalness • 7% Positiveness
12% Popularity • 30% Danceability • 7% Energy • 7% Liveness
93% Instrumentalness • 7% Positiveness
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Diego Ortiz
Passamezzo Antiguo. Recercada 1ª
107 bpm • C Maj • 01:39 • -21.95db
16% Popularity • 26% Danceability • 12% Energy • 15% Liveness
60% Instrumentalness • 43% Positiveness
16% Popularity • 26% Danceability • 12% Energy • 15% Liveness
60% Instrumentalness • 43% Positiveness
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Pierre Clereau
Cléreau: Les Odes de Pierre de Ronsard ...
107 bpm • D min • 04:18 • -21db
15% Popularity • 26% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 26% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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John Playford
Daphne
107 bpm • E Maj • 01:50 • -17.39db
25% Popularity • 48% Danceability • 15% Energy • 10% Liveness
56% Instrumentalness • 62% Positiveness
25% Popularity • 48% Danceability • 15% Energy • 10% Liveness
56% Instrumentalness • 62% Positiveness
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Hopkinson Smith
Dowland on the Continent - The King of D...
108 bpm • A min • 03:02 • -23db
18% Popularity • 40% Danceability • 13% Energy • 8% Liveness
87% Instrumentalness • 23% Positiveness
18% Popularity • 40% Danceability • 13% Energy • 8% Liveness
87% Instrumentalness • 23% Positiveness
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Alonso Mudarra
Tiento
106 bpm • F Maj • 01:45 • -35db
30% Popularity • 40% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
30% Popularity • 40% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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John Taverner
In Nomine
108 bpm • E Maj • 02:25 • -32db
30% Popularity • 16% Danceability • 0% Energy • 22% Liveness
50% Instrumentalness • 7% Positiveness
30% Popularity • 16% Danceability • 0% Energy • 22% Liveness
50% Instrumentalness • 7% Positiveness
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Francisco López Capillas
Ego enim a 6
106 bpm • F min • 02:51 • -17.26db
9% Popularity • 21% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
9% Popularity • 21% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
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Francesco Corbetta
La Guitarre Royalle: Gigue 'cherie du Ro...
106 bpm • C# min • 01:17 • -24.96db
25% Popularity • 61% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 28% Positiveness
25% Popularity • 61% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 28% Positiveness
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Nigel North
Dowland's Tears (arr. N. North of I Saw ...
106 bpm • F# min • 02:07 • -24.38db
14% Popularity • 47% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
14% Popularity • 47% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Henry Purcell
Fantasias & In Nomines: No. 15 in G Mino...
108 bpm • F# min • 02:10 • -18.92db
11% Popularity • 21% Danceability • 8% Energy • 12% Liveness
59% Instrumentalness • 6% Positiveness
11% Popularity • 21% Danceability • 8% Energy • 12% Liveness
59% Instrumentalness • 6% Positiveness
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Giovanni Girolamo Kapsberger
Capona / Ciaconna
106 bpm • C Maj • 04:02 • -15.08db
17% Popularity • 62% Danceability • 22% Energy • 11% Liveness
9% Instrumentalness • 59% Positiveness
17% Popularity • 62% Danceability • 22% Energy • 11% Liveness
9% Instrumentalness • 59% Positiveness
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François Dufaut
Allemande
109 bpm • A Maj • 03:09 • -33.61db
11% Popularity • 41% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
11% Popularity • 41% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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Michael Praetorius
Terpsichore*: Ballet des coqs
106 bpm • C Maj • 02:06 • -14.79db
20% Popularity • 46% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
20% Popularity • 46% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Francesco Corbetta
Concert for 2 Guitars in E Minor: Menuet
106 bpm • F# Maj • 01:25 • -26.16db
21% Popularity • 57% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 30% Positiveness
21% Popularity • 57% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 30% Positiveness
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John Dowland
The Frog Galliard, P. 23
109 bpm • G Maj • 02:02 • -24.42db
20% Popularity • 34% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 63% Positiveness
20% Popularity • 34% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 63% Positiveness
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Giovanni Battista Domenico
Bergamasco
109 bpm • E Maj • 03:22 • -17.45db
15% Popularity • 51% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 51% Positiveness
15% Popularity • 51% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 51% Positiveness
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Francesco Manelli
Acceso mio cuore (Ciaconna)
109 bpm • C Maj • 02:42 • -24.61db
16% Popularity • 18% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
