Songs like Lamento hebraico-andaluz Dror yiqrá - Dunash ben Labrat, s. X by Jordi Savall
Based on a tempo of (+/- 10%) and a similar genre
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Marcel Khalifa
Tents
91 bpm • F min • 03:50 • -13.76db
17% Popularity • 54% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
17% Popularity • 54% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
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Jordi Savall
Lamento hebraico-andaluz Dror yiqrá - D...
91 bpm • C min • 04:36 • -26.43db
15% Popularity • 29% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 29% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Alonso Mudarra
Fantasia Que Contrahaze La Harpa De Ludo...
91 bpm • G Maj • 02:36 • -28.2db
20% Popularity • 25% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 15% Positiveness
20% Popularity • 25% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 15% Positiveness
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Munir Bashir
Taqsîm en maqâm : Hijâz kâr kurd
91 bpm • C min • 03:40 • -24db
30% Popularity • 38% Danceability • 21% Energy • 10% Liveness
69% Instrumentalness • 37% Positiveness
30% Popularity • 38% Danceability • 21% Energy • 10% Liveness
69% Instrumentalness • 37% Positiveness
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Naseer Shamma
Awshar
91 bpm • A# min • 06:25 • -16.38db
25% Popularity • 45% Danceability • 19% Energy • 12% Liveness
77% Instrumentalness • 13% Positiveness
25% Popularity • 45% Danceability • 19% Energy • 12% Liveness
77% Instrumentalness • 13% Positiveness
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Mohamed Amjad
Taqasim, Maqam Nahawand
91 bpm • C Maj • 08:08 • -11.31db
9% Popularity • 41% Danceability • 40% Energy • 11% Liveness
84% Instrumentalness • 50% Positiveness
9% Popularity • 41% Danceability • 40% Energy • 11% Liveness
84% Instrumentalness • 50% Positiveness
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Giovanni Battista Grillo
Capriccio V
91 bpm • C Maj • 02:27 • -18.88db
13% Popularity • 27% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 27% Positiveness
13% Popularity • 27% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 27% Positiveness
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Charbel Rouhana
Al bint el shalabiya
92 bpm • F min • 04:50 • -15db
38% Popularity • 58% Danceability • 34% Energy • 6% Liveness
48% Instrumentalness • 70% Positiveness
38% Popularity • 58% Danceability • 34% Energy • 6% Liveness
48% Instrumentalness • 70% Positiveness
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Cofradía Al-Shushtarí
As-Samá' 2.9 Muwwal, Buh Bi-L-Garámi (...
92 bpm • E min • 06:22 • -12.46db
2% Popularity • 38% Danceability • 22% Energy • 11% Liveness
22% Instrumentalness • 15% Positiveness
2% Popularity • 38% Danceability • 22% Energy • 11% Liveness
22% Instrumentalness • 15% Positiveness
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Munir Bashir
Pastâ Baghdadiyya
91 bpm • F Maj • 08:05 • -16db
22% Popularity • 44% Danceability • 25% Energy • 13% Liveness
88% Instrumentalness • 64% Positiveness
22% Popularity • 44% Danceability • 25% Energy • 13% Liveness
88% Instrumentalness • 64% Positiveness
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Le Trio Joubran
Tanâsim 3
92 bpm • D Maj • 03:51 • -16.32db
31% Popularity • 47% Danceability • 21% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
31% Popularity • 47% Danceability • 21% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
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Antonio de Cabezón
III. 1526 Matrimonio de Carlos V con Isa...
92 bpm • F Maj • 03:30 • -25.18db
11% Popularity • 18% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
11% Popularity • 18% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Irini Derebei
Yasemi mou (Chypre)
92 bpm • D Maj • 04:40 • -18.72db
6% Popularity • 42% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
6% Popularity • 42% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Anonymous
Halatzoglou kratema (Instrumental byzant...
