Songs like "Languir per una bella" from L'Italiana in Algeri by Ramón Vargas
Based on a tempo of (+/- 10%) and a similar genre
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Ramón Vargas
"Languir per una bella" from L'Italiana ...
93 bpm • D# Maj • 06:44 • -16db
7% Popularity • 34% Danceability • 17% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 34% Danceability • 17% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
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Edward Elgar
Elgar: 5 Pomp and Circumstance Marches, ...
93 bpm • D Maj • 06:06 • -14.2db
25% Popularity • 23% Danceability • 31% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
25% Popularity • 23% Danceability • 31% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
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Umberto Giordano
Fedora / Act 2: "Amor ti vieta"
93 bpm • C Maj • 01:48 • -14db
33% Popularity • 30% Danceability • 35% Energy • 24% Liveness
83% Instrumentalness • 9% Positiveness
33% Popularity • 30% Danceability • 35% Energy • 24% Liveness
83% Instrumentalness • 9% Positiveness
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AntonÃn Dvořák
Rusalka, Op. 114, B. 203, Act I: MesÃck...
93 bpm • F# Maj • 06:54 • -22.13db
15% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Preludio
93 bpm • F Maj • 02:23 • -21db
10% Popularity • 13% Danceability • 12% Energy • 71% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 12% Energy • 71% Liveness
91% Instrumentalness • 4% Positiveness
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Hector Berlioz
La damnation de Faust, Op. 24, Pt. I Sce...
93 bpm • A Maj • 04:52 • -18.53db
8% Popularity • 55% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
8% Popularity • 55% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 3: "Donde lieta...
93 bpm • C# Maj • 03:20 • -17.39db
16% Popularity • 21% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann (The Tales of Hoff...
93 bpm • G Maj • 02:12 • -18db
45% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
45% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
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Joseph Canteloube
Songs of the Auvergne, Book I: 2. Baïl�...
92 bpm • A# Maj • 06:14 • -20.82db
9% Popularity • 19% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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George Frideric Handel
Rinaldo / Act 2: "Lascia ch'io pianga"
92 bpm • E Maj • 04:24 • -16.95db
17% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
17% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: V. Seguedille...
92 bpm • D Maj • 01:53 • -27db
43% Popularity • 49% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
43% Popularity • 49% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
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Richard Wagner
Wagner: Lohengrin: Prelude to Act 3
92 bpm • G Maj • 02:58 • -16db
6% Popularity • 20% Danceability • 27% Energy • 35% Liveness
97% Instrumentalness • 12% Positiveness
6% Popularity • 20% Danceability • 27% Energy • 35% Liveness
97% Instrumentalness • 12% Positiveness
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Vincenzo Bellini
Malinconia, ninfa gentile
94 bpm • E Maj • 01:36 • -19.59db
33% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Jacques Offenbach
Contes d'Hoffmann: Les oiseaux dans la c...
93 bpm • G# Maj • 06:06 • -16.22db
17% Popularity • 41% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 41% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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El Bezea
Fama
94 bpm • B min • 03:34 • -6.93db
2% Popularity • 82% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
2% Popularity • 82% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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AgustÃn Lara
Mujer
92 bpm • G Maj • 03:51 • -19.63db
1% Popularity • 24% Danceability • 12% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
1% Popularity • 24% Danceability • 12% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "Che gelida manina"
94 bpm • G# Maj • 04:22 • -10db
16% Popularity • 26% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 26% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Richard Wagner
Lohengrin, Act III: Prelude
94 bpm • G Maj • 02:31 • -17db
40% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
40% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
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Giacomo Carissimi
Vittoria, mio core!
91 bpm • C Maj • 02:32 • -20db
20% Popularity • 41% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 41% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Jacques Offenbach
Offenbach: Orphée aux enfers, Act 2: Ga...
92 bpm • C Maj • 01:51 • -17.54db
14% Popularity • 51% Danceability • 66% Energy • 30% Liveness
90% Instrumentalness • 25% Positiveness
14% Popularity • 51% Danceability • 66% Energy • 30% Liveness
90% Instrumentalness • 25% Positiveness
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Renata Tebaldi
Vissi D'arte - Tosca Atto Ii
91 bpm • D# Maj • 03:26 • -12.44db
22% Popularity • 30% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 30% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Zaira: Act I: Per chi mai, per chi pugna...
