Songs like Lamentatio by Charles Bocquet
Based on a tempo of (+/- 10%) and a similar genre
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Francesco Corbetta
Partie de Chaconne en ut majeur
98 bpm • B Maj • 02:38 • -24.94db
13% Popularity • 39% Danceability • 11% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
13% Popularity • 39% Danceability • 11% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
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Johann Jacob Weiss
Suite in G Major: VI. Guige
98 bpm • F# Maj • 01:24 • -19.43db
1% Popularity • 46% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 68% Positiveness
1% Popularity • 46% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 68% Positiveness
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Hans Neusidler
Ein Newgeordent Künstlich Lautenbuch, 1...
98 bpm • G min • 01:12 • -19.66db
1% Popularity • 47% Danceability • 10% Energy • 12% Liveness
81% Instrumentalness • 52% Positiveness
1% Popularity • 47% Danceability • 10% Energy • 12% Liveness
81% Instrumentalness • 52% Positiveness
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Luis de Milán
Fantaisie No. 8: Fantasia VIII
98 bpm • A# Maj • 02:36 • -33.31db
15% Popularity • 41% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
15% Popularity • 41% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Francesco Valdambrini
Intavolatura di chitarra a cinque ordini...
98 bpm • C# Maj • 02:57 • -32.32db
8% Popularity • 55% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 42% Positiveness
8% Popularity • 55% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 42% Positiveness
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Giovanni Paolo Paladino
Fantasia No. 1
98 bpm • A# min • 03:12 • -24.76db
11% Popularity • 46% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
11% Popularity • 46% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
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Charles Bocquet
Lamentatio
98 bpm • B min • 01:46 • -22db
10% Popularity • 49% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 32% Positiveness
10% Popularity • 49% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 32% Positiveness
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François Couperin
Pieces de clavecin, Book 2: 7th Ordre: L...
97 bpm • D min • 02:58 • -27.26db
13% Popularity • 33% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 50% Positiveness
13% Popularity • 33% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 50% Positiveness
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Nicolas Vallet
Battaille from Le Secret des Muses
99 bpm • E Maj • 06:20 • -25db
12% Popularity • 27% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 44% Positiveness
12% Popularity • 27% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 44% Positiveness
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Edward Martin and Paul Berget
Suite for 2 Lutes in Bb (Baron) - Minuet
99 bpm • E Maj • 01:58 • -24.18db
16% Popularity • 64% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 37% Positiveness
16% Popularity • 64% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 37% Positiveness
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Giovanni Girolamo Kapsberger
Libro IV d'intavolatura di chitarrone: C...
99 bpm • D min • 03:44 • -23.58db
1% Popularity • 36% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
1% Popularity • 36% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Vincenzo Galilei
Contrappunto Primo B.M.
99 bpm • G min • 02:14 • -22db
11% Popularity • 36% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 58% Positiveness
11% Popularity • 36% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 58% Positiveness
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John Dowland
The Lady Rich's Galliard, P. 43a: My Lad...
99 bpm • F# Maj • 01:38 • -20db
7% Popularity • 53% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 48% Positiveness
7% Popularity • 53% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 48% Positiveness
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Francesco Corbetta
Suite in C Major: III. Corrente
99 bpm • B Maj • 01:18 • -34.65db
15% Popularity • 39% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 62% Positiveness
15% Popularity • 39% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 62% Positiveness
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Johann Daniel Mylius
Volte
97 bpm • A Maj • 02:18 • -28.39db
12% Popularity • 47% Danceability • 11% Energy • 8% Liveness
86% Instrumentalness • 70% Positiveness
12% Popularity • 47% Danceability • 11% Energy • 8% Liveness
86% Instrumentalness • 70% Positiveness
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Lucas Ruiz de Ribayaz
Luz y norte musical: Pabanas
99 bpm • C# Maj • 02:20 • -35db
10% Popularity • 26% Danceability • 1% Energy • 23% Liveness
97% Instrumentalness • 24% Positiveness
10% Popularity • 26% Danceability • 1% Energy • 23% Liveness
97% Instrumentalness • 24% Positiveness
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Michelangelo Galilei
Toccata
99 bpm • A# Maj • 02:05 • -29.91db
8% Popularity • 51% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
8% Popularity • 51% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Charles Mouton
Suite in C Minor from Ms. Lobkowicz: III...