16% Popularity • 18% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
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Pierre Attaingnant
Première suytte de Bransles d'Escosse
105 bpm • C min • 03:27 • -22db
13% Popularity • 47% Danceability • 20% Energy • 9% Liveness
98% Instrumentalness • 57% Positiveness
13% Popularity • 47% Danceability • 20% Energy • 9% Liveness
98% Instrumentalness • 57% Positiveness
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Luis de Narváez
Baxa de Contrapunto
105 bpm • A min • 01:17 • -28db
21% Popularity • 32% Danceability • 11% Energy • 16% Liveness
90% Instrumentalness • 94% Positiveness
21% Popularity • 32% Danceability • 11% Energy • 16% Liveness
90% Instrumentalness • 94% Positiveness
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Francesco Corbetta
Suite in C Major: II. Allemanda
105 bpm • B Maj • 01:38 • -34.82db
18% Popularity • 46% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
18% Popularity • 46% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
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John Dowland
Can She Excuse, P. 42 / The Right Honour...
109 bpm • F min • 02:55 • -23.22db
14% Popularity • 42% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 58% Positiveness
14% Popularity • 42% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 58% Positiveness
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Jacques Champion de Chambonnières
Pavane L'entretien des Dieux
105 bpm • G# Maj • 06:04 • -20.69db
8% Popularity • 15% Danceability • 6% Energy • 27% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 6% Energy • 27% Liveness
88% Instrumentalness • 4% Positiveness
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Matthew Locke
Fantasy For 2 Trebles And Bass
105 bpm • B Maj • 04:11 • -22.76db
28% Popularity • 17% Danceability • 5% Energy • 12% Liveness
62% Instrumentalness • 5% Positiveness
28% Popularity • 17% Danceability • 5% Energy • 12% Liveness
62% Instrumentalness • 5% Positiveness
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Clément Janequin
Au joly jeu
105 bpm • C Maj • 01:38 • -28db
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
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Michael Praetorius
Terpsichore*: a. Bransle Gay 1 b. Bransl...
105 bpm • D# Maj • 02:35 • -22.93db
20% Popularity • 52% Danceability • 13% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
20% Popularity • 52% Danceability • 13% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
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Marin Marais
Quatrième suite in A Minor: No. 2, Alle...
109 bpm • G# min • 03:10 • -19.86db
14% Popularity • 30% Danceability • 6% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 30% Danceability • 6% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Piffaro
Ach Elslein, Liebes Elselein Mein
110 bpm • E min • 01:01 • -21.29db
27% Popularity • 16% Danceability • 8% Energy • 20% Liveness
90% Instrumentalness • 40% Positiveness
27% Popularity • 16% Danceability • 8% Energy • 20% Liveness
90% Instrumentalness • 40% Positiveness
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Giovanni Girolamo Kapsberger
Libro quarto d'intavolatura di chitarone...
110 bpm • A min • 01:20 • -23.89db
11% Popularity • 30% Danceability • 14% Energy • 10% Liveness
78% Instrumentalness • 47% Positiveness
11% Popularity • 30% Danceability • 14% Energy • 10% Liveness
78% Instrumentalness • 47% Positiveness
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Bellerofonte Castaldi
Aurora Corrente. Capricci a Due Stroment...
104 bpm • F Maj • 03:17 • -34.75db
11% Popularity • 36% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
11% Popularity • 36% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Francesco Corbetta
La Guitarre Royalle: Fanfare
110 bpm • B Maj • 01:04 • -27.11db
19% Popularity • 64% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 40% Positiveness
19% Popularity • 64% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 40% Positiveness
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Tobias Hume
Adue Sweet Love
110 bpm • C# min • 02:14 • -30.26db
23% Popularity • 32% Danceability • 1% Energy • 10% Liveness
56% Instrumentalness • 20% Positiveness
23% Popularity • 32% Danceability • 1% Energy • 10% Liveness
56% Instrumentalness • 20% Positiveness
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Monsieur de Sainte-Colombe
III. Le tendre: (Ouverture) Le tendre - ...
110 bpm • F min • 05:54 • -23.33db
8% Popularity • 23% Danceability • 6% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
8% Popularity • 23% Danceability • 6% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
Suite in E Minor, BWV 996: II. Allemande
104 bpm • F min • 03:13 • -26.26db
14% Popularity • 35% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 65% Positiveness
14% Popularity • 35% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 65% Positiveness
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Claudio Monteverdi
Madrigali amorosi: No. 9, Canzonetta by ...