91 bpm • C Maj • 03:06 • -20.03db
0% Popularity • 32% Danceability • 13% Energy • 64% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 32% Danceability • 13% Energy • 64% Liveness
0% Instrumentalness • 9% Positiveness
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Giacomo Puccini
Manon Lescaut / Act 2: Dispettosetto que...
91 bpm • B min • 05:32 • -24.43db
10% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Carl Orff
Carmina Burana / 1. Primo vere: "Omnia S...
95 bpm • G min • 02:20 • -39.43db
30% Popularity • 23% Danceability • 1% Energy • 57% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 23% Danceability • 1% Energy • 57% Liveness
0% Instrumentalness • 17% Positiveness
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Richard Wagner
Die Walkure: Act III Scene 1: Walkurenri...
91 bpm • E min • 08:39 • -18db
20% Popularity • 27% Danceability • 30% Energy • 65% Liveness
10% Instrumentalness • 16% Positiveness
20% Popularity • 27% Danceability • 30% Energy • 65% Liveness
10% Instrumentalness • 16% Positiveness
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Adolfo Pacheco
El Profesor
91 bpm • D Maj • 02:46 • -11.59db
1% Popularity • 74% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
1% Popularity • 74% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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Jacques Offenbach
La Grande Duchess de Gerolstein, Acte II...
92 bpm • D Maj • 03:22 • -21.24db
18% Popularity • 48% Danceability • 36% Energy • 6% Liveness
71% Instrumentalness • 93% Positiveness
18% Popularity • 48% Danceability • 36% Energy • 6% Liveness
71% Instrumentalness • 93% Positiveness
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AntonÃn Dvořák
Dvořák: Rusalka, Op. 114, B. 203, Act ...
96 bpm • F# Maj • 05:55 • -20db
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
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Johann Strauss II
Die Fledermaus: Overture
90 bpm • D Maj • 08:40 • -13.99db
10% Popularity • 28% Danceability • 29% Energy • 8% Liveness
84% Instrumentalness • 19% Positiveness
10% Popularity • 28% Danceability • 29% Energy • 8% Liveness
84% Instrumentalness • 19% Positiveness
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Gaetano Donizetti
Act I: Scene 8: Oui, ta voix m'inspire
90 bpm • A Maj • 02:52 • -17.79db
0% Popularity • 35% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 35% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Luigi Arditi
Il Bacio
96 bpm • D Maj • 04:35 • -21.36db
9% Popularity • 32% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 32% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "Sì. Mi chiamano Mi...
90 bpm • D Maj • 04:38 • -14db
35% Popularity • 33% Danceability • 17% Energy • 24% Liveness
1% Instrumentalness • 4% Positiveness
35% Popularity • 33% Danceability • 17% Energy • 24% Liveness
1% Instrumentalness • 4% Positiveness
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Jacques Offenbach
La belle Hélène / Act 1: Au mont Ida.....
96 bpm • A# Maj • 03:50 • -17db
10% Popularity • 41% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
10% Popularity • 41% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
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Arrigo Boito
Son lo spirito che nega - from Mefistofe...
90 bpm • C Maj • 03:28 • -14db
9% Popularity • 33% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 33% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 19% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Euridice),...
96 bpm • D Maj • 03:49 • -18.95db
29% Popularity • 32% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 32% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Pietro Mascagni
Mascagni: Cavalleria rusticana: "O Lola ...
96 bpm • F min • 02:10 • -30.45db
13% Popularity • 20% Danceability • 4% Energy • 63% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 20% Danceability • 4% Energy • 63% Liveness
0% Instrumentalness • 13% Positiveness
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Angela Gheorghiu
Don Pasquale: Tornami a dir che m'ami
90 bpm • A Maj • 03:25 • -27.33db
28% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
28% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madama Butterfly (Remastered): Act II - ...