99 bpm • B min • 01:36 • -21.82db
15% Popularity • 39% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 32% Positiveness
15% Popularity • 39% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 32% Positiveness
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Johann Adolf Hasse
Cleofide (arr. for lute): Act 2: Aria: D...
99 bpm • E Maj • 04:41 • -22.73db
2% Popularity • 42% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 33% Positiveness
2% Popularity • 42% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 33% Positiveness
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Francis Cutting
Galliard
99 bpm • A Maj • 01:35 • -25.92db
0% Popularity • 55% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 66% Positiveness
0% Popularity • 55% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 66% Positiveness
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Francesca Torelli
L'impromptu: Allemande
99 bpm • D# min • 02:34 • -27.33db
8% Popularity • 45% Danceability • 3% Energy • 7% Liveness
75% Instrumentalness • 24% Positiveness
8% Popularity • 45% Danceability • 3% Energy • 7% Liveness
75% Instrumentalness • 24% Positiveness
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Giovanni Zamboni
Ceccona
100 bpm • E Maj • 02:35 • -25.66db
12% Popularity • 44% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
12% Popularity • 44% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
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Giovanni Antonio Terzi
Jouissance
96 bpm • C Maj • 05:02 • -38db
12% Popularity • 22% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 26% Positiveness
12% Popularity • 22% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 26% Positiveness
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Christopher Tye
In Nomine à 5 "Crye"
96 bpm • C min • 01:56 • -22.21db
10% Popularity • 28% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 36% Positiveness
10% Popularity • 28% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 36% Positiveness
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Silvius Leopold Weiss
Galanterie Pièce
100 bpm • D Maj • 02:49 • -29db
12% Popularity • 37% Danceability • 10% Energy • 9% Liveness
83% Instrumentalness • 37% Positiveness
12% Popularity • 37% Danceability • 10% Energy • 9% Liveness
83% Instrumentalness • 37% Positiveness
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Thomas Robinson
Spanish Pavan
96 bpm • F# min • 02:52 • -26.99db
14% Popularity • 38% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 63% Positiveness
14% Popularity • 38% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 63% Positiveness
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Pietro Paolo Borrono
Peschatore che va cantando
96 bpm • C# Maj • 01:03 • -20.74db
4% Popularity • 56% Danceability • 20% Energy • 10% Liveness
87% Instrumentalness • 45% Positiveness
4% Popularity • 56% Danceability • 20% Energy • 10% Liveness
87% Instrumentalness • 45% Positiveness
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Ennemond Gaultier
Suite in D Minor: IV. Tombeau de Mesange...
96 bpm • C# min • 04:05 • -27.75db
0% Popularity • 43% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
0% Popularity • 43% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Heringman
Mudarra : Glosa sobre un Kyrie postrero
96 bpm • C min • 02:21 • -28.68db
11% Popularity • 45% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 48% Positiveness
11% Popularity • 45% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 48% Positiveness
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John Dowland
Fortune My Foe, P. 62
96 bpm • C min • 02:51 • -30db
17% Popularity • 37% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 29% Positiveness
17% Popularity • 37% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 29% Positiveness
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Alessandro Piccinini
Intavolatura di Liuto, et di Chitarrone,...
95 bpm • F Maj • 04:54 • -21.25db
1% Popularity • 36% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 45% Positiveness
1% Popularity • 36% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 45% Positiveness
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Thomas Robinson
A Gigue
96 bpm • B Maj • 01:08 • -23.95db
1% Popularity • 42% Danceability • 13% Energy • 12% Liveness
92% Instrumentalness • 96% Positiveness
1% Popularity • 42% Danceability • 13% Energy • 12% Liveness
92% Instrumentalness • 96% Positiveness
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Pietro Paolo Borrono
Fantasia
101 bpm • D# min • 02:39 • -23.1db
4% Popularity • 42% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 40% Positiveness
4% Popularity • 42% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 40% Positiveness
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Silvius Leopold Weiss
Sonata No. 4 in G major, WeissSW 5: I. P...
