Songs like Lady Douglas Of Bothwell/ Allan Ramsey - Medley by John Mock
Based on a tempo of (+/- 10%) and a similar genre
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Phyllis Taylor Sparks
Celtic Farewell
81 bpm • C Maj • 04:10 • -16db
13% Popularity • 15% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
13% Popularity • 15% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
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New Irish All-Stars
The Hills of Tipperary
81 bpm • D Maj • 01:03 • -14.85db
21% Popularity • 35% Danceability • 12% Energy • 11% Liveness
34% Instrumentalness • 54% Positiveness
21% Popularity • 35% Danceability • 12% Energy • 11% Liveness
34% Instrumentalness • 54% Positiveness
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Gráinne Hambly
Caoineadh Ui Neill
81 bpm • D min • 03:48 • -21db
28% Popularity • 30% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
28% Popularity • 30% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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John Mock
Lady Douglas Of Bothwell/ Allan Ramsey -...
81 bpm • D# Maj • 05:00 • -11.56db
5% Popularity • 18% Danceability • 29% Energy • 12% Liveness
25% Instrumentalness • 43% Positiveness
5% Popularity • 18% Danceability • 29% Energy • 12% Liveness
25% Instrumentalness • 43% Positiveness
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Natalie MacMaster
The Methlick Style
81 bpm • D# Maj • 02:53 • -16.18db
10% Popularity • 18% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 24% Positiveness
10% Popularity • 18% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 24% Positiveness
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Joyfull Strings
Amazing Grace
81 bpm • G Maj • 04:21 • -12db
9% Popularity • 32% Danceability • 27% Energy • 19% Liveness
64% Instrumentalness • 7% Positiveness
9% Popularity • 32% Danceability • 27% Energy • 19% Liveness
64% Instrumentalness • 7% Positiveness
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Chris Stout
Norwegian Hymn/Jeg Ser Deg Sote Lam
80 bpm • D Maj • 05:14 • -13db
14% Popularity • 13% Danceability • 19% Energy • 16% Liveness
1% Instrumentalness • 12% Positiveness
14% Popularity • 13% Danceability • 19% Energy • 16% Liveness
1% Instrumentalness • 12% Positiveness
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Anne Roos
Arran Boat Song / Skye Boat Song
80 bpm • D Maj • 04:44 • -11.26db
10% Popularity • 22% Danceability • 22% Energy • 27% Liveness
33% Instrumentalness • 19% Positiveness
10% Popularity • 22% Danceability • 22% Energy • 27% Liveness
33% Instrumentalness • 19% Positiveness
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Barry Phillips and Friends
The Rights Of Man
80 bpm • E min • 03:20 • -15db
7% Popularity • 53% Danceability • 24% Energy • 22% Liveness
6% Instrumentalness • 51% Positiveness
7% Popularity • 53% Danceability • 24% Energy • 22% Liveness
6% Instrumentalness • 51% Positiveness
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Heather Lewin
Arlo's Delight
80 bpm • A Maj • 02:43 • -22.82db
12% Popularity • 44% Danceability • 5% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 44% Danceability • 5% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Hesperus Early Music Ensemble
La Belle Cavalier
82 bpm • F Maj • 01:33 • -14.47db
8% Popularity • 46% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 46% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Deanta
Cogair Ruin
82 bpm • C min • 03:53 • -15.19db
7% Popularity • 19% Danceability • 5% Energy • 30% Liveness
1% Instrumentalness • 47% Positiveness
7% Popularity • 19% Danceability • 5% Energy • 30% Liveness
1% Instrumentalness • 47% Positiveness
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Gráinne Hambly
An bhFaca Tu mo Vailintin?/Clare Island ...
