Songs like Lalo: Symphonie espagnole, Op. 21: II. Scherzando. Allegro molto by Édouard Lalo
Based on a tempo of (+/- 10%) and a similar genre
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Édouard Lalo
Lalo: Symphonie espagnole, Op. 21: III. ...
103 bpm • A min • 06:04 • -24.84db
9% Popularity • 36% Danceability • 6% Energy • 6% Liveness
4% Instrumentalness • 31% Positiveness
9% Popularity • 36% Danceability • 6% Energy • 6% Liveness
4% Instrumentalness • 31% Positiveness
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Fritz Kreisler
Praeludium and Allegro
103 bpm • E min • 05:45 • -17.31db
31% Popularity • 39% Danceability • 25% Energy • 15% Liveness
66% Instrumentalness • 19% Positiveness
31% Popularity • 39% Danceability • 25% Energy • 15% Liveness
66% Instrumentalness • 19% Positiveness
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Felix Mendelssohn
Violin Concerto In E Minor, Op. 64, MWV ...
103 bpm • C Maj • 07:14 • -27.12db
24% Popularity • 21% Danceability • 6% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 6% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
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Niccolò Paganini
Violin Concerto No. 1 in D Major, Op. 6:...
103 bpm • D Maj • 09:52 • -23.9db
19% Popularity • 44% Danceability • 11% Energy • 10% Liveness
10% Instrumentalness • 21% Positiveness
19% Popularity • 44% Danceability • 11% Energy • 10% Liveness
10% Instrumentalness • 21% Positiveness
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AntonÃn Dvořák
Rondo in G Minor, Op. 94, B. 181: Rondo ...
103 bpm • D Maj • 06:15 • -17.28db
23% Popularity • 33% Danceability • 20% Energy • 8% Liveness
86% Instrumentalness • 36% Positiveness
23% Popularity • 33% Danceability • 20% Energy • 8% Liveness
86% Instrumentalness • 36% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Piano Concerto No. 3 in D M...
103 bpm • D min • 02:52 • -23.34db
33% Popularity • 27% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 33% Positiveness
33% Popularity • 27% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 33% Positiveness
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Édouard Lalo
Lalo: Symphonie espagnole, Op. 21: II. S...
103 bpm • G Maj • 04:13 • -27.82db
8% Popularity • 35% Danceability • 4% Energy • 13% Liveness
4% Instrumentalness • 44% Positiveness
8% Popularity • 35% Danceability • 4% Energy • 13% Liveness
4% Instrumentalness • 44% Positiveness
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Frédéric Chopin
Piano Concerto No. 2 in F minor, Op. 21:...
102 bpm • G# Maj • 08:07 • -28db
39% Popularity • 28% Danceability • 4% Energy • 6% Liveness
92% Instrumentalness • 5% Positiveness
39% Popularity • 28% Danceability • 4% Energy • 6% Liveness
92% Instrumentalness • 5% Positiveness
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Robert Schumann
Five Pieces In Folk-style, Op.102: I. Va...
104 bpm • F Maj • 03:18 • -25.66db
31% Popularity • 38% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
31% Popularity • 38% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
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Charles-Auguste de Bériot
12 Scenes or Caprices, Op. 109: No. 7. L...
102 bpm • A min • 01:53 • -20.3db
21% Popularity • 46% Danceability • 12% Energy • 7% Liveness
61% Instrumentalness • 66% Positiveness
21% Popularity • 46% Danceability • 12% Energy • 7% Liveness
61% Instrumentalness • 66% Positiveness
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Alfredo Catalani
La Wally: Ebben?...Ne andrò lontana (Ar...
104 bpm • E min • 03:04 • -24.17db
13% Popularity • 21% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
13% Popularity • 21% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Samuel Barber
Violin Concerto, Op. 14: II. Andante - I...
102 bpm • E Maj • 09:05 • -23.47db
15% Popularity • 16% Danceability • 8% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 8% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
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Édouard Lalo
Suite No.1 from "Namouna": No. 4a, Parad...
