Songs like Land of Cole by Kabeção
Based on a tempo of (+/- 10%) and a similar genre
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Jeremy Arndt
Mt. Helix
109 bpm • G# Maj • 03:39 • -20.24db
20% Popularity • 51% Danceability • 22% Energy • 12% Liveness
97% Instrumentalness • 87% Positiveness
20% Popularity • 51% Danceability • 22% Energy • 12% Liveness
97% Instrumentalness • 87% Positiveness
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Kabeção
Land of Cole
109 bpm • D min • 07:31 • -20.37db
6% Popularity • 32% Danceability • 20% Energy • 32% Liveness
90% Instrumentalness • 15% Positiveness
6% Popularity • 32% Danceability • 20% Energy • 32% Liveness
90% Instrumentalness • 15% Positiveness
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Hang Massive
Omat Odat
109 bpm • A# Maj • 06:14 • -14.08db
35% Popularity • 71% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 42% Positiveness
35% Popularity • 71% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 42% Positiveness
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Archer & Tripp
Fayre Enough
110 bpm • D min • 03:21 • -13.46db
17% Popularity • 40% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
17% Popularity • 40% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Jeremy Nattagh
Life Equinox, Pt. 2
108 bpm • F Maj • 04:11 • -20.69db
18% Popularity • 37% Danceability • 18% Energy • 13% Liveness
96% Instrumentalness • 44% Positiveness
18% Popularity • 37% Danceability • 18% Energy • 13% Liveness
96% Instrumentalness • 44% Positiveness
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Nadayana
Riding the Wind
110 bpm • F min • 09:39 • -26.21db
33% Popularity • 31% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 31% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Marianne Gubri
Karnac
108 bpm • F min • 06:29 • -12.11db
13% Popularity • 51% Danceability • 35% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
13% Popularity • 51% Danceability • 35% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
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Kabeção
Land of Cole
109 bpm • D min • 06:33 • -17.56db
37% Popularity • 47% Danceability • 19% Energy • 8% Liveness
97% Instrumentalness • 54% Positiveness
37% Popularity • 47% Danceability • 19% Energy • 8% Liveness
97% Instrumentalness • 54% Positiveness
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Alexis Ré
Gravity
110 bpm • G min • 07:19 • -17.25db
6% Popularity • 56% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
6% Popularity • 56% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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David Kuckhermann
Han Solo
108 bpm • D min • 03:42 • -15db
18% Popularity • 48% Danceability • 41% Energy • 11% Liveness
96% Instrumentalness • 45% Positiveness
18% Popularity • 48% Danceability • 41% Energy • 11% Liveness
96% Instrumentalness • 45% Positiveness
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Garth Stevenson
Earth
110 bpm • C Maj • 05:04 • -17.4db
37% Popularity • 70% Danceability • 34% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
37% Popularity • 70% Danceability • 34% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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John De Kadt
This Rhythm Is Not Mine - Instrumental
108 bpm • G min • 06:46 • -14.37db
31% Popularity • 86% Danceability • 46% Energy • 7% Liveness
85% Instrumentalness • 7% Positiveness
31% Popularity • 86% Danceability • 46% Energy • 7% Liveness
85% Instrumentalness • 7% Positiveness
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Hang Massive
Heritage of Queens and Kings
108 bpm • C# Maj • 05:59 • -21.21db
38% Popularity • 68% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
38% Popularity • 68% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
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Lars La Ville & Daniel Waples
Sunset In India
110 bpm • G min • 04:15 • -16.14db
37% Popularity • 75% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 53% Positiveness
37% Popularity • 75% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 53% Positiveness
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Pardis
Lady of Dust
110 bpm • A min • 02:24 • -23.71db
37% Popularity • 61% Danceability • 18% Energy • 11% Liveness
84% Instrumentalness • 19% Positiveness
37% Popularity • 61% Danceability • 18% Energy • 11% Liveness
84% Instrumentalness • 19% Positiveness
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Pranayama Squad
On a Different River
110 bpm • A min • 03:51 • -20.83db
37% Popularity • 91% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 55% Positiveness
37% Popularity • 91% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 55% Positiveness
