Songs like Lágrimas Tudo by António Gedeão
Based on a tempo of (+/- 10%) and a similar genre
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Tuna Universitária do Minho
O Abraço Acontece
120 bpm • E min • 03:18 • -12.74db
15% Popularity • 53% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 53% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Manuel Freire
Ouvindo Beethoven
120 bpm • G Maj • 02:26 • -8.49db
17% Popularity • 41% Danceability • 66% Energy • 43% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 41% Danceability • 66% Energy • 43% Liveness
0% Instrumentalness • 68% Positiveness
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LuÃs Represas
Eu Tenho um Anjo Comigo
120 bpm • E Maj • 03:39 • -11.88db
10% Popularity • 70% Danceability • 37% Energy • 18% Liveness
1% Instrumentalness • 28% Positiveness
10% Popularity • 70% Danceability • 37% Energy • 18% Liveness
1% Instrumentalness • 28% Positiveness
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Jorge Cruz
Penélope
120 bpm • G Maj • 04:08 • -23.05db
15% Popularity • 76% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 76% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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João Maria Pinto
Primeiras Crónicas
120 bpm • A min • 03:09 • -11.57db
15% Popularity • 68% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 68% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Rodrigo Costa Felix
Asa no Espaço
120 bpm • E Maj • 02:24 • -7.76db
15% Popularity • 67% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 67% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Teresinha Landeiro
Cada Um, Um Lugar
119 bpm • A Maj • 02:24 • -6.67db
19% Popularity • 82% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 82% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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António Gedeão
Lágrimas Tudo
120 bpm • G Maj • 01:41 • -18.45db
0% Popularity • 72% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 72% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Modus de Fado
Correntes (Instrumental)
121 bpm • G Maj • 06:57 • -9.54db
9% Popularity • 41% Danceability • 54% Energy • 17% Liveness
93% Instrumentalness • 53% Positiveness
9% Popularity • 41% Danceability • 54% Energy • 17% Liveness
93% Instrumentalness • 53% Positiveness
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António Mello Corrêa
Cavalo Ruço
119 bpm • E Maj • 02:22 • -11db
13% Popularity • 67% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 67% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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GAC - Vozes na Luta
Em vermelho em multidão
119 bpm • A min • 03:49 • -5.24db
7% Popularity • 61% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
7% Popularity • 61% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Frei Hermano Da Câmara
Fado Mouraria
121 bpm • F Maj • 02:12 • -13.42db
8% Popularity • 52% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 52% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Argentina Santos
Gosto Dele
121 bpm • C# min • 03:38 • -12.7db
23% Popularity • 54% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 54% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Coimbra Quintet
Fado do Estudante
121 bpm • A Maj • 03:06 • -10.45db
27% Popularity • 50% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 50% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Teresa Silva Carvalho
Amar
121 bpm • C min • 02:21 • -8.37db
13% Popularity • 42% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 42% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Manuel Freire
Dulcineia
119 bpm • G min • 02:11 • -9.66db
23% Popularity • 47% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 47% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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HermÃnia Silva
Vou Dar de Beber à alegria
119 bpm • D Maj • 02:31 • -8db
16% Popularity • 59% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 59% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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Fernando Farinha
O Chico Do Cachené
119 bpm • E min • 02:51 • -7.12db
16% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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José Cid
Menina Das Tranças Pretas
119 bpm • D# Maj • 02:02 • -16db
14% Popularity • 65% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 65% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Grupo In-clave
Portugal Ressuscitado
119 bpm • G Maj • 03:36 • -9.94db
20% Popularity • 60% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 60% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
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Simone de Oliveira
Pela Luz Dos Olhos Teus
121 bpm • A# Maj • 02:20 • -11.22db
18% Popularity • 49% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 49% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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![Majestade [25 Abril] cover art](https://i.scdn.co/image/ab67616d00001e0261fb55dfecd4e142f5d5df9c)
Aldina Duarte
Majestade [25 Abril]
118 bpm • E min • 02:54 • -8.37db
14% Popularity • 61% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 61% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Deixem o Pimba em Paz
Telegrama (Ao Vivo)
119 bpm • E min • 03:30 • -7.31db
7% Popularity • 61% Danceability • 52% Energy • 83% Liveness
0% Instrumentalness • 52% Positiveness
7% Popularity • 61% Danceability • 52% Energy • 83% Liveness
0% Instrumentalness • 52% Positiveness
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Fernando Mauricio
Igreja de Stº Estevão
118 bpm • D min • 03:42 • -18.86db
30% Popularity • 56% Danceability • 9% Energy • 29% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 56% Danceability • 9% Energy • 29% Liveness
0% Instrumentalness • 27% Positiveness
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Cristina Branco
Rio de Nuvens
118 bpm • G Maj • 04:29 • -8.43db
5% Popularity • 48% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
5% Popularity • 48% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Fernando Lopes-Graça
Canções Heróicas: Jornada
118 bpm • A min • 01:06 • -9.12db
9% Popularity • 65% Danceability • 27% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 65% Danceability • 27% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
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Vicente da Câmara
Moda das tranças pretas
118 bpm • B Maj • 02:16 • -9db
22% Popularity • 77% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 77% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Rancho De Cantadores De Aldeia Nova De São Bento
Manjerico Da Janela
122 bpm • E Maj • 01:40 • -11.21db
12% Popularity • 70% Danceability • 3% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 70% Danceability • 3% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
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Cara de Espelho
Dr. Coisinho
122 bpm • C# Maj • 02:49 • -7.01db
21% Popularity • 79% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 79% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Fernando Mauricio
Um Copo Mais um Copo
118 bpm • G min • 03:40 • -19db
12% Popularity • 47% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 47% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Maria de Vasconcelos
Os Reis Passaram à História
122 bpm • G Maj • 01:55 • -8.59db
8% Popularity • 75% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 75% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Argentina Santos
Duas Almas
118 bpm • D min • 03:11 • -16.39db
19% Popularity • 57% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 57% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Ricardo Silva
Marcha 'em Fá
118 bpm • D# Maj • 02:43 • -5.59db
12% Popularity • 45% Danceability • 71% Energy • 15% Liveness
83% Instrumentalness • 79% Positiveness
12% Popularity • 45% Danceability • 71% Energy • 15% Liveness
83% Instrumentalness • 79% Positiveness
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Sitiados
Fado Da Rusga
118 bpm • A Maj • 00:57 • -10.52db
10% Popularity • 62% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 62% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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Adiafa
Fui Criado Com Coisas Roubadas
118 bpm • A min • 03:35 • -15.2db
12% Popularity • 68% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 68% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Fernando Mauricio
Alcochete e Vila Franca
118 bpm • D Maj • 01:45 • -16db
16% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Teresa Tarouca
Cai Chuva Do Céu Cinzento
117 bpm • E Maj • 02:27 • -16db
11% Popularity • 60% Danceability • 26% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 60% Danceability • 26% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
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Argentina Santos
Conde Afadistado
122 bpm • A Maj • 02:51 • -11.92db
23% Popularity • 57% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 57% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Teresinha Landeiro
Folclore dos Avós
123 bpm • D Maj • 03:00 • -6.36db
18% Popularity • 84% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 84% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Ala Dos Namorados
Ao sul
117 bpm • C Maj • 04:31 • -16.82db
8% Popularity • 40% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 40% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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LucÃlia Do Carmo
Não Vou, Não Vou
117 bpm • B min • 03:39 • -6.22db
11% Popularity • 52% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 52% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Pedro Moutinho
Madrugadas Serenas
123 bpm • A Maj • 02:06 • -11db
14% Popularity • 61% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 61% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Buba Espinho
Hoje é o dia
123 bpm • A Maj • 03:01 • -11.81db
20% Popularity • 75% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 75% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Ricardo Silva
Variações Sobre O Mondego
117 bpm • C min • 03:12 • -4.36db
13% Popularity • 49% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 49% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Cara de Espelho
Genuinamente
123 bpm • G Maj • 02:26 • -9.11db
17% Popularity • 82% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 82% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Francisco Fanhais
Porque
117 bpm • E min • 03:10 • -19.03db
11% Popularity • 50% Danceability • 14% Energy • 18% Liveness
4% Instrumentalness • 56% Positiveness
11% Popularity • 50% Danceability • 14% Energy • 18% Liveness
4% Instrumentalness • 56% Positiveness
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Luiz Goes
Toada Beirã
117 bpm • G min • 03:07 • -6.69db
9% Popularity • 50% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 50% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
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Nuno da Camara Pereira
É tão bom ser pequenino
117 bpm • F Maj • 03:34 • -7db
9% Popularity • 46% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 46% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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LucÃlia Do Carmo
A cor da mágoa
124 bpm • C Maj • 02:16 • -12db
18% Popularity • 58% Danceability • 25% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 58% Danceability • 25% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
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Jean-Pierre Michaël
Cain et abel
124 bpm • F min • 02:42 • -22.85db
11% Popularity • 71% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 71% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Aldina Duarte
Duas Mãos
116 bpm • F# min • 03:39 • -9.4db
9% Popularity • 54% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 54% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Fernando Mauricio
Terra Irada
124 bpm • G# Maj • 03:32 • -17.68db
14% Popularity • 49% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 49% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Geadas
Outros Amores
124 bpm • C# min • 03:04 • -10.07db
8% Popularity • 60% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 60% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Tais Quais
Olha a Noiva Se Vai Linda
116 bpm • C Maj • 03:14 • -7db
17% Popularity • 48% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 48% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Maria Teresa De Noronha
Saudade Das Saudades
124 bpm • F# Maj • 02:56 • -6db
15% Popularity • 63% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 63% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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José da Câmara
A moda das tranças pretas
116 bpm • A Maj • 02:01 • -15.38db
14% Popularity • 61% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 61% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Sindicato dos Mineiros de Aljustrel
Hino da Intersindical
116 bpm • A# Maj • 02:08 • -7.7db
15% Popularity • 76% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 76% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Vicente da Câmara
Timpanas
125 bpm • B Maj • 02:14 • -21db
20% Popularity • 67% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 67% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Jorge Benvinda
As Armas Do Meu Adufe
115 bpm • B min • 02:24 • -8.68db
7% Popularity • 61% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
7% Popularity • 61% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Paco Bandeira
Poema da Feira Nova
125 bpm • D Maj • 03:04 • -12.08db
9% Popularity • 42% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 42% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Fernando Tordo
Cavalo À Solta
115 bpm • D min • 03:19 • -10.24db
23% Popularity • 40% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 40% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
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Tonicha
Manjerico Casamenteiro
115 bpm • F Maj • 03:22 • -8.99db
9% Popularity • 74% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 74% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Tunadão 1998 - Tuna do Instituto Politécnico de Viseu
Viseu Graciosa
115 bpm • E min • 04:31 • -10.07db
10% Popularity • 61% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 61% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Sérgio Borges
Onde vais rio que eu canto
115 bpm • E min • 02:49 • -10.11db
9% Popularity • 37% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 37% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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LucÃlia Do Carmo
Zé Maria
125 bpm • E Maj • 02:15 • -7db
17% Popularity • 57% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 57% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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Pedro Moutinho
Um Resto de Mouraria
115 bpm • D Maj • 03:14 • -11.14db
9% Popularity • 55% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 55% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Vicente da Câmara
Milagre de Santo António
126 bpm • D Maj • 02:27 • -18db
23% Popularity • 54% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 54% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Diogo Picão
Encontro de Amigos
115 bpm • A# Maj • 02:36 • -12.15db
9% Popularity • 66% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 66% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Paco Bandeira
Novas Quadras do Aleixo
126 bpm • F min • 02:32 • -7.19db
8% Popularity • 59% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 59% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
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Isabel Rato
Que Amor Não Me Engana
115 bpm • A min • 04:32 • -13.17db
18% Popularity • 49% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 49% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 21% Positiveness
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Tim
Fado Celeste
126 bpm • A# Maj • 03:17 • -9.75db
9% Popularity • 48% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 48% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Francisco F. Correia
Bela Sem Senão
126 bpm • E Maj • 03:24 • -13.67db
14% Popularity • 87% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 87% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Carla Pires
Quem me dera voar
126 bpm • C min • 03:13 • -11.38db
9% Popularity • 71% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 71% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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LuÃs Represas
Insónia
126 bpm • G Maj • 03:33 • -11.84db
8% Popularity • 62% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 62% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Nuno da Camara Pereira
Marquez de Linda-A-Velha
114 bpm • E Maj • 02:35 • -6.47db
19% Popularity • 66% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 66% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
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Jorge Cruz
Transumante
114 bpm • G Maj • 03:55 • -12.45db
19% Popularity • 67% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 67% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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António Pinto Basto
Cantilena Da Lua Nova
126 bpm • G Maj • 02:48 • -11.19db
8% Popularity • 59% Danceability • 63% Energy • 93% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 59% Danceability • 63% Energy • 93% Liveness
0% Instrumentalness • 94% Positiveness
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Argentina Santos
As Minhas Horas
114 bpm • G# min • 04:00 • -14db
21% Popularity • 57% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 57% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Fernando Farinha
Cinco bairros
126 bpm • G Maj • 03:08 • -14.28db
12% Popularity • 54% Danceability • 23% Energy • 41% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 54% Danceability • 23% Energy • 41% Liveness
0% Instrumentalness • 80% Positiveness
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José Barata Moura
Cravo Vermelho ao Peito
114 bpm • G# Maj • 03:04 • -10.59db
19% Popularity • 72% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 72% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Alfredo Marceneiro
Cabelo branco
113 bpm • A Maj • 02:57 • -8db
24% Popularity • 64% Danceability • 46% Energy • 76% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 64% Danceability • 46% Energy • 76% Liveness
0% Instrumentalness • 80% Positiveness
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Aldina Duarte
VersÃculo
127 bpm • A min • 03:15 • -12.62db
10% Popularity • 55% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 55% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Teresinha Landeiro
Amor aos Molhos
127 bpm • G Maj • 02:17 • -9.72db
10% Popularity • 76% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 76% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Cristina Branco
Fado de uma Mulher Feliz Sozinha
127 bpm • C Maj • 04:39 • -15.01db
4% Popularity • 46% Danceability • 15% Energy • 10% Liveness
7% Instrumentalness • 20% Positiveness
4% Popularity • 46% Danceability • 15% Energy • 10% Liveness
7% Instrumentalness • 20% Positiveness
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António Gedeão
Flor de Baunilha - por Carla Bolito
127 bpm • D min • 01:49 • -21.68db
0% Popularity • 72% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 72% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Verdes Anos
Traz Outro Amigo Tambem
113 bpm • C Maj • 03:23 • -7db
14% Popularity • 47% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 47% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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GAC - Vozes na Luta
Povo em armas
128 bpm • D Maj • 02:06 • -11.27db
9% Popularity • 76% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 76% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Aldina Duarte
Princesa Prometida
127 bpm • F min • 02:23 • -10.62db
13% Popularity • 73% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 73% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Luiz Goes
Poema para um menino
113 bpm • G# Maj • 02:11 • -15db
16% Popularity • 51% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 51% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Tozé Brito
Bola de Cristal
128 bpm • E min • 03:36 • -9.94db
11% Popularity • 56% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 56% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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António Gedeão
Enquanto
113 bpm • C Maj • 01:37 • -18.64db
0% Popularity • 71% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 71% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Maria Teresa De Noronha
Fado da defesa
128 bpm • D Maj • 03:24 • -6.29db
8% Popularity • 47% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 47% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Tais Quais
Menina Florentina
112 bpm • D Maj • 03:22 • -6.25db
12% Popularity • 53% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 53% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Fernando Farinha
Canção De Lisboa
112 bpm • F Maj • 02:37 • -7.25db
21% Popularity • 63% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 63% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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5600472801522
Canção Do Emigrante
112 bpm • A min • 04:27 • -10.2db
8% Popularity • 38% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 38% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Ricardo Rocha
Variações Em Lá
129 bpm • A Maj • 02:35 • -14.26db
13% Popularity • 34% Danceability • 38% Energy • 29% Liveness
91% Instrumentalness • 78% Positiveness
13% Popularity • 34% Danceability • 38% Energy • 29% Liveness
91% Instrumentalness • 78% Positiveness
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António Gedeão
Poema da Terra Adubada
112 bpm • B min • 01:25 • -19.47db
0% Popularity • 68% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 68% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Frei Hermano Da Câmara
O rapaz da camisola verde
129 bpm • A Maj • 02:19 • -5.43db
24% Popularity • 69% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 69% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness