Songs like Lady of the Night by Vince Cadillac
Based on a tempo of (+/- 10%) and a similar genre
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Roger Hodgson
Dreamer
139 bpm • F Maj • 04:05 • -7.99db
9% Popularity • 55% Danceability • 76% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
9% Popularity • 55% Danceability • 76% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
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Siamese Elephants
Heartbreak Hotel
139 bpm • E min • 04:01 • -7.06db
21% Popularity • 60% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 60% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Basement Saints
Night Owl
139 bpm • D Maj • 03:37 • -7.11db
13% Popularity • 25% Danceability • 75% Energy • 11% Liveness
10% Instrumentalness • 26% Positiveness
13% Popularity • 25% Danceability • 75% Energy • 11% Liveness
10% Instrumentalness • 26% Positiveness
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Fly-Bi-Nites
Found Love
139 bpm • B min • 02:47 • -7.39db
20% Popularity • 31% Danceability • 89% Energy • 16% Liveness
76% Instrumentalness • 63% Positiveness
20% Popularity • 31% Danceability • 89% Energy • 16% Liveness
76% Instrumentalness • 63% Positiveness
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The People’s Pleasure Grounds
Something New
138 bpm • F Maj • 02:52 • -6.92db
9% Popularity • 44% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 44% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 90% Positiveness
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SPARKLING
I Get Sad So Easily
140 bpm • C# min • 02:42 • -4.35db
26% Popularity • 69% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 69% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Anda Morts
Mere
140 bpm • A Maj • 02:30 • -12.12db
26% Popularity • 75% Danceability • 71% Energy • 11% Liveness
81% Instrumentalness • 90% Positiveness
26% Popularity • 75% Danceability • 71% Energy • 11% Liveness
81% Instrumentalness • 90% Positiveness
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Versacer
Toxic Love
140 bpm • F Maj • 03:26 • -5.69db
10% Popularity • 55% Danceability • 69% Energy • 41% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 55% Danceability • 69% Energy • 41% Liveness
0% Instrumentalness • 67% Positiveness
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Dream Noir
XIX
140 bpm • E min • 02:50 • -9.8db
15% Popularity • 56% Danceability • 76% Energy • 12% Liveness
15% Instrumentalness • 28% Positiveness
15% Popularity • 56% Danceability • 76% Energy • 12% Liveness
15% Instrumentalness • 28% Positiveness
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Vansome
End Of The Road
138 bpm • B min • 03:37 • -10.08db
14% Popularity • 64% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 64% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Roof
Passengers
140 bpm • A# Maj • 02:45 • -6.82db
19% Popularity • 55% Danceability • 83% Energy • 10% Liveness
2% Instrumentalness • 48% Positiveness
19% Popularity • 55% Danceability • 83% Energy • 10% Liveness
2% Instrumentalness • 48% Positiveness
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FYE & FENNEK
Peaches
140 bpm • E min • 02:32 • -7.88db
14% Popularity • 75% Danceability • 55% Energy • 10% Liveness
7% Instrumentalness • 70% Positiveness
14% Popularity • 75% Danceability • 55% Energy • 10% Liveness
7% Instrumentalness • 70% Positiveness
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palffi
honey high
138 bpm • C# Maj • 02:59 • -5.29db
22% Popularity • 72% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 72% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Potato Beach
Please Waste Your Time
138 bpm • C# min • 04:16 • -10.48db
14% Popularity • 49% Danceability • 61% Energy • 11% Liveness
50% Instrumentalness • 46% Positiveness
14% Popularity • 49% Danceability • 61% Energy • 11% Liveness
50% Instrumentalness • 46% Positiveness
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NAKED SOFT MEN
Devor
138 bpm • G# Maj • 04:56 • -9.81db
13% Popularity • 66% Danceability • 58% Energy • 11% Liveness
20% Instrumentalness • 32% Positiveness
13% Popularity • 66% Danceability • 58% Energy • 11% Liveness
20% Instrumentalness • 32% Positiveness
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Bernhard Eder
Consequence
140 bpm • F# Maj • 02:58 • -8.31db
11% Popularity • 72% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 72% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Lowchild
Catch Me
140 bpm • E Maj • 01:08 • -6.52db
11% Popularity • 54% Danceability • 92% Energy • 15% Liveness
5% Instrumentalness • 20% Positiveness
11% Popularity • 54% Danceability • 92% Energy • 15% Liveness
5% Instrumentalness • 20% Positiveness
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Agatha is Dead!
MUSE
140 bpm • A min • 03:27 • -12.74db
23% Popularity • 62% Danceability • 64% Energy • 15% Liveness
2% Instrumentalness • 70% Positiveness
23% Popularity • 62% Danceability • 64% Energy • 15% Liveness
2% Instrumentalness • 70% Positiveness
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A Flock Of Seagulls
Space Age Love Song - Re-Recorded
140 bpm • D Maj • 03:48 • -6.05db
8% Popularity • 42% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 42% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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DIVES
Ego
138 bpm • F Maj • 02:53 • -10.11db
10% Popularity • 66% Danceability • 65% Energy • 16% Liveness
1% Instrumentalness • 84% Positiveness
10% Popularity • 66% Danceability • 65% Energy • 16% Liveness
1% Instrumentalness • 84% Positiveness
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Simon Lewis
Miles Away
140 bpm • A Maj • 03:20 • -6.95db
11% Popularity • 56% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 56% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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Monako
Solace (Both My Hands)
140 bpm • B Maj • 02:35 • -6.04db
8% Popularity • 58% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 58% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Catastrophe & Cure
Cracks in the Pavement
138 bpm • D# Maj • 03:37 • -6.25db
10% Popularity • 50% Danceability • 88% Energy • 35% Liveness
67% Instrumentalness • 56% Positiveness
10% Popularity • 50% Danceability • 88% Energy • 35% Liveness
67% Instrumentalness • 56% Positiveness
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I'm a Sloth
Peace Joy Pancakes
141 bpm • A Maj • 03:29 • -9.37db
8% Popularity • 53% Danceability • 60% Energy • 12% Liveness
3% Instrumentalness • 30% Positiveness
8% Popularity • 53% Danceability • 60% Energy • 12% Liveness
3% Instrumentalness • 30% Positiveness
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Cari Cari
No Proper Life
138 bpm • A Maj • 02:45 • -6.92db
38% Popularity • 63% Danceability • 66% Energy • 58% Liveness
85% Instrumentalness • 57% Positiveness
38% Popularity • 63% Danceability • 66% Energy • 58% Liveness
85% Instrumentalness • 57% Positiveness
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Shelter Boy
SINCE U BEEN GONE
141 bpm • A Maj • 03:10 • -4.29db
18% Popularity • 49% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 49% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Artist Running Club
Bad Behaviour
137 bpm • C Maj • 03:44 • -5.04db
17% Popularity • 68% Danceability • 78% Energy • 42% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 68% Danceability • 78% Energy • 42% Liveness
0% Instrumentalness • 86% Positiveness
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Pawn Painters
Drifting
137 bpm • D Maj • 03:35 • -5.58db
10% Popularity • 52% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 52% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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DEEP IN MOON
Time Flies
137 bpm • C# Maj • 02:53 • -11.58db
9% Popularity • 45% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 45% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Royal Castles
Money Song
137 bpm • D Maj • 03:00 • -6.35db
20% Popularity • 72% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 72% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Cari Cari
Bubu Fire
142 bpm • D Maj • 03:53 • -9.24db
32% Popularity • 55% Danceability • 76% Energy • 36% Liveness
84% Instrumentalness • 47% Positiveness
32% Popularity • 55% Danceability • 76% Energy • 36% Liveness
84% Instrumentalness • 47% Positiveness
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Vince Cadillac
She's a Model
142 bpm • D Maj • 02:23 • -11.73db
2% Popularity • 58% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
2% Popularity • 58% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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The Buggs
Inside Her Head
142 bpm • C# Maj • 02:19 • -10.46db
10% Popularity • 64% Danceability • 69% Energy • 20% Liveness
1% Instrumentalness • 87% Positiveness
10% Popularity • 64% Danceability • 69% Energy • 20% Liveness
1% Instrumentalness • 87% Positiveness
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BROCKHOFF
Sharks
142 bpm • D Maj • 02:48 • -8db
27% Popularity • 50% Danceability • 81% Energy • 7% Liveness
68% Instrumentalness • 61% Positiveness
27% Popularity • 50% Danceability • 81% Energy • 7% Liveness
68% Instrumentalness • 61% Positiveness
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UMME BLOCK
HOPE
136 bpm • A min • 03:18 • -7.54db
17% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
17% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Siamese Elephants
Videochat Romance
142 bpm • E Maj • 02:10 • -7.36db
24% Popularity • 58% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 58% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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The Uptown Monotones
Boom Shaka Laka
142 bpm • D Maj • 03:47 • -7.78db
7% Popularity • 77% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 77% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Pet Owner
Hysterical
142 bpm • C Maj • 03:31 • -10.45db
9% Popularity • 71% Danceability • 48% Energy • 21% Liveness
14% Instrumentalness • 62% Positiveness
9% Popularity • 71% Danceability • 48% Energy • 21% Liveness
14% Instrumentalness • 62% Positiveness
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baby of the bunch
Happy Here
136 bpm • C# Maj • 04:19 • -7.99db
9% Popularity • 64% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 64% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Roller Derby
Friday I'm In Love - REEPERBAHN FESTIVAL...
136 bpm • F Maj • 03:30 • -9.89db
17% Popularity • 62% Danceability • 72% Energy • 8% Liveness
4% Instrumentalness • 74% Positiveness
17% Popularity • 62% Danceability • 72% Energy • 8% Liveness
4% Instrumentalness • 74% Positiveness
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Power Plush
Utopia
136 bpm • C# min • 03:32 • -6.59db
10% Popularity • 52% Danceability • 58% Energy • 17% Liveness
6% Instrumentalness • 21% Positiveness
10% Popularity • 52% Danceability • 58% Energy • 17% Liveness
6% Instrumentalness • 21% Positiveness
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SCHRAMM
Sweatyhands
136 bpm • E Maj • 04:00 • -9.54db
13% Popularity • 67% Danceability • 55% Energy • 10% Liveness
10% Instrumentalness • 47% Positiveness
13% Popularity • 67% Danceability • 55% Energy • 10% Liveness
10% Instrumentalness • 47% Positiveness
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Magon
Havana Bay
136 bpm • A Maj • 03:02 • -6.63db
23% Popularity • 77% Danceability • 77% Energy • 9% Liveness
11% Instrumentalness • 88% Positiveness
23% Popularity • 77% Danceability • 77% Energy • 9% Liveness
11% Instrumentalness • 88% Positiveness
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YGGL
Strange Life
135 bpm • B Maj • 04:26 • -7.79db
11% Popularity • 54% Danceability • 86% Energy • 66% Liveness
30% Instrumentalness • 27% Positiveness
11% Popularity • 54% Danceability • 86% Energy • 66% Liveness
30% Instrumentalness • 27% Positiveness
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Public Display of Affection
Rose
142 bpm • D Maj • 02:08 • -5.02db
9% Popularity • 67% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 67% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Vince Cadillac
Loving You
143 bpm • E Maj • 02:42 • -12.66db
0% Popularity • 65% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 65% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Oskar Haag
The Summer We Need - Single Version
143 bpm • G Maj • 03:26 • -7.12db
14% Popularity • 47% Danceability • 76% Energy • 9% Liveness
10% Instrumentalness • 37% Positiveness
14% Popularity • 47% Danceability • 76% Energy • 9% Liveness
10% Instrumentalness • 37% Positiveness
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LOBSTERBOMB
I Want Noise
135 bpm • A Maj • 03:20 • -8.14db
9% Popularity • 55% Danceability • 65% Energy • 65% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 55% Danceability • 65% Energy • 65% Liveness
0% Instrumentalness • 66% Positiveness
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David Menke
The Devil Inside Me
135 bpm • C Maj • 01:53 • -10.93db
14% Popularity • 61% Danceability • 74% Energy • 41% Liveness
84% Instrumentalness • 98% Positiveness
14% Popularity • 61% Danceability • 74% Energy • 41% Liveness
84% Instrumentalness • 98% Positiveness
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No Sex for Sandy
Parzel
135 bpm • A min • 03:11 • -7.95db