90 bpm • F Maj • 01:45 • -23.43db
7% Popularity • 43% Danceability • 15% Energy • 18% Liveness
85% Instrumentalness • 58% Positiveness
7% Popularity • 43% Danceability • 15% Energy • 18% Liveness
85% Instrumentalness • 58% Positiveness
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Anthony Holborne
VII. - Almaine: The Fruit Of Love (Holbo...
92 bpm • F Maj • 01:28 • -20.95db
8% Popularity • 54% Danceability • 22% Energy • 9% Liveness
20% Instrumentalness • 62% Positiveness
8% Popularity • 54% Danceability • 22% Energy • 9% Liveness
20% Instrumentalness • 62% Positiveness
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Salomone Rossi
Il terzo libro de varie sonate, sinfonie...
90 bpm • G Maj • 03:54 • -19.19db
12% Popularity • 43% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 43% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Jean-Baptiste Lully
Le Divertissement Royal de Versailles, L...
92 bpm • C Maj • 01:25 • -16.24db
15% Popularity • 61% Danceability • 34% Energy • 8% Liveness
3% Instrumentalness • 79% Positiveness
15% Popularity • 61% Danceability • 34% Energy • 8% Liveness
3% Instrumentalness • 79% Positiveness
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Maike Boerdam
Gesproken tekst XXXII (20): "De betrekki...
90 bpm • G min • 01:36 • -24.65db
0% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Derya Türkan
Marche Ottomane (Manuscrit Cantemir 209)
92 bpm • A min • 04:02 • -22.85db
24% Popularity • 33% Danceability • 29% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
24% Popularity • 33% Danceability • 29% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
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Djivan Gasparyan
Eshkhemed
90 bpm • G# Maj • 04:15 • -26.2db
20% Popularity • 12% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
20% Popularity • 12% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Constantijn Huygens
Que ferons nous
93 bpm • G Maj • 06:07 • -22.08db
19% Popularity • 28% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
19% Popularity • 28% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
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Jordi Savall
Makam Rast Semâ'I (Turquie, Mss. De Kan...
92 bpm • D Maj • 02:14 • -22.75db
8% Popularity • 48% Danceability • 21% Energy • 12% Liveness
62% Instrumentalness • 83% Positiveness
8% Popularity • 48% Danceability • 21% Energy • 12% Liveness
62% Instrumentalness • 83% Positiveness
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Eduardo Paniagua
La Fuente. Arte Efímero-Arte Eterno
93 bpm • D# Maj • 02:07 • -9.97db
11% Popularity • 69% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 69% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Andrea Falconieri
Passacalle
93 bpm • G min • 02:46 • -19.19db
17% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Adnan Joubran
That Moment When
93 bpm • A min • 04:12 • -17db
31% Popularity • 38% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
31% Popularity • 38% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Le Trio Joubran
The Trees We Wear
89 bpm • F# Maj • 04:45 • -16.53db
32% Popularity • 55% Danceability • 19% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
32% Popularity • 55% Danceability • 19% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
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Ensemble Ibn Arabi
Taqsîm à l'oud
93 bpm • D min • 03:25 • -21.11db
23% Popularity • 52% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 17% Positiveness
23% Popularity • 52% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 17% Positiveness
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Jordi Savall
Variations Sur O Soñjal (Gwerz Breton /...