101 bpm • F# Maj • 01:29 • -26.27db
16% Popularity • 33% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 40% Positiveness
16% Popularity • 33% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 40% Positiveness
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Hans Neusidler
Der Ander Theyl Des Lautenbuchs, 1536: P...
101 bpm • G min • 00:59 • -22.1db
1% Popularity • 48% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 57% Positiveness
1% Popularity • 48% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 57% Positiveness
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Luis de Narváez
Seis diferencias del igno de Nuestra Sen...
101 bpm • A# min • 05:35 • -25.39db
11% Popularity • 45% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
11% Popularity • 45% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
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Alessandro Piccinini
Intavolatura di Liuto, et di Chitarrone,...
95 bpm • D min • 00:52 • -20.63db
1% Popularity • 49% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 68% Positiveness
1% Popularity • 49% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 68% Positiveness
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Gaspar Sanz
FolÃas: Folias
95 bpm • D min • 04:03 • -26db
13% Popularity • 38% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
13% Popularity • 38% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
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Giovanni Paolo Paladino
Fantasia No. 2
101 bpm • G# min • 03:13 • -24.29db
4% Popularity • 41% Danceability • 11% Energy • 24% Liveness
95% Instrumentalness • 49% Positiveness
4% Popularity • 41% Danceability • 11% Energy • 24% Liveness
95% Instrumentalness • 49% Positiveness
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Luis de Milán
Fantasia
101 bpm • G min • 02:15 • -28.76db
11% Popularity • 54% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 38% Positiveness
11% Popularity • 54% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 38% Positiveness
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Diomedes Cato
Galliarda (2)
95 bpm • E Maj • 01:30 • -27.73db
1% Popularity • 46% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 43% Positiveness
1% Popularity • 46% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 43% Positiveness
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Dietrich Buxtehude
Sonata in D-Dur, BuxWV 267: Sonata in D-...
101 bpm • C# Maj • 01:51 • -20.05db
9% Popularity • 34% Danceability • 20% Energy • 12% Liveness
3% Instrumentalness • 76% Positiveness
9% Popularity • 34% Danceability • 20% Energy • 12% Liveness
3% Instrumentalness • 76% Positiveness
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Giovanni Girolamo Kapsberger
Libro IV d'intavolatura di chitarrone: G...
101 bpm • E min • 02:04 • -22.89db
1% Popularity • 43% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 55% Positiveness
1% Popularity • 43% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 55% Positiveness
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Giovanni Paolo Foscarini
Passacaglia
102 bpm • G# min • 02:55 • -34.32db
10% Popularity • 42% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
10% Popularity • 42% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
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Miguel de Fuenllana
Duo de Josquin
101 bpm • G min • 03:08 • -34.25db
11% Popularity • 48% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 47% Positiveness
11% Popularity • 48% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 47% Positiveness
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Carl Philipp Emanuel Bach
Polonaise in G Minor, BWV Anh. 125
102 bpm • G Maj • 01:59 • -38.08db
8% Popularity • 35% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
8% Popularity • 35% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
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François Couperin
Pieces de clavecin, Book 1: 1st Ordre in...
102 bpm • F# Maj • 03:33 • -28.31db
0% Popularity • 37% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
0% Popularity • 37% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
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Dietrich Becker
Sonata & Suite in D-Dur: Sonata & Suite ...
102 bpm • C# Maj • 01:33 • -20.54db
10% Popularity • 26% Danceability • 8% Energy • 9% Liveness
25% Instrumentalness • 37% Positiveness
10% Popularity • 26% Danceability • 8% Energy • 9% Liveness
25% Instrumentalness • 37% Positiveness
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John Johnson
The Flat Pavan
94 bpm • C Maj • 02:11 • -20db
15% Popularity • 47% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 53% Positiveness
15% Popularity • 47% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 53% Positiveness
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Michelangelo Galilei
Il primo libro d'Intavolatura di Liuto: ...
101 bpm • F# min • 02:00 • -24.16db
3% Popularity • 40% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 24% Positiveness
3% Popularity • 40% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 24% Positiveness
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Giovanni Battista Granata
Armoniosi toni di varie suonate musicali...
94 bpm • C# min • 02:43 • -34db
8% Popularity • 38% Danceability • 2% Energy • 11% Liveness
71% Instrumentalness • 39% Positiveness
8% Popularity • 38% Danceability • 2% Energy • 11% Liveness
71% Instrumentalness • 39% Positiveness
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Edward Martin
Pieces in D Minor and A Minor: VI. Canar...
94 bpm • C# min • 01:53 • -13.73db
12% Popularity • 61% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
12% Popularity • 61% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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Robert de Visée
Suite in E Minor: I. Prelude
102 bpm • D min • 01:05 • -29db
24% Popularity • 34% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
24% Popularity • 34% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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Robert Johnson
Pavan No. 1 in C Minor
94 bpm • A# min • 05:15 • -28db
3% Popularity • 35% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
3% Popularity • 35% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Pietro Paolo Borrono
Saltarello chiamato Rose Viole
94 bpm • G# Maj • 01:08 • -20.91db
5% Popularity • 36% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
5% Popularity • 36% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Vincenzo Capirola
Ricercar ottava
103 bpm • B Maj • 01:34 • -33.8db
17% Popularity • 51% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 38% Positiveness
17% Popularity • 51% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 38% Positiveness
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Hans Neusidler
Das Erst Buch. Ein Newes Lautenbüchlein...
94 bpm • C Maj • 01:02 • -18.42db
13% Popularity • 52% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 76% Positiveness
13% Popularity • 52% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 76% Positiveness
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Edward Martin
Petite Fantasie dessus l'accord du Lute ...
94 bpm • C Maj • 01:09 • -27.85db
13% Popularity • 45% Danceability • 4% Energy • 36% Liveness
96% Instrumentalness • 74% Positiveness
13% Popularity • 45% Danceability • 4% Energy • 36% Liveness
96% Instrumentalness • 74% Positiveness
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Francesco da Milano
Fantasia No. 33
103 bpm • G min • 03:27 • -25.57db
13% Popularity • 42% Danceability • 8% Energy • 5% Liveness
90% Instrumentalness • 55% Positiveness
13% Popularity • 42% Danceability • 8% Energy • 5% Liveness
90% Instrumentalness • 55% Positiveness
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Jacques Gallot
Folies d'Espagne
93 bpm • G# min • 06:10 • -30db
13% Popularity • 41% Danceability • 4% Energy • 11% Liveness
72% Instrumentalness • 12% Positiveness
13% Popularity • 41% Danceability • 4% Energy • 11% Liveness
72% Instrumentalness • 12% Positiveness
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John Dowland
The Queen's Galliard, P. 97
93 bpm • C# Maj • 01:43 • -24.04db
16% Popularity • 48% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 53% Positiveness
16% Popularity • 48% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 53% Positiveness
► Preview
Ennemond Gaultier
Suite in D Minor: VI. Chaconne ou Cascad...
103 bpm • E Maj • 03:38 • -26.33db
0% Popularity • 38% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
0% Popularity • 38% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
► Preview
Silvius Leopold Weiss
Lute Sonata No. 5 in G Major, WeissSW 5:...
103 bpm • C# Maj • 01:30 • -22.77db
17% Popularity • 51% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
17% Popularity • 51% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
► Preview
Carlo Calvi
Espanoletta
93 bpm • G# min • 03:55 • -30.74db
11% Popularity • 42% Danceability • 2% Energy • 12% Liveness
83% Instrumentalness • 27% Positiveness
11% Popularity • 42% Danceability • 2% Energy • 12% Liveness
83% Instrumentalness • 27% Positiveness
► Preview
Adam Falkenhagen
Variationen 'Nun sich der Tag geendet ha...
103 bpm • F# min • 03:20 • -28.61db
15% Popularity • 22% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 35% Positiveness
15% Popularity • 22% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 35% Positiveness
► Preview
Charles Mouton
Suite in C Minor from Pieces de luth Pre...
93 bpm • F# min • 01:13 • -22.2db
18% Popularity • 51% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 55% Positiveness
18% Popularity • 51% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 55% Positiveness
► Preview
John Dowland
Fortune my foe
93 bpm • C Maj • 02:17 • -39.57db
8% Popularity • 31% Danceability • 1% Energy • 8% Liveness
66% Instrumentalness • 28% Positiveness
8% Popularity • 31% Danceability • 1% Energy • 8% Liveness
66% Instrumentalness • 28% Positiveness
► Preview
Hans Neusidler
Das Erst Buch. Ein Newes Lautenbüchlein...
93 bpm • F Maj • 00:57 • -22.55db
8% Popularity • 50% Danceability • 3% Energy • 9% Liveness
34% Instrumentalness • 39% Positiveness
8% Popularity • 50% Danceability • 3% Energy • 9% Liveness
34% Instrumentalness • 39% Positiveness
► Preview
Alfonso Ferrabosco I
Ultimi miei Sospiri
93 bpm • C# min • 07:35 • -22.72db
7% Popularity • 34% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 59% Positiveness
7% Popularity • 34% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 59% Positiveness
► Preview
Bernhard Joachim Hagen
Lute Sonata in B-Flat Major: I. Andante
93 bpm • A Maj • 04:29 • -23.12db
2% Popularity • 34% Danceability • 14% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
2% Popularity • 34% Danceability • 14% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
► Preview
Johann Jacob Weiss
Suite in G Major: IV. Sarabande
93 bpm • F# Maj • 03:35 • -22.46db
1% Popularity • 40% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
1% Popularity • 40% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
► Preview
Esaias Reusner
Suite in D Minor: IV. Gigue
104 bpm • G# min • 01:21 • -25.64db
9% Popularity • 40% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 57% Positiveness
9% Popularity • 40% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 57% Positiveness
► Preview
Dietrich Buxtehude
Sonata in D-Dur, BuxWV 267: Sonata in D-...
104 bpm • C# Maj • 01:15 • -21.69db
9% Popularity • 21% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
9% Popularity • 21% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
► Preview
Edward Martin and Paul Berget
Sonata in C Major (Weiss) - Largo
92 bpm • G# min • 04:47 • -26db
8% Popularity • 46% Danceability • 4% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
8% Popularity • 46% Danceability • 4% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
► Preview
Adam Falckenhagen
Prelude a la maniere de Carillon
92 bpm • G# min • 01:40 • -28.43db
9% Popularity • 18% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 12% Positiveness
9% Popularity • 18% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 12% Positiveness
► Preview
Johann Sebastian Bach
Suite in E Minor, BWV 996: II. Allemande
104 bpm • F min • 03:13 • -26.26db
14% Popularity • 35% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 65% Positiveness
14% Popularity • 35% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 65% Positiveness
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Jacques Gallot
Suite in F-Sharp Minor: I. Prelude
92 bpm • F min • 01:36 • -27.67db
2% Popularity • 40% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
2% Popularity • 40% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
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Francesca Torelli
La bizare: Gaillarde
92 bpm • F min • 01:16 • -25.41db
12% Popularity • 48% Danceability • 13% Energy • 7% Liveness
85% Instrumentalness • 35% Positiveness
12% Popularity • 48% Danceability • 13% Energy • 7% Liveness
85% Instrumentalness • 35% Positiveness
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Bellerofonte Castaldi
Aurora Corrente. Capricci a Due Stroment...
104 bpm • F Maj • 03:17 • -34.75db
11% Popularity • 36% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
11% Popularity • 36% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Pietro Paolo Borrono
Pavana ditta la Desperata - Saltarello d...
92 bpm • G# min • 04:07 • -21.31db
3% Popularity • 42% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 40% Positiveness
3% Popularity • 42% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 40% Positiveness
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Adam Falckenhagen
Lute Sonata in C Minor, Op. 1, No. 1: II...
