Songs like Lakes of Pontchartrain by The Be Good Tanyas
Based on a tempo of (+/- 10%) and a similar genre
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Amanda Shires
Swimmer...
106 bpm • B Maj • 03:09 • -11.36db
26% Popularity • 71% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 71% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Calexico
History of Lovers
106 bpm • D Maj • 03:09 • -8.28db
41% Popularity • 65% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
41% Popularity • 65% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
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Erin McKeown
La Petite Mort
106 bpm • G# min • 03:01 • -7.99db
28% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Po' Girl
Poor Girl - Rhude
106 bpm • E Maj • 03:21 • -11.58db
21% Popularity • 50% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 50% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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The Be Good Tanyas
Lakes of Pontchartrain
106 bpm • G Maj • 04:39 • -9.76db
29% Popularity • 42% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 42% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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Laura Cantrell
Churches Off the Interstate
105 bpm • C Maj • 02:59 • -8.43db
9% Popularity • 68% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 68% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Matthew Barber
Sleep Please Come to Me
105 bpm • F Maj • 02:52 • -8.02db
37% Popularity • 69% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 69% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Caitlin Cary
Two Different Things
105 bpm • A# Maj • 04:16 • -8.18db
15% Popularity • 67% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 67% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Reeltime Travellers
Halleluiah
107 bpm • A Maj • 05:30 • -13.6db
19% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Charlie Parr
Old Blue Dog
107 bpm • D# Maj • 05:21 • -14.66db
22% Popularity • 57% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
22% Popularity • 57% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
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The Be Good Tanyas
Gospel Song
105 bpm • C Maj • 05:43 • -11.57db
23% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Erin McKeown
Blackbirds
107 bpm • D min • 04:25 • -9.51db
27% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Freakwater
Crazy Man
105 bpm • G Maj • 02:39 • -10.38db
9% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Sammy Walker
I Ain't Got No Home in This World Anymor...
105 bpm • C# Maj • 02:16 • -12db
13% Popularity • 54% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 54% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Dave Carter
236-6132
107 bpm • A Maj • 03:04 • -7.09db
23% Popularity • 66% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 66% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Abigail Washburn
Nobody's Fault But Mine
105 bpm • A Maj • 02:37 • -14db
30% Popularity • 76% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 76% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Edie Brickell & New Bohemians
Ghost Of A Dog
107 bpm • A min • 01:34 • -16.61db
37% Popularity • 54% Danceability • 6% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 54% Danceability • 6% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
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Justin Townes Earle
Workin' For The MTA
105 bpm • C Maj • 03:48 • -13.4db
31% Popularity • 56% Danceability • 34% Energy • 11% Liveness
6% Instrumentalness • 29% Positiveness
31% Popularity • 56% Danceability • 34% Energy • 11% Liveness
6% Instrumentalness • 29% Positiveness
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Charlie Parr
Jesus at the Kenmore
107 bpm • G# Maj • 02:42 • -10.42db
17% Popularity • 54% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 54% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Anna & Elizabeth
Goin' Across the Mountain
104 bpm • C Maj • 02:18 • -9.85db
21% Popularity • 68% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 68% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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The Be Good Tanyas
Lonesome Blues
104 bpm • A Maj • 04:17 • -17.59db
24% Popularity • 57% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
24% Popularity • 57% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Jason Isbell
Mutineer
108 bpm • D Maj • 03:01 • -13db
30% Popularity • 52% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 52% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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The Little Willies
Lou Reed
104 bpm • C Maj • 04:16 • -11.33db
20% Popularity • 66% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 66% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Jenny Lewis
It Wasn't Me
108 bpm • G Maj • 04:12 • -13.54db
12% Popularity • 45% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 45% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Charlie Parr
To a Scrapyard Bus Stop
108 bpm • C Maj • 04:13 • -14.71db
11% Popularity • 48% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 48% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Caroline Rose
I Will Not Be Afraid
108 bpm • D Maj • 02:26 • -5.47db