93 bpm • E min • 04:27 • -31.12db
14% Popularity • 18% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
14% Popularity • 18% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
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Traditional
Laïla Djân (Afghanistan)
89 bpm • F Maj • 04:07 • -15.01db
11% Popularity • 49% Danceability • 48% Energy • 14% Liveness
81% Instrumentalness • 85% Positiveness
11% Popularity • 49% Danceability • 48% Energy • 14% Liveness
81% Instrumentalness • 85% Positiveness
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Munir Bachir
Maqam Râst
93 bpm • C min • 08:47 • -20.61db
13% Popularity • 41% Danceability • 16% Energy • 10% Liveness
73% Instrumentalness • 39% Positiveness
13% Popularity • 41% Danceability • 16% Energy • 10% Liveness
73% Instrumentalness • 39% Positiveness
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Adnan Joubran
Borders Behind
93 bpm • G Maj • 03:33 • -13.48db
22% Popularity • 72% Danceability • 38% Energy • 12% Liveness
78% Instrumentalness • 40% Positiveness
22% Popularity • 72% Danceability • 38% Energy • 12% Liveness
78% Instrumentalness • 40% Positiveness
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Naseer Shamma
Hilal As Sabá
93 bpm • A# min • 08:11 • -15.7db
17% Popularity • 44% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
17% Popularity • 44% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
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Montserrat Figueras
Durme hermosa donzella (Séfarade)
89 bpm • E min • 03:11 • -19.77db
13% Popularity • 28% Danceability • 2% Energy • 7% Liveness
5% Instrumentalness • 12% Positiveness
13% Popularity • 28% Danceability • 2% Energy • 7% Liveness
5% Instrumentalness • 12% Positiveness
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Jordi Savall
Romance fronterizo: Cerco de Baeza - An�...
93 bpm • A# Maj • 04:05 • -16.37db
11% Popularity • 34% Danceability • 35% Energy • 15% Liveness
32% Instrumentalness • 39% Positiveness
11% Popularity • 34% Danceability • 35% Energy • 15% Liveness
32% Instrumentalness • 39% Positiveness
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Tarquinio Merula
Canzoni overo sonate concertate per chie...
93 bpm • C Maj • 02:44 • -18db
20% Popularity • 53% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 53% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Claudio Monteverdi
L'Orfeo, Prologo: Ritornello - Dal mio p...
89 bpm • D min • 06:31 • -24db
25% Popularity • 20% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 20% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
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Ghalia Benali
Jaa Rasoul / 5e livre de pièces de viol...
89 bpm • E min • 02:00 • -11.85db
23% Popularity • 16% Danceability • 21% Energy • 14% Liveness
12% Instrumentalness • 7% Positiveness
23% Popularity • 16% Danceability • 21% Energy • 14% Liveness
12% Instrumentalness • 7% Positiveness
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Marin Marais
Muzettes I-II - 3ème livre de Pièces d...
88 bpm • G# Maj • 03:13 • -22.54db
23% Popularity • 15% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
23% Popularity • 15% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Ági Szalóki
Elment a két lány (Hongrie)
94 bpm • G min • 04:02 • -18.35db
6% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
6% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Jordi Savall
Laïli Djân (Afghanistan, Perse)
89 bpm • G Maj • 04:07 • -20.06db
9% Popularity • 57% Danceability • 46% Energy • 9% Liveness
98% Instrumentalness • 82% Positiveness
9% Popularity • 57% Danceability • 46% Energy • 9% Liveness
98% Instrumentalness • 82% Positiveness
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Aman Aman
La galana y el mar / Ajuar de novia gala...
94 bpm • F Maj • 05:25 • -13.12db
10% Popularity • 30% Danceability • 26% Energy • 9% Liveness
12% Instrumentalness • 25% Positiveness
10% Popularity • 30% Danceability • 26% Energy • 9% Liveness
12% Instrumentalness • 25% Positiveness
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Le Manuscrit du Roi
La Quarte Estampie Royal
94 bpm • B min • 04:46 • -17.51db
7% Popularity • 44% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
7% Popularity • 44% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
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Anonymous
Folias Criollas
94 bpm • A min • 03:27 • -19.58db
28% Popularity • 43% Danceability • 34% Energy • 9% Liveness
8% Instrumentalness • 64% Positiveness
28% Popularity • 43% Danceability • 34% Energy • 9% Liveness
8% Instrumentalness • 64% Positiveness
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Samuel Scheidt
Ludi Musici: Allemande XVI
88 bpm • C Maj • 01:32 • -22.6db
19% Popularity • 35% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
19% Popularity • 35% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
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Bora Dugic
Danse Urbaine (Serbie)
88 bpm • E min • 01:33 • -17db
21% Popularity • 48% Danceability • 33% Energy • 43% Liveness
94% Instrumentalness • 92% Positiveness
21% Popularity • 48% Danceability • 33% Energy • 43% Liveness
94% Instrumentalness • 92% Positiveness
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Charbel Rouhana
Manara
88 bpm • D Maj • 03:11 • -6db
22% Popularity • 63% Danceability • 56% Energy • 12% Liveness
91% Instrumentalness • 80% Positiveness
22% Popularity • 63% Danceability • 56% Energy • 12% Liveness
91% Instrumentalness • 80% Positiveness
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Eduardo Paniagua
Danza / Wascha Mesa
88 bpm • D min • 03:39 • -17db
19% Popularity • 71% Danceability • 25% Energy • 7% Liveness
84% Instrumentalness • 66% Positiveness
19% Popularity • 71% Danceability • 25% Energy • 7% Liveness
84% Instrumentalness • 66% Positiveness
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Lok-Batan Folklore Group
My Home
88 bpm • F# Maj • 05:55 • -26db
22% Popularity • 15% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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La Capella Reial De Catalunya
Gesproken tekst XXX (19): "Hoe de Zothei...