104 bpm • A Maj • 05:15 • -20.46db
1% Popularity • 32% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 41% Positiveness
1% Popularity • 32% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 41% Positiveness
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Hans Neusidler
Ein Newes Lautenbüchlein, 1540: Der Zeu...
92 bpm • C Maj • 01:04 • -19.03db
14% Popularity • 43% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 54% Positiveness
14% Popularity • 43% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 54% Positiveness
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Jacques Gallot
Suite in F-Sharp Minor: VII. Gigue, "La ...
92 bpm • F min • 02:35 • -25.67db
1% Popularity • 41% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 49% Positiveness
1% Popularity • 41% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 49% Positiveness
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Luis de Narváez
Baxa de Contrapunto
105 bpm • A min • 01:17 • -28db
21% Popularity • 32% Danceability • 11% Energy • 16% Liveness
90% Instrumentalness • 94% Positiveness
21% Popularity • 32% Danceability • 11% Energy • 16% Liveness
90% Instrumentalness • 94% Positiveness
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Giovanni Zamboni
Lute Sonata No. 9: II. Alemanda
92 bpm • C# min • 03:11 • -24.94db
10% Popularity • 38% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
10% Popularity • 38% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
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Juan Carlos Rivera
Canario
105 bpm • G Maj • 01:59 • -30.59db
9% Popularity • 55% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 48% Positiveness
9% Popularity • 55% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 48% Positiveness
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Andrea Falconieri
La soave melodia
91 bpm • E min • 01:50 • -35db
16% Popularity • 24% Danceability • 3% Energy • 7% Liveness
79% Instrumentalness • 28% Positiveness
16% Popularity • 24% Danceability • 3% Energy • 7% Liveness
79% Instrumentalness • 28% Positiveness
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Andreas Nachtsheim
How High the Moon - Archiliuto
105 bpm • F# Maj • 03:59 • -21.48db
8% Popularity • 50% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
8% Popularity • 50% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
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Francesco Corbetta
Suite in C Major: II. Allemanda
105 bpm • B Maj • 01:38 • -34.82db
17% Popularity • 46% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
17% Popularity • 46% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
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Françoise Dufaut
Suite in A Minor: IV. Sarabande
92 bpm • C# Maj • 02:03 • -29.75db
9% Popularity • 39% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
9% Popularity • 39% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
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Josquin des Prez
Mille regretz, La cancion del Emperador ...
105 bpm • G# min • 03:08 • -26.43db
10% Popularity • 52% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
10% Popularity • 52% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Joachim Held
Balletto polacho (5)
91 bpm • E Maj • 01:07 • -29.25db
1% Popularity • 42% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 48% Positiveness
1% Popularity • 42% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 48% Positiveness
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Heringman
Gintzler : Circumdederunt me
91 bpm • D Maj • 04:43 • -31.29db
11% Popularity • 33% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 42% Positiveness
11% Popularity • 33% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 42% Positiveness
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Pietro Paolo Borrono
Saltarello chiamato bel Fiore
91 bpm • G# Maj • 01:38 • -21.13db
3% Popularity • 44% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
3% Popularity • 44% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
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Thomas Robinson
My Lord Willoughby's welcome home
91 bpm • B min • 03:18 • -26.64db
1% Popularity • 37% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 50% Positiveness
1% Popularity • 37% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 50% Positiveness
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Luis de Narváez
Cancion del primer tono (after a Canzon ...
91 bpm • D min • 01:35 • -30.24db
12% Popularity • 49% Danceability • 4% Energy • 7% Liveness
86% Instrumentalness • 36% Positiveness
12% Popularity • 49% Danceability • 4% Energy • 7% Liveness
86% Instrumentalness • 36% Positiveness
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Nigel North
Dowland's Tears (arr. N. North of I Saw ...
106 bpm • F# min • 02:07 • -24.38db
14% Popularity • 47% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
14% Popularity • 47% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Johann Adolf Hasse
Cleofide (arr. for lute): Act 1: Aria: S...
106 bpm • E Maj • 03:47 • -18.68db
1% Popularity • 47% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 29% Positiveness
1% Popularity • 47% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 29% Positiveness