90 bpm • C# Maj • 04:23 • -19.42db
13% Popularity • 19% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Vienna Volksoper Orchestra
Die Fledermaus: Ouvertuere
90 bpm • D Maj • 08:20 • -22db
20% Popularity • 24% Danceability • 11% Energy • 18% Liveness
84% Instrumentalness • 16% Positiveness
20% Popularity • 24% Danceability • 11% Energy • 18% Liveness
84% Instrumentalness • 16% Positiveness
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George Frideric Handel
Serse / Act I HWV40: "Ombra mai fu"
90 bpm • E Maj • 03:03 • -21.78db
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
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Johann Strauss II
Die Fledermaus: Overture
90 bpm • A Maj • 08:37 • -20.3db
32% Popularity • 29% Danceability • 15% Energy • 7% Liveness
82% Instrumentalness • 13% Positiveness
32% Popularity • 29% Danceability • 15% Energy • 7% Liveness
82% Instrumentalness • 13% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
90 bpm • D Maj • 03:49 • -28.46db
38% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Hector Berlioz
La damnation de Faust, Op. 24: Part IV: ...
96 bpm • D Maj • 04:08 • -13.27db
0% Popularity • 19% Danceability • 34% Energy • 9% Liveness
46% Instrumentalness • 6% Positiveness
0% Popularity • 19% Danceability • 34% Energy • 9% Liveness
46% Instrumentalness • 6% Positiveness
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Roberto Cantoral
El reloj ; Contigo; Vereda tropical
96 bpm • E Maj • 05:42 • -21.43db
3% Popularity • 40% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
3% Popularity • 40% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Umberto Giordano
Fedora: Amor ti vieta
96 bpm • C Maj • 01:46 • -13.68db
39% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
39% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
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Richard Wagner
Die Walküre, WWV 86B, Act I: Winterstü...
89 bpm • A# Maj • 03:51 • -15db
26% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
26% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
97 bpm • F Maj • 02:11 • -19.15db
17% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
17% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
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Giacomo Puccini
Manon Lescaut: Act II: In quelle trine m...
89 bpm • F# Maj • 02:18 • -23.89db
35% Popularity • 33% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
35% Popularity • 33% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
89 bpm • E Maj • 03:23 • -20.19db
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Tomás Méndez Sosa
Cu-currú-cucú, paloma
97 bpm • C Maj • 04:21 • -19.02db
3% Popularity • 30% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
3% Popularity • 30% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Ruggero Leoncavallo
Pagliacci, Act I: "Recitar! Vesti la giu...
89 bpm • E Maj • 03:35 • -19.59db
21% Popularity • 21% Danceability • 20% Energy • 18% Liveness
10% Instrumentalness • 6% Positiveness
21% Popularity • 21% Danceability • 20% Energy • 18% Liveness
10% Instrumentalness • 6% Positiveness
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Richard Wagner
Die Walküre, WWV 86B / Act 3: "Hojotoho...
89 bpm • G Maj • 06:19 • -14.35db
13% Popularity • 26% Danceability • 33% Energy • 18% Liveness
2% Instrumentalness • 14% Positiveness
13% Popularity • 26% Danceability • 33% Energy • 18% Liveness
2% Instrumentalness • 14% Positiveness
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Sergio Moya Molina
El Querendón
89 bpm • D Maj • 02:52 • -8.78db
0% Popularity • 81% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
0% Popularity • 81% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Giacomo Puccini
Madama Butterfly: Tu, tu, piccolo iddio
97 bpm • B min • 02:49 • -15db
11% Popularity • 26% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
11% Popularity • 26% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Philharmonia Orchestra
Pagliacci: Recitar!...Vesti la giubba (A...
98 bpm • E Maj • 03:56 • -19db
12% Popularity • 22% Danceability • 18% Energy • 8% Liveness
22% Instrumentalness • 6% Positiveness
12% Popularity • 22% Danceability • 18% Energy • 8% Liveness
22% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Symphony No. 3 in C Minor,...
98 bpm • C Maj • 08:08 • -14.11db
17% Popularity • 18% Danceability • 37% Energy • 32% Liveness
86% Instrumentalness • 13% Positiveness
17% Popularity • 18% Danceability • 37% Energy • 32% Liveness
86% Instrumentalness • 13% Positiveness
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Mario del Monaco
Nessun Dorma!
88 bpm • D Maj • 02:44 • -13db
26% Popularity • 21% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 21% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 10% Positiveness
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Jacques Offenbach
Offenbach: Orphée aux enfers, Act 2: Me...
98 bpm • D Maj • 01:55 • -16.27db
13% Popularity • 57% Danceability • 54% Energy • 7% Liveness
33% Instrumentalness • 58% Positiveness
13% Popularity • 57% Danceability • 54% Energy • 7% Liveness
33% Instrumentalness • 58% Positiveness
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Adolfo Pacheco
Quiero Ser Tu Amante
98 bpm • G# Maj • 03:10 • -13.3db
1% Popularity • 89% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
1% Popularity • 89% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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Aram Khachaturian
Gayaneh: Sabre Dance
98 bpm • C Maj • 02:15 • -16.94db
21% Popularity • 44% Danceability • 64% Energy • 22% Liveness
86% Instrumentalness • 22% Positiveness
21% Popularity • 44% Danceability • 64% Energy • 22% Liveness
86% Instrumentalness • 22% Positiveness
► Preview
Zurab Sotkilava
Tosca, Act 1: "Recondita armonia"
88 bpm • F Maj • 02:47 • -9.23db
12% Popularity • 22% Danceability • 30% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
12% Popularity • 22% Danceability • 30% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Vincenzo Bellini
Bellini: Norma, Act 1: "Casta diva" (Nor...
88 bpm • F Maj • 05:40 • -17.03db
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
88 bpm • C Maj • 03:09 • -27.34db
7% Popularity • 28% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 28% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Arrigo Boito
Mefistofele: Epilogue: Giunto sul passo ...
98 bpm • G# Maj • 02:57 • -16.55db
1% Popularity • 24% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 24% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
Puccini: La bohème, Act 1: "Ehi! Rodolf...
88 bpm • A Maj • 04:12 • -17db
25% Popularity • 17% Danceability • 10% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 10% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Orchestra of the Viennese Volksoper & Alfred Scholz
Voices of Spring Waltz, Op. 410
99 bpm • C min • 06:57 • -22.38db
38% Popularity • 28% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
38% Popularity • 28% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
► Preview
George Frideric Handel
Handel: Giulio Cesare in Egitto, HWV 17,...
88 bpm • D# Maj • 06:29 • -19.24db
24% Popularity • 22% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 22% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Jacques Offenbach
La belle Hélène / Act 1: "Au Mont Ida,...
88 bpm • F Maj • 03:54 • -13db
10% Popularity • 31% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 31% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Johann Strauss II
Die Fledermaus (The Bat), Overture (RV 5...
99 bpm • D Maj • 02:04 • -20.93db
34% Popularity • 33% Danceability • 14% Energy • 7% Liveness
81% Instrumentalness • 20% Positiveness
34% Popularity • 33% Danceability • 14% Energy • 7% Liveness
81% Instrumentalness • 20% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: Preludio
88 bpm • F Maj • 02:05 • -19db
38% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
38% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Giacomo Puccini
Tosca: Tosca, Act I: Recondita armonia
88 bpm • F Maj • 02:40 • -16.26db
1% Popularity • 24% Danceability • 17% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
1% Popularity • 24% Danceability • 17% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
► Preview
Leonard Bernstein
West Side Story: XIIId. Somewhere
88 bpm • E Maj • 02:37 • -19.75db
24% Popularity • 13% Danceability • 8% Energy • 29% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 13% Danceability • 8% Energy • 29% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Vincenzo Bellini
La sonnambula, Act I: Come per me sereno
88 bpm • D# Maj • 02:31 • -17.42db
38% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Maria Callas
Extrait "Casta Diva"
87 bpm • F Maj • 07:25 • -16db
28% Popularity • 16% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
28% Popularity • 16% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
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Alvaro Carrillo
Sabor a mÃ
99 bpm • A# Maj • 03:01 • -23.75db
4% Popularity • 46% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
4% Popularity • 46% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Gaetano Donizetti
L'elisir d'amore: Ardir! Ha forse il cie...
99 bpm • G Maj • 08:48 • -11.63db
0% Popularity • 47% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 47% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Johann Strauss II
Strauss II, J: Frühlingsstimmen, Op. 41...
99 bpm • A# Maj • 09:09 • -19.52db
5% Popularity • 39% Danceability • 9% Energy • 16% Liveness
3% Instrumentalness • 11% Positiveness
5% Popularity • 39% Danceability • 9% Energy • 16% Liveness
3% Instrumentalness • 11% Positiveness
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Richard Wagner
Lohengrin: Act III Scene 1: Treulich gef...