102 bpm • C min • 05:15 • -20.62db
5% Popularity • 31% Danceability • 12% Energy • 33% Liveness
85% Instrumentalness • 9% Positiveness
5% Popularity • 31% Danceability • 12% Energy • 33% Liveness
85% Instrumentalness • 9% Positiveness
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Nathan Milstein
Paganiniana (Variations) For Violin Solo
104 bpm • A min • 07:32 • -22.02db
30% Popularity • 45% Danceability • 11% Energy • 4% Liveness
82% Instrumentalness • 26% Positiveness
30% Popularity • 45% Danceability • 11% Energy • 4% Liveness
82% Instrumentalness • 26% Positiveness
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Camille Saint-Saëns
Havanaise, Op. 83: Allegro
104 bpm • A Maj • 04:54 • -20.64db
10% Popularity • 32% Danceability • 14% Energy • 61% Liveness
50% Instrumentalness • 12% Positiveness
10% Popularity • 32% Danceability • 14% Energy • 61% Liveness
50% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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Fritz Kreisler
Schön Rosmarin
102 bpm • G Maj • 02:14 • -23.25db
21% Popularity • 49% Danceability • 13% Energy • 6% Liveness
76% Instrumentalness • 62% Positiveness
21% Popularity • 49% Danceability • 13% Energy • 6% Liveness
76% Instrumentalness • 62% Positiveness
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Gabriel Fauré
Pelléas et Mélisande Suite, Op. 80: II...
104 bpm • G min • 03:29 • -36.69db
26% Popularity • 17% Danceability • 1% Energy • 10% Liveness
68% Instrumentalness • 10% Positiveness
26% Popularity • 17% Danceability • 1% Energy • 10% Liveness
68% Instrumentalness • 10% Positiveness
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Édouard Lalo
Lalo: Symphonie espagnole in D minor, Op...
104 bpm • D Maj • 06:10 • -22.87db
6% Popularity • 18% Danceability • 11% Energy • 10% Liveness
50% Instrumentalness • 4% Positiveness
6% Popularity • 18% Danceability • 11% Energy • 10% Liveness
50% Instrumentalness • 4% Positiveness
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Pablo de Sarasate
Zigeunerweisen, Op. 20: III. Un poco pi�...
105 bpm • C min • 01:53 • -27db
34% Popularity • 19% Danceability • 5% Energy • 18% Liveness
38% Instrumentalness • 11% Positiveness
34% Popularity • 19% Danceability • 5% Energy • 18% Liveness
38% Instrumentalness • 11% Positiveness
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Anonymous
Moment Musical in F Minor, Op. 94, No. 3...
101 bpm • F min • 01:42 • -27.23db
39% Popularity • 45% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
39% Popularity • 45% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Pietro Locatelli
Caprice 1 in D-Sharp Major
105 bpm • D Maj • 02:31 • -18.81db
21% Popularity • 45% Danceability • 15% Energy • 34% Liveness
92% Instrumentalness • 67% Positiveness
21% Popularity • 45% Danceability • 15% Energy • 34% Liveness
92% Instrumentalness • 67% Positiveness
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Franz Schubert
Auf dem Wasser zu singen, D. 774 - Trans...
105 bpm • G# min • 03:52 • -20.8db
46% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
46% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Erno Rozsa
Violin Concerto No. 4 In D Minor, MS 60:...
101 bpm • F# min • 06:09 • -24.13db
10% Popularity • 25% Danceability • 8% Energy • 18% Liveness
10% Instrumentalness • 7% Positiveness
10% Popularity • 25% Danceability • 8% Energy • 18% Liveness
10% Instrumentalness • 7% Positiveness
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Édouard Lalo
Romance-Sérénade pour violon et orches...
104 bpm • G Maj • 07:23 • -20.71db
1% Popularity • 26% Danceability • 13% Energy • 13% Liveness
5% Instrumentalness • 10% Positiveness
1% Popularity • 26% Danceability • 13% Energy • 13% Liveness
5% Instrumentalness • 10% Positiveness
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James Ehnes
Romantic Pieces, Op.75, for Violin and P...