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Pasha Aeon
Magic Sound of Goa
110 bpm • D Maj • 02:44 • -22.7db
20% Popularity • 43% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 78% Positiveness
20% Popularity • 43% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 78% Positiveness
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Tumbara
Duality
108 bpm • G Maj • 06:11 • -17.68db
34% Popularity • 81% Danceability • 42% Energy • 8% Liveness
78% Instrumentalness • 43% Positiveness
34% Popularity • 81% Danceability • 42% Energy • 8% Liveness
78% Instrumentalness • 43% Positiveness
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Davide Swarup
Intermezzo 1
111 bpm • D min • 02:24 • -34.62db
49% Popularity • 59% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 62% Positiveness
49% Popularity • 59% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 62% Positiveness
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Kabeção
Sonhar No Sonho
107 bpm • D min • 09:16 • -16.6db
16% Popularity • 45% Danceability • 19% Energy • 8% Liveness
96% Instrumentalness • 14% Positiveness
16% Popularity • 45% Danceability • 19% Energy • 8% Liveness
96% Instrumentalness • 14% Positiveness
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Earth Harp
Mothership
111 bpm • A min • 02:26 • -16.14db
42% Popularity • 60% Danceability • 18% Energy • 14% Liveness
94% Instrumentalness • 22% Positiveness
42% Popularity • 60% Danceability • 18% Energy • 14% Liveness
94% Instrumentalness • 22% Positiveness
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Hang in Balance
Hang Outback
107 bpm • G Maj • 03:50 • -13db
30% Popularity • 56% Danceability • 44% Energy • 9% Liveness
85% Instrumentalness • 62% Positiveness
30% Popularity • 56% Danceability • 44% Energy • 9% Liveness
85% Instrumentalness • 62% Positiveness
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Kumea Sound
Between You And Me
107 bpm • D min • 04:04 • -21.21db
24% Popularity • 40% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 46% Positiveness
24% Popularity • 40% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 46% Positiveness
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Avi Adir
Hang to the Creek
111 bpm • D min • 08:39 • -17.28db
16% Popularity • 35% Danceability • 20% Energy • 23% Liveness
93% Instrumentalness • 23% Positiveness
16% Popularity • 35% Danceability • 20% Energy • 23% Liveness
93% Instrumentalness • 23% Positiveness
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Hang Massive
Boat Ride
107 bpm • C# min • 07:36 • -20.2db
36% Popularity • 80% Danceability • 28% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
36% Popularity • 80% Danceability • 28% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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Filippo Pigaiani
Inno alla Vita
107 bpm • G# Maj • 03:45 • -21.71db
14% Popularity • 38% Danceability • 11% Energy • 9% Liveness
72% Instrumentalness • 30% Positiveness
14% Popularity • 38% Danceability • 11% Energy • 9% Liveness
72% Instrumentalness • 30% Positiveness
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Mark D'Ambrosio
Goodnight
107 bpm • E Maj • 02:07 • -22.67db
18% Popularity • 39% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 30% Positiveness
18% Popularity • 39% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 30% Positiveness
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Alexandre Lora
Lullaby
107 bpm • B min • 03:55 • -19.52db
27% Popularity • 35% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
27% Popularity • 35% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
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Kabeção
Golden Mutant
107 bpm • C# min • 07:11 • -13.93db
7% Popularity • 48% Danceability • 38% Energy • 10% Liveness
87% Instrumentalness • 40% Positiveness
7% Popularity • 48% Danceability • 38% Energy • 10% Liveness
87% Instrumentalness • 40% Positiveness
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Gabrielle Roth & The Mirrors
Eternal Dance
112 bpm • C# min • 09:13 • -16.03db
35% Popularity • 87% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 46% Positiveness
35% Popularity • 87% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 46% Positiveness
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Hang Massive
The Secret Kissing of the Sun and Moon
112 bpm • F# min • 08:57 • -20.93db
51% Popularity • 76% Danceability • 11% Energy • 12% Liveness
96% Instrumentalness • 29% Positiveness
51% Popularity • 76% Danceability • 11% Energy • 12% Liveness
96% Instrumentalness • 29% Positiveness
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Hang Playing Hedge Monkeys
Ant Sandwich
112 bpm • A min • 03:31 • -17.99db
35% Popularity • 62% Danceability • 22% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