99 bpm • A# Maj • 04:24 • -36db
25% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
25% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
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George Frideric Handel
Handel: Messiah, HWV 56, Pt. 2, Scene 7:...
99 bpm • D Maj • 04:00 • -11db
14% Popularity • 40% Danceability • 38% Energy • 20% Liveness
30% Instrumentalness • 53% Positiveness
14% Popularity • 40% Danceability • 38% Energy • 20% Liveness
30% Instrumentalness • 53% Positiveness
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Gustave Charpentier
"Depuis le jour"
87 bpm • G Maj • 05:17 • -20db
16% Popularity • 21% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Adolfo Pacheco
Sueño Con MarÃa
99 bpm • E Maj • 02:51 • -12.6db
1% Popularity • 84% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
1% Popularity • 84% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
87 bpm • E Maj • 03:42 • -21db
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Johannes Brahms
Brahms: Violin Concerto in D Major, Op. ...
87 bpm • G Maj • 08:20 • -12db
34% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
34% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Regina coeli laet...
87 bpm • G Maj • 05:25 • -14db
14% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
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The Holy Royal Orchestral Academy
The Barber of Seville - Overture
87 bpm • E Maj • 07:36 • -17.96db
9% Popularity • 25% Danceability • 19% Energy • 14% Liveness
90% Instrumentalness • 30% Positiveness
9% Popularity • 25% Danceability • 19% Energy • 14% Liveness
90% Instrumentalness • 30% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 1: "Quant...
87 bpm • F# Maj • 03:46 • -17.61db
13% Popularity • 14% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Strauss II
Frühlingsstimmen, Op.410)
100 bpm • A# Maj • 05:47 • -19.49db
14% Popularity • 32% Danceability • 14% Energy • 19% Liveness
89% Instrumentalness • 50% Positiveness
14% Popularity • 32% Danceability • 14% Energy • 19% Liveness
89% Instrumentalness • 50% Positiveness
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Claudio Scimone
Handel: Rinaldo, HWV 7, Act 2: Aria. "La...
87 bpm • D Maj • 04:34 • -19.95db
21% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
21% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Offenbach: Robinson Crusoë, Act 2: Vals...
100 bpm • A Maj • 03:57 • -18.64db
13% Popularity • 37% Danceability • 17% Energy • 4% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 37% Danceability • 17% Energy • 4% Liveness
0% Instrumentalness • 19% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 3: "...
86 bpm • C min • 03:02 • -17.48db
37% Popularity • 26% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
37% Popularity • 26% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Franz von Suppé
The Peasant and The Poet
86 bpm • D Maj • 09:06 • -15db
14% Popularity • 24% Danceability • 15% Energy • 6% Liveness
85% Instrumentalness • 13% Positiveness
14% Popularity • 24% Danceability • 15% Energy • 6% Liveness
85% Instrumentalness • 13% Positiveness
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Giacomo Puccini
La Bohème / Act 2: "Quando m'en vo'" (M...
100 bpm • A Maj • 05:06 • -16.3db
26% Popularity • 32% Danceability • 30% Energy • 46% Liveness
2% Instrumentalness • 11% Positiveness
26% Popularity • 32% Danceability • 30% Energy • 46% Liveness
2% Instrumentalness • 11% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: "Regina coeli laet...
86 bpm • G Maj • 05:55 • -17db
21% Popularity • 14% Danceability • 21% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 21% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: The Tale of Tsar Saltan...
86 bpm • A min • 01:23 • -26.33db
13% Popularity • 42% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 51% Positiveness
13% Popularity • 42% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 51% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Entr'acte
100 bpm • E Maj • 01:18 • -15db
36% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
36% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
86 bpm • C# Maj • 05:57 • -18db
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
► Preview
Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
100 bpm • E Maj • 06:38 • -22db
20% Popularity • 35% Danceability • 12% Energy • 14% Liveness
38% Instrumentalness • 24% Positiveness
20% Popularity • 35% Danceability • 12% Energy • 14% Liveness
38% Instrumentalness • 24% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus Suite No. 2: I. ...
101 bpm • C# Maj • 04:45 • -19.62db
30% Popularity • 15% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
30% Popularity • 15% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