88 bpm • D min • 02:17 • -24.72db
0% Popularity • 41% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 41% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Jordi Savall
Dan Massa Woulanba
88 bpm • C Maj • 05:20 • -16.08db
8% Popularity • 53% Danceability • 46% Energy • 7% Liveness
6% Instrumentalness • 69% Positiveness
8% Popularity • 53% Danceability • 46% Energy • 7% Liveness
6% Instrumentalness • 69% Positiveness
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Lior Elmaleh
Torah (Hébreu)
88 bpm • E Maj • 01:55 • -27.69db
5% Popularity • 16% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
5% Popularity • 16% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
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Djivan Gasparyan
I don't Give a Sigh in my Life
94 bpm • D min • 05:58 • -26.61db
19% Popularity • 12% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
19% Popularity • 12% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Dorsaf Hamdani
Yallah tnam Rima - Viens dormir Rima
87 bpm • G Maj • 02:33 • -16db
29% Popularity • 51% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 51% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Omar Bashir
Taqsîm Maqâm Hijâz, Segâh & 'Âwj, p...
88 bpm • G# min • 04:35 • -16.45db
21% Popularity • 39% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 16% Positiveness
21% Popularity • 39% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 16% Positiveness
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Naseer Shamma
Discurso Del Alma
95 bpm • A# Maj • 07:39 • -16.19db
12% Popularity • 50% Danceability • 29% Energy • 12% Liveness
86% Instrumentalness • 26% Positiveness
12% Popularity • 50% Danceability • 29% Energy • 12% Liveness
86% Instrumentalness • 26% Positiveness
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Saíd Chraibi
Pensées andalouses
95 bpm • F Maj • 05:24 • -14.65db
16% Popularity • 44% Danceability • 32% Energy • 12% Liveness
90% Instrumentalness • 76% Positiveness
16% Popularity • 44% Danceability • 32% Energy • 12% Liveness
90% Instrumentalness • 76% Positiveness
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Al Turath Ensemble
Layali "Ya Layli Yaayni"
95 bpm • G Maj • 05:24 • -25.68db
7% Popularity • 22% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
7% Popularity • 22% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Jordi Savall
Fragmento de la Carta sobre la conversi�...
87 bpm • G min • 03:16 • -24.8db
12% Popularity • 40% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
12% Popularity • 40% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Irini Derebei
Tillirkotissa (Chypre)
87 bpm • D min • 03:28 • -16.58db
20% Popularity • 51% Danceability • 28% Energy • 32% Liveness
11% Instrumentalness • 54% Positiveness
20% Popularity • 51% Danceability • 28% Energy • 32% Liveness
11% Instrumentalness • 54% Positiveness
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Munir Bachir
Maqam Al-asîl
95 bpm • G min • 04:43 • -21.31db
16% Popularity • 44% Danceability • 7% Energy • 11% Liveness
56% Instrumentalness • 31% Positiveness
16% Popularity • 44% Danceability • 7% Energy • 11% Liveness
56% Instrumentalness • 31% Positiveness
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Ghalia Benali
4e livre de pièces de viole, Suite d'un...
