Songs like Lamentations of the Heart by Philip Wesley
Based on a tempo of (+/- 10%) and a similar genre
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David Lanz
The Enchantment
78 bpm • C min • 05:49 • -20.5db
28% Popularity • 56% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
28% Popularity • 56% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Roberto Cacciapaglia
Luminous Night
78 bpm • B min • 03:50 • -16db
21% Popularity • 36% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
21% Popularity • 36% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
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Philip Wesley
Lamentations of the Heart
78 bpm • E min • 04:08 • -20.44db
38% Popularity • 31% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
38% Popularity • 31% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
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Bruno Bavota
Aldilà Dei Sogni
78 bpm • A Maj • 03:45 • -15.95db
30% Popularity • 24% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Joe Bongiorno
Walk With Me
78 bpm • D Maj • 05:29 • -23.09db
29% Popularity • 30% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 19% Positiveness
29% Popularity • 30% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 19% Positiveness
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Denise Young
Cobblestones in the Rain
77 bpm • A min • 03:09 • -23.75db
29% Popularity • 37% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 9% Positiveness
29% Popularity • 37% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 9% Positiveness
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James Spiteri
Hope
77 bpm • F# Maj • 06:17 • -20.34db
23% Popularity • 15% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 7% Positiveness
23% Popularity • 15% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 7% Positiveness
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Roberto Cacciapaglia
Floating
78 bpm • A min • 03:26 • -16.2db
32% Popularity • 20% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
32% Popularity • 20% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
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Philip Wesley
Moonlight and Jasmine
79 bpm • G min • 03:39 • -19.78db
16% Popularity • 22% Danceability • 23% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
16% Popularity • 22% Danceability • 23% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Philippe Paquet
Révérence: II
79 bpm • D min • 06:21 • -12.84db
30% Popularity • 12% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 18% Positiveness
30% Popularity • 12% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 18% Positiveness
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Franco Robert
A New Start
79 bpm • B Maj • 01:47 • -21.76db
34% Popularity • 38% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
34% Popularity • 38% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Stephan Moccio
Soleil
79 bpm • D Maj • 01:57 • -15.25db
48% Popularity • 33% Danceability • 32% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
48% Popularity • 33% Danceability • 32% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Chester Reign
Home
79 bpm • A min • 02:17 • -34.96db
44% Popularity • 36% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
44% Popularity • 36% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Rachel Currea
Passions
77 bpm • C# Maj • 02:33 • -21db
29% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
29% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Philip Wesley
Beneath the Same Sky
79 bpm • F Maj • 04:09 • -19.87db
26% Popularity • 23% Danceability • 10% Energy • 16% Liveness
85% Instrumentalness • 7% Positiveness
26% Popularity • 23% Danceability • 10% Energy • 16% Liveness
85% Instrumentalness • 7% Positiveness
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La Brea String Section
A Time for us
77 bpm • A# min • 03:35 • -13.92db
35% Popularity • 7% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
35% Popularity • 7% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
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Rodnell Hairston
Song For Rome
80 bpm • F Maj • 02:30 • -29.13db
43% Popularity • 30% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 36% Positiveness
43% Popularity • 30% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 36% Positiveness
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Steven Cravis
The Letter Unopened
80 bpm • G Maj • 02:51 • -21.98db
35% Popularity • 64% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
35% Popularity • 64% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Oskar Schuster
Záhada
76 bpm • A min • 03:11 • -15.18db
30% Popularity • 45% Danceability • 24% Energy • 8% Liveness
75% Instrumentalness • 63% Positiveness
30% Popularity • 45% Danceability • 24% Energy • 8% Liveness
75% Instrumentalness • 63% Positiveness
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Jack Worth
Lamentation for a Lost Life
80 bpm • G min • 02:05 • -40.81db
44% Popularity • 51% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 57% Positiveness
44% Popularity • 51% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 57% Positiveness
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Philip Wesley
Tears of the East
76 bpm • A min • 05:48 • -21.08db
28% Popularity • 25% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
28% Popularity • 25% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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Denise Young
Livia's Song
76 bpm • C Maj • 04:40 • -18.03db
23% Popularity • 50% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
23% Popularity • 50% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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Fenton Sykes
Somehow Familiar
75 bpm • F Maj • 03:39 • -30.17db
46% Popularity • 49% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
46% Popularity • 49% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Gary Girouard
Forbidden Love
75 bpm • C min • 03:30 • -16db
28% Popularity • 31% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
28% Popularity • 31% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
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Oskar Schuster
Singur
76 bpm • E min • 02:53 • -21db
37% Popularity • 36% Danceability • 16% Energy • 13% Liveness
93% Instrumentalness • 55% Positiveness
37% Popularity • 36% Danceability • 16% Energy • 13% Liveness
93% Instrumentalness • 55% Positiveness
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Kathryn Toyama
The Light
75 bpm • C# min • 01:49 • -16db
48% Popularity • 41% Danceability • 19% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
48% Popularity • 41% Danceability • 19% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
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Philip Wesley
Distant Memory
75 bpm • C Maj • 03:49 • -16.24db
30% Popularity • 27% Danceability • 15% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 27% Danceability • 15% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Davide De Angelis
Winter Night
81 bpm • E min • 03:35 • -16.08db
35% Popularity • 18% Danceability • 27% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
35% Popularity • 18% Danceability • 27% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
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Denise Young
The Way
75 bpm • D# min • 02:43 • -20.37db
30% Popularity • 26% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
30% Popularity • 26% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Elijah Bossenbroek
Try To Keep Up
81 bpm • F# min • 03:45 • -18.9db
20% Popularity • 25% Danceability • 18% Energy • 14% Liveness
83% Instrumentalness • 4% Positiveness
20% Popularity • 25% Danceability • 18% Energy • 14% Liveness
83% Instrumentalness • 4% Positiveness
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Leonard Hawk
Tu m'appartiens
75 bpm • D# Maj • 01:52 • -39.39db
44% Popularity • 30% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 42% Positiveness
44% Popularity • 30% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 42% Positiveness
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Elias Freedom
The End of All Our Exploring
75 bpm • D# Maj • 03:27 • -41.94db
44% Popularity • 20% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 15% Positiveness
44% Popularity • 20% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 15% Positiveness
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Allan Everett
Dream of Flying
81 bpm • A# min • 06:07 • -37.45db
47% Popularity • 27% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
47% Popularity • 27% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
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Oskar Schuster
Isobel
75 bpm • D min • 02:23 • -18.6db
32% Popularity • 53% Danceability • 14% Energy • 9% Liveness
83% Instrumentalness • 30% Positiveness
32% Popularity • 53% Danceability • 14% Energy • 9% Liveness
83% Instrumentalness • 30% Positiveness
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Gian Marco La Serra
Love Ballade
81 bpm • D# Maj • 04:20 • -18.84db
29% Popularity • 33% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
29% Popularity • 33% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
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Marth
Infinite Journey
81 bpm • D# Maj • 05:27 • -24.88db
9% Popularity • 40% Danceability • 13% Energy • 24% Liveness
90% Instrumentalness • 29% Positiveness
9% Popularity • 40% Danceability • 13% Energy • 24% Liveness
90% Instrumentalness • 29% Positiveness
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Sarah Modene
The Way the Light Falls
75 bpm • G min • 03:47 • -26.65db
12% Popularity • 27% Danceability • 5% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
12% Popularity • 27% Danceability • 5% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Gary Girouard
The Thinker
75 bpm • C min • 04:12 • -23.52db
21% Popularity • 35% Danceability • 7% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
21% Popularity • 35% Danceability • 7% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Walter Mazzaccaro
Crepuscolo
74 bpm • A min • 01:35 • -24.43db
39% Popularity • 46% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
39% Popularity • 46% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
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Piano Novel
Forêt
74 bpm • G min • 04:07 • -26.37db
31% Popularity • 52% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
31% Popularity • 52% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
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Laura Sullivan
Pictograph Cave
74 bpm • E min • 05:08 • -20db
13% Popularity • 39% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
13% Popularity • 39% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Philip Wesley
In Your Eyes
74 bpm • B Maj • 04:26 • -20.94db
29% Popularity • 30% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
29% Popularity • 30% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Joseph Akins
Night Shadows
82 bpm • G min • 05:55 • -19.25db
22% Popularity • 33% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
22% Popularity • 33% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Kathryn Toyama
True Friends
82 bpm • G min • 01:32 • -16.26db
49% Popularity • 30% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 6% Positiveness
49% Popularity • 30% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 6% Positiveness
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Maryna Aksenov
Hesitation
74 bpm • E min • 01:33 • -22db
49% Popularity • 36% Danceability • 10% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
49% Popularity • 36% Danceability • 10% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
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Aashi
Empty Room
74 bpm • G# min • 03:13 • -27.03db
51% Popularity • 40% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
51% Popularity • 40% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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Bruno Bavota
Lo Specchio Dell'Anima
74 bpm • D min • 03:13 • -16.57db
30% Popularity • 30% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
30% Popularity • 30% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Roberto Jonata
Risvegli
74 bpm • F Maj • 01:44 • -26.9db
49% Popularity • 32% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 13% Positiveness
49% Popularity • 32% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 13% Positiveness
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Roberto Cacciapaglia
Oceano
82 bpm • G min • 04:11 • -11.95db
46% Popularity • 32% Danceability • 35% Energy • 13% Liveness
88% Instrumentalness • 7% Positiveness