82 bpm • B min • 03:51 • -19.4db
14% Popularity • 39% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 28% Positiveness
14% Popularity • 39% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 28% Positiveness
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Natalie Padilla, Blayne Chastain & Peter Romero
Air: Bruach na Carraige Báine
82 bpm • D Maj • 03:41 • -14.52db
10% Popularity • 33% Danceability • 9% Energy • 7% Liveness
18% Instrumentalness • 30% Positiveness
10% Popularity • 33% Danceability • 9% Energy • 7% Liveness
18% Instrumentalness • 30% Positiveness
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Old Blind Dogs
St. Kilda
82 bpm • A Maj • 03:27 • -17.98db
11% Popularity • 28% Danceability • 20% Energy • 23% Liveness
55% Instrumentalness • 21% Positiveness
11% Popularity • 28% Danceability • 20% Energy • 23% Liveness
55% Instrumentalness • 21% Positiveness
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Conni Ellisor
Karen Plight (Score)
80 bpm • A Maj • 02:07 • -22.86db
0% Popularity • 20% Danceability • 9% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 9% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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John Mock
The Monastery At Kilmacduagh - Reprise
80 bpm • D Maj • 04:49 • -16.76db
6% Popularity • 8% Danceability • 17% Energy • 21% Liveness
72% Instrumentalness • 12% Positiveness
6% Popularity • 8% Danceability • 17% Energy • 21% Liveness
72% Instrumentalness • 12% Positiveness
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Lori Pappajohn
Scarborough Fair
80 bpm • G Maj • 05:41 • -16db
21% Popularity • 52% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
21% Popularity • 52% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
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Hanneke Cassel
Cali's Wedding - Alasdair's Jig
82 bpm • A Maj • 05:02 • -8.12db
7% Popularity • 21% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 54% Positiveness
7% Popularity • 21% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 54% Positiveness
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Patrick Ball
Mrs. Judge
79 bpm • F Maj • 02:04 • -15.82db
9% Popularity • 39% Danceability • 36% Energy • 28% Liveness
95% Instrumentalness • 20% Positiveness
9% Popularity • 39% Danceability • 36% Energy • 28% Liveness
95% Instrumentalness • 20% Positiveness
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John Doan
The Journey Home
83 bpm • E Maj • 04:58 • -16.63db
13% Popularity • 21% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 15% Positiveness
13% Popularity • 21% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 15% Positiveness
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The Gardyne Chamber Ensemble
The Sally Gardens
79 bpm • E Maj • 03:29 • -9.65db
10% Popularity • 42% Danceability • 18% Energy • 13% Liveness
21% Instrumentalness • 34% Positiveness
10% Popularity • 42% Danceability • 18% Energy • 13% Liveness
21% Instrumentalness • 34% Positiveness
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John Mock
Archibald McDonald Of Keppoch
80 bpm • E min • 02:34 • -12.79db
6% Popularity • 23% Danceability • 28% Energy • 37% Liveness
69% Instrumentalness • 12% Positiveness
6% Popularity • 23% Danceability • 28% Energy • 37% Liveness
69% Instrumentalness • 12% Positiveness
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Padre Joseph
Servo Per Amore
79 bpm • D Maj • 02:28 • -12.75db
11% Popularity • 18% Danceability • 18% Energy • 11% Liveness
60% Instrumentalness • 12% Positiveness
11% Popularity • 18% Danceability • 18% Energy • 11% Liveness
60% Instrumentalness • 12% Positiveness
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Butch Baldassari
La Coranto
83 bpm • F Maj • 01:53 • -12.31db
4% Popularity • 63% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 41% Positiveness
4% Popularity • 63% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 41% Positiveness
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Gráinne Hambly
An Draigheann (The Blackthorn)
83 bpm • A Maj • 03:36 • -20.8db
19% Popularity • 31% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 28% Positiveness
19% Popularity • 31% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 28% Positiveness
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Joanie Madden
Homesteaders
83 bpm • C Maj • 04:35 • -13.71db
17% Popularity • 16% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 13% Positiveness
17% Popularity • 16% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 13% Positiveness
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Ben Tavera King
Lambs in the Field
83 bpm • A# Maj • 01:06 • -18db
21% Popularity • 61% Danceability • 22% Energy • 13% Liveness
82% Instrumentalness • 24% Positiveness
21% Popularity • 61% Danceability • 22% Energy • 13% Liveness
82% Instrumentalness • 24% Positiveness
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Carlyle Fraser
Until We Meet Again
83 bpm • D Maj • 05:07 • -16.4db
7% Popularity • 25% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
7% Popularity • 25% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
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Alasdair Fraser & Paul Machlis
Mrs. McPherson Of Gibton/The Novelty
79 bpm • C min • 03:53 • -16db
12% Popularity • 38% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 69% Positiveness
12% Popularity • 38% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 69% Positiveness
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Finbar Furey
Castaway
83 bpm • G Maj • 02:58 • -7.97db
12% Popularity • 8% Danceability • 33% Energy • 8% Liveness
70% Instrumentalness • 11% Positiveness
12% Popularity • 8% Danceability • 33% Energy • 8% Liveness
70% Instrumentalness • 11% Positiveness
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Be’er Sheva
Healing
79 bpm • E min • 05:24 • -21.19db
10% Popularity • 18% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
10% Popularity • 18% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Sue Richards
Ur Cnoc Cein Mhic Cainte
79 bpm • D Maj • 03:19 • -17.2db
8% Popularity • 43% Danceability • 10% Energy • 8% Liveness
87% Instrumentalness • 16% Positiveness
8% Popularity • 43% Danceability • 10% Energy • 8% Liveness
87% Instrumentalness • 16% Positiveness
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Jason Tonioli
Dreams
84 bpm • G Maj • 03:08 • -14.63db
8% Popularity • 14% Danceability • 16% Energy • 13% Liveness
19% Instrumentalness • 23% Positiveness
8% Popularity • 14% Danceability • 16% Energy • 13% Liveness
19% Instrumentalness • 23% Positiveness
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Butch Baldassari
Estudio #6
84 bpm • D Maj • 02:07 • -16.35db
0% Popularity • 40% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 89% Positiveness
0% Popularity • 40% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 89% Positiveness
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Phamie Gow
The Celtic Knot
84 bpm • G Maj • 02:16 • -15.09db
10% Popularity • 44% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 73% Positiveness
10% Popularity • 44% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 73% Positiveness
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Jenny Oaks Baker
Love Is Spoken Here
84 bpm • C Maj • 04:08 • -14.69db
9% Popularity • 11% Danceability • 21% Energy • 14% Liveness
16% Instrumentalness • 18% Positiveness
9% Popularity • 11% Danceability • 21% Energy • 14% Liveness
16% Instrumentalness • 18% Positiveness
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John Mock
Past Prelude - New England Portraits Alb...
84 bpm • D min • 02:28 • -24.25db
0% Popularity • 36% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 62% Positiveness
0% Popularity • 36% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 62% Positiveness
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Natalie Padilla, Blayne Chastain & Peter Romero
Processional: The Promise
84 bpm • G Maj • 03:25 • -12.6db
9% Popularity • 14% Danceability • 17% Energy • 12% Liveness
20% Instrumentalness • 45% Positiveness
9% Popularity • 14% Danceability • 17% Energy • 12% Liveness
20% Instrumentalness • 45% Positiveness
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RoseWynde
Drowsy Maggie Medley
78 bpm • A Maj • 07:33 • -16.58db
10% Popularity • 35% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 31% Positiveness
10% Popularity • 35% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 31% Positiveness
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Robin Bullock
Down by the Salley Gardens
84 bpm • D Maj • 03:26 • -16.77db
26% Popularity • 52% Danceability • 20% Energy • 13% Liveness
86% Instrumentalness • 23% Positiveness
26% Popularity • 52% Danceability • 20% Energy • 13% Liveness
86% Instrumentalness • 23% Positiveness
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Harpa
John MacColl's/Imeland Grimeland (trad.)...