87 bpm • C# Maj • 05:54 • -16.13db
19% Popularity • 33% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
19% Popularity • 33% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Ali Hassan
Maqam Tour Reefy Mohammadawiy
87 bpm • D# min • 03:22 • -15.99db
21% Popularity • 44% Danceability • 11% Energy • 10% Liveness
79% Instrumentalness • 10% Positiveness
21% Popularity • 44% Danceability • 11% Energy • 10% Liveness
79% Instrumentalness • 10% Positiveness
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Sœur Marie Keyrouz
Rabbah
95 bpm • A min • 08:03 • -17.02db
8% Popularity • 32% Danceability • 18% Energy • 11% Liveness
61% Instrumentalness • 21% Positiveness
8% Popularity • 32% Danceability • 18% Energy • 11% Liveness
61% Instrumentalness • 21% Positiveness
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Ioannis Damaskinos
Alléluia (Choral byzantin)
87 bpm • B Maj • 05:26 • -29db
12% Popularity • 17% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
12% Popularity • 17% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Irini Derebei
Κόνιαλι (Koniali) [Grèce & Turqu...
95 bpm • E min • 03:41 • -14db
17% Popularity • 49% Danceability • 53% Energy • 8% Liveness
12% Instrumentalness • 72% Positiveness
17% Popularity • 49% Danceability • 53% Energy • 8% Liveness
12% Instrumentalness • 72% Positiveness
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Jordi Savall
Invocación Qamti be-Ishon Layla (Cantar...
87 bpm • G min • 02:30 • -24.07db
19% Popularity • 22% Danceability • 5% Energy • 17% Liveness
1% Instrumentalness • 22% Positiveness
19% Popularity • 22% Danceability • 5% Energy • 17% Liveness
1% Instrumentalness • 22% Positiveness
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Traditional
El Rey que tanto madruga (sepharadic)
96 bpm • C min • 04:22 • -23.36db
7% Popularity • 35% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
7% Popularity • 35% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
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Monsieur de Sainte-Colombe
Concert XXVII: Bourrasque - 2e sarabande...
96 bpm • C# min • 01:19 • -23.96db
10% Popularity • 28% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 20% Positiveness
10% Popularity • 28% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 20% Positiveness
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Marin Marais
Le Badinage - 4ème livre de Pièces de ...
96 bpm • F min • 06:59 • -26.93db
26% Popularity • 28% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
26% Popularity • 28% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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Aarif Jaman
Hijaz
86 bpm • C Maj • 03:18 • -17.79db
35% Popularity • 34% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
35% Popularity • 34% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
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Marc-Antoine Charpentier
Te Deum: IV. Pleni sunt caeli
96 bpm • C# Maj • 02:07 • -12.82db
10% Popularity • 29% Danceability • 42% Energy • 11% Liveness
81% Instrumentalness • 62% Positiveness
10% Popularity • 29% Danceability • 42% Energy • 11% Liveness
81% Instrumentalness • 62% Positiveness
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Jordi Savall
Suite En Si Mineur: Tombeau Pour Mons.r ...
87 bpm • A# min • 06:36 • -18.04db
7% Popularity • 19% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
7% Popularity • 19% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
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Traditional
Kevoque
96 bpm • G min • 02:04 • -15.84db
11% Popularity • 50% Danceability • 32% Energy • 11% Liveness
87% Instrumentalness • 66% Positiveness
11% Popularity • 50% Danceability • 32% Energy • 11% Liveness
87% Instrumentalness • 66% Positiveness
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Omar Bashir
Taqsîm Maqâm Hijâz, Segâh & 'Âwj, p...
96 bpm • G# Maj • 03:24 • -16.59db
21% Popularity • 41% Danceability • 12% Energy • 13% Liveness
83% Instrumentalness • 20% Positiveness
21% Popularity • 41% Danceability • 12% Energy • 13% Liveness
83% Instrumentalness • 20% Positiveness
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Ali Jihad Racy
Maqam Bayyati
96 bpm • F# min • 08:55 • -16db
10% Popularity • 48% Danceability • 23% Energy • 9% Liveness
92% Instrumentalness • 38% Positiveness
10% Popularity • 48% Danceability • 23% Energy • 9% Liveness
92% Instrumentalness • 38% Positiveness
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Jean-Philippe Rameau
Les Indes Galantes - Suites des airs à ...
86 bpm • F# min • 01:39 • -16.5db
19% Popularity • 60% Danceability • 26% Energy • 12% Liveness
46% Instrumentalness • 61% Positiveness
19% Popularity • 60% Danceability • 26% Energy • 12% Liveness
46% Instrumentalness • 61% Positiveness
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Ensemble Ibn Arabi
Je crois en la religion de l'amour
86 bpm • E min • 04:30 • -18.77db
18% Popularity • 40% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 40% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Jordi Savall
Sinanon Saran (Chant de griot)
86 bpm • F Maj • 03:43 • -19.86db
37% Popularity • 48% Danceability • 32% Energy • 10% Liveness
3% Instrumentalness • 61% Positiveness
37% Popularity • 48% Danceability • 32% Energy • 10% Liveness
3% Instrumentalness • 61% Positiveness
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Sayat Nova
Ashkhares mi panjara ye - The world is a...
85 bpm • C# min • 03:04 • -24.32db
25% Popularity • 20% Danceability • 1% Energy • 15% Liveness
67% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 1% Energy • 15% Liveness
67% Instrumentalness • 4% Positiveness
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Munir Bashir
Taqsîm en maqâm : Awj
97 bpm • C Maj • 03:06 • -19.22db
22% Popularity • 44% Danceability • 18% Energy • 8% Liveness
40% Instrumentalness • 36% Positiveness
22% Popularity • 44% Danceability • 18% Energy • 8% Liveness
40% Instrumentalness • 36% Positiveness
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Charbel Rouhana
Kermelon
97 bpm • D min • 05:58 • -28.16db
21% Popularity • 39% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 31% Positiveness
21% Popularity • 39% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 31% Positiveness
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Jean-Philippe Rameau
Les Indes Galantes - Air pour les esclav...
86 bpm • F# min • 01:39 • -18db
22% Popularity • 57% Danceability • 28% Energy • 11% Liveness
79% Instrumentalness • 74% Positiveness
22% Popularity • 57% Danceability • 28% Energy • 11% Liveness
79% Instrumentalness • 74% Positiveness
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Arianna Savall
Preghiera
97 bpm • C min • 06:34 • -18.11db
26% Popularity • 39% Danceability • 16% Energy • 10% Liveness
5% Instrumentalness • 11% Positiveness
26% Popularity • 39% Danceability • 16% Energy • 10% Liveness
5% Instrumentalness • 11% Positiveness
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Jordi Savall
Djonya (Introduction)
97 bpm • A# Maj • 01:23 • -22.88db
11% Popularity • 47% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 47% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Amer Ammouri
Rohani (Hijaz)
85 bpm • C Maj • 05:03 • -10.78db
20% Popularity • 45% Danceability • 43% Energy • 9% Liveness
85% Instrumentalness • 31% Positiveness
20% Popularity • 45% Danceability • 43% Energy • 9% Liveness
85% Instrumentalness • 31% Positiveness
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Claudio Monteverdi
Sinfonia a sei
97 bpm • D min • 01:49 • -23db
16% Popularity • 22% Danceability • 6% Energy • 10% Liveness
61% Instrumentalness • 8% Positiveness
16% Popularity • 22% Danceability • 6% Energy • 10% Liveness
61% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Ouverture No. 3, BWV 1068: II. Air
97 bpm • C# Maj • 06:02 • -28.83db
4% Popularity • 13% Danceability • 4% Energy • 12% Liveness
48% Instrumentalness • 5% Positiveness
4% Popularity • 13% Danceability • 4% Energy • 12% Liveness
48% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Requiem K. 626 - Introitus
97 bpm • A Maj • 06:45 • -16.96db
18% Popularity • 18% Danceability • 22% Energy • 10% Liveness
66% Instrumentalness • 5% Positiveness
18% Popularity • 18% Danceability • 22% Energy • 10% Liveness
66% Instrumentalness • 5% Positiveness
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Sœur Marie Keyrouz
Abû Dqûshto - O Père Saint, O Holy Fa...