13% Popularity • 61% Danceability • 52% Energy • 19% Liveness
6% Instrumentalness • 22% Positiveness
13% Popularity • 61% Danceability • 52% Energy • 19% Liveness
6% Instrumentalness • 22% Positiveness
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Divine Love Mission
Dream Killers
135 bpm • C Maj • 03:33 • -4.01db
14% Popularity • 49% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 49% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Thad Kopec
I Will Listen
135 bpm • E min • 03:24 • -16.79db
11% Popularity • 56% Danceability • 27% Energy • 15% Liveness
2% Instrumentalness • 21% Positiveness
11% Popularity • 56% Danceability • 27% Energy • 15% Liveness
2% Instrumentalness • 21% Positiveness
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Oskar Haag
The Summer We Need - Long Version
143 bpm • G Maj • 03:54 • -7.61db
8% Popularity • 47% Danceability • 77% Energy • 15% Liveness
25% Instrumentalness • 33% Positiveness
8% Popularity • 47% Danceability • 77% Energy • 15% Liveness
25% Instrumentalness • 33% Positiveness
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Ultravox
Hymn
135 bpm • C Maj • 05:49 • -11.45db
18% Popularity • 51% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 51% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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My Ugly Clementine
The Good the Bad the Ugly - Acoustic Ver...
135 bpm • A Maj • 03:07 • -6.61db
17% Popularity • 68% Danceability • 74% Energy • 68% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 68% Danceability • 74% Energy • 68% Liveness
0% Instrumentalness • 66% Positiveness
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Nowaves
Restless Eyes
144 bpm • F Maj • 03:00 • -7.04db
10% Popularity • 71% Danceability • 77% Energy • 22% Liveness
49% Instrumentalness • 65% Positiveness
10% Popularity • 71% Danceability • 77% Energy • 22% Liveness
49% Instrumentalness • 65% Positiveness
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Faith Vern & The Idle Hands
Do It Or Die
144 bpm • D Maj • 02:50 • -6.27db
17% Popularity • 64% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 64% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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NUTANA
You Belong
144 bpm • D Maj • 02:41 • -7.93db
21% Popularity • 61% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 61% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Bellevide
Featherweight
134 bpm • F min • 03:12 • -6.55db
10% Popularity • 54% Danceability • 68% Energy • 32% Liveness
21% Instrumentalness • 16% Positiveness
10% Popularity • 54% Danceability • 68% Energy • 32% Liveness
21% Instrumentalness • 16% Positiveness
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killow
Heavy Rotation
144 bpm • B min • 03:27 • -8.97db
17% Popularity • 50% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 50% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Sam Himself
Mr. Rocknroll
145 bpm • D Maj • 03:31 • -7.21db
15% Popularity • 60% Danceability • 77% Energy • 20% Liveness
83% Instrumentalness • 54% Positiveness
15% Popularity • 60% Danceability • 77% Energy • 20% Liveness
83% Instrumentalness • 54% Positiveness
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YATWA
Easier
145 bpm • A Maj • 02:42 • -5.74db
19% Popularity • 61% Danceability • 91% Energy • 27% Liveness
4% Instrumentalness • 88% Positiveness
19% Popularity • 61% Danceability • 91% Energy • 27% Liveness
4% Instrumentalness • 88% Positiveness
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David Lavaysse
A True Love
145 bpm • C# Maj • 01:57 • -7.39db
8% Popularity • 78% Danceability • 74% Energy • 10% Liveness
12% Instrumentalness • 45% Positiveness
8% Popularity • 78% Danceability • 74% Energy • 10% Liveness
12% Instrumentalness • 45% Positiveness
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Telquist
Chills
145 bpm • F Maj • 03:20 • -5.94db
20% Popularity • 57% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 57% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Willow Parlo
Godless
145 bpm • C Maj • 03:22 • -9db
11% Popularity • 49% Danceability • 73% Energy • 26% Liveness
62% Instrumentalness • 46% Positiveness
11% Popularity • 49% Danceability • 73% Energy • 26% Liveness
62% Instrumentalness • 46% Positiveness
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CIEL
Make It Better
145 bpm • F# Maj • 02:34 • -6.91db
16% Popularity • 55% Danceability • 73% Energy • 28% Liveness
1% Instrumentalness • 77% Positiveness
16% Popularity • 55% Danceability • 73% Energy • 28% Liveness
1% Instrumentalness • 77% Positiveness
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Lorenz Ambeek
Good Thing
133 bpm • F Maj • 02:44 • -8.73db
13% Popularity • 66% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 66% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Naked Cameo
Shangri La
145 bpm • F# min • 02:56 • -5.99db
34% Popularity • 58% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 58% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Muff Potter
Kittchen
133 bpm • E min • 06:01 • -7.19db
12% Popularity • 53% Danceability • 78% Energy • 63% Liveness
15% Instrumentalness • 26% Positiveness
12% Popularity • 53% Danceability • 78% Energy • 63% Liveness
15% Instrumentalness • 26% Positiveness
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YATWA
Good at Dying
133 bpm • E min • 03:37 • -7.49db
22% Popularity • 81% Danceability • 61% Energy • 9% Liveness
33% Instrumentalness • 50% Positiveness
22% Popularity • 81% Danceability • 61% Energy • 9% Liveness
33% Instrumentalness • 50% Positiveness
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Plastic Ruby
Stereo
133 bpm • G# min • 03:42 • -9.25db
13% Popularity • 63% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 63% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Supermax
Lovemachine (Pt. I)
133 bpm • A min • 04:39 • -10.05db
11% Popularity • 88% Danceability • 63% Energy • 9% Liveness
54% Instrumentalness • 95% Positiveness
11% Popularity • 88% Danceability • 63% Energy • 9% Liveness
54% Instrumentalness • 95% Positiveness
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Vince Cadillac
Sneaking Out the Back Door
146 bpm • A# min • 03:10 • -12.53db
0% Popularity • 59% Danceability • 57% Energy • 20% Liveness
6% Instrumentalness • 65% Positiveness
0% Popularity • 59% Danceability • 57% Energy • 20% Liveness
6% Instrumentalness • 65% Positiveness
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Coma Svensson
It's a Drag, a Blast
146 bpm • G Maj • 02:46 • -7.36db
18% Popularity • 44% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 44% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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NIKITA CURTIS
when she speaks - demo
132 bpm • E min • 03:40 • -9.31db
15% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Annie Taylor
All the Time
132 bpm • G Maj • 04:28 • -7.85db
9% Popularity • 49% Danceability • 75% Energy • 11% Liveness
52% Instrumentalness • 28% Positiveness
9% Popularity • 49% Danceability • 75% Energy • 11% Liveness
52% Instrumentalness • 28% Positiveness
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Sharktank
Run Away
132 bpm • D Maj • 01:33 • -6db
35% Popularity • 74% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
35% Popularity • 74% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Gravy Flukes
When Did It Get So Serious
132 bpm • G Maj • 03:48 • -12.11db
8% Popularity • 71% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 71% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Vince Cadillac
Lily
132 bpm • A# Maj • 03:24 • -12.22db
0% Popularity • 79% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 79% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Since I
Filthy Rich
132 bpm • B min • 03:56 • -6.89db
9% Popularity • 66% Danceability • 92% Energy • 24% Liveness
1% Instrumentalness • 82% Positiveness
9% Popularity • 66% Danceability • 92% Energy • 24% Liveness
1% Instrumentalness • 82% Positiveness
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Until We Meet Again
Beating Heart
131 bpm • C# Maj • 04:24 • -7.57db
12% Popularity • 41% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 41% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Annie Taylor
Moving Too Fast
147 bpm • B Maj • 03:19 • -7.23db
13% Popularity • 54% Danceability • 87% Energy • 11% Liveness
13% Instrumentalness • 68% Positiveness
13% Popularity • 54% Danceability • 87% Energy • 11% Liveness
13% Instrumentalness • 68% Positiveness
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Shape of the Sun
Built to Destroy
131 bpm • E Maj • 02:41 • -6.28db
10% Popularity • 53% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 53% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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jupiter flynn
misunderstanding
131 bpm • G Maj • 03:19 • -5.49db
28% Popularity • 51% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 51% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Vince Cadillac
Don't Be Afraid of the Dark
131 bpm • G Maj • 02:36 • -14.52db
7% Popularity • 46% Danceability • 67% Energy • 59% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 46% Danceability • 67% Energy • 59% Liveness
0% Instrumentalness • 84% Positiveness
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Good Wilson
Bats From The Buffet
131 bpm • A# Maj • 03:58 • -8.63db
11% Popularity • 65% Danceability • 82% Energy • 9% Liveness
3% Instrumentalness • 84% Positiveness
11% Popularity • 65% Danceability • 82% Energy • 9% Liveness
3% Instrumentalness • 84% Positiveness
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Panik Deluxe
god complex
131 bpm • A min • 03:36 • -10.31db
13% Popularity • 70% Danceability • 50% Energy • 11% Liveness
66% Instrumentalness • 40% Positiveness
13% Popularity • 70% Danceability • 50% Energy • 11% Liveness
66% Instrumentalness • 40% Positiveness
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Nesta And The Blondes
A Thousand Falling Leaves
148 bpm • B min • 03:36 • -4.31db
14% Popularity • 58% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 58% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Glimmer of Blooms
Other Side - Sped Up
131 bpm • A min • 02:31 • -11.89db
11% Popularity • 74% Danceability • 52% Energy • 12% Liveness
67% Instrumentalness • 80% Positiveness
11% Popularity • 74% Danceability • 52% Energy • 12% Liveness
67% Instrumentalness • 80% Positiveness
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The Moobies
Cigarettes Kill
131 bpm • A min • 02:48 • -11.71db
10% Popularity • 59% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 59% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Vince Cadillac
Waiting for the Telephone
131 bpm • D Maj • 04:21 • -13.14db
0% Popularity • 52% Danceability • 62% Energy • 63% Liveness
90% Instrumentalness • 76% Positiveness
0% Popularity • 52% Danceability • 62% Energy • 63% Liveness
90% Instrumentalness • 76% Positiveness
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Donkey Kid
between the lines
148 bpm • C min • 02:58 • -15.16db
34% Popularity • 69% Danceability • 50% Energy • 9% Liveness
73% Instrumentalness • 81% Positiveness
34% Popularity • 69% Danceability • 50% Energy • 9% Liveness
73% Instrumentalness • 81% Positiveness
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Seed to Tree
Major Lydian
148 bpm • C# min • 02:56 • -9.29db
10% Popularity • 48% Danceability • 81% Energy • 10% Liveness
4% Instrumentalness • 38% Positiveness
10% Popularity • 48% Danceability • 81% Energy • 10% Liveness
4% Instrumentalness • 38% Positiveness
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Martin Hall
The Turn
148 bpm • C Maj • 02:56 • -6.97db
18% Popularity • 59% Danceability • 82% Energy • 9% Liveness
28% Instrumentalness • 92% Positiveness
18% Popularity • 59% Danceability • 82% Energy • 9% Liveness
28% Instrumentalness • 92% Positiveness
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Endearments
Hazy Eyes
148 bpm • G Maj • 03:48 • -6.29db
9% Popularity • 61% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 61% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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A Flock Of Seagulls
I Ran (So Far Away) - Re-Recorded
148 bpm • A min • 04:58 • -5.93db
11% Popularity • 54% Danceability • 80% Energy • 13% Liveness
7% Instrumentalness • 35% Positiveness
11% Popularity • 54% Danceability • 80% Energy • 13% Liveness
7% Instrumentalness • 35% Positiveness
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Vince Cadillac
Hello
131 bpm • A min • 02:56 • -12.67db
0% Popularity • 53% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
0% Popularity • 53% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Glenn Hollands
The Hole
130 bpm • B min • 04:19 • -8.89db
3% Popularity • 61% Danceability • 64% Energy • 14% Liveness
7% Instrumentalness • 33% Positiveness
3% Popularity • 61% Danceability • 64% Energy • 14% Liveness
7% Instrumentalness • 33% Positiveness