46% Popularity • 32% Danceability • 35% Energy • 13% Liveness
88% Instrumentalness • 7% Positiveness
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Denise Young
Green Mountain Meadows
82 bpm • C Maj • 05:29 • -17.93db
36% Popularity • 34% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
36% Popularity • 34% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Gian Marco La Serra
The Storm
74 bpm • D min • 05:53 • -23.17db
28% Popularity • 26% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
28% Popularity • 26% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
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Jack Worth
Seconda Navigazione
73 bpm • B min • 02:17 • -27.02db
46% Popularity • 29% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
46% Popularity • 29% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Daniel Ricci
Light & Shadow
73 bpm • F min • 02:30 • -23.69db
42% Popularity • 29% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
42% Popularity • 29% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Gavin Luke
The Crossing
73 bpm • B min • 03:13 • -21.83db
39% Popularity • 37% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
39% Popularity • 37% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Philip Wesley
Racing Against the Sunset
73 bpm • B min • 04:52 • -23db
31% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
31% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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Denise Young
Time Alone
74 bpm • C# Maj • 03:59 • -16.59db
33% Popularity • 36% Danceability • 9% Energy • 17% Liveness
92% Instrumentalness • 7% Positiveness
33% Popularity • 36% Danceability • 9% Energy • 17% Liveness
92% Instrumentalness • 7% Positiveness
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James Spiteri
A Walk in the Snow
83 bpm • F# min • 05:36 • -17.85db
30% Popularity • 24% Danceability • 8% Energy • 7% Liveness
90% Instrumentalness • 9% Positiveness
30% Popularity • 24% Danceability • 8% Energy • 7% Liveness
90% Instrumentalness • 9% Positiveness
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Bruno Bavota
Arrivederci Signora Luna
73 bpm • D Maj • 02:55 • -20.8db
22% Popularity • 52% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 14% Positiveness
22% Popularity • 52% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 14% Positiveness
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Helen Jane Long
Porcelain (Air Studios 2013)
83 bpm • D min • 03:12 • -21db
45% Popularity • 41% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
45% Popularity • 41% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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Roberto Jonata
Overture II
83 bpm • F# min • 01:35 • -26.32db
25% Popularity • 36% Danceability • 8% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 36% Danceability • 8% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Philip Wesley
Leaving the Darkness Behind
73 bpm • G min • 04:47 • -21.94db
22% Popularity • 19% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
22% Popularity • 19% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
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William Joseph
Safe & Sound
73 bpm • G Maj • 04:01 • -14.05db
45% Popularity • 44% Danceability • 36% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
45% Popularity • 44% Danceability • 36% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
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Karen Marie Garrett
Daydreams
73 bpm • D# Maj • 03:58 • -23db
31% Popularity • 36% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
31% Popularity • 36% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
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Roberto Cacciapaglia
Atlantico
83 bpm • D min • 03:49 • -12db
46% Popularity • 32% Danceability • 25% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
46% Popularity • 32% Danceability • 25% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
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James Spiteri
Forget Me Nots
73 bpm • A min • 03:39 • -18.73db
33% Popularity • 45% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
33% Popularity • 45% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
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Elijah Bossenbroek
A Song Of Simplicity
84 bpm • A min • 03:46 • -19db
36% Popularity • 20% Danceability • 24% Energy • 9% Liveness
86% Instrumentalness • 42% Positiveness
36% Popularity • 20% Danceability • 24% Energy • 9% Liveness
86% Instrumentalness • 42% Positiveness
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Philip Wesley
Light and Shadow
73 bpm • G# Maj • 05:46 • -22db
28% Popularity • 21% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
28% Popularity • 21% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Jacob Terris
Wind Song
73 bpm • C min • 02:28 • -33.98db
47% Popularity • 28% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
47% Popularity • 28% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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Joseph Akins
An Inspiration
72 bpm • C# Maj • 05:38 • -21db
35% Popularity • 32% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
35% Popularity • 32% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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Gavin Luke
Delicate Transitions
72 bpm • E Maj • 02:28 • -16db
48% Popularity • 39% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
48% Popularity • 39% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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James Spiteri
Staring into Space
72 bpm • D# min • 01:36 • -22.43db
47% Popularity • 38% Danceability • 2% Energy • 12% Liveness
70% Instrumentalness • 14% Positiveness
47% Popularity • 38% Danceability • 2% Energy • 12% Liveness
70% Instrumentalness • 14% Positiveness
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Tim Neumark
Waltz in F Minor
72 bpm • F min • 03:50 • -20.49db
19% Popularity • 27% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
19% Popularity • 27% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
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Philip Wesley
Falling for You
73 bpm • G Maj • 04:05 • -19.32db
15% Popularity • 39% Danceability • 6% Energy • 12% Liveness
84% Instrumentalness • 12% Positiveness
15% Popularity • 39% Danceability • 6% Energy • 12% Liveness