97 bpm • G Maj • 04:08 • -15.1db
7% Popularity • 26% Danceability • 6% Energy • 12% Liveness
31% Instrumentalness • 5% Positiveness
7% Popularity • 26% Danceability • 6% Energy • 12% Liveness
31% Instrumentalness • 5% Positiveness
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Biagio Marini
Passacaglia à 4
85 bpm • G min • 03:11 • -18.87db
12% Popularity • 9% Danceability • 10% Energy • 14% Liveness
74% Instrumentalness • 7% Positiveness
12% Popularity • 9% Danceability • 10% Energy • 14% Liveness
74% Instrumentalness • 7% Positiveness
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Hamza El Din
Samai Husaini
98 bpm • G min • 06:45 • -16.9db
8% Popularity • 64% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 50% Positiveness
8% Popularity • 64% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 50% Positiveness
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Jordi Savall
Ta xyla & Çeçen kızı (Grèce & Turqu...
98 bpm • D Maj • 02:59 • -17db
12% Popularity • 39% Danceability • 37% Energy • 10% Liveness
94% Instrumentalness • 74% Positiveness
12% Popularity • 39% Danceability • 37% Energy • 10% Liveness
94% Instrumentalness • 74% Positiveness
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Aarif Jaman
Suzinak
85 bpm • F Maj • 03:16 • -22.09db
22% Popularity • 36% Danceability • 21% Energy • 12% Liveness
86% Instrumentalness • 33% Positiveness
22% Popularity • 36% Danceability • 21% Energy • 12% Liveness
86% Instrumentalness • 33% Positiveness
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Francesco Corbetta
Folias
98 bpm • C Maj • 03:14 • -26db
17% Popularity • 32% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 48% Positiveness
17% Popularity • 32% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 48% Positiveness
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Stavros Kouskouridas
Selfo (Improvisation à la Clarinette) [...
98 bpm • G Maj • 03:53 • -18db
15% Popularity • 33% Danceability • 37% Energy • 9% Liveness
4% Instrumentalness • 74% Positiveness
15% Popularity • 33% Danceability • 37% Energy • 9% Liveness
4% Instrumentalness • 74% Positiveness
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Ensemble Ibn Arabi
Taqsîm au ney
84 bpm • D min • 02:45 • -28.56db
20% Popularity • 16% Danceability • 1% Energy • 11% Liveness
25% Instrumentalness • 35% Positiveness
20% Popularity • 16% Danceability • 1% Energy • 11% Liveness
25% Instrumentalness • 35% Positiveness
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Sharakan Early Music Ensemble
Our es mayr im - Mother, where are you?
84 bpm • E min • 04:18 • -16.68db
5% Popularity • 13% Danceability • 14% Energy • 9% Liveness
39% Instrumentalness • 4% Positiveness
5% Popularity • 13% Danceability • 14% Energy • 9% Liveness
39% Instrumentalness • 4% Positiveness
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Jordi Savall
Villancico: Todos los bienes del mundo -...
98 bpm • A min • 02:28 • -14.94db
12% Popularity • 39% Danceability • 31% Energy • 30% Liveness
5% Instrumentalness • 59% Positiveness
12% Popularity • 39% Danceability • 31% Energy • 30% Liveness
5% Instrumentalness • 59% Positiveness