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Lalki Odhaniya
Songs like
Lalki Odhaniya
by
Alok Kumar
Based on a tempo of (+/- 10%) and a similar genre
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Hemraj (Raj)
Nooriye
146 bpm • C# Maj • 03:15 • -2.47db
8% Popularity • 58% Danceability • 95% Energy • 41% Liveness
0% Instrumentalness • 79% Positiveness
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Raj Singh
Kaahe Bhool Gayli Tu
146 bpm • B min • 03:26 • -11.94db
11% Popularity • 48% Danceability • 64% Energy • 70% Liveness
0% Instrumentalness • 71% Positiveness
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Papiya Ganguly
PYAR KE KHATIR LOG
146 bpm • C Maj • 05:32 • -0.1db
8% Popularity • 56% Danceability • 94% Energy • 41% Liveness
0% Instrumentalness • 43% Positiveness
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manoj banjare
Boring Bigad Ge Tor Nakhara Ma
147 bpm • C# Maj • 05:47 • -3.74db
11% Popularity • 48% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Diganta Gohain
Moi Mori Gole Senai
145 bpm • B min • 05:52 • -6.78db
7% Popularity • 46% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Asmeena Mewati
हुकूमत फिरदोस �...
145 bpm • G# Maj • 04:48 • 1.13db
23% Popularity • 60% Danceability • 100% Energy • 69% Liveness
0% Instrumentalness • 66% Positiveness
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Alok Kumar
Saheb Kahi Ta Utha Lihal Jao
145 bpm • A# min • 04:24 • -4.11db
26% Popularity • 73% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Santram Banjara
Chhori Jamana Paar Ki
145 bpm • G min • 05:25 • -8.33db
12% Popularity • 70% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Neeraj Raj
Kawariya Bholedani Ke - Bhojpuri
145 bpm • C Maj • 03:55 • -3.66db
12% Popularity • 59% Danceability • 99% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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Akash Akela
Gum Sum Kyo Ho Tum
145 bpm • A min • 03:56 • -5.1db
8% Popularity • 56% Danceability • 98% Energy • 48% Liveness
0% Instrumentalness • 59% Positiveness
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Rajnikant Fouji
Chhotaki Saman
145 bpm • F# min • 04:23 • -4.7db
15% Popularity • 68% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Anand Mohan
Kaise Sudhri Bihar Rajendra Kaka
145 bpm • A# min • 05:40 • -9.45db
26% Popularity • 75% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Saat Kumar Lahariya
Giraudpuri Ke Mahima
145 bpm • A# min • 05:10 • -5.34db
12% Popularity • 67% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Alka Jha
Ghunghuta Utha Ke Chhod Diya
145 bpm • C Maj • 03:43 • -5.26db
22% Popularity • 65% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Nati King Kuldeep Sharma
Chori Pahado ri
145 bpm • F# min • 04:47 • -4.36db
17% Popularity • 58% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Shivkumar Tiwari
Deewana Hoge Chhora
144 bpm • C# Maj • 05:08 • -4.57db
11% Popularity • 60% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Kuldeep Kumar
Maine Dil Tumko Diya Sanam
144 bpm • B min • 04:11 • -2.89db
13% Popularity • 60% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Santram Banjara
Jai Jai Guru Dev
145 bpm • B min • 04:27 • -22.14db
14% Popularity • 57% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 89% Positiveness
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Thakur Dass Rathi
Mat Diladu Chode
144 bpm • G# Maj • 05:15 • -2.93db
14% Popularity • 53% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Pradeep Pandey
Mithe Bol Ke Sanwarki Re
144 bpm • E Maj • 03:03 • -3.04db
30% Popularity • 68% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Suraj Thakur
Pahari Jalwa (Dj Special)
144 bpm • C Maj • 09:42 • -2.82db
9% Popularity • 60% Danceability • 96% Energy • 79% Liveness
0% Instrumentalness • 49% Positiveness
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Saleem Albela
Tedi Akh Takni - New
144 bpm • F min • 02:53 • -5.09db
8% Popularity • 70% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Ravi Shankar
Sukanya, Act 2: XV. New Life
144 bpm • D Maj • 05:45 • -17.61db
0% Popularity • 41% Danceability • 53% Energy • 69% Liveness
1% Instrumentalness • 49% Positiveness
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Shivani Vaishnav
Reel Dekh Ke
149 bpm • E min • 04:04 • -4.07db
17% Popularity • 38% Danceability • 88% Energy • 48% Liveness
0% Instrumentalness • 73% Positiveness
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Anand Mohan
Bhaag Mein Ber Barkue Ba
149 bpm • D# Maj • 10:01 • -10.85db
10% Popularity • 59% Danceability • 65% Energy • 40% Liveness
0% Instrumentalness • 87% Positiveness
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Om Prakash
Bandhe Rahibe Maya Ke Dor
143 bpm • F Maj • 05:19 • -5.45db
25% Popularity • 64% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Mohan Rathore
Dhara Mathe Lago Kupri Mama
143 bpm • C# Maj • 04:56 • -11.93db
0% Popularity • 54% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Anoop Sharma Pintu
Mehariya Ladat Biya
143 bpm • F# min • 04:28 • -0.39db
14% Popularity • 68% Danceability • 100% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Chotu Singh Rawna
Vidhna Tere Lekh Kisi Ke Samjh Na Aate H
142 bpm • B min • 07:17 • -5.87db
20% Popularity • 67% Danceability • 73% Energy • 59% Liveness
0% Instrumentalness • 95% Positiveness
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Pawan
Chhuwen Sen Dela Gali
150 bpm • C Maj • 04:29 • -7.52db
16% Popularity • 80% Danceability • 76% Energy • 47% Liveness
0% Instrumentalness • 94% Positiveness
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Indu Sonali
Nasha Chhodaba Ki Na
150 bpm • G# min • 03:38 • -9.88db
11% Popularity • 69% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Alok Kumar
Holi Mein Choli Rangaale Patrki
150 bpm • C# Maj • 05:47 • -2.81db
5% Popularity • 64% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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S Kamal
Bahut yaad kar rahi hu apko
150 bpm • C# Maj • 03:57 • -8.17db
12% Popularity • 77% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Khushboo Jain
Humne Jise Dil Hai Diya
150 bpm • F# min • 03:58 • -1.54db
3% Popularity • 57% Danceability • 96% Energy • 40% Liveness
0% Instrumentalness • 76% Positiveness
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Madhuban Nishad Gorakhpuriya
Kewatan Ke Kila
150 bpm • C# Maj • 04:42 • -3.37db
18% Popularity • 68% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Kalpana
Maja Mare Mein Turba Gahanwa
150 bpm • E Maj • 03:42 • -4.93db
15% Popularity • 63% Danceability • 94% Energy • 50% Liveness
0% Instrumentalness • 63% Positiveness
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Deepu sabuana
Ram Aayenge
142 bpm • A Maj • 03:35 • -3.65db
12% Popularity • 66% Danceability • 99% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Alok Kumar
Murga Gail Kolkata
150 bpm • F# Maj • 05:00 • -10.64db
0% Popularity • 62% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Omesh Projects
Ramta Jogi (Aastha Rathore & Gaurav Rath...
150 bpm • A# min • 05:28 • -7.86db
21% Popularity • 64% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Gokul Sharma
Nimach Nagri Me Birajya Mhara Shyam Rang...
150 bpm • A min • 07:11 • -3.11db
14% Popularity • 61% Danceability • 92% Energy • 62% Liveness
0% Instrumentalness • 75% Positiveness
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Mannu Murari
Khesariya Ke Sali
150 bpm • G Maj • 05:22 • -6.34db
20% Popularity • 61% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Durga Jasraj
Jajam Dhalo Iin Chok Me
150 bpm • G# Maj • 07:39 • -4.67db
25% Popularity • 63% Danceability • 98% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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MANOJ TIWARI
Devra Bhail Deewana
150 bpm • C# min • 04:10 • -0.51db
7% Popularity • 68% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Alok Kumar
Gori Danger Samaan
150 bpm • C min • 03:42 • -4.76db
21% Popularity • 72% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Deepak Tripathi
Dhol Nagada Baaje
150 bpm • F# min • 06:02 • -5.17db
8% Popularity • 58% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Dewati Sarthi
Meri Jawani Ka Jawab Nahi Hai
150 bpm • C# min • 04:02 • -4.88db
12% Popularity • 63% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Deepa Narayan
Tohar Body Ke Internet
150 bpm • C# Maj • 04:08 • -6.19db
4% Popularity • 74% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Honey Negi
Aata Goondke - Chhoriye
142 bpm • G min • 03:37 • -2.84db
16% Popularity • 54% Danceability • 97% Energy • 82% Liveness
0% Instrumentalness • 74% Positiveness
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Sahin Chanchal
Kashmiri Gaal
142 bpm • B Maj • 07:45 • -4.14db
11% Popularity • 70% Danceability • 100% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Alok Kumar
