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Lady Bird
Songs like
Lady Bird
by
Peter McPoland
Based on a tempo of (+/- 10%) and a similar genre
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Cece Coakley
Monday Morning
138 bpm • D Maj • 03:16 • -8.91db
32% Popularity • 61% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Field Medic
i want you so bad it hurts
138 bpm • E Maj • 03:03 • -6.82db
33% Popularity • 57% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Tom Rosenthal
Hope - Acoustic
138 bpm • B Maj • 03:43 • -13.44db
45% Popularity • 59% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Peter McPoland
Lady Bird
138 bpm • A Maj • 04:01 • -7.87db
36% Popularity • 49% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Richy Mitch & The Coal Miners
Lake Missoula
138 bpm • B min • 01:46 • -13.04db
74% Popularity • 45% Danceability • 25% Energy • 11% Liveness
23% Instrumentalness • 24% Positiveness
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Wormy
Big Mountain
137 bpm • C Maj • 04:47 • -9.22db
36% Popularity • 54% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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The Moss
Storm Cloud Baby
139 bpm • G Maj • 03:17 • -9db
32% Popularity • 55% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Daniel Nunnelee
Colorado (The First Time)
140 bpm • G Maj • 03:25 • -9.58db
30% Popularity • 45% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
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Christian Leave
Adult
139 bpm • D# Maj • 02:37 • -10db
45% Popularity • 76% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Peter McPoland
Find Me Out
137 bpm • D Maj • 03:41 • -3.05db
31% Popularity • 22% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Abby Cates
Roadtripsong
140 bpm • D Maj • 03:41 • -17.69db
46% Popularity • 53% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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The National Parks
Summer Bird
140 bpm • A Maj • 03:14 • -8.6db
22% Popularity • 37% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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West High
Drinkin' Indiana
140 bpm • A Maj • 02:35 • -7.99db
35% Popularity • 56% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Daniel Nunnelee
Listening
140 bpm • F Maj • 03:10 • -7.86db
18% Popularity • 34% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Colony House
Julia
140 bpm • E Maj • 03:25 • -10.46db
35% Popularity • 56% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Grady
a pixie haircut
140 bpm • D# Maj • 01:39 • -7.45db
27% Popularity • 67% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Ritt Momney
Golden Slumbers
140 bpm • C Maj • 02:58 • -12.31db
34% Popularity • 38% Danceability • 32% Energy • 10% Liveness
69% Instrumentalness • 12% Positiveness
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Peter McPoland
Turn Off The Noise
140 bpm • F# min • 04:24 • -3.9db
37% Popularity • 46% Danceability • 93% Energy • 8% Liveness
15% Instrumentalness • 14% Positiveness
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Prince of Eden
Shadesandcolors
140 bpm • F# Maj • 03:51 • -11.32db
23% Popularity • 52% Danceability • 57% Energy • 8% Liveness
17% Instrumentalness • 27% Positiveness
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Daniel Nunnelee
Colorado (Stripped)
140 bpm • G Maj • 03:45 • -12db
13% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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George Taylor
I Hear Your Song, Sweetness
136 bpm • C min • 03:53 • -10.5db
35% Popularity • 55% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Holden Miller
These Shadows
140 bpm • F Maj • 03:09 • -9.73db
19% Popularity • 61% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Leith Ross
Everyone I've Never Met
135 bpm • A Maj • 03:11 • -12.98db
44% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Peter McPoland
I Need You
135 bpm • G Maj • 02:48 • -2.79db
36% Popularity • 55% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Adam Melchor
I CHOOSE YOU
135 bpm • B Maj • 03:37 • -4.9db
42% Popularity • 56% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 47% Positiveness
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Daniel Nunnelee
What'd You Expect
140 bpm • F# min • 02:46 • -4.96db
23% Popularity • 58% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Micah Marcos
Trace
135 bpm • C# min • 02:51 • -11db
31% Popularity • 80% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Del Water Gap
Lamplight
141 bpm • B Maj • 04:23 • -8db
39% Popularity • 64% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 69% Positiveness
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Wilderado
Rubble To Rubble
135 bpm • A min • 03:24 • -8.38db
54% Popularity • 56% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Peter McPoland
Dead Air
141 bpm • E Maj • 02:36 • -4.53db
33% Popularity • 59% Danceability • 56% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
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Henry Jamison
I Forget Myself
142 bpm • A Maj • 03:32 • -12.14db
49% Popularity • 58% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Daniel Nunnelee
Put Me in the Ground
140 bpm • C Maj • 04:26 • -9.13db
44% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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The Lumineers
Donna
134 bpm • E Maj • 03:05 • -10.48db
48% Popularity • 49% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Porch Music