23% Popularity • 73% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 73% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Dan Reeder
You Should Have Wrote a Book
108 bpm • G# Maj • 02:51 • -16.54db
20% Popularity • 44% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 44% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Cry Cry Cry
Shades Of Gray
108 bpm • B Maj • 05:05 • -11.57db
24% Popularity • 65% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 65% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Darrell Scott
A Crooked Road
108 bpm • C Maj • 04:11 • -12db
31% Popularity • 46% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
31% Popularity • 46% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
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Steve Martin
Love Has Come For You
104 bpm • C Maj • 03:08 • -10db
35% Popularity • 71% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 71% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Hem
Radiation Vibe
104 bpm • E Maj • 03:45 • -9.15db
25% Popularity • 44% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 44% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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The Be Good Tanyas
Rowdy Blues
103 bpm • G Maj • 03:32 • -17.81db
30% Popularity • 55% Danceability • 30% Energy • 11% Liveness
45% Instrumentalness • 47% Positiveness
30% Popularity • 55% Danceability • 30% Energy • 11% Liveness
45% Instrumentalness • 47% Positiveness
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Aoife O'Donovan
Oh, Mama
109 bpm • G Maj • 04:18 • -8.43db
31% Popularity • 46% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 46% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Sarah Harmer
Escarpment Blues
103 bpm • D Maj • 04:01 • -10.52db
17% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Indigo Girls
Don't Think Twice, It's All Right
103 bpm • D# Maj • 03:21 • -5db
43% Popularity • 48% Danceability • 78% Energy • 98% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 48% Danceability • 78% Energy • 98% Liveness
0% Instrumentalness • 43% Positiveness
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Caroline Herring
Paper Gown
103 bpm • G Maj • 04:31 • -9.04db
25% Popularity • 66% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 66% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Dan Bern
Chelsea Hotel
109 bpm • G Maj • 04:56 • -6.23db
11% Popularity • 54% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 54% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Tift Merritt
Trouble Over Me
109 bpm • G Maj • 05:08 • -9db
27% Popularity • 70% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 53% Positiveness
27% Popularity • 70% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 53% Positiveness
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Aoife O'Donovan
Lay My Burden Down
109 bpm • D# Maj • 03:36 • -9.04db
23% Popularity • 50% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 50% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Uncle Tupelo
Atomic Power
103 bpm • D Maj • 01:52 • -15db
26% Popularity • 61% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 61% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Po' Girl
Tell Me A Story
109 bpm • C Maj • 03:13 • -9.02db
31% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Jim Bryson
Clear the Crowds
102 bpm • C# Maj • 02:47 • -15.69db
34% Popularity • 58% Danceability • 35% Energy • 14% Liveness
4% Instrumentalness • 49% Positiveness
34% Popularity • 58% Danceability • 35% Energy • 14% Liveness
4% Instrumentalness • 49% Positiveness
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Pieta Brown
Stopped My Horse
102 bpm • B Maj • 03:17 • -10.33db
21% Popularity • 50% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 50% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Martha Scanlan
Seeds Of The Pine
110 bpm • F Maj • 05:47 • -15.06db
11% Popularity • 66% Danceability • 39% Energy • 69% Liveness
66% Instrumentalness • 59% Positiveness
11% Popularity • 66% Danceability • 39% Energy • 69% Liveness
66% Instrumentalness • 59% Positiveness
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Golden Smog
Pecan Pie
102 bpm • G Maj • 02:53 • -12db
27% Popularity • 50% Danceability • 57% Energy • 50% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 50% Danceability • 57% Energy • 50% Liveness
0% Instrumentalness • 78% Positiveness
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Hem
All That I'm Good For
110 bpm • A# Maj • 03:24 • -10.88db
30% Popularity • 60% Danceability • 36% Energy • 12% Liveness
4% Instrumentalness • 50% Positiveness
30% Popularity • 60% Danceability • 36% Energy • 12% Liveness
4% Instrumentalness • 50% Positiveness
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Dom Flemons
Too Long (I've Been Gone)
102 bpm • F Maj • 02:53 • -16.29db
14% Popularity • 54% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 54% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Amy Rigby
Don't Ever Change
102 bpm • C Maj • 03:38 • -14.89db
10% Popularity • 38% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 38% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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The Be Good Tanyas
Oh Susanna
111 bpm • C Maj • 04:20 • -12db