104 bpm • C Maj • 01:25 • -29db
40% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
40% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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16th century
La Folia
110 bpm • F Maj • 02:14 • -28db
10% Popularity • 38% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
10% Popularity • 38% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
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Diego Ortiz
Recercada No. 1: Recercada primera
104 bpm • D min • 01:14 • -27.06db
24% Popularity • 46% Danceability • 25% Energy • 10% Liveness
99% Instrumentalness • 37% Positiveness
24% Popularity • 46% Danceability • 25% Energy • 10% Liveness
99% Instrumentalness • 37% Positiveness
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Michael Praetorius
Terpsichore*: Volte
104 bpm • C Maj • 01:00 • -22db
24% Popularity • 54% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 54% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Antonio de Cabezón
Canción Francesca (Clemens Non Papa)
110 bpm • D min • 02:06 • -21.81db
13% Popularity • 41% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
13% Popularity • 41% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Giovanni Girolamo Kapsberger
Canarios. Tablature Di Chitarrone Livre ...
111 bpm • G Maj • 02:15 • -34.82db
16% Popularity • 43% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 37% Positiveness
16% Popularity • 43% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 37% Positiveness
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Josquin des Prez
VI. 1557 Retiro en San Jerónimo de Yust...
104 bpm • A min • 03:02 • -33.48db
15% Popularity • 35% Danceability • 1% Energy • 10% Liveness
80% Instrumentalness • 12% Positiveness
15% Popularity • 35% Danceability • 1% Energy • 10% Liveness
80% Instrumentalness • 12% Positiveness
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William Lawes
Lawes: Aire, for Lyra Viol, VdGS No. 462
103 bpm • G min • 02:15 • -26db
10% Popularity • 33% Danceability • 2% Energy • 16% Liveness
6% Instrumentalness • 35% Positiveness
10% Popularity • 33% Danceability • 2% Energy • 16% Liveness
6% Instrumentalness • 35% Positiveness
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Marin Marais
Première suite à 3 violes in D Major: ...
111 bpm • C# Maj • 01:29 • -16.51db
18% Popularity • 22% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 39% Positiveness
18% Popularity • 22% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 39% Positiveness
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Antonio de Santa Cruz
Canarios
111 bpm • D Maj • 03:03 • -24.49db
14% Popularity • 44% Danceability • 15% Energy • 7% Liveness
88% Instrumentalness • 77% Positiveness
14% Popularity • 44% Danceability • 15% Energy • 7% Liveness
88% Instrumentalness • 77% Positiveness
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Adam Falkenhagen
Variationen 'Nun sich der Tag geendet ha...
103 bpm • F# min • 03:20 • -28.61db
15% Popularity • 22% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 35% Positiveness
15% Popularity • 22% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 35% Positiveness
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Jan AntonÃn Losy
Lute Suite in A Minor: II. Allemande
111 bpm • G min • 03:03 • -28.37db
15% Popularity • 33% Danceability • 4% Energy • 17% Liveness
94% Instrumentalness • 42% Positiveness
15% Popularity • 33% Danceability • 4% Energy • 17% Liveness
94% Instrumentalness • 42% Positiveness
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John Dowland
Prelude, P. 98
103 bpm • F min • 01:06 • -23.87db
27% Popularity • 36% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 68% Positiveness
27% Popularity • 36% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 68% Positiveness
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Charles Mouton
Suite in C Minor from Ms. Lobkowicz: V. ...
103 bpm • B min • 03:03 • -21.43db
30% Popularity • 44% Danceability • 11% Energy • 8% Liveness
88% Instrumentalness • 44% Positiveness
30% Popularity • 44% Danceability • 11% Energy • 8% Liveness
88% Instrumentalness • 44% Positiveness
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Vincenzo Capirola
Ricercar ottava
103 bpm • B Maj • 01:34 • -33.8db
18% Popularity • 51% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 38% Positiveness
18% Popularity • 51% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 38% Positiveness
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Antonio de Santa Cruz
Jacaras
103 bpm • D Maj • 04:11 • -22.23db
13% Popularity • 34% Danceability • 15% Energy • 9% Liveness
53% Instrumentalness • 37% Positiveness
13% Popularity • 34% Danceability • 15% Energy • 9% Liveness
53% Instrumentalness • 37% Positiveness
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Francesco Corbetta
Concert en e mi la: V. Menüet
103 bpm • D# min • 01:17 • -22.07db
20% Popularity • 54% Danceability • 14% Energy • 11% Liveness
17% Instrumentalness • 70% Positiveness
20% Popularity • 54% Danceability • 14% Energy • 11% Liveness
17% Instrumentalness • 70% Positiveness
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Tylman Susato
Susato: 12 Dances from the Danserye: III...
112 bpm • F Maj • 01:34 • -18db
18% Popularity • 56% Danceability • 23% Energy • 16% Liveness
92% Instrumentalness • 88% Positiveness
18% Popularity • 56% Danceability • 23% Energy • 16% Liveness
92% Instrumentalness • 88% Positiveness
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Marin Marais
Pièces de viole, Book 5, Suite No. 1 in...
102 bpm • G# min • 01:34 • -26.11db
14% Popularity • 36% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 5% Positiveness
14% Popularity • 36% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 5% Positiveness
► Preview
John Playford
The English Dancing Master: Parson's Far...
112 bpm • C Maj • 01:51 • -22.5db
29% Popularity • 62% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 60% Positiveness
29% Popularity • 62% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 60% Positiveness
► Preview
John Dowland
Come Away, P. 60
102 bpm • D# Maj • 02:24 • -24.55db
15% Popularity • 46% Danceability • 13% Energy • 13% Liveness
93% Instrumentalness • 65% Positiveness
15% Popularity • 46% Danceability • 13% Energy • 13% Liveness
93% Instrumentalness • 65% Positiveness
► Preview
Mattio Rampollini
Bacco, Bacco
112 bpm • F Maj • 01:08 • -16db
22% Popularity • 49% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
22% Popularity • 49% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
► Preview
Robert Parsons
The Song called Trumpets
112 bpm • E Maj • 02:15 • -25db
28% Popularity • 25% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 39% Positiveness
28% Popularity • 25% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 39% Positiveness
► Preview
Tobias Hume
An Almaine
112 bpm • C# min • 03:08 • -33db
15% Popularity • 34% Danceability • 1% Energy • 11% Liveness
73% Instrumentalness • 17% Positiveness
15% Popularity • 34% Danceability • 1% Energy • 11% Liveness
73% Instrumentalness • 17% Positiveness
► Preview
Luis de Milán
Fantasia I
112 bpm • G min • 01:42 • -34db
28% Popularity • 42% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 44% Positiveness
28% Popularity • 42% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 44% Positiveness
► Preview
Paolo Pandolfo
Passemezzo … nei boschi del Re
102 bpm • D min • 06:50 • -25db
25% Popularity • 31% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 11% Positiveness
25% Popularity • 31% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 11% Positiveness
► Preview
Jacques Gallot
Suite in F-Sharp Minor: III. Courante, "...
112 bpm • F Maj • 02:16 • -27.76db
17% Popularity • 38% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 54% Positiveness
17% Popularity • 38% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 54% Positiveness
► Preview
Piffaro
Greiner, Zancker, Schnöpfitzer
102 bpm • D Maj • 01:02 • -17.88db
23% Popularity • 47% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 74% Positiveness
23% Popularity • 47% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 74% Positiveness
► Preview
Giovanni Paolo Foscarini
Passacaglia
102 bpm • G# min • 02:55 • -34.32db
10% Popularity • 42% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
10% Popularity • 42% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
► Preview
John Dowland
M. Buctons his Galiard (Susanna Galliard...
101 bpm • F min • 01:31 • -26.29db
27% Popularity • 34% Danceability • 3% Energy • 12% Liveness
60% Instrumentalness • 25% Positiveness
27% Popularity • 34% Danceability • 3% Energy • 12% Liveness
60% Instrumentalness • 25% Positiveness
► Preview
Alessandro Scarlatti
Cello Sonata No. 3 in C Major: III. Amor...
101 bpm • C Maj • 01:55 • -25.81db
15% Popularity • 23% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
15% Popularity • 23% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
► Preview
Giovanni Girolamo Kapsberger
Libro quarto d'intavolatura di chitarone...
113 bpm • D min • 05:53 • -26.55db
8% Popularity • 30% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 19% Positiveness
8% Popularity • 30% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 19% Positiveness
► Preview
Jordi Savall
The Earle Of Essex Galiard
113 bpm • A min • 01:26 • -18.6db
12% Popularity • 30% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 30% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
La Capella Reial De Catalunya
Alfons V El Magnà nim: Adoramus te (4v.)...
114 bpm • E min • 03:46 • -26db
16% Popularity • 21% Danceability • 2% Energy • 12% Liveness
44% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 2% Energy • 12% Liveness
44% Instrumentalness • 4% Positiveness
► Preview
William Byrd
Pavan
114 bpm • F# Maj • 03:02 • -27db
14% Popularity • 17% Danceability • 2% Energy • 11% Liveness
97% Instrumentalness • 19% Positiveness
14% Popularity • 17% Danceability • 2% Energy • 11% Liveness
97% Instrumentalness • 19% Positiveness
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John Dowland
Captaine Piper his Galiard
101 bpm • F min • 02:55 • -22.55db
10% Popularity • 36% Danceability • 6% Energy • 13% Liveness
29% Instrumentalness • 25% Positiveness
10% Popularity • 36% Danceability • 6% Energy • 13% Liveness
29% Instrumentalness • 25% Positiveness
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Giovanni Paolo Foscarini
Aria di Firenze per la C
114 bpm • D Maj • 01:07 • -25.9db
26% Popularity • 60% Danceability • 20% Energy • 13% Liveness
89% Instrumentalness • 96% Positiveness
26% Popularity • 60% Danceability • 20% Energy • 13% Liveness
89% Instrumentalness • 96% Positiveness
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László Czidra
Danserye: Basse danse: No. 1. Dont vient...
101 bpm • D min • 02:01 • -25.15db
20% Popularity • 62% Danceability • 9% Energy • 32% Liveness
91% Instrumentalness • 51% Positiveness
20% Popularity • 62% Danceability • 9% Energy • 32% Liveness
91% Instrumentalness • 51% Positiveness
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Monsieur de Sainte-Colombe
Prélude à 7 cordes
114 bpm • C# Maj • 01:36 • -39db
27% Popularity • 17% Danceability • 0% Energy • 10% Liveness
68% Instrumentalness • 7% Positiveness
27% Popularity • 17% Danceability • 0% Energy • 10% Liveness
68% Instrumentalness • 7% Positiveness
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John Playford
The Dancing Master: Hyde Park
114 bpm • D Maj • 01:21 • -20db
23% Popularity • 51% Danceability • 10% Energy • 17% Liveness
90% Instrumentalness • 22% Positiveness
23% Popularity • 51% Danceability • 10% Energy • 17% Liveness
90% Instrumentalness • 22% Positiveness
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Johann Adolf Hasse
Ezio: Aria. Vi fida lo sposo (Arr. For l...
100 bpm • E Maj • 04:47 • -28.17db
8% Popularity • 46% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
8% Popularity • 46% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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Giovanni Girolamo Kapsberger
Canarios: Canarios
115 bpm • F# Maj • 02:00 • -31.98db
32% Popularity • 41% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
32% Popularity • 41% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
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Nicola Matteis
Ayres for the Violin (arr. for guitar): ...
114 bpm • F# Maj • 01:21 • -30.81db
28% Popularity • 54% Danceability • 2% Energy • 13% Liveness
46% Instrumentalness • 64% Positiveness
28% Popularity • 54% Danceability • 2% Energy • 13% Liveness
46% Instrumentalness • 64% Positiveness
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Matthew Locke
The Little Consort, Suite No. 10 in D Mi...
100 bpm • C# Maj • 01:14 • -20.03db
19% Popularity • 35% Danceability • 9% Energy • 13% Liveness
5% Instrumentalness • 52% Positiveness
19% Popularity • 35% Danceability • 9% Energy • 13% Liveness
5% Instrumentalness • 52% Positiveness
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Hopkinson Smith
Lachrimae Pavin
115 bpm • G min • 04:10 • -23.88db
24% Popularity • 44% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
24% Popularity • 44% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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![[Suite en sol mineur]: I. Prélude (No. 63) cover art](https://i.scdn.co/image/ab67616d00001e020dc6972d7e8b1544b6486e51)
Marin Marais
[Suite en sol mineur]: I. Prélude (No. ...
115 bpm • F# min • 02:24 • -24.41db
17% Popularity • 25% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 14% Positiveness
17% Popularity • 25% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 14% Positiveness
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William Byrd
Byrd: In nomine a 4 I
115 bpm • C min • 02:18 • -23.74db
8% Popularity • 17% Danceability • 4% Energy • 9% Liveness
59% Instrumentalness • 10% Positiveness
8% Popularity • 17% Danceability • 4% Energy • 9% Liveness
59% Instrumentalness • 10% Positiveness
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Francesco Corbetta
Gigue in A Minor
100 bpm • G# min • 01:38 • -32.83db
15% Popularity • 40% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
15% Popularity • 40% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
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Joan Ambrosio Dalza
Calata ala Spagnola
115 bpm • A# Maj • 01:22 • -23db
16% Popularity • 79% Danceability • 25% Energy • 7% Liveness
82% Instrumentalness • 96% Positiveness
16% Popularity • 79% Danceability • 25% Energy • 7% Liveness
82% Instrumentalness • 96% Positiveness
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Johann Daniel Mylius
Courante II
115 bpm • B min • 01:43 • -27db
16% Popularity • 47% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 56% Positiveness
16% Popularity • 47% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 56% Positiveness
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Giovanni Zamboni
Ceccona
100 bpm • E Maj • 02:35 • -25.66db
12% Popularity • 44% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
12% Popularity • 44% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
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Paschal de l'Estocart
Veu que du tout (Ps. 11)
115 bpm • C# min • 01:38 • -18.46db
29% Popularity • 21% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
29% Popularity • 21% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
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Piffaro
Textless Carmen
115 bpm • D Maj • 01:04 • -20db
22% Popularity • 47% Danceability • 4% Energy • 21% Liveness
99% Instrumentalness • 51% Positiveness
22% Popularity • 47% Danceability • 4% Energy • 21% Liveness
99% Instrumentalness • 51% Positiveness
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Francesco Corbetta
Folias
115 bpm • B Maj • 03:05 • -33.4db
12% Popularity • 43% Danceability • 3% Energy • 19% Liveness
50% Instrumentalness • 31% Positiveness
12% Popularity • 43% Danceability • 3% Energy • 19% Liveness
50% Instrumentalness • 31% Positiveness
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Manuel Machado
Dos estrellas le siguen
115 bpm • G min • 02:16 • -18.97db
11% Popularity • 38% Danceability • 17% Energy • 13% Liveness
39% Instrumentalness • 29% Positiveness
11% Popularity • 38% Danceability • 17% Energy • 13% Liveness
39% Instrumentalness • 29% Positiveness
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William Mundy
In Nomine, "Fantasia": Fantasia
115 bpm • B Maj • 04:02 • -25db
15% Popularity • 17% Danceability • 4% Energy • 17% Liveness
88% Instrumentalness • 16% Positiveness
15% Popularity • 17% Danceability • 4% Energy • 17% Liveness
88% Instrumentalness • 16% Positiveness
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Biagio Marini
Sinfonia
115 bpm • A min • 01:39 • -24.05db
22% Popularity • 22% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
22% Popularity • 22% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness