Songs like Lake Erie Love by Walker Hayes
Based on a tempo of (+/- 10%) and a similar genre
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Levi Hummon
Drink On
120 bpm • E Maj • 02:53 • -6db
26% Popularity • 68% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 68% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Walker Hayes
Lake Erie Love
120 bpm • A# Maj • 02:07 • -4.72db
32% Popularity • 66% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 66% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Thomas Rhett
Anything Cold
120 bpm • G Maj • 02:46 • -5.52db
37% Popularity • 67% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 67% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Jojo Mason
Future
120 bpm • G# Maj • 02:59 • -6.57db
29% Popularity • 66% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 66% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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LOCASH
Sippin Sunsets
120 bpm • G# Maj • 03:07 • -4.55db
29% Popularity • 67% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 67% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Frankie Ballard
I'm Thinking Country
120 bpm • E Maj • 02:50 • -5db
30% Popularity • 65% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 65% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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LANCO
Trouble Maker
120 bpm • E Maj • 02:47 • -4db
28% Popularity • 75% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 75% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Jason Benoit
I Won't Go
120 bpm • F# Maj • 03:02 • -7.04db
12% Popularity • 71% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 71% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Brandon Scott
Noise
120 bpm • D Maj • 02:38 • -3.87db
10% Popularity • 63% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 63% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 53% Positiveness
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Jojo Mason
Edge Of The Night
120 bpm • E Maj • 02:58 • -3.65db
22% Popularity • 58% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 58% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Jerrod Niemann
Zero to Crazy
120 bpm • F Maj • 03:00 • -5.69db
19% Popularity • 71% Danceability • 85% Energy • 86% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 71% Danceability • 85% Energy • 86% Liveness
0% Instrumentalness • 96% Positiveness
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Ian Munsick
Humble
120 bpm • E Maj • 03:40 • -4.68db
47% Popularity • 76% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
47% Popularity • 76% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Big & Rich
Brand New Buzz
119 bpm • B Maj • 03:22 • -3.84db
25% Popularity • 64% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 64% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Levon
Ms. Marianne
119 bpm • E Maj • 03:25 • -3.87db
19% Popularity • 64% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 64% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Josh Melton
Staycation
119 bpm • E Maj • 03:14 • -4.51db
27% Popularity • 81% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 81% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Kip Moore
Good Thing
119 bpm • E Maj • 02:50 • -5.42db
34% Popularity • 81% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 81% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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The Wolfe Brothers
Something Good's Gonna Happen
122 bpm • G# Maj • 02:21 • -5.61db
28% Popularity • 86% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 86% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
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Dee Jay Silver
Getaway Driver
122 bpm • C Maj • 02:33 • -8.68db
32% Popularity • 73% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 73% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Chris Buck Band
Holy Ground
118 bpm • G Maj • 02:53 • -4.62db
28% Popularity • 58% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 58% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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Russell Dickerson
You Look Like a Love Song
119 bpm • F Maj • 04:37 • -5.75db
25% Popularity • 66% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 66% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Clare Dunn
Salt and Lime
118 bpm • F# min • 02:46 • -7db
32% Popularity • 67% Danceability • 82% Energy • 13% Liveness
4% Instrumentalness • 88% Positiveness
32% Popularity • 67% Danceability • 82% Energy • 13% Liveness
4% Instrumentalness • 88% Positiveness
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Walker Hayes
Same Drunk
122 bpm • G Maj • 03:16 • -4.66db
53% Popularity • 74% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
53% Popularity • 74% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Christon Birge
Tacos
122 bpm • G# Maj • 03:45 • -6.07db
15% Popularity • 67% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 67% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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James Barker Band
It's Working
118 bpm • G Maj • 03:13 • -5db
40% Popularity • 67% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 67% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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JT Hodges
Ray Bans
118 bpm • D Maj • 03:20 • -3.51db
27% Popularity • 62% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 62% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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TracieLynn
Good Kind of Crazy
118 bpm • F# Maj • 03:23 • -5.01db
25% Popularity • 62% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 62% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Tyler Farr