Dj Wala Bhai Volume Kara High
150 bpm • F min • 03:00 • -4.26db
7% Popularity • 71% Danceability • 99% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Sudesh Chauhan
Teri Shangri Kullu Wari Daiye
142 bpm • F min • 03:16 • -2.71db
9% Popularity • 54% Danceability • 94% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
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Umesh Gawali
Jaanu Tuza Birthday Aahe Gift Kay Aanu
150 bpm • G# min • 02:44 • -4.18db
21% Popularity • 68% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Santram Banjara
Aarti
142 bpm • F# Maj • 04:37 • -23.01db
8% Popularity • 53% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Rinki Trishna
Morom Dibo Porakoi
141 bpm • G Maj • 04:15 • -9.34db
11% Popularity • 67% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Keshav Kushwah
Khwab Jithnee Ke Chhod De Raja
142 bpm • C Maj • 04:28 • -0.79db
11% Popularity • 70% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Alok Kumar
Ego Sona Chirai Se Bhail Hamra Love Ho
150 bpm • A# Maj • 04:14 • -3.5db
4% Popularity • 55% Danceability • 94% Energy • 85% Liveness
0% Instrumentalness • 54% Positiveness
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Pawan
MAHUYA KE PANI
140 bpm • B Maj • 04:09 • -2.07db
15% Popularity • 64% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
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Karan Buttar
Attachment
152 bpm • F# Maj • 05:52 • -2.89db
9% Popularity • 65% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Omesh Projects
9 Din Hoge Daras Naihe Re
140 bpm • C# min • 04:54 • -5.74db
8% Popularity • 54% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Master Sonu
Chale Aaiya Vaishno Maa
140 bpm • A# min • 04:41 • -8.1db
11% Popularity • 62% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Sonu Sharma Panchi
Tota Tagda
140 bpm • C min • 05:05 • -9.58db
13% Popularity • 82% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Master Vikash
Aaj Rangdari Hoi
140 bpm • C# min • 03:24 • -3.12db
26% Popularity • 54% Danceability • 100% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Aanand Mohan
Payar Karele Hum Tohara Se
140 bpm • A# min • 04:34 • -2.92db
8% Popularity • 65% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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F.m Manish
Honey Singh Ke Saar
140 bpm • C min • 03:06 • -2.52db
11% Popularity • 67% Danceability • 99% Energy • 63% Liveness
0% Instrumentalness • 92% Positiveness
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Omesh Projects
Chal Sangi
140 bpm • A# min • 03:18 • -10.95db
9% Popularity • 67% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Khesari Raja
Aaile Na Katar Se - Bhojpuri
140 bpm • F min • 04:34 • 0.64db
16% Popularity • 69% Danceability • 100% Energy • 70% Liveness
0% Instrumentalness • 84% Positiveness
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Prince Siddiqui
Naukri Chhod Chali Aai Na
140 bpm • C# Maj • 03:11 • -2.56db
15% Popularity • 66% Danceability • 100% Energy • 50% Liveness
0% Instrumentalness • 55% Positiveness
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Agam Kumar Nigam
Bewafa Dholna
140 bpm • G# Maj • 04:30 • -7.73db
22% Popularity • 66% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Arvind Akela Kallu Ji
Bhagiya Mein Agiya
140 bpm • A Maj • 03:18 • -3.73db
30% Popularity • 63% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Lucky Solanki
Bhai Bahin Ka Ye Rishta
140 bpm • D# Maj • 04:03 • -2.97db
8% Popularity • 70% Danceability • 96% Energy • 41% Liveness
0% Instrumentalness • 91% Positiveness
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Indu Sonali
Zindagi Ban Gaye Ho Tum
140 bpm • G# min • 04:22 • -1.73db
15% Popularity • 54% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Miss Teena
Maa Bhawan Me Kab Se Rahi Pukar
140 bpm • G# Maj • 04:44 • -4.72db
10% Popularity • 72% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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Samar Singh
Dant Ke Nishani
140 bpm • G min • 03:43 • -0.8db
38% Popularity • 60% Danceability • 96% Energy • 58% Liveness
0% Instrumentalness • 89% Positiveness
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Santosh Sagar
Nafarat Ke Chhudi
140 bpm • C# Maj • 06:30 • -3.91db
16% Popularity • 53% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Arvind Akela Kallu Ji
Holi Me Bhige Choli
140 bpm • A# Maj • 04:52 • -4.35db