101 bpm • D min • 02:44 • -19.99db
12% Popularity • 66% Danceability • 13% Energy • 21% Liveness
8% Instrumentalness • 51% Positiveness
12% Popularity • 66% Danceability • 13% Energy • 21% Liveness
8% Instrumentalness • 51% Positiveness
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Niccolò Paganini
Violin Concerto No. 1 in D Major, Op. 6,...
101 bpm • B min • 06:02 • -24.14db
14% Popularity • 23% Danceability • 8% Energy • 29% Liveness
2% Instrumentalness • 8% Positiveness
14% Popularity • 23% Danceability • 8% Energy • 29% Liveness
2% Instrumentalness • 8% Positiveness
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RCA Victor Symphony Orchestra & William Steinberg
Introduction et rondo capriccioso in A m...
105 bpm • A min • 01:25 • -26.17db
17% Popularity • 28% Danceability • 9% Energy • 26% Liveness
19% Instrumentalness • 19% Positiveness
17% Popularity • 28% Danceability • 9% Energy • 26% Liveness
19% Instrumentalness • 19% Positiveness
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Johann Sebastian Bach
Violin Concerto No. 1 in A Minor, BWV 10...
105 bpm • A min • 03:23 • -14.4db
35% Popularity • 57% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 76% Positiveness
35% Popularity • 57% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 76% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: III. ...
105 bpm • D Maj • 08:27 • -19.29db
40% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
40% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Édouard Lalo
Lalo: Symphonie espagnole in D minor, Op...
104 bpm • G Maj • 04:18 • -25.27db
7% Popularity • 37% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 37% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Antonio Vivaldi
Violin Concerto No. 1 in E Major, RV 269...
105 bpm • E Maj • 03:19 • -16.03db
40% Popularity • 45% Danceability • 19% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
40% Popularity • 45% Danceability • 19% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
100 bpm • D# Maj • 09:33 • -29.92db
21% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
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Pablo de Sarasate
Zigeunerweisen, Op. 20: II. Lento
100 bpm • C min • 03:41 • -22.63db
37% Popularity • 33% Danceability • 9% Energy • 13% Liveness
32% Instrumentalness • 5% Positiveness
37% Popularity • 33% Danceability • 9% Energy • 13% Liveness
32% Instrumentalness • 5% Positiveness
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Samuel Barber
Violin Concerto, Op. 14: II. Andante
100 bpm • E Maj • 09:07 • -23.48db
14% Popularity • 15% Danceability • 8% Energy • 12% Liveness
49% Instrumentalness • 3% Positiveness
14% Popularity • 15% Danceability • 8% Energy • 12% Liveness
49% Instrumentalness • 3% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: III. F...
106 bpm • A min • 10:23 • -20.31db
11% Popularity • 33% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
11% Popularity • 33% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Édouard Lalo
Fantaisie norvégienne pour violon et or...
101 bpm • D Maj • 04:04 • -20.43db
1% Popularity • 22% Danceability • 10% Energy • 8% Liveness
12% Instrumentalness • 7% Positiveness
1% Popularity • 22% Danceability • 10% Energy • 8% Liveness
12% Instrumentalness • 7% Positiveness
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Gustav Mahler
Mahler: Blumine
100 bpm • C Maj • 08:26 • -24.61db
29% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: III. No...
100 bpm • A Maj • 06:38 • -20.69db
22% Popularity • 26% Danceability • 9% Energy • 8% Liveness
66% Instrumentalness • 10% Positiveness
22% Popularity • 26% Danceability • 9% Energy • 8% Liveness
66% Instrumentalness • 10% Positiveness
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Pablo de Sarasate
Introduction and Tarantella, Op. 43
106 bpm • G Maj • 05:15 • -18.57db
24% Popularity • 48% Danceability • 12% Energy • 13% Liveness
13% Instrumentalness • 44% Positiveness
24% Popularity • 48% Danceability • 12% Energy • 13% Liveness
13% Instrumentalness • 44% Positiveness
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Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
48% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
48% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
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Clara Schumann
3 Romances, Op. 11: I. Andante
106 bpm • D# min • 03:30 • -31db
40% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
40% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Édouard Lalo
Concerto russe, Op. 29: III. Intermezzo
101 bpm • A# Maj • 04:03 • -26.15db
0% Popularity • 55% Danceability • 7% Energy • 8% Liveness
6% Instrumentalness • 22% Positiveness
0% Popularity • 55% Danceability • 7% Energy • 8% Liveness
6% Instrumentalness • 22% Positiveness
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Henri Vieuxtemps
3 Romances sans paroles, Op. 7: 2. Dése...
100 bpm • G# Maj • 02:35 • -10db
14% Popularity • 23% Danceability • 46% Energy • 10% Liveness
78% Instrumentalness • 10% Positiveness
14% Popularity • 23% Danceability • 46% Energy • 10% Liveness
78% Instrumentalness • 10% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 7 Album...
100 bpm • E min • 01:20 • -33.32db
48% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
48% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: III. Lento assai
106 bpm • C Maj • 02:07 • -26.47db
28% Popularity • 26% Danceability • 5% Energy • 6% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 26% Danceability • 5% Energy • 6% Liveness
2% Instrumentalness • 4% Positiveness
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Niccolò Paganini
Moses Fantasy
100 bpm • C Maj • 06:57 • -23.4db
31% Popularity • 36% Danceability • 10% Energy • 9% Liveness
47% Instrumentalness • 30% Positiveness
31% Popularity • 36% Danceability • 10% Energy • 9% Liveness
47% Instrumentalness • 30% Positiveness
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Fritz Kreisler
Liebesfreud
99 bpm • F Maj • 03:46 • -16.76db
29% Popularity • 45% Danceability • 11% Energy • 5% Liveness
43% Instrumentalness • 35% Positiveness
29% Popularity • 45% Danceability • 11% Energy • 5% Liveness
43% Instrumentalness • 35% Positiveness
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Édouard Lalo
Cello Concerto in D Minor: III. Introduc...
105 bpm • D Maj • 07:29 • -20db
10% Popularity • 35% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
10% Popularity • 35% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
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Frédéric Chopin
Piano Concerto No. 2 In F Minor, Op. 21:...
107 bpm • A# min • 09:06 • -17.67db
34% Popularity • 36% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
34% Popularity • 36% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Michael Haydn
Haydn, Michael / Arr Stoll : Polonaise i...
107 bpm • C Maj • 03:35 • -27.8db
25% Popularity • 29% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 42% Positiveness
25% Popularity • 29% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 42% Positiveness
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Johann Sebastian Bach
Concerto in D Minor for Two Violins, BWV...
99 bpm • D min • 03:39 • -16db
32% Popularity • 47% Danceability • 32% Energy • 23% Liveness
11% Instrumentalness • 74% Positiveness
32% Popularity • 47% Danceability • 32% Energy • 23% Liveness
11% Instrumentalness • 74% Positiveness
► Preview
Samuel Barber
Violin Concerto, Op. 14: II. Andante
107 bpm • E Maj • 08:27 • -20.94db
4% Popularity • 17% Danceability • 12% Energy • 9% Liveness
53% Instrumentalness • 4% Positiveness
4% Popularity • 17% Danceability • 12% Energy • 9% Liveness
53% Instrumentalness • 4% Positiveness
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Niccolò Paganini
Variations on "God Save The King" for So...
99 bpm • G Maj • 05:56 • -18.61db
21% Popularity • 51% Danceability • 16% Energy • 6% Liveness
58% Instrumentalness • 44% Positiveness
21% Popularity • 51% Danceability • 16% Energy • 6% Liveness
58% Instrumentalness • 44% Positiveness
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Édouard Lalo
II. Scherzando (Allegro molto)
105 bpm • G Maj • 04:09 • -26.46db
3% Popularity • 34% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 41% Positiveness
3% Popularity • 34% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 41% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: I. Introduction:...