Love by the Moon
118 bpm • A Maj • 02:41 • -3db
31% Popularity • 70% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 70% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Walker Hayes
My Best Friend's Fiancee
118 bpm • C# Maj • 03:12 • -5.34db
28% Popularity • 72% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 72% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Trea Landon
When I Get There
117 bpm • C min • 03:15 • -4.7db
18% Popularity • 71% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 71% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Jerrod Niemann
Out Of My Heart
123 bpm • F Maj • 03:05 • -4.6db
17% Popularity • 61% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 61% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Cody Webb
More Than a Little
118 bpm • G# Maj • 03:12 • -5.8db
23% Popularity • 68% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 68% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Kenny Chesney
Wind On
123 bpm • C Maj • 04:20 • -3.04db
30% Popularity • 50% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 50% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Dusty Black
Right Church Wrong Pew
123 bpm • G min • 03:21 • -4.55db
26% Popularity • 60% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 60% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Lucy Angel
Public Pool Party
117 bpm • C# Maj • 03:46 • -3.71db
24% Popularity • 75% Danceability • 77% Energy • 62% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 75% Danceability • 77% Energy • 62% Liveness
0% Instrumentalness • 79% Positiveness
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Brad Paisley
River Bank (Remix with Colt Ford)
117 bpm • G Maj • 03:23 • -5.05db
25% Popularity • 61% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 61% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Southerland
Thing Is
123 bpm • G Maj • 03:09 • -2.71db
21% Popularity • 62% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 62% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Todd Cameron
Denim Days, Neon Lights
117 bpm • G Maj • 03:10 • -3db
22% Popularity • 53% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 53% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Walker McGuire
18 Forever
117 bpm • E Maj • 03:21 • -3.89db
22% Popularity • 62% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 62% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
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Chad Brownlee
Back In The Game
117 bpm • B Maj • 03:03 • -4.46db
20% Popularity • 66% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 66% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Morgan Evans
Song for the Summer
124 bpm • A min • 03:32 • -5.11db
27% Popularity • 61% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 61% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Brian Kelley
Real Good Day
124 bpm • G Maj • 02:31 • -4.52db
31% Popularity • 80% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 80% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Brian McComas
99.9% Sure (I've Never Been Here Before)
116 bpm • G Maj • 03:13 • -3.41db
33% Popularity • 61% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 61% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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James Barker Band
Chills - Acoustic
116 bpm • G# min • 02:57 • -9.43db
22% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Tim McGraw
California
116 bpm • A Maj • 03:25 • -3.87db
36% Popularity • 61% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 61% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Chad Brownlee
Money On You
124 bpm • G Maj • 03:17 • -5.34db
37% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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The Road Hammers
Crazy About You
116 bpm • A# min • 03:40 • -6db
22% Popularity • 54% Danceability • 95% Energy • 12% Liveness
6% Instrumentalness • 53% Positiveness
22% Popularity • 54% Danceability • 95% Energy • 12% Liveness
6% Instrumentalness • 53% Positiveness
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Andy Velo
Wake up, Boat, Drink, Repeat
125 bpm • D Maj • 03:17 • -6db
18% Popularity • 70% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 70% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Christie Lamb
You Brought the Party
125 bpm • D# Maj • 02:39 • -5db
35% Popularity • 60% Danceability • 83% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
35% Popularity • 60% Danceability • 83% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
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Andrew Swift
You and Me and a Bottle of Whiskey
125 bpm • G Maj • 03:37 • -4.08db
18% Popularity • 58% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 58% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Tanner Olsen Band
Whiskey Lie
125 bpm • D Maj • 03:10 • -4.88db
11% Popularity • 65% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 65% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
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LOCASH
Cold Beer Kinda Night
125 bpm • F# Maj • 03:21 • -4db
20% Popularity • 60% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 60% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Walker Hayes
Kitchen Table
125 bpm • C Maj • 03:56 • -5.39db
10% Popularity • 53% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 53% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Justin Lee
Every Little Bit of That
125 bpm • A# Maj • 02:59 • -4.73db
18% Popularity • 63% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 63% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Brooks & Dunn
Mama Don't Get Dressed Up For Nothing - ...