13% Popularity • 70% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Anurag Garg
Kaam Karna Tha Manne
140 bpm • E Maj • 05:32 • -3.27db
13% Popularity • 68% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Shivani Vaishnav
Turi Mai Havav New Jamana Ke
140 bpm • F min • 04:10 • -3.64db
17% Popularity • 62% Danceability • 86% Energy • 60% Liveness
0% Instrumentalness • 85% Positiveness
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Kanhaiya Tandon
Aatho Paher
140 bpm • F# min • 05:06 • -9.93db
9% Popularity • 54% Danceability • 61% Energy • 62% Liveness
0% Instrumentalness • 80% Positiveness
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Rohit Yadav Rishi
Marab Chhati Me Goli
140 bpm • F min • 03:39 • -2.87db
16% Popularity • 41% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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Pawan
YE SAKHIYA RE
139 bpm • A# min • 03:33 • -1.93db
18% Popularity • 61% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Maan Paal
Gabru Punjab Da (Lofi)
153 bpm • A# min • 03:50 • -5.42db
25% Popularity • 68% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Pankaj Thakur
Sheetal Ki Nati
139 bpm • C Maj • 09:08 • -8.23db
14% Popularity • 61% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Lakhwinder Wadali
Behki Behki
153 bpm • B Maj • 03:42 • -8.47db
10% Popularity • 64% Danceability • 67% Energy • 41% Liveness
0% Instrumentalness • 70% Positiveness
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Arvind Akela Kallu Ji
Swain Flu Se Khatra
154 bpm • F min • 07:03 • -11.32db
28% Popularity • 61% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Sourav Hazarika
High Pressure Low Pressure (Jangfai 2023...
138 bpm • C# Maj • 03:18 • -9.79db
8% Popularity • 82% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
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LALU BAG
AME LALU UMA
138 bpm • C# min • 04:39 • -5.69db
16% Popularity • 62% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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Balak Das Baghel
Chhattisgarhi Gavaiya
154 bpm • F# Maj • 04:25 • -3.81db
8% Popularity • 64% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
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Pamela Jain
Pyar Kayile Bani Ho
155 bpm • G# min • 04:02 • -1.42db
3% Popularity • 55% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Alok Kumar
Bahe Jab Jab Purvaiya Ho
155 bpm • G Maj • 04:06 • -3.28db
5% Popularity • 65% Danceability • 98% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Omesh Vishwahar
Jondhra Lai
138 bpm • F# min • 05:12 • -2.04db
18% Popularity • 70% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Indu Sonali
Miseer Ji
155 bpm • A# min • 03:13 • -1.66db
17% Popularity • 63% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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ARVIND JIGAR
Pat Jayegi Chori
155 bpm • C Maj • 03:56 • -5.34db
14% Popularity • 61% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
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Pappu Kujur
Moir Jabu Fasi Lagaye Ke - Nagpuri
155 bpm • G Maj • 04:03 • -6.8db
10% Popularity • 66% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Omesh Projects
Tola Lehe Aahaw Saavan Ma
137 bpm • A Maj • 04:08 • -8.26db
11% Popularity • 77% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Chotu Singh Rawna
Khatu Wale Shyam Ji
155 bpm • D Maj • 05:15 • -5.45db
13% Popularity • 64% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Salman Sagar
Dewara Hath Lagawalas Ho
156 bpm • A# min • 05:05 • -5.58db
18% Popularity • 64% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
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Indu Sonali
Puranki Ke Goli Maar Deb
155 bpm • B min • 03:21 • -4.38db
1% Popularity • 63% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
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Kalpana
Babuni Jeans Pahirale Bari
156 bpm • G# Maj • 04:20 • -5.89db
1% Popularity • 64% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Arshiya Siddiqui
Hothe Pe Lali
156 bpm • F# Maj • 03:34 • -3.88db
2% Popularity • 54% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Anand Mohan
Bam Bhole Bam - Bam
156 bpm • A# Maj • 07:39 • -13.74db
15% Popularity • 59% Danceability • 66% Energy • 52% Liveness
0% Instrumentalness • 63% Positiveness
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Lalki Odhaniya