Canyon Road
134 bpm • C# min • 03:58 • -11.29db
23% Popularity • 56% Danceability • 53% Energy • 17% Liveness
92% Instrumentalness • 66% Positiveness
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Christian Leave
Shadows
134 bpm • A# Maj • 03:30 • -4.76db
27% Popularity • 41% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 16% Positiveness
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Peter McPoland
Sally Forth
141 bpm • C Maj • 04:23 • -10.42db
32% Popularity • 40% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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COIN
Earth to God
142 bpm • E Maj • 03:19 • -9.83db
23% Popularity • 31% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Daniel Nunnelee
Let It Out
140 bpm • C Maj • 02:33 • -8.67db
13% Popularity • 58% Danceability • 62% Energy • 82% Liveness
0% Instrumentalness • 27% Positiveness
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Sam Burchfield
The Last of the Honey Bees
134 bpm • F# Maj • 03:50 • -6.93db
56% Popularity • 50% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Field Medic
uuu
134 bpm • E Maj • 03:31 • -7db
45% Popularity • 53% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
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Mt. Joy
St. George
134 bpm • B Maj • 03:38 • -11.9db
40% Popularity • 48% Danceability • 12% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
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Peter McPoland
News At 9
134 bpm • D# Maj • 03:13 • -6db
43% Popularity • 34% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
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The Suitcase Junket
The Rain
143 bpm • D# Maj • 03:27 • -13.27db
42% Popularity • 45% Danceability • 21% Energy • 11% Liveness
6% Instrumentalness • 16% Positiveness
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Christian Leave
Hard Wad Body
133 bpm • C Maj • 03:26 • -8.53db
31% Popularity • 42% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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MyKey
Homesick Remedy
143 bpm • G Maj • 02:24 • -11.35db
26% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Oliver Hazard
Fly Right
133 bpm • A# Maj • 03:23 • -9.37db
36% Popularity • 69% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Houndmouth
Some Paradise
133 bpm • G Maj • 03:31 • -9db
42% Popularity • 70% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Foxpaw
Out of Egypt
143 bpm • A min • 02:19 • -14.25db
19% Popularity • 64% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Joe P
Leaves
133 bpm • F# Maj • 04:03 • -7db
40% Popularity • 44% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Christian Leave
Why Not?
133 bpm • A# Maj • 02:29 • -5.37db
32% Popularity • 46% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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Melt
Stupid in Love
143 bpm • A Maj • 04:34 • -8.7db
39% Popularity • 54% Danceability • 36% Energy • 13% Liveness
2% Instrumentalness • 52% Positiveness
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Joe Kaplow
Allison
133 bpm • F Maj • 05:02 • -11.45db
27% Popularity • 64% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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The Brazen Youth
Emma
144 bpm • D Maj • 03:49 • -11.52db
31% Popularity • 51% Danceability • 45% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
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The Lumineers
Where The Skies Are Blue
132 bpm • A Maj • 02:20 • -6.58db
63% Popularity • 57% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Great Caesar
Jolene
132 bpm • D Maj • 04:12 • -7db
31% Popularity • 59% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Ben David
Blueberry Island
132 bpm • F# Maj • 04:28 • -10.86db
28% Popularity • 55% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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Adam Melchor
Joyride
132 bpm • A Maj • 03:32 • -7db
49% Popularity • 52% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Beta Radio
Bees and Swans
144 bpm • A Maj • 04:10 • -8.03db
32% Popularity • 34% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Bendigo Fletcher
Sugar in the Creek
145 bpm • B Maj • 04:11 • -7.84db
50% Popularity • 32% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Sarah and the Sundays
Ruby Fields
145 bpm • C# min • 03:07 • -7db
50% Popularity • 54% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Prince of Eden
Always
145 bpm • D Maj • 03:10 • -12.33db
17% Popularity • 46% Danceability • 54% Energy • 11% Liveness
46% Instrumentalness • 58% Positiveness
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Charlie Burg
Letter From Last Summer
145 bpm • D# Maj • 02:36 • -18.5db
37% Popularity • 44% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Mt. Joy
Ain't No Reason
145 bpm • F Maj • 03:32 • -9.07db
43% Popularity • 68% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Keep for Cheap
Day Without You
145 bpm • G Maj • 04:08 • -6.59db
32% Popularity • 28% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Lostboycrow
San Junipero
146 bpm • F Maj • 03:57 • -12.76db
28% Popularity • 32% Danceability • 41% Energy • 34% Liveness
2% Instrumentalness • 26% Positiveness
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Golden Boy
Mistaken for Granite
146 bpm • G Maj • 03:25 • -5.96db
21% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Bendigo Fletcher
Wonderfully Bizarre
131 bpm • E Maj • 05:20 • -10.5db
39% Popularity • 60% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Brazen Youth
Center of Gravity
130 bpm • C# min • 05:27 • -12.14db
47% Popularity • 52% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Cece Coakley
Anything
130 bpm • G# Maj • 03:40 • -10.55db
32% Popularity • 64% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Adam Melchor
Last Time
146 bpm • G Maj • 03:13 • -11.35db
43% Popularity • 49% Danceability • 56% Energy • 29% Liveness
4% Instrumentalness • 41% Positiveness
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Lord Huron
Louisa
130 bpm • D Maj • 03:09 • -6.03db
40% Popularity • 64% Danceability • 80% Energy • 26% Liveness
56% Instrumentalness • 69% Positiveness
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The Arcadian Wild
Blue Eyed Girl
130 bpm • G Maj • 04:45 • -10db
43% Popularity • 63% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Peter McPoland
Make It Stop
130 bpm • F Maj • 02:43 • -3.08db
33% Popularity • 70% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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Charlie Burg
Bookstore Girl
130 bpm • D Maj • 03:23 • -7.82db
48% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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The Moss
Push, Stay
130 bpm • G Maj • 03:18 • -14.94db
27% Popularity • 40% Danceability • 22% Energy • 7% Liveness
1% Instrumentalness • 11% Positiveness
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Arlie
too long
130 bpm • C Maj • 03:46 • -4db
35% Popularity • 56% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Natalie Madigan
Remember Why You Fell in Love
130 bpm • B Maj • 04:25 • -10.76db
37% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Joe P
Going to California
130 bpm • G Maj • 04:04 • -11.31db
34% Popularity • 32% Danceability • 35% Energy • 36% Liveness
2% Instrumentalness • 8% Positiveness
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Dr. Dog
Nellie
130 bpm • E Maj • 03:37 • -9.94db
62% Popularity • 51% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Son of Cloud
I Love You More
130 bpm • C Maj • 01:53 • -15.82db
38% Popularity • 48% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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Bird and Byron
Where'd All the Time Go
147 bpm • E Maj • 04:01 • -4db
43% Popularity • 50% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Christian Leave
Darling
129 bpm • C Maj • 02:45 • -7.64db
47% Popularity • 66% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
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Croix Du Nord
A Song for the Hills and You
147 bpm • D# Maj • 02:24 • -13.45db
28% Popularity • 71% Danceability • 35% Energy • 12% Liveness
58% Instrumentalness • 43% Positiveness
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Joe P
Leaves - Acoustic
129 bpm • E Maj • 03:36 • -8db
24% Popularity • 46% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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The Moss
Willie's Song
128 bpm • E min • 04:31 • -7.1db
50% Popularity • 75% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Lick Neon
Slip
148 bpm • C# Maj • 03:24 • -14.5db
20% Popularity • 66% Danceability • 36% Energy • 15% Liveness
23% Instrumentalness • 88% Positiveness
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Del Water Gap
High Tops
128 bpm • G Maj • 03:58 • -5.13db
54% Popularity • 56% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Daniel Nunnelee
What Needs to Be Said
128 bpm • G Maj • 03:44 • -7.1db
18% Popularity • 69% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Peter McPoland
String Lights
128 bpm • F Maj • 03:50 • -6.09db
36% Popularity • 49% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Cece Coakley
Listerine
128 bpm • A Maj • 03:28 • -8.19db
24% Popularity • 72% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Jeff Pianki
Song About
128 bpm • B Maj • 03:39 • -11.1db
32% Popularity • 76% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Sumbuck
Kissing Days (On the Pier)
128 bpm • B Maj • 04:21 • -8.81db
42% Popularity • 56% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Richy Mitch & The Coal Miners
Solstice
127 bpm • G Maj • 05:06 • -16.8db
46% Popularity • 48% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Briston Maroney
Caroline
150 bpm • G Maj • 03:25 • -10.64db
59% Popularity • 51% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Peter McPoland
String Lights - Live from DC
128 bpm • F Maj • 04:17 • -5.61db
22% Popularity • 31% Danceability • 58% Energy • 69% Liveness
0% Instrumentalness • 9% Positiveness
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S. Grant Parker
No Fire
127 bpm • F Maj • 03:48 • -7.42db
21% Popularity • 58% Danceability • 34% Energy • 28% Liveness
1% Instrumentalness • 28% Positiveness
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Del Water Gap
Chastain
150 bpm • F# Maj • 03:28 • -10.38db
42% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Evergreen
Cosmic Lottery
150 bpm • B Maj • 03:15 • -9db
27% Popularity • 49% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Tom McKenzie
September
127 bpm • D Maj • 02:57 • -10.29db
22% Popularity • 59% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Foxpaw
Southern Stars
150 bpm • B min • 02:20 • -11db
16% Popularity • 47% Danceability • 31% Energy • 13% Liveness
48% Instrumentalness • 78% Positiveness
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Lady Bird