35% Popularity • 62% Danceability • 22% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
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Mark D'Ambrosio
The Weevil
106 bpm • E Maj • 05:37 • -22db
15% Popularity • 40% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
15% Popularity • 40% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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David Kuckhermann
Urban Jungle
112 bpm • B Maj • 02:03 • -12.14db
26% Popularity • 78% Danceability • 72% Energy • 5% Liveness
78% Instrumentalness • 59% Positiveness
26% Popularity • 78% Danceability • 72% Energy • 5% Liveness
78% Instrumentalness • 59% Positiveness
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Kabeção
Galactic Interlude
112 bpm • A# min • 03:33 • -29.03db
14% Popularity • 34% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
14% Popularity • 34% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Matsumoto Zoku
Wa
112 bpm • C Maj • 02:57 • -10.87db
23% Popularity • 81% Danceability • 45% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
23% Popularity • 81% Danceability • 45% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
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Sam Maher
Fremantle
112 bpm • C# Maj • 04:32 • -17.53db
34% Popularity • 70% Danceability • 21% Energy • 11% Liveness
97% Instrumentalness • 79% Positiveness
34% Popularity • 70% Danceability • 21% Energy • 11% Liveness
97% Instrumentalness • 79% Positiveness
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OCNO
Ascensión
112 bpm • A# Maj • 04:15 • -18.42db
28% Popularity • 45% Danceability • 23% Energy • 11% Liveness
97% Instrumentalness • 33% Positiveness
28% Popularity • 45% Danceability • 23% Energy • 11% Liveness
97% Instrumentalness • 33% Positiveness
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Wolfgang Ohmer
Easy Going
106 bpm • C Maj • 03:17 • -20.29db
38% Popularity • 77% Danceability • 40% Energy • 11% Liveness
96% Instrumentalness • 73% Positiveness
38% Popularity • 77% Danceability • 40% Energy • 11% Liveness
96% Instrumentalness • 73% Positiveness
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Kate Stone
Whispering Creek
112 bpm • F# Maj • 08:01 • -26.85db
27% Popularity • 34% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
27% Popularity • 34% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Nadayana
Towards the Light
106 bpm • E min • 06:49 • -28.62db
32% Popularity • 24% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
32% Popularity • 24% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
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The Hang Drum Project
Square Mile
113 bpm • D min • 04:13 • -12.58db
25% Popularity • 66% Danceability • 30% Energy • 9% Liveness
85% Instrumentalness • 24% Positiveness
25% Popularity • 66% Danceability • 30% Energy • 9% Liveness
85% Instrumentalness • 24% Positiveness
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Evan Fraser
Shivasana
113 bpm • A Maj • 06:16 • -19.94db
14% Popularity • 40% Danceability • 4% Energy • 7% Liveness
80% Instrumentalness • 18% Positiveness
14% Popularity • 40% Danceability • 4% Energy • 7% Liveness
80% Instrumentalness • 18% Positiveness
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OCNO
Didgerihang
106 bpm • D min • 07:56 • -17.87db
34% Popularity • 31% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
34% Popularity • 31% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
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Talvin Singh
Jal
113 bpm • A# min • 04:43 • -14.44db
35% Popularity • 32% Danceability • 29% Energy • 33% Liveness
89% Instrumentalness • 8% Positiveness
35% Popularity • 32% Danceability • 29% Energy • 33% Liveness
89% Instrumentalness • 8% Positiveness
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Kabeção
Golden Mutant
113 bpm • C# min • 08:00 • -17.41db
9% Popularity • 39% Danceability • 27% Energy • 15% Liveness
89% Instrumentalness • 11% Positiveness
9% Popularity • 39% Danceability • 27% Energy • 15% Liveness
89% Instrumentalness • 11% Positiveness
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Klik & Frik
Médano
105 bpm • F# min • 02:31 • -16.41db
36% Popularity • 82% Danceability • 31% Energy • 8% Liveness
84% Instrumentalness • 39% Positiveness
36% Popularity • 82% Danceability • 31% Energy • 8% Liveness
84% Instrumentalness • 39% Positiveness
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Hang Massive
End of Sky
105 bpm • C# min • 08:17 • -21.52db
45% Popularity • 77% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
45% Popularity • 77% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Filippo Pigaiani
Risveglio di Primavera
105 bpm • F Maj • 04:16 • -25.91db