107 bpm • D min • 03:03 • -22db
17% Popularity • 38% Danceability • 12% Energy • 4% Liveness
29% Instrumentalness • 31% Positiveness
17% Popularity • 38% Danceability • 12% Energy • 4% Liveness
29% Instrumentalness • 31% Positiveness
► Preview
Henryk Wieniawski
Polonaise brillante No. 1 in D Major, Op...
99 bpm • D Maj • 05:26 • -18.42db
20% Popularity • 43% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 35% Positiveness
20% Popularity • 43% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 35% Positiveness
► Preview
Johann Sebastian Bach
Violin Concerto No. 2 in E Major, BWV 10...
107 bpm • E Maj • 06:55 • -13.52db
32% Popularity • 55% Danceability • 39% Energy • 18% Liveness
1% Instrumentalness • 75% Positiveness
32% Popularity • 55% Danceability • 39% Energy • 18% Liveness
1% Instrumentalness • 75% Positiveness
► Preview
Fritz Kreisler
Schön Rosmarin
107 bpm • G Maj • 01:58 • -21db
37% Popularity • 47% Danceability • 14% Energy • 26% Liveness
68% Instrumentalness • 63% Positiveness
37% Popularity • 47% Danceability • 14% Energy • 26% Liveness
68% Instrumentalness • 63% Positiveness
► Preview
Franz Waxman
Waxman & Bizet: Carmen Fantasia
107 bpm • D Maj • 09:59 • -23db
9% Popularity • 34% Danceability • 15% Energy • 49% Liveness
41% Instrumentalness • 25% Positiveness
9% Popularity • 34% Danceability • 15% Energy • 49% Liveness
41% Instrumentalness • 25% Positiveness
► Preview
Édouard Lalo
Guitare, Op. 28 (Arr. G. Pierne for viol...
100 bpm • A Maj • 03:16 • -23.94db
1% Popularity • 32% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 27% Positiveness
1% Popularity • 32% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 27% Positiveness
► Preview
AntonÃn Dvořák
Dvořák: 4 Romantic Pieces, Op. 75, B. ...
107 bpm • A# Maj • 03:17 • -26db
30% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
30% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
► Preview
Alexander Borodin
String Quartet No. 2 in D Major: II. Sch...
107 bpm • F Maj • 04:47 • -22db
24% Popularity • 28% Danceability • 13% Energy • 6% Liveness
93% Instrumentalness • 23% Positiveness
24% Popularity • 28% Danceability • 13% Energy • 6% Liveness
93% Instrumentalness • 23% Positiveness
► Preview
Gabriel Fauré
Après un Rêve op.7, no.1 - Arr. for Ce...
99 bpm • F min • 03:25 • -21.71db
7% Popularity • 15% Danceability • 7% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
7% Popularity • 15% Danceability • 7% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
RCA Victor Symphony Orchestra & William Steinberg
Zigeunerweisen, Op. 20 (version for viol...
99 bpm • C min • 00:56 • -21db
30% Popularity • 34% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 25% Positiveness
30% Popularity • 34% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 25% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Romance No. 2 in F Major, Op....
99 bpm • F Maj • 07:53 • -24.74db
23% Popularity • 25% Danceability • 4% Energy • 8% Liveness
7% Instrumentalness • 12% Positiveness
23% Popularity • 25% Danceability • 4% Energy • 8% Liveness
7% Instrumentalness • 12% Positiveness
► Preview
Erno Rozsa
Violin Concerto No. 4 In D Minor, MS 60:...
108 bpm • D min • 10:49 • -20.74db
37% Popularity • 53% Danceability • 12% Energy • 45% Liveness
24% Instrumentalness • 43% Positiveness
37% Popularity • 53% Danceability • 12% Energy • 45% Liveness
24% Instrumentalness • 43% Positiveness
► Preview
AntonÃn Dvořák
Bagatelles, Op. 47, B. 79: No. 1 in G Mi...
99 bpm • G min • 03:05 • -20db
26% Popularity • 26% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
26% Popularity • 26% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Édouard Lalo
Fantaisie-Ballet pour violon et orchestr...
