Songs like Land of Gold by Anoushka Shankar
Based on a tempo of (+/- 10%) and a similar genre
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Sona Jobarteh
Suma
170 bpm • G Maj • 05:25 • -12.21db
33% Popularity • 59% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 59% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Anoushka Shankar
Land of Gold
170 bpm • D min • 04:39 • -15.58db
31% Popularity • 31% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 31% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Armand Amar
A Story for Tomorrow
170 bpm • F# min • 03:23 • -11.19db
10% Popularity • 36% Danceability • 31% Energy • 10% Liveness
12% Instrumentalness • 16% Positiveness
10% Popularity • 36% Danceability • 31% Energy • 10% Liveness
12% Instrumentalness • 16% Positiveness
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The Touré-Raichel Collective
Azawade
169 bpm • F min • 08:12 • -13db
49% Popularity • 35% Danceability • 44% Energy • 11% Liveness
87% Instrumentalness • 31% Positiveness
49% Popularity • 35% Danceability • 44% Energy • 11% Liveness
87% Instrumentalness • 31% Positiveness
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Stephan Micus
Part 1: Earth
171 bpm • D# Maj • 06:25 • -17.97db
20% Popularity • 30% Danceability • 22% Energy • 34% Liveness
4% Instrumentalness • 27% Positiveness
20% Popularity • 30% Danceability • 22% Energy • 34% Liveness
4% Instrumentalness • 27% Positiveness
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Deepak Ram
A Night In Lenasia
171 bpm • E Maj • 04:18 • -10db
31% Popularity • 63% Danceability • 81% Energy • 9% Liveness
94% Instrumentalness • 96% Positiveness
31% Popularity • 63% Danceability • 81% Energy • 9% Liveness
94% Instrumentalness • 96% Positiveness
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Baluji Shrivastav
Rendezvous with Rama
171 bpm • D min • 04:13 • -14.89db
22% Popularity • 47% Danceability • 34% Energy • 7% Liveness
28% Instrumentalness • 46% Positiveness
22% Popularity • 47% Danceability • 34% Energy • 7% Liveness
28% Instrumentalness • 46% Positiveness
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Anoushka Shankar
Land of Gold - Instrumental
170 bpm • D min • 04:19 • -16.49db
29% Popularity • 36% Danceability • 16% Energy • 2% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 36% Danceability • 16% Energy • 2% Liveness
0% Instrumentalness • 17% Positiveness
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![Traces of You (with Anoushka Shankar) [From “Norah Jones is Playing Along” Podcast] cover art](https://i.scdn.co/image/ab67616d00001e02076d5800ba4feb54b7b50cf4)
Norah Jones
Traces of You [From “Norah Jones is P...
171 bpm • D Maj • 03:49 • -9.83db
27% Popularity • 28% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
27% Popularity • 28% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
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Catrin Finch
Future Strings
171 bpm • A# Maj • 07:31 • -20.29db
26% Popularity • 21% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
26% Popularity • 21% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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Stephan Micus
Part 7 Desert Poem
171 bpm • B Maj • 04:13 • -24.55db
16% Popularity • 9% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
16% Popularity • 9% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Indiajiva
Om Shreem Hreem
172 bpm • A min • 05:36 • -12.87db
35% Popularity • 59% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 59% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Nusrat Fateh Ali Khan
Taa Deem
172 bpm • F# Maj • 04:50 • -17.25db
19% Popularity • 38% Danceability • 45% Energy • 9% Liveness
4% Instrumentalness • 18% Positiveness
19% Popularity • 38% Danceability • 45% Energy • 9% Liveness
4% Instrumentalness • 18% Positiveness
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Anoushka Shankar
Those Words
169 bpm • G min • 04:11 • -10.32db
16% Popularity • 22% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 22% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Sona Jobarteh
Maat
168 bpm • G# Maj • 04:36 • -13.53db
31% Popularity • 35% Danceability • 50% Energy • 9% Liveness
61% Instrumentalness • 47% Positiveness
31% Popularity • 35% Danceability • 50% Energy • 9% Liveness
61% Instrumentalness • 47% Positiveness
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Thomas Newman
Gain the Ocean (End Title)
168 bpm • E min • 02:41 • -18db
27% Popularity • 49% Danceability • 31% Energy • 13% Liveness
88% Instrumentalness • 12% Positiveness
27% Popularity • 49% Danceability • 31% Energy • 13% Liveness
88% Instrumentalness • 12% Positiveness