125 bpm • D Maj • 04:12 • -4.05db
38% Popularity • 60% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
38% Popularity • 60% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Paul Brandt
Didn't Even See The Dust
125 bpm • E Maj • 04:47 • -7db
30% Popularity • 62% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 62% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Jake Rose
Like This Like That
115 bpm • A Maj • 03:00 • -5.94db
24% Popularity • 69% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 69% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Troy Cartwright
Hung Up On You - Primary Mix
115 bpm • A# Maj • 03:24 • -4.08db
12% Popularity • 68% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 68% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Walker Hayes
90's Country
125 bpm • C# min • 02:52 • -5.78db
50% Popularity • 74% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
50% Popularity • 74% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Kristian Bush
Flip Flops
115 bpm • E Maj • 03:42 • -5.38db
17% Popularity • 68% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 68% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Brad Cox
Water On The Ground
114 bpm • A Maj • 04:12 • -9.22db
37% Popularity • 40% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 40% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Kip Moore
Motorcycle
115 bpm • G Maj • 04:14 • -7.1db
30% Popularity • 68% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 68% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Chris Janson
Better I Don't
126 bpm • C Maj • 03:25 • -4.3db
39% Popularity • 68% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
39% Popularity • 68% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Craig Campbell
Kids In The South
126 bpm • C Maj • 02:56 • -5.69db
24% Popularity • 73% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 73% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Kane Brown
What Ifs (Remix)
126 bpm • F Maj • 03:11 • -4.98db
42% Popularity • 64% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
42% Popularity • 64% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Smith & Wesley
Hook Line & Sinker
126 bpm • D Maj • 03:31 • -4.63db
9% Popularity • 69% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 69% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Kaylee Bell
Just A Little Crazy
114 bpm • A Maj • 03:22 • -3.6db
37% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Old Dominion
Stars in the City
114 bpm • G# Maj • 03:19 • -5.39db
49% Popularity • 66% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 66% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Clayton Anderson
Beer On A Boat On A Saturday
114 bpm • G# Maj • 03:05 • -4.89db
25% Popularity • 74% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 74% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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James Dupre
Another Love Song
127 bpm • F# Maj • 02:45 • -6.07db
17% Popularity • 67% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 67% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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RaeLynn
Dirty Word
127 bpm • G# Maj • 02:34 • -3.13db
25% Popularity • 72% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 72% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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The Wolfe Brothers
That Kinda Night
127 bpm • A# Maj • 03:02 • -6db
39% Popularity • 57% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 57% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Walker Hayes
Mind Candy
113 bpm • F# min • 03:40 • -9.64db
32% Popularity • 78% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 78% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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LANCO
Old Camaro
113 bpm • B Maj • 03:07 • -4.58db
32% Popularity • 58% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 58% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Darlinghurst
Hangman
113 bpm • B Maj • 03:14 • -6.45db
22% Popularity • 66% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 66% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Clayton Anderson
In The Dark
113 bpm • A Maj • 02:59 • -3.21db
21% Popularity • 69% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 69% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Billy Currington
Banana Pancakes
113 bpm • G Maj • 04:36 • -6.18db
31% Popularity • 74% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 74% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Jake Owen
Damn
128 bpm • F# Maj • 04:09 • -3.6db
25% Popularity • 49% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 49% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Zach Williams
Jesus' Fault
128 bpm • G# Maj • 03:34 • -5.17db
50% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Walker Hayes
90's Country - Remix
128 bpm • C# min • 02:55 • -7.32db
37% Popularity • 70% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
37% Popularity • 70% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Leaving Austin
Just My Type
128 bpm • G# Maj • 02:50 • -4.97db
25% Popularity • 61% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 61% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Chase Bryant
Jet Black Pontiac
112 bpm • D Maj • 03:17 • -5.49db
25% Popularity • 77% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 77% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Willie Jones
Something To Dance To
112 bpm • F# Maj • 02:32 • -6.17db
38% Popularity • 67% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 67% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Colt Ford
Dirt Road Disco
112 bpm • C# min • 03:46 • -5.97db
30% Popularity • 71% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 71% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Jake Hoot
Somethin' We Can Slow Dance To
112 bpm • E Maj • 03:10 • -4.95db
11% Popularity • 51% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 51% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Kylie Morgan
Cuss A Little
112 bpm • A# Maj • 02:48 • -7.5db
44% Popularity • 71% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 71% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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James Barker Band
Slow Down Town
112 bpm • C# Maj • 03:26 • -5db
33% Popularity • 57% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 57% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Jameson Rodgers
Girls That Smoke
112 bpm • D Maj • 03:36 • -4.68db
42% Popularity • 68% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
42% Popularity • 68% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Petric
All She Wrote
111 bpm • F min • 02:43 • -3.69db
30% Popularity • 64% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 64% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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LOCASH
Alll Day
111 bpm • F# Maj • 03:14 • -4db
7% Popularity • 59% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 59% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Walker Hayes
Mama's Hot
111 bpm • A Maj • 04:08 • -6.61db
11% Popularity • 61% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 61% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Hillside Outlaws
Girls in Trucks
111 bpm • B Maj • 03:19 • -3.14db
13% Popularity • 65% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 65% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Levi Hummon
Window Down Days
111 bpm • F Maj • 03:34 • -5.34db
13% Popularity • 66% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 66% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Nick O'Brien
Make A Wish
130 bpm • C Maj • 02:58 • -10.97db
10% Popularity • 55% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 55% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Smithfield
Slippin'
130 bpm • B Maj • 03:39 • -5.59db
12% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Phil Vassar
Bye Bye
130 bpm • G Maj • 03:17 • -5db
31% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Walker Hayes
Beautiful
111 bpm • C Maj • 03:00 • -7.69db
37% Popularity • 80% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
37% Popularity • 80% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Kip Moore
Midnight Slow Dance
130 bpm • B min • 03:13 • -5.46db
36% Popularity • 63% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 63% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Chris Janson
Bein' a Dad
130 bpm • A# Maj • 03:45 • -9db
26% Popularity • 68% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 68% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