15% Popularity • 36% Danceability • 12% Energy • 6% Liveness
93% Instrumentalness • 50% Positiveness
15% Popularity • 36% Danceability • 12% Energy • 6% Liveness
93% Instrumentalness • 50% Positiveness
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Animara
Moon Dreamer
104 bpm • C# Maj • 02:23 • -13.63db
26% Popularity • 55% Danceability • 32% Energy • 10% Liveness
97% Instrumentalness • 24% Positiveness
26% Popularity • 55% Danceability • 32% Energy • 10% Liveness
97% Instrumentalness • 24% Positiveness
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Dan Mulqueen
Shadows
114 bpm • C# min • 03:11 • -13.41db
40% Popularity • 62% Danceability • 46% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
40% Popularity • 62% Danceability • 46% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Kabeção
Calçadas
113 bpm • D min • 06:30 • -19.05db
23% Popularity • 41% Danceability • 21% Energy • 9% Liveness
95% Instrumentalness • 32% Positiveness
23% Popularity • 41% Danceability • 21% Energy • 9% Liveness
95% Instrumentalness • 32% Positiveness
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Dub Sutra
Minute of Monks
104 bpm • E Maj • 01:11 • -24.49db
46% Popularity • 19% Danceability • 2% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
46% Popularity • 19% Danceability • 2% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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Hang Massive
Saturnalia
114 bpm • F# min • 02:41 • -11.53db
44% Popularity • 68% Danceability • 47% Energy • 65% Liveness
65% Instrumentalness • 35% Positiveness
44% Popularity • 68% Danceability • 47% Energy • 65% Liveness
65% Instrumentalness • 35% Positiveness
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Benjy Wertheimer
Lila
104 bpm • A min • 08:03 • -13.57db
41% Popularity • 77% Danceability • 47% Energy • 7% Liveness
79% Instrumentalness • 53% Positiveness
41% Popularity • 77% Danceability • 47% Energy • 7% Liveness
79% Instrumentalness • 53% Positiveness
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Filippo Pigaiani
Sound Core
104 bpm • D Maj • 07:04 • -24.15db
18% Popularity • 37% Danceability • 7% Energy • 19% Liveness
90% Instrumentalness • 5% Positiveness
18% Popularity • 37% Danceability • 7% Energy • 19% Liveness
90% Instrumentalness • 5% Positiveness
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Gabrielle Roth & The Mirrors
Talking Sticks -- Bob M
114 bpm • G min • 02:14 • -14.31db
27% Popularity • 82% Danceability • 57% Energy • 10% Liveness
83% Instrumentalness • 66% Positiveness
27% Popularity • 82% Danceability • 57% Energy • 10% Liveness
83% Instrumentalness • 66% Positiveness
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Enahm Hof
Ainsa
104 bpm • D min • 06:36 • -6.41db
33% Popularity • 76% Danceability • 69% Energy • 10% Liveness
93% Instrumentalness • 56% Positiveness
33% Popularity • 76% Danceability • 69% Energy • 10% Liveness
93% Instrumentalness • 56% Positiveness
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Sary Hany
Journey to Hawaii
114 bpm • G# min • 01:48 • -15.15db
37% Popularity • 55% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
37% Popularity • 55% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
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Dan Mulqueen
Levels (Acoustic)
104 bpm • C# Maj • 05:09 • -18.69db
12% Popularity • 43% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
12% Popularity • 43% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
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Kabeção
The Return of the Bucket
104 bpm • C Maj • 10:29 • -16.55db
4% Popularity • 35% Danceability • 31% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
4% Popularity • 35% Danceability • 31% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Filippo Pigaiani
Logos
104 bpm • D min • 11:13 • -14.27db
24% Popularity • 38% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
24% Popularity • 38% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Liron Man
Rakitam (Solo)
104 bpm • D min • 03:23 • -17.17db
27% Popularity • 34% Danceability • 29% Energy • 11% Liveness
97% Instrumentalness • 57% Positiveness
27% Popularity • 34% Danceability • 29% Energy • 11% Liveness
97% Instrumentalness • 57% Positiveness
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Manu Delago
Mono Desire
115 bpm • F min • 04:00 • -14.44db
19% Popularity • 46% Danceability • 30% Energy • 10% Liveness
94% Instrumentalness • 34% Positiveness
19% Popularity • 46% Danceability • 30% Energy • 10% Liveness
94% Instrumentalness • 34% Positiveness
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Rainer Rabus & Friends
Kapilingua
115 bpm • G Maj • 02:02 • -21.2db
33% Popularity • 51% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 56% Positiveness
33% Popularity • 51% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 56% Positiveness
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Dan Mulqueen
Boreal
115 bpm • F# min • 05:29 • -13.43db
36% Popularity • 38% Danceability • 24% Energy • 8% Liveness
93% Instrumentalness • 31% Positiveness
36% Popularity • 38% Danceability • 24% Energy • 8% Liveness
93% Instrumentalness • 31% Positiveness
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René Aubry
The Lake
103 bpm • D# Maj • 02:53 • -20db
45% Popularity • 56% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
45% Popularity • 56% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Jeremy Nattagh
The Gift
103 bpm • D Maj • 08:30 • -14.67db
18% Popularity • 69% Danceability • 35% Energy • 9% Liveness
94% Instrumentalness • 69% Positiveness
18% Popularity • 69% Danceability • 35% Energy • 9% Liveness
94% Instrumentalness • 69% Positiveness
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Ryohei Kubota
Rave
115 bpm • G Maj • 04:01 • -18.72db
31% Popularity • 61% Danceability • 28% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
31% Popularity • 61% Danceability • 28% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
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Barulinho
Kalimba Nara
115 bpm • A# min • 03:53 • -8.2db
23% Popularity • 79% Danceability • 44% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
23% Popularity • 79% Danceability • 44% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
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Rainer Rabus & Friends
Sommerregen
115 bpm • A# min • 01:44 • -18.83db
24% Popularity • 58% Danceability • 12% Energy • 11% Liveness
97% Instrumentalness • 60% Positiveness
24% Popularity • 58% Danceability • 12% Energy • 11% Liveness
97% Instrumentalness • 60% Positiveness
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Nadayana
Golden Castle in the Sky
115 bpm • A# min • 03:31 • -29.11db
32% Popularity • 32% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
32% Popularity • 32% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Benjy Wertheimer
Underwater
103 bpm • G min • 07:46 • -21.33db
39% Popularity • 81% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
39% Popularity • 81% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Kabeção
Taming the Shadow
115 bpm • C Maj • 07:51 • -14.86db
6% Popularity • 56% Danceability • 39% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
6% Popularity • 56% Danceability • 39% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
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Wadhom
Hang Duo (Live)
103 bpm • C Maj • 03:38 • -24.78db
27% Popularity • 43% Danceability • 14% Energy • 8% Liveness
78% Instrumentalness • 33% Positiveness
27% Popularity • 43% Danceability • 14% Energy • 8% Liveness
78% Instrumentalness • 33% Positiveness
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Gabrielle Roth & The Mirrors
Black Mesa
116 bpm • A min • 07:17 • -21.06db
10% Popularity • 80% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 54% Positiveness
10% Popularity • 80% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 54% Positiveness
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Dan Mulqueen
Levels
103 bpm • C# Maj • 05:09 • -17.03db
14% Popularity • 38% Danceability • 21% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
14% Popularity • 38% Danceability • 21% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
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Hang Massive
Sudden
116 bpm • B min • 06:47 • -22.47db
32% Popularity • 80% Danceability • 28% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
32% Popularity • 80% Danceability • 28% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
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David Kuckhermann
The Path of the Metal Turtle
116 bpm • C# Maj • 05:04 • -14.32db
17% Popularity • 48% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 62% Positiveness
17% Popularity • 48% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 62% Positiveness
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Kabeção
Zamarripa
102 bpm • F min • 08:01 • -20.53db
5% Popularity • 34% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
5% Popularity • 34% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
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Amy Naylor
Duet
102 bpm • C# min • 04:28 • -21.69db
12% Popularity • 31% Danceability • 10% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
12% Popularity • 31% Danceability • 10% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
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Dante Bucci
Reminiscence
102 bpm • F Maj • 03:33 • -12.78db
36% Popularity • 51% Danceability • 26% Energy • 11% Liveness