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Andreas Scholl
Guardian Angel
172 bpm • G Maj • 03:54 • -9.34db
23% Popularity • 70% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 70% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Prem Joshua
Darbari NYC (Diamond Turban Remix)
168 bpm • C# min • 06:57 • -8.54db
26% Popularity • 65% Danceability • 70% Energy • 8% Liveness
17% Instrumentalness • 40% Positiveness
26% Popularity • 65% Danceability • 70% Energy • 8% Liveness
17% Instrumentalness • 40% Positiveness
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Stephan Micus
Pour La Fille Du Soleil
173 bpm • G# Maj • 06:16 • -29db
19% Popularity • 36% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
19% Popularity • 36% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
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Anoushka Shankar
Easy
168 bpm • F# Maj • 03:30 • -16db
38% Popularity • 31% Danceability • 27% Energy • 18% Liveness
1% Instrumentalness • 18% Positiveness
38% Popularity • 31% Danceability • 27% Energy • 18% Liveness
1% Instrumentalness • 18% Positiveness
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Dead Can Dance
Devorzhum - Remastered
173 bpm • F Maj • 06:14 • -11db
33% Popularity • 13% Danceability • 12% Energy • 8% Liveness
22% Instrumentalness • 3% Positiveness
33% Popularity • 13% Danceability • 12% Energy • 8% Liveness
22% Instrumentalness • 3% Positiveness
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Nusrat Fateh Ali Khan
My Comfort Remains
174 bpm • G Maj • 06:39 • -14.4db
22% Popularity • 59% Danceability • 62% Energy • 8% Liveness
92% Instrumentalness • 54% Positiveness
22% Popularity • 59% Danceability • 62% Energy • 8% Liveness
92% Instrumentalness • 54% Positiveness
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Sona Jobarteh
Saya (Motherland - The Score)
166 bpm • C# min • 03:53 • -13.66db
48% Popularity • 35% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 35% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Matt Becks
Concerto in 3 Movements
174 bpm • G Maj • 03:33 • -5.19db
5% Popularity • 60% Danceability • 85% Energy • 48% Liveness
92% Instrumentalness • 54% Positiveness
5% Popularity • 60% Danceability • 85% Energy • 48% Liveness
92% Instrumentalness • 54% Positiveness
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Soundwalk Collective
Dawn in Rishikesh
174 bpm • G# Maj • 04:55 • -30.15db
15% Popularity • 16% Danceability • 74% Energy • 17% Liveness
55% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 74% Energy • 17% Liveness
55% Instrumentalness • 3% Positiveness
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Anoushka Shankar
Last Chance
172 bpm • A Maj • 04:42 • -11.84db
24% Popularity • 37% Danceability • 71% Energy • 7% Liveness
68% Instrumentalness • 6% Positiveness
24% Popularity • 37% Danceability • 71% Energy • 7% Liveness
68% Instrumentalness • 6% Positiveness
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Ali Akbar Khan
Sadra in Sankara Karan
166 bpm • A# Maj • 06:44 • -14.27db
19% Popularity • 45% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
19% Popularity • 45% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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The Touré-Raichel Collective
Bamba
175 bpm • D# Maj • 05:59 • -11.67db
31% Popularity • 30% Danceability • 62% Energy • 8% Liveness
84% Instrumentalness • 86% Positiveness
31% Popularity • 30% Danceability • 62% Energy • 8% Liveness
84% Instrumentalness • 86% Positiveness
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Sona Jobarteh
Saya
166 bpm • B Maj • 03:55 • -18db
51% Popularity • 48% Danceability • 26% Energy • 9% Liveness
2% Instrumentalness • 41% Positiveness
51% Popularity • 48% Danceability • 26% Energy • 9% Liveness
2% Instrumentalness • 41% Positiveness
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Ballaké Sissoko
Oscarine
166 bpm • D Maj • 05:41 • -22db
33% Popularity • 45% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 41% Positiveness
33% Popularity • 45% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 41% Positiveness
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Nessi Gomes
Long Way Home
176 bpm • A# min • 08:37 • -16db
38% Popularity • 28% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
38% Popularity • 28% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Anoushka Shankar
Reunion
174 bpm • D Maj • 04:59 • -12.96db
34% Popularity • 48% Danceability • 45% Energy • 27% Liveness
4% Instrumentalness • 32% Positiveness
34% Popularity • 48% Danceability • 45% Energy • 27% Liveness
4% Instrumentalness • 32% Positiveness
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Vassilis Tsabropoulos
Whom Shall I Fear?
176 bpm • D min • 05:19 • -22db
17% Popularity • 26% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 26% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Mari Boine
Mu Ustit, Eŋgeliid Sogalaš
164 bpm • C min • 03:30 • -13.69db
28% Popularity • 55% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 55% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Blindnote
Chiraki par
164 bpm • B min • 04:20 • -15.68db
18% Popularity • 23% Danceability • 19% Energy • 11% Liveness
97% Instrumentalness • 20% Positiveness
18% Popularity • 23% Danceability • 19% Energy • 11% Liveness
97% Instrumentalness • 20% Positiveness
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Alev Lenz
If Love
176 bpm • C Maj • 03:04 • -11.8db
3% Popularity • 39% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
3% Popularity • 39% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Stephan Micus
Part 8: Night Circles
178 bpm • G min • 07:42 • -19.28db
20% Popularity • 17% Danceability • 21% Energy • 10% Liveness
53% Instrumentalness • 6% Positiveness
20% Popularity • 17% Danceability • 21% Energy • 10% Liveness
53% Instrumentalness • 6% Positiveness
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Anoushka Shankar
Maya
166 bpm • A min • 05:05 • -12db
21% Popularity • 53% Danceability • 55% Energy • 26% Liveness
94% Instrumentalness • 32% Positiveness
21% Popularity • 53% Danceability • 55% Energy • 26% Liveness
94% Instrumentalness • 32% Positiveness
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The Touré-Raichel Collective
Philipa
179 bpm • C Maj • 04:28 • -15db
28% Popularity • 40% Danceability • 46% Energy • 15% Liveness
64% Instrumentalness • 20% Positiveness
28% Popularity • 40% Danceability • 46% Energy • 15% Liveness
64% Instrumentalness • 20% Positiveness
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Soundwalk Collective
Nanda Devi
162 bpm • C# Maj • 03:48 • -28.44db
11% Popularity • 26% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 26% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
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Deepak Ram
Kitu
161 bpm • G Maj • 06:46 • -10.52db
28% Popularity • 57% Danceability • 54% Energy • 12% Liveness
86% Instrumentalness • 26% Positiveness
28% Popularity • 57% Danceability • 54% Energy • 12% Liveness
86% Instrumentalness • 26% Positiveness
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Mercan Dede
Hayalname
180 bpm • A# min • 06:30 • -13.23db
13% Popularity • 65% Danceability • 43% Energy • 9% Liveness
81% Instrumentalness • 26% Positiveness
13% Popularity • 65% Danceability • 43% Energy • 9% Liveness
81% Instrumentalness • 26% Positiveness
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Stephan Micus
Part 4 To The Evening Child
180 bpm • G min • 09:30 • -21.53db
30% Popularity • 10% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
30% Popularity • 10% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
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Seckou Keita
Téranga-Bah
160 bpm • C Maj • 06:00 • -15.76db
23% Popularity • 37% Danceability • 26% Energy • 17% Liveness
69% Instrumentalness • 43% Positiveness
23% Popularity • 37% Danceability • 26% Energy • 17% Liveness
69% Instrumentalness • 43% Positiveness
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Anoushka Shankar
Si No Puedo Verla
176 bpm • F# Maj • 05:15 • -7.58db
14% Popularity • 42% Danceability • 61% Energy • 6% Liveness
1% Instrumentalness • 49% Positiveness
14% Popularity • 42% Danceability • 61% Energy • 6% Liveness
1% Instrumentalness • 49% Positiveness
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Sona Jobarteh
Hizab
180 bpm • F# min • 04:43 • -15.71db
38% Popularity • 39% Danceability • 26% Energy • 7% Liveness
87% Instrumentalness • 31% Positiveness
38% Popularity • 39% Danceability • 26% Energy • 7% Liveness
87% Instrumentalness • 31% Positiveness
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Lucy Claire
Stille - Message to Bears remix
160 bpm • E Maj • 04:08 • -17.95db
1% Popularity • 34% Danceability • 21% Energy • 7% Liveness