30% Popularity • 50% Danceability • 33% Energy • 10% Liveness
3% Instrumentalness • 34% Positiveness
30% Popularity • 50% Danceability • 33% Energy • 10% Liveness
3% Instrumentalness • 34% Positiveness
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Natalie Merchant
Bury Me Under the Weeping Willow
110 bpm • A Maj • 03:20 • -6.8db
25% Popularity • 56% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 56% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Abigail Washburn
Sometimes
111 bpm • D Maj • 02:52 • -6.2db
25% Popularity • 55% Danceability • 57% Energy • 8% Liveness
11% Instrumentalness • 41% Positiveness
25% Popularity • 55% Danceability • 57% Energy • 8% Liveness
11% Instrumentalness • 41% Positiveness
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Hem
The Cuckoo
111 bpm • E min • 02:57 • -9.3db
34% Popularity • 59% Danceability • 47% Energy • 14% Liveness
3% Instrumentalness • 91% Positiveness
34% Popularity • 59% Danceability • 47% Energy • 14% Liveness
3% Instrumentalness • 91% Positiveness
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Dan Reeder
Three Chords
101 bpm • F Maj • 00:59 • -12.29db
34% Popularity • 63% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 63% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Richard Buckner
Ariel Ramirez
101 bpm • D Maj • 02:17 • -12.63db
31% Popularity • 54% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 54% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Uncle Tupelo
Still Be Around
111 bpm • E Maj • 02:44 • -9.72db
31% Popularity • 36% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 36% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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The Felice Brothers
Jack at the Asylum
111 bpm • G Maj • 03:39 • -9db
31% Popularity • 54% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 54% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Karl Blau
That's How I Got to Memphis
111 bpm • E Maj • 04:03 • -9.43db
27% Popularity • 50% Danceability • 63% Energy • 25% Liveness
87% Instrumentalness • 48% Positiveness
27% Popularity • 50% Danceability • 63% Energy • 25% Liveness
87% Instrumentalness • 48% Positiveness
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Bruce Cockburn
Going To The Country
101 bpm • F# Maj • 03:16 • -13.42db
37% Popularity • 48% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 48% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Hem
When I Was Drinking
112 bpm • E Maj • 03:44 • -13.72db
30% Popularity • 31% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
30% Popularity • 31% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
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Po' Girl
Prairie Girl Gone
101 bpm • A Maj • 06:21 • -9.99db
14% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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the everybodyfields
Aeroplane
112 bpm • A Maj • 03:27 • -7.5db
16% Popularity • 50% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 50% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Justin Townes Earle
Let The Waters Rise - Remastered
100 bpm • F Maj • 02:42 • -11.12db
31% Popularity • 54% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 54% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Nanci Griffith
Boots of Spanish Leather
100 bpm • A Maj • 05:17 • -15.36db
33% Popularity • 55% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 55% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Steve Martin
When You Get To Asheville
112 bpm • C Maj • 03:15 • -11.63db
33% Popularity • 63% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
33% Popularity • 63% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Uncle Tupelo
Coalminers
100 bpm • A min • 02:33 • -14.54db
20% Popularity • 46% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 46% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Dan Reeder
I Don't Really Want to Talk to You
112 bpm • D# Maj • 02:38 • -14.93db
23% Popularity • 57% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
23% Popularity • 57% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Jenny Lewis
Run Devil Run
112 bpm • D Maj • 01:08 • -13.57db
22% Popularity • 49% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 49% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Charlie Parr
Cheap Wine
100 bpm • A min • 05:12 • -16db
12% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Cry Cry Cry
Lord, I Have Made You A Place In My Hear...
100 bpm • D Maj • 03:34 • -13.46db
14% Popularity • 60% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 60% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Andrew Bird
Railroad Bill
112 bpm • G Maj • 03:23 • -10.64db
2% Popularity • 65% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
2% Popularity • 65% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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The Be Good Tanyas
Diamond In My Crown
112 bpm • C Maj • 02:21 • -14.78db
27% Popularity • 54% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 54% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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The Decemberists
All Arise!
113 bpm • D Maj • 03:09 • -3.31db
34% Popularity • 66% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 66% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Magnolia Electric Co.
Whip-poor-will
113 bpm • C Maj • 04:12 • -11.73db
30% Popularity • 59% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 59% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Charlie Parr
Just Like Today
113 bpm • C Maj • 05:58 • -14.01db
7% Popularity • 52% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 52% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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Pieta Brown
Closing Time
100 bpm • A Maj • 03:08 • -9.83db
20% Popularity • 70% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
20% Popularity • 70% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Sarah Harmer
Lodestar
113 bpm • E Maj • 05:28 • -7db
30% Popularity • 41% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 41% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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The Be Good Tanyas
Draft Daughter's Blues aka Ootischenia
99 bpm • C Maj • 03:21 • -8.24db
48% Popularity • 56% Danceability • 58% Energy • 11% Liveness
6% Instrumentalness • 76% Positiveness
48% Popularity • 56% Danceability • 58% Energy • 11% Liveness
6% Instrumentalness • 76% Positiveness
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Dave Rawlings Machine
Sweet Tooth
99 bpm • F Maj • 05:20 • -12db
11% Popularity • 64% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 64% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Amanda Shires
When You Need a Train It Never Comes
113 bpm • G min • 04:14 • -10db
25% Popularity • 68% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
25% Popularity • 68% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
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Calexico
Prison On Route 41
113 bpm • A Maj • 04:10 • -15.08db
33% Popularity • 57% Danceability • 29% Energy • 28% Liveness
20% Instrumentalness • 50% Positiveness
33% Popularity • 57% Danceability • 29% Energy • 28% Liveness
20% Instrumentalness • 50% Positiveness
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Jeffrey Foucault
Don't Look for Me
113 bpm • A# Maj • 03:05 • -15.85db
39% Popularity • 49% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 49% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Iris DeMent
Sweet Is the Melody
113 bpm • A# Maj • 03:41 • -13db
30% Popularity • 66% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 66% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Dave Carter
Crocodile Man
99 bpm • G# Maj • 03:02 • -8.97db
23% Popularity • 70% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 70% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Dave Rawlings Machine
Short Haired Woman Blues
113 bpm • D# Maj • 06:43 • -10.45db
16% Popularity • 43% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 43% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Uncle Tupelo
Satan, Your Kingdom Must Come Down
114 bpm • E min • 01:53 • -14db
25% Popularity • 57% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 57% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Justin Townes Earle
I Don't Care - Remastered
99 bpm • C# Maj • 01:55 • -9.26db
45% Popularity • 56% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 56% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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M. Ward
Shangri-La
99 bpm • C Maj • 02:20 • -14.55db
37% Popularity • 55% Danceability • 30% Energy • 11% Liveness
30% Instrumentalness • 66% Positiveness
37% Popularity • 55% Danceability • 30% Energy • 11% Liveness
30% Instrumentalness • 66% Positiveness
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Eef Barzelay
The Ballad of Bitter Honey
99 bpm • D Maj • 03:34 • -10.14db
30% Popularity • 60% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 60% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Kim Richey
Whistle on Occasion
98 bpm • C Maj • 02:36 • -15.1db
29% Popularity • 62% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 62% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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The Decemberists
June Hymn
98 bpm • A Maj • 03:57 • -6.41db
44% Popularity • 59% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
44% Popularity • 59% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Uncle Tupelo
No Depression
114 bpm • C Maj • 02:20 • -16db
35% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Kacy & Clayton
Green Grows the Laurel
114 bpm • G# Maj • 04:38 • -12.58db
15% Popularity • 57% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 57% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Old Man Luedecke
I Quit My Job
114 bpm • B Maj • 02:46 • -7.86db
24% Popularity • 76% Danceability • 54% Energy • 12% Liveness
2% Instrumentalness • 70% Positiveness
24% Popularity • 76% Danceability • 54% Energy • 12% Liveness
2% Instrumentalness • 70% Positiveness
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Dave Rawlings Machine
It's Too Easy
98 bpm • D Maj • 03:08 • -9db
8% Popularity • 56% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 56% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Kathleen Edwards
One More Song The Radio Won't Like
114 bpm • D Maj • 04:24 • -7.07db
18% Popularity • 53% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 53% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Dave Carter
Happytown (All Right With Me)
115 bpm • D Maj • 03:34 • -11.07db
24% Popularity • 64% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 64% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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The Handsome Family
Just Like Tom Thumb's Blues
98 bpm • D Maj • 05:39 • -10.08db
31% Popularity • 56% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 56% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Anaïs Mitchell
Young Man In America
98 bpm • A# min • 05:30 • -9db
25% Popularity • 61% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 61% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