84 bpm • B min • 04:39 • -17.28db
7% Popularity • 39% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
7% Popularity • 39% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
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Bo Wiget
Kalenda Maya
78 bpm • C Maj • 01:42 • -19.47db
9% Popularity • 28% Danceability • 14% Energy • 10% Liveness
40% Instrumentalness • 29% Positiveness
9% Popularity • 28% Danceability • 14% Energy • 10% Liveness
40% Instrumentalness • 29% Positiveness
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John Mock
The Eastern Shore - New England Portrait...
78 bpm • C Maj • 02:38 • -13.43db
0% Popularity • 21% Danceability • 25% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
0% Popularity • 21% Danceability • 25% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
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Laurie Rasmussen
The Dawning Of The Day
84 bpm • D Maj • 02:49 • -16db
24% Popularity • 41% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
24% Popularity • 41% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
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Jeff Johnson
Be Thou My Vision
84 bpm • G Maj • 03:12 • -12.84db
8% Popularity • 14% Danceability • 26% Energy • 10% Liveness
84% Instrumentalness • 10% Positiveness
8% Popularity • 14% Danceability • 26% Energy • 10% Liveness
84% Instrumentalness • 10% Positiveness
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Mychael Danna & Jeff Danna
The Prayerstone
78 bpm • D min • 03:33 • -14.57db
9% Popularity • 44% Danceability • 17% Energy • 10% Liveness
69% Instrumentalness • 16% Positiveness
9% Popularity • 44% Danceability • 17% Energy • 10% Liveness
69% Instrumentalness • 16% Positiveness
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Conni Ellisor
Main Theme (Score)
78 bpm • E Maj • 01:19 • -20.74db
1% Popularity • 58% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
1% Popularity • 58% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
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Donna Marie
Celtic Love Song
78 bpm • D# Maj • 02:40 • -14.03db
9% Popularity • 35% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
9% Popularity • 35% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Gráinne Hambly
John Roche's Favourite/Kitty Seain's Bar...
78 bpm • G Maj • 03:00 • -17.73db
7% Popularity • 27% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 44% Positiveness
7% Popularity • 27% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 44% Positiveness
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Maidens of the Celtic Harp
Stars of County Down
84 bpm • E min • 02:07 • -21.26db
20% Popularity • 51% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 40% Positiveness
20% Popularity • 51% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 40% Positiveness
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Archer Jonathan
A New Scottish Tune
77 bpm • A Maj • 03:47 • -13.72db
21% Popularity • 31% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 31% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Sarah Marie Mullen
Princess Royal
85 bpm • A min • 02:00 • -17.54db
16% Popularity • 52% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 50% Positiveness
16% Popularity • 52% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 50% Positiveness
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Conni Ellisor
Final Scene (Score)
78 bpm • A Maj • 03:17 • -18.69db
0% Popularity • 11% Danceability • 6% Energy • 20% Liveness
61% Instrumentalness • 5% Positiveness
0% Popularity • 11% Danceability • 6% Energy • 20% Liveness
61% Instrumentalness • 5% Positiveness
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Robert Matheson
Stand Ye Up, Charaid
85 bpm • D Maj • 01:42 • -16.23db
20% Popularity • 36% Danceability • 21% Energy • 14% Liveness
86% Instrumentalness • 28% Positiveness
20% Popularity • 36% Danceability • 21% Energy • 14% Liveness
86% Instrumentalness • 28% Positiveness
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Gráinne Hambly
The Cat that Kittled in Jamie's Wig / Ki...
78 bpm • E min • 03:05 • -14.1db
7% Popularity • 33% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
7% Popularity • 33% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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David Algeo Smith
Ballad For Sarah And Laura
77 bpm • G Maj • 03:23 • -9db
14% Popularity • 27% Danceability • 11% Energy • 11% Liveness
6% Instrumentalness • 57% Positiveness
14% Popularity • 27% Danceability • 11% Energy • 11% Liveness
6% Instrumentalness • 57% Positiveness
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Michael Atkinson
Isle of Saincs and Poecs: Isle of Saints...
77 bpm • A min • 07:39 • -18.07db
9% Popularity • 16% Danceability • 17% Energy • 16% Liveness
64% Instrumentalness • 10% Positiveness
9% Popularity • 16% Danceability • 17% Energy • 16% Liveness
64% Instrumentalness • 10% Positiveness
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Miljan Minic
S Curve Flow
77 bpm • A min • 01:45 • -22.38db
15% Popularity • 28% Danceability • 2% Energy • 12% Liveness
4% Instrumentalness • 8% Positiveness
15% Popularity • 28% Danceability • 2% Energy • 12% Liveness
4% Instrumentalness • 8% Positiveness
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John Mock
Joshua's Lullaby - New England Portraits...
85 bpm • C Maj • 05:56 • -15.67db
0% Popularity • 11% Danceability • 15% Energy • 21% Liveness
92% Instrumentalness • 10% Positiveness
0% Popularity • 11% Danceability • 15% Energy • 21% Liveness
92% Instrumentalness • 10% Positiveness
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Old Blind Dogs
Margaret Cromar
76 bpm • G Maj • 04:13 • -14db
8% Popularity • 14% Danceability • 17% Energy • 26% Liveness
1% Instrumentalness • 36% Positiveness
8% Popularity • 14% Danceability • 17% Energy • 26% Liveness
1% Instrumentalness • 36% Positiveness
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Cherish The Ladies
Inisheer
86 bpm • G Maj • 03:04 • -11db
18% Popularity • 22% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 22% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Joanie Madden
Madame Bonaparte
86 bpm • A Maj • 02:55 • -10.2db
10% Popularity • 59% Danceability • 35% Energy • 22% Liveness
73% Instrumentalness • 96% Positiveness
10% Popularity • 59% Danceability • 35% Energy • 22% Liveness
73% Instrumentalness • 96% Positiveness
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Dréos
Cascade Mountain Aire
86 bpm • A Maj • 03:39 • -9.88db
11% Popularity • 33% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
11% Popularity • 33% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
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Erik Satie
Gymnopedie #1 - Classical Strings Album ...
87 bpm • G Maj • 03:21 • -19.04db
1% Popularity • 20% Danceability • 13% Energy • 7% Liveness
4% Instrumentalness • 9% Positiveness
1% Popularity • 20% Danceability • 13% Energy • 7% Liveness
4% Instrumentalness • 9% Positiveness
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John Mock
Reels: The New-Mown Meadow / My Love Is ...
76 bpm • G Maj • 03:36 • -13.1db
7% Popularity • 46% Danceability • 23% Energy • 9% Liveness
60% Instrumentalness • 94% Positiveness
7% Popularity • 46% Danceability • 23% Energy • 9% Liveness
60% Instrumentalness • 94% Positiveness
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Arlene Faith
Come the Morning
76 bpm • E min • 05:22 • -16.05db
13% Popularity • 11% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 16% Positiveness
13% Popularity • 11% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 16% Positiveness
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Whalebone
Christchurch Cathedral
87 bpm • G Maj • 03:32 • -10.63db
12% Popularity • 16% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 16% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Joanie Madden
Homesteaders
76 bpm • C Maj • 04:46 • -14.02db
19% Popularity • 20% Danceability • 12% Energy • 11% Liveness
7% Instrumentalness • 14% Positiveness
19% Popularity • 20% Danceability • 12% Energy • 11% Liveness
7% Instrumentalness • 14% Positiveness
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Kingsway Music Studio Ensemble
Turn the Hearts of the Fathers - Instrum...
87 bpm • E min • 03:58 • -13.84db
8% Popularity • 13% Danceability • 21% Energy • 10% Liveness
37% Instrumentalness • 14% Positiveness
8% Popularity • 13% Danceability • 21% Energy • 10% Liveness
37% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Air (On The G String)
87 bpm • D Maj • 05:10 • -10.52db
7% Popularity • 16% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 16% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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John Mock
Whistle Solo Set: Gan Ainm/Port Shean Ts...
86 bpm • F Maj • 02:54 • -18.29db
6% Popularity • 32% Danceability • 4% Energy • 8% Liveness
82% Instrumentalness • 97% Positiveness
6% Popularity • 32% Danceability • 4% Energy • 8% Liveness
82% Instrumentalness • 97% Positiveness
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Alisa Jones
Pigeon On The Gate - Instrumental
87 bpm • F# min • 03:06 • -9.53db
11% Popularity • 62% Danceability • 49% Energy • 10% Liveness
96% Instrumentalness • 71% Positiveness
11% Popularity • 62% Danceability • 49% Energy • 10% Liveness
96% Instrumentalness • 71% Positiveness
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Alsdair Fraser
Christina
87 bpm • D# min • 03:32 • -15.05db
26% Popularity • 18% Danceability • 15% Energy • 12% Liveness
75% Instrumentalness • 8% Positiveness
26% Popularity • 18% Danceability • 15% Energy • 12% Liveness
75% Instrumentalness • 8% Positiveness
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Carol Thompson
Brian Boru's March (arr. C. Thompson)
75 bpm • E min • 02:27 • -25db
28% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
28% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
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Duncan Chisholm
The House in Rose Valley
87 bpm • A min • 04:28 • -17.11db
10% Popularity • 21% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
10% Popularity • 21% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
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Mark Howard
O God, Thou Art The Father - Instrumenta...
75 bpm • B min • 05:07 • -14.81db
16% Popularity • 13% Danceability • 13% Energy • 22% Liveness
87% Instrumentalness • 7% Positiveness
16% Popularity • 13% Danceability • 13% Energy • 22% Liveness
87% Instrumentalness • 7% Positiveness
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John Mock
Give Me Your Hand
76 bpm • G Maj • 03:42 • -8.56db
14% Popularity • 11% Danceability • 33% Energy • 17% Liveness
83% Instrumentalness • 15% Positiveness
14% Popularity • 11% Danceability • 33% Energy • 17% Liveness
83% Instrumentalness • 15% Positiveness
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Ken Kolodner
Princess Beatrice
75 bpm • E min • 01:45 • -29.52db
16% Popularity • 23% Danceability • 2% Energy • 39% Liveness
8% Instrumentalness • 9% Positiveness
16% Popularity • 23% Danceability • 2% Energy • 39% Liveness
8% Instrumentalness • 9% Positiveness
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William Coulter & Friends
Bí, A Íosa, Im Chroí-Se
75 bpm • E min • 03:17 • -14.15db
13% Popularity • 29% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 28% Positiveness
13% Popularity • 29% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 28% Positiveness
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David Phillips
Heather in Her Arms
75 bpm • G Maj • 04:00 • -20db
1% Popularity • 30% Danceability • 9% Energy • 18% Liveness
92% Instrumentalness • 15% Positiveness
1% Popularity • 30% Danceability • 9% Energy • 18% Liveness
92% Instrumentalness • 15% Positiveness
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Wild Thyme
Celtic Aire
75 bpm • D# Maj • 02:50 • -12.66db
7% Popularity • 6% Danceability • 1% Energy • 18% Liveness
98% Instrumentalness • 3% Positiveness
7% Popularity • 6% Danceability • 1% Energy • 18% Liveness
98% Instrumentalness • 3% Positiveness
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Alisa Jones
Wind That Shakes The Barley - Instrument...
88 bpm • G Maj • 02:16 • -9.44db
17% Popularity • 62% Danceability • 45% Energy • 6% Liveness
1% Instrumentalness • 67% Positiveness
17% Popularity • 62% Danceability • 45% Energy • 6% Liveness
1% Instrumentalness • 67% Positiveness
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John Mock
The Monastery At Kilmacduagh
87 bpm • D Maj • 02:38 • -20.95db
16% Popularity • 15% Danceability • 9% Energy • 7% Liveness
2% Instrumentalness • 25% Positiveness
16% Popularity • 15% Danceability • 9% Energy • 7% Liveness
2% Instrumentalness • 25% Positiveness
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Mairead Nesbitt
Within the Blue Suite - 2nd Movement
75 bpm • A min • 04:19 • -16db
9% Popularity • 31% Danceability • 10% Energy • 49% Liveness
24% Instrumentalness • 17% Positiveness
9% Popularity • 31% Danceability • 10% Energy • 49% Liveness
24% Instrumentalness • 17% Positiveness
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Gráinne Hambly
The Crib of Perches/Garrett Barry's
88 bpm • G Maj • 03:04 • -13.25db
12% Popularity • 44% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 63% Positiveness
12% Popularity • 44% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 63% Positiveness
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David Huntsinger
Come, Thou Fount of Every Blessing
74 bpm • G Maj • 02:44 • -17.33db
16% Popularity • 42% Danceability • 6% Energy • 8% Liveness
18% Instrumentalness • 43% Positiveness
16% Popularity • 42% Danceability • 6% Energy • 8% Liveness
18% Instrumentalness • 43% Positiveness
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Therese Schroeder-Sheker
Assumpta Est Maria In Coelum
89 bpm • F Maj • 03:38 • -23.16db
3% Popularity • 38% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
3% Popularity • 38% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Jay Ungar
Roscoe's Waterfall
74 bpm • D Maj • 02:38 • -17.8db
9% Popularity • 31% Danceability • 5% Energy • 17% Liveness
66% Instrumentalness • 34% Positiveness
9% Popularity • 31% Danceability • 5% Energy • 17% Liveness
66% Instrumentalness • 34% Positiveness
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Alasdair Fraser's Skyedance
Bannockburn
89 bpm • D Maj • 05:08 • -9.34db
8% Popularity • 10% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Joanie Madden
The Munster Cloak
89 bpm • G Maj • 02:34 • -10.92db
10% Popularity • 46% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 46% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Carol Thompson
Home Ruler
73 bpm • D Maj • 02:11 • -35.45db
23% Popularity • 36% Danceability • 3% Energy • 11% Liveness
68% Instrumentalness • 8% Positiveness
23% Popularity • 36% Danceability • 3% Energy • 11% Liveness
68% Instrumentalness • 8% Positiveness
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Gráinne Hambly
Soft Mild Morning/Her Golden Hair Hangin...
73 bpm • D Maj • 04:40 • -19.26db
7% Popularity • 34% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
7% Popularity • 34% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Natalie Padilla, Blayne Chastain & Peter Romero
Slip Jigs: Gort na Móna / Tír Rafartai...
90 bpm • G Maj • 02:32 • -9db
7% Popularity • 29% Danceability • 44% Energy • 28% Liveness
56% Instrumentalness • 97% Positiveness
7% Popularity • 29% Danceability • 44% Energy • 28% Liveness
56% Instrumentalness • 97% Positiveness
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Kennedy's Kitchen
Darling Asleep Set
90 bpm • D Maj • 04:40 • -9.89db
10% Popularity • 31% Danceability • 42% Energy • 12% Liveness
13% Instrumentalness • 73% Positiveness
10% Popularity • 31% Danceability • 42% Energy • 12% Liveness
13% Instrumentalness • 73% Positiveness
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Nefesh Mountain
Suite For A Golden Butterfly
72 bpm • C Maj • 09:19 • -8.3db
5% Popularity • 26% Danceability • 52% Energy • 8% Liveness
82% Instrumentalness • 30% Positiveness
5% Popularity • 26% Danceability • 52% Energy • 8% Liveness
82% Instrumentalness • 30% Positiveness
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John Mock
The Minstrel Boy
91 bpm • F Maj • 03:54 • -12.56db
7% Popularity • 22% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
7% Popularity • 22% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
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Johann Sebastian Bach
Violin Partita No. 3 in E Major, BWV 100...
91 bpm • C Maj • 02:13 • -11db
22% Popularity • 26% Danceability • 29% Energy • 7% Liveness
90% Instrumentalness • 31% Positiveness
22% Popularity • 26% Danceability • 29% Energy • 7% Liveness
90% Instrumentalness • 31% Positiveness