108 bpm • C Maj • 10:26 • -17.67db
0% Popularity • 35% Danceability • 14% Energy • 6% Liveness
19% Instrumentalness • 18% Positiveness
0% Popularity • 35% Danceability • 14% Energy • 6% Liveness
19% Instrumentalness • 18% Positiveness
► Preview
César Franck
Franck: Violin Sonata in A Major, FWV 8:...
98 bpm • A Maj • 05:57 • -17.62db
12% Popularity • 26% Danceability • 13% Energy • 7% Liveness
1% Instrumentalness • 21% Positiveness
12% Popularity • 26% Danceability • 13% Energy • 7% Liveness
1% Instrumentalness • 21% Positiveness
► Preview
Dmitri Shostakovich
Violin Concerto No. 1 In A Minor, Op. 99...
98 bpm • C# Maj • 09:20 • -19.63db
14% Popularity • 15% Danceability • 11% Energy • 17% Liveness
77% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 11% Energy • 17% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Henryk Wieniawski
Polonaise de Concert in D Major, Op. 4
98 bpm • D Maj • 05:44 • -13.74db
26% Popularity • 40% Danceability • 20% Energy • 8% Liveness
2% Instrumentalness • 37% Positiveness
26% Popularity • 40% Danceability • 20% Energy • 8% Liveness
2% Instrumentalness • 37% Positiveness
► Preview
Pablo de Sarasate
Nocturne-serenade, Op. 45
108 bpm • A# Maj • 06:23 • -28.7db
29% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
29% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
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Erno Rozsa
Violin Concerto No. 3 In E Major, MS 50:...
98 bpm • A Maj • 07:25 • -31db
34% Popularity • 26% Danceability • 1% Energy • 12% Liveness
6% Instrumentalness • 12% Positiveness
34% Popularity • 26% Danceability • 1% Energy • 12% Liveness
6% Instrumentalness • 12% Positiveness
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Édouard Lalo
Concerto russe, Op. 29: IV. Introduction...
98 bpm • C min • 07:57 • -21.39db
0% Popularity • 33% Danceability • 10% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
0% Popularity • 33% Danceability • 10% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
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Niccolò Paganini
Paganini: Cantabile in D Major, Op. 17
109 bpm • A Maj • 03:53 • -21.66db
29% Popularity • 29% Danceability • 9% Energy • 12% Liveness
11% Instrumentalness • 15% Positiveness
29% Popularity • 29% Danceability • 9% Energy • 12% Liveness
11% Instrumentalness • 15% Positiveness
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Max Bruch
Scottish Fantasy for Violin and Orchestr...
97 bpm • D# Maj • 08:38 • -11.04db
20% Popularity • 34% Danceability • 22% Energy • 10% Liveness
63% Instrumentalness • 14% Positiveness
20% Popularity • 34% Danceability • 22% Energy • 10% Liveness
63% Instrumentalness • 14% Positiveness
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Gabriel Fauré
Tristesse, Op. 6, No. 2
97 bpm • F min • 02:47 • -24db
28% Popularity • 19% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
28% Popularity • 19% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Samuel Barber
Concerto for Violin & Orchestra, Op. 14:...
97 bpm • A min • 03:49 • -16db
18% Popularity • 39% Danceability • 50% Energy • 22% Liveness
81% Instrumentalness • 65% Positiveness
18% Popularity • 39% Danceability • 50% Energy • 22% Liveness
81% Instrumentalness • 65% Positiveness
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Franz Liszt
6 Consolations, S. 172 - Transcription f...
97 bpm • C# Maj • 03:15 • -21.92db
14% Popularity • 23% Danceability • 8% Energy • 11% Liveness
9% Instrumentalness • 8% Positiveness
14% Popularity • 23% Danceability • 8% Energy • 11% Liveness
9% Instrumentalness • 8% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
29% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
29% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Anton Arensky
Piano Trio No. 1 in D Minor, Op. 32: III...