84% Instrumentalness • 12% Positiveness
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Robin Spielberg
In My Dreams
72 bpm • G min • 05:09 • -18db
22% Popularity • 43% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
22% Popularity • 43% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Mack Winter
Far and Beyond
72 bpm • D# min • 03:08 • -38.98db
44% Popularity • 16% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
44% Popularity • 16% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Jon Dahlander
Where the Moon Fell
72 bpm • C min • 02:35 • -17.71db
14% Popularity • 46% Danceability • 4% Energy • 7% Liveness
64% Instrumentalness • 39% Positiveness
14% Popularity • 46% Danceability • 4% Energy • 7% Liveness
64% Instrumentalness • 39% Positiveness
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Bruno Bavota
La Luce Nel Cuore
72 bpm • D# min • 02:57 • -18.79db
41% Popularity • 31% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
41% Popularity • 31% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Denise Young
I'll Smile
72 bpm • C# Maj • 03:44 • -18.19db
29% Popularity • 44% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
29% Popularity • 44% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
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Philip Wesley
Less Traveled
73 bpm • D min • 02:05 • -18.23db
32% Popularity • 24% Danceability • 11% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
32% Popularity • 24% Danceability • 11% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
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Amy Lauren
Where Three Rivers Meet
71 bpm • E min • 05:18 • -18.1db
29% Popularity • 31% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 31% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Jennifer Haines
The Storm Begins
71 bpm • D min • 02:53 • -19db
23% Popularity • 15% Danceability • 24% Energy • 16% Liveness
93% Instrumentalness • 33% Positiveness
23% Popularity • 15% Danceability • 24% Energy • 16% Liveness
93% Instrumentalness • 33% Positiveness
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Craig Urquhart
Along the Seine
71 bpm • E min • 04:24 • -23db
19% Popularity • 38% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
19% Popularity • 38% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Bruno Bavota
Breath
71 bpm • B min • 04:59 • -18.74db
30% Popularity • 33% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
30% Popularity • 33% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Fenton Sykes
Some
71 bpm • F Maj • 04:11 • -26.18db
46% Popularity • 22% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 23% Positiveness
46% Popularity • 22% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 23% Positiveness
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Trevor Stanley
Iris
71 bpm • A Maj • 02:28 • -39.19db
43% Popularity • 35% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 20% Positiveness
43% Popularity • 35% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 20% Positiveness
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Sarah Modene
Searching
86 bpm • G min • 02:59 • -24db
27% Popularity • 23% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
27% Popularity • 23% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
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Kathryn Toyama
Hope
71 bpm • E Maj • 01:53 • -17.17db
41% Popularity • 36% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
41% Popularity • 36% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
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Ralf Kemper
Lexus - The pursuit of perfection
70 bpm • B min • 05:40 • -15.7db
24% Popularity • 40% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 40% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Louis Landon
Innocence
70 bpm • G Maj • 03:02 • -19.32db
45% Popularity • 44% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
45% Popularity • 44% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
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Franco Robert
Secrets
70 bpm • F# min • 03:13 • -22.43db
34% Popularity • 44% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
34% Popularity • 44% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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William Joseph
Within
70 bpm • D min • 03:00 • -13db
29% Popularity • 23% Danceability • 52% Energy • 7% Liveness
96% Instrumentalness • 12% Positiveness
29% Popularity • 23% Danceability • 52% Energy • 7% Liveness
96% Instrumentalness • 12% Positiveness
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Jacob Terris
Threnody
70 bpm • D Maj • 04:38 • -25.57db
43% Popularity • 57% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 56% Positiveness
43% Popularity • 57% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 56% Positiveness
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PHILDEL
Winter Valley
87 bpm • A min • 04:14 • -14.37db
25% Popularity • 41% Danceability • 27% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
25% Popularity • 41% Danceability • 27% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
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Denise Young
You Were Always There
70 bpm • A min • 02:47 • -16.47db
44% Popularity • 21% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 21% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Louis Landon
Walking the Plains
87 bpm • C min • 04:49 • -20.56db
28% Popularity • 34% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
28% Popularity • 34% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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Philip Wesley
Wanderlust
70 bpm • E min • 03:52 • -20.62db
21% Popularity • 16% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 11% Positiveness
21% Popularity • 16% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 11% Positiveness
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Sarah Modene
Looking Downward
70 bpm • F# min • 04:51 • -24.26db
19% Popularity • 33% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
19% Popularity • 33% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Aashi
Midsummer Tiny Song
70 bpm • G# Maj • 03:48 • -26.72db
46% Popularity • 42% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
46% Popularity • 42% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