97% Instrumentalness • 57% Positiveness
36% Popularity • 51% Danceability • 26% Energy • 11% Liveness
97% Instrumentalness • 57% Positiveness
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Dan Mulqueen
Unicycle
116 bpm • C# min • 04:37 • -22.86db
36% Popularity • 28% Danceability • 11% Energy • 9% Liveness
83% Instrumentalness • 16% Positiveness
36% Popularity • 28% Danceability • 11% Energy • 9% Liveness
83% Instrumentalness • 16% Positiveness
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Davide Swarup
Moods-an opening
116 bpm • A# Maj • 09:27 • -26.37db
12% Popularity • 32% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
12% Popularity • 32% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
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Nadishana
Kuaroa
116 bpm • C Maj • 09:47 • -13.41db
36% Popularity • 47% Danceability • 35% Energy • 10% Liveness
88% Instrumentalness • 47% Positiveness
36% Popularity • 47% Danceability • 35% Energy • 10% Liveness
88% Instrumentalness • 47% Positiveness
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Kabeção
Meliuba
103 bpm • A# min • 08:28 • -16.45db
13% Popularity • 46% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
13% Popularity • 46% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Quentin Kayser
Healing
102 bpm • G# Maj • 06:05 • -22.95db
20% Popularity • 36% Danceability • 8% Energy • 8% Liveness
97% Instrumentalness • 43% Positiveness
20% Popularity • 36% Danceability • 8% Energy • 8% Liveness
97% Instrumentalness • 43% Positiveness
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Lars La Ville & Daniel Waples
A Magical Day
117 bpm • A# Maj • 04:51 • -21.41db
24% Popularity • 60% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 35% Positiveness
24% Popularity • 60% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 35% Positiveness
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Dan Mulqueen
Head Down
102 bpm • F min • 03:42 • -19.24db
23% Popularity • 46% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 46% Positiveness
23% Popularity • 46% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 46% Positiveness
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Eskimotion
Reflections
101 bpm • F min • 03:25 • -24.16db
40% Popularity • 29% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
40% Popularity • 29% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Filippo Pigaiani
Sound Core (Sax & Handpan Only) [Remaste...
101 bpm • D Maj • 06:03 • -16.33db
27% Popularity • 44% Danceability • 11% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
27% Popularity • 44% Danceability • 11% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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Kabeção
One Way Ticket
116 bpm • C# min • 09:27 • -16.25db
5% Popularity • 44% Danceability • 34% Energy • 9% Liveness
87% Instrumentalness • 27% Positiveness
5% Popularity • 44% Danceability • 34% Energy • 9% Liveness
87% Instrumentalness • 27% Positiveness
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Jeremy Nattagh
Life Equinox, Pt. 1
101 bpm • D min • 04:53 • -20.41db
19% Popularity • 36% Danceability • 26% Energy • 9% Liveness
96% Instrumentalness • 28% Positiveness
19% Popularity • 36% Danceability • 26% Energy • 9% Liveness
96% Instrumentalness • 28% Positiveness
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Danny Cudd
Once Again (2011)
118 bpm • D min • 05:05 • -18.89db
28% Popularity • 71% Danceability • 28% Energy • 14% Liveness
93% Instrumentalness • 39% Positiveness
28% Popularity • 71% Danceability • 28% Energy • 14% Liveness
93% Instrumentalness • 39% Positiveness
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Lars La Ville & Daniel Waples
Astrology
118 bpm • C# Maj • 05:35 • -18.1db
38% Popularity • 60% Danceability • 22% Energy • 9% Liveness
95% Instrumentalness • 78% Positiveness
38% Popularity • 60% Danceability • 22% Energy • 9% Liveness
95% Instrumentalness • 78% Positiveness
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Wolfgang Ohmer
Red Queens Minuet
118 bpm • E min • 02:47 • -14.84db
45% Popularity • 72% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
45% Popularity • 72% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
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Malte Marten
Here for a reason
118 bpm • D Maj • 05:14 • -22.99db
40% Popularity • 44% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
40% Popularity • 44% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Kabeção
A Bucket of Thina
102 bpm • E min • 05:35 • -15.16db
19% Popularity • 40% Danceability • 32% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
19% Popularity • 40% Danceability • 32% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