66% Instrumentalness • 3% Positiveness
1% Popularity • 34% Danceability • 21% Energy • 7% Liveness
66% Instrumentalness • 3% Positiveness
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Mari Boine
Diamántta Spáillit
160 bpm • B min • 05:29 • -8.2db
25% Popularity • 45% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 45% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Amjad Ali Khan
Bhairavi
160 bpm • A# Maj • 06:47 • -24db
34% Popularity • 42% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
34% Popularity • 42% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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9bach
Cariad Cyntaf
159 bpm • B min • 02:39 • -14.11db
27% Popularity • 39% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
27% Popularity • 39% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Mercan Dede
Hininga
158 bpm • A min • 05:22 • -15db
28% Popularity • 49% Danceability • 39% Energy • 8% Liveness
32% Instrumentalness • 27% Positiveness
28% Popularity • 49% Danceability • 39% Energy • 8% Liveness
32% Instrumentalness • 27% Positiveness
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Tinariwen
Iswegh Attay
156 bpm • C Maj • 05:36 • -11db
40% Popularity • 55% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
40% Popularity • 55% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
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Dead Can Dance
Song of the Stars - Remastered
186 bpm • F min • 10:13 • -10.15db
39% Popularity • 56% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
39% Popularity • 56% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
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Anouar Brahem
Vague / E la nave va
186 bpm • C min • 06:19 • -19db
39% Popularity • 30% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 8% Positiveness
39% Popularity • 30% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 8% Positiveness
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Jan Garbarek
Raga 1
155 bpm • G# Maj • 08:40 • -17.16db
24% Popularity • 30% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 24% Positiveness
24% Popularity • 30% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 24% Positiveness
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Lucy Claire
Her Bir Çocuk / Every Single Child (To...
154 bpm • C# Maj • 04:28 • -19.26db
1% Popularity • 30% Danceability • 42% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
1% Popularity • 30% Danceability • 42% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Chinmaya Dunster
Sufis and Gypsies
154 bpm • F# min • 05:42 • -9db
23% Popularity • 60% Danceability • 65% Energy • 10% Liveness
76% Instrumentalness • 62% Positiveness
23% Popularity • 60% Danceability • 65% Energy • 10% Liveness
76% Instrumentalness • 62% Positiveness
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Sona Jobarteh
Sahel
153 bpm • F Maj • 06:04 • -14.98db
37% Popularity • 50% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 19% Positiveness
37% Popularity • 50% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 19% Positiveness
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Under The Surface
After Silence
154 bpm • F Maj • 02:12 • -22.56db
13% Popularity • 40% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 40% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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John Surman
Portrait Of A Romantic
152 bpm • C min • 06:58 • -17.17db
31% Popularity • 22% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 18% Positiveness
31% Popularity • 22% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 18% Positiveness
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Geoffrey Oryema
Lapwony
150 bpm • C# min • 03:57 • -16.76db
27% Popularity • 49% Danceability • 33% Energy • 12% Liveness
40% Instrumentalness • 71% Positiveness
27% Popularity • 49% Danceability • 33% Energy • 12% Liveness
40% Instrumentalness • 71% Positiveness
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Anoushka Shankar
Indian Summer
150 bpm • D min • 04:54 • -13.04db
25% Popularity • 46% Danceability • 45% Energy • 13% Liveness
5% Instrumentalness • 38% Positiveness
25% Popularity • 46% Danceability • 45% Energy • 13% Liveness
5% Instrumentalness • 38% Positiveness
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Toufic Farroukh
L'homme qui a perdu son ombre
150 bpm • G Maj • 04:56 • -13.74db
23% Popularity • 56% Danceability • 37% Energy • 5% Liveness
86% Instrumentalness • 21% Positiveness
23% Popularity • 56% Danceability • 37% Energy • 5% Liveness
86% Instrumentalness • 21% Positiveness
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Alex Heffes
There is No Harm in Dawn
149 bpm • C Maj • 01:18 • -11.69db
31% Popularity • 24% Danceability • 25% Energy • 8% Liveness
62% Instrumentalness • 25% Positiveness
31% Popularity • 24% Danceability • 25% Energy • 8% Liveness
62% Instrumentalness • 25% Positiveness
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Paolo Fresu
My Soul, My Spirit
148 bpm • F# min • 02:35 • -12.98db
33% Popularity • 16% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 16% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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DJ Markarian
Secret Place
148 bpm • C# min • 09:41 • -6.95db
14% Popularity • 50% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 50% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Geoffrey Oryema
Lapwony - Loy Ehrlich Mix
151 bpm • E Maj • 03:42 • -16.72db
19% Popularity • 52% Danceability • 39% Energy • 10% Liveness
23% Instrumentalness • 50% Positiveness
19% Popularity • 52% Danceability • 39% Energy • 10% Liveness
23% Instrumentalness • 50% Positiveness
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The Touré-Raichel Collective
Le Niger
147 bpm • F Maj • 07:59 • -12.89db
23% Popularity • 39% Danceability • 43% Energy • 5% Liveness
81% Instrumentalness • 46% Positiveness
23% Popularity • 39% Danceability • 43% Energy • 5% Liveness
81% Instrumentalness • 46% Positiveness
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Malika Zarra
No Borders
147 bpm • G Maj • 03:43 • -13.53db
22% Popularity • 60% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 60% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Anoushka Shankar
Dancing In Madness
146 bpm • C Maj • 04:29 • -8.88db
18% Popularity • 41% Danceability • 89% Energy • 15% Liveness
48% Instrumentalness • 39% Positiveness
18% Popularity • 41% Danceability • 89% Energy • 15% Liveness
48% Instrumentalness • 39% Positiveness
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Maneesh de Moor
Silent Ganges
146 bpm • C min • 09:22 • -10.75db
34% Popularity • 54% Danceability • 50% Energy • 10% Liveness
17% Instrumentalness • 33% Positiveness
34% Popularity • 54% Danceability • 50% Energy • 10% Liveness
17% Instrumentalness • 33% Positiveness
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Faiz Ali Faiz
More Ângna - Le jardin de mon coeur
146 bpm • F Maj • 10:12 • -10.08db
11% Popularity • 40% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 40% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Circle of Sound
XY
146 bpm • F# Maj • 05:25 • -9db
9% Popularity • 32% Danceability • 68% Energy • 35% Liveness
12% Instrumentalness • 19% Positiveness
9% Popularity • 32% Danceability • 68% Energy • 35% Liveness
12% Instrumentalness • 19% Positiveness
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Alex Heffes
A Suitable Boy
146 bpm • E min • 01:58 • -12.12db
17% Popularity • 38% Danceability • 34% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
17% Popularity • 38% Danceability • 34% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Sanjay Mishra
For Julia
146 bpm • B min • 06:24 • -16.15db
10% Popularity • 54% Danceability • 45% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
10% Popularity • 54% Danceability • 45% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Mathias Duplessy
Baiao of Mumbai
200 bpm • G Maj • 05:10 • -8.98db
11% Popularity • 29% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
11% Popularity • 29% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