110 bpm • G min • 06:21 • -30.95db
11% Popularity • 20% Danceability • 1% Energy • 9% Liveness
9% Instrumentalness • 5% Positiveness
11% Popularity • 20% Danceability • 1% Energy • 9% Liveness
9% Instrumentalness • 5% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: IV. Allegro mode...
110 bpm • D Maj • 02:04 • -22db
42% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Violin Concerto No. 1 in B-Flat ...
110 bpm • D# Maj • 08:13 • -26db
36% Popularity • 23% Danceability • 4% Energy • 11% Liveness
47% Instrumentalness • 7% Positiveness
36% Popularity • 23% Danceability • 4% Energy • 11% Liveness
47% Instrumentalness • 7% Positiveness
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Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto No. 2 in A Major, Op. 5:...
96 bpm • D Maj • 06:05 • -23.03db
45% Popularity • 27% Danceability • 7% Energy • 15% Liveness
3% Instrumentalness • 10% Positiveness
45% Popularity • 27% Danceability • 7% Energy • 15% Liveness
3% Instrumentalness • 10% Positiveness
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Johann Christian Bach
Viola Concerto in C Minor: I. Allegro mo...
96 bpm • C min • 03:27 • -14.45db
27% Popularity • 41% Danceability • 24% Energy • 15% Liveness
82% Instrumentalness • 37% Positiveness
27% Popularity • 41% Danceability • 24% Energy • 15% Liveness
82% Instrumentalness • 37% Positiveness
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Gabriel Fauré
Après un Rêve Op. 7, No. 1
96 bpm • F min • 03:22 • -26.28db
28% Popularity • 16% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
28% Popularity • 16% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
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Felix Mendelssohn
Mendelssohn: Violin Concerto in E Minor,...
96 bpm • C Maj • 08:05 • -24db
34% Popularity • 16% Danceability • 11% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 11% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
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David Popper
Elfentanz, Op. 39 - Dance of the Elves
96 bpm • G Maj • 02:32 • -17.32db
38% Popularity • 51% Danceability • 38% Energy • 32% Liveness
89% Instrumentalness • 50% Positiveness
38% Popularity • 51% Danceability • 38% Energy • 32% Liveness
89% Instrumentalness • 50% Positiveness
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Franz Liszt
Grandes études de Paganini, S.141: No. ...
96 bpm • G# min • 04:42 • -20.55db
31% Popularity • 30% Danceability • 23% Energy • 10% Liveness
78% Instrumentalness • 39% Positiveness
31% Popularity • 30% Danceability • 23% Energy • 10% Liveness
78% Instrumentalness • 39% Positiveness
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Édouard Lalo
Lalo: Symphonie espagnole, Op. 21: IV. A...
96 bpm • D Maj • 07:35 • -27.34db
8% Popularity • 17% Danceability • 6% Energy • 11% Liveness
27% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 6% Energy • 11% Liveness
27% Instrumentalness • 4% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
110 bpm • D# Maj • 08:16 • -25.33db
31% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
31% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
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César Franck
Sonata for Violin and Piano in A Major: ...
96 bpm • A Maj • 06:25 • -15.52db
10% Popularity • 25% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 25% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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Georges Bizet
Carmen Suite No. 1: 1. Prélude
96 bpm • A min • 01:23 • -23db
37% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
37% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Violin Concerto in D Major, Op. 61: II. ...
96 bpm • G Maj • 08:06 • -27.18db
25% Popularity • 21% Danceability • 4% Energy • 9% Liveness
6% Instrumentalness • 5% Positiveness
25% Popularity • 21% Danceability • 4% Energy • 9% Liveness
6% Instrumentalness • 5% Positiveness
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David Oistrakh
Concerto Grosso in A Minor for Two Violi...
96 bpm • A min • 03:59 • -16db
28% Popularity • 50% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 50% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Édouard Lalo
Piano Concerto in F Minor: II. Lento
111 bpm • D# Maj • 05:58 • -22.3db
0% Popularity • 26% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
0% Popularity • 26% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: III. ...
96 bpm • A# Maj • 05:55 • -31.12db
15% Popularity • 16% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
