Songs like L'Apothéose de Lully: III. Descente d'Apollon qui vient offrir son violon à Lulli (Noblement) by François Couperin
Based on a tempo of (+/- 10%) and a similar genre
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Tomaso Albinoni
Oboe Concerto in D Minor, Op. 9, No. 2: ...
101 bpm • D min • 03:07 • -16db
42% Popularity • 58% Danceability • 31% Energy • 17% Liveness
93% Instrumentalness • 80% Positiveness
42% Popularity • 58% Danceability • 31% Energy • 17% Liveness
93% Instrumentalness • 80% Positiveness
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Josef MysliveÄŤek
Overtures For 2 Horns, 2 Oboes And Strin...
101 bpm • B min • 02:38 • -24db
39% Popularity • 32% Danceability • 5% Energy • 12% Liveness
31% Instrumentalness • 13% Positiveness
39% Popularity • 32% Danceability • 5% Energy • 12% Liveness
31% Instrumentalness • 13% Positiveness
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Domenico Scarlatti
Sonata in G Major, K 13 (L 486)
101 bpm • G Maj • 02:17 • -19.76db
36% Popularity • 44% Danceability • 27% Energy • 18% Liveness
87% Instrumentalness • 96% Positiveness
36% Popularity • 44% Danceability • 27% Energy • 18% Liveness
87% Instrumentalness • 96% Positiveness
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Jordi Savall
Les Nations - Premier Ordre - La Franço...
101 bpm • F# Maj • 02:38 • -24db
4% Popularity • 27% Danceability • 4% Energy • 15% Liveness
91% Instrumentalness • 9% Positiveness
4% Popularity • 27% Danceability • 4% Energy • 15% Liveness
91% Instrumentalness • 9% Positiveness
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Gabriel Fauré
Après un rêve (Arr. by Söllscher)
103 bpm • F min • 03:03 • -23db
31% Popularity • 30% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
31% Popularity • 30% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
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Antonio Vivaldi
Concerto for violoncello piccolo in G Ma...
101 bpm • D# min • 03:00 • -13.85db
37% Popularity • 18% Danceability • 20% Energy • 11% Liveness
76% Instrumentalness • 14% Positiveness
37% Popularity • 18% Danceability • 20% Energy • 11% Liveness
76% Instrumentalness • 14% Positiveness
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Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice" (Dance ...
103 bpm • D min • 04:42 • -34.5db
33% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
33% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
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Jean-Philippe Rameau
Quatrième concert: III. La Rameau
101 bpm • A# Maj • 02:12 • -20.96db
25% Popularity • 40% Danceability • 29% Energy • 11% Liveness
93% Instrumentalness • 90% Positiveness
25% Popularity • 40% Danceability • 29% Energy • 11% Liveness
93% Instrumentalness • 90% Positiveness
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Henry Purcell
Suite From Abdelzar: I. Rondeau
101 bpm • C# min • 01:29 • -21db
44% Popularity • 52% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 52% Positiveness
44% Popularity • 52% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 52% Positiveness
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Jordi Savall
Les Nations - Second Ordre - L'Espagnole...
104 bpm • B min • 08:37 • -18db
3% Popularity • 27% Danceability • 16% Energy • 18% Liveness
5% Instrumentalness • 18% Positiveness
3% Popularity • 27% Danceability • 16% Energy • 18% Liveness
5% Instrumentalness • 18% Positiveness
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François Couperin
Troisième livre, de pièces de clavecin...
104 bpm • A min • 03:30 • -21.56db
3% Popularity • 24% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
3% Popularity • 24% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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Alessandro Scarlatti
Toccata in G Minor (Arr. E. Netzer for H...
100 bpm • C min • 05:16 • -23db
11% Popularity • 36% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
11% Popularity • 36% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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Clara Schumann
3 Preludes and Fugues, Op. 16: No. 2. Pr...
100 bpm • A# Maj • 03:43 • -33db
42% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
42% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 7 Album...
100 bpm • E min • 01:20 • -33.32db
51% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
51% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
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Frédéric Chopin
Nocturne No. 6 In G Minor, Op. 15 No. 3
105 bpm • D min • 04:11 • -28.84db
45% Popularity • 38% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 12% Positiveness
45% Popularity • 38% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 12% Positiveness
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François Couperin
Concerts royaux, Concerto No. 2 in D Maj...
105 bpm • D Maj • 01:59 • -18.79db
8% Popularity • 50% Danceability • 21% Energy • 25% Liveness
81% Instrumentalness • 90% Positiveness
8% Popularity • 50% Danceability • 21% Energy • 25% Liveness
81% Instrumentalness • 90% Positiveness
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Jean-Marie Leclair
Violin Concerto in B-Flat Major, Op. 10 ...
99 bpm • A Maj • 04:59 • -21.75db
36% Popularity • 43% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
36% Popularity • 43% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Johann David Heinichen
III. Un poco Allegro
99 bpm • E Maj • 02:23 • -35db
27% Popularity • 57% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
27% Popularity • 57% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
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Carl Philipp Emanuel Bach
Keyboard Sonata in B Minor, Wq. 55/3, H....
106 bpm • E min • 03:00 • -28.23db
37% Popularity • 43% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
37% Popularity • 43% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. MĂ©l...
99 bpm • D# Maj • 03:52 • -25.25db
42% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
42% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Jean-Philippe Rameau
Rigaudons I, II & Double
106 bpm • E Maj • 01:02 • -24db
50% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
50% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
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François Couperin
Les goûts-réunis, ou Nouveaux Concerts...
105 bpm • E Maj • 02:50 • -20.61db
8% Popularity • 49% Danceability • 18% Energy • 20% Liveness
97% Instrumentalness • 96% Positiveness
8% Popularity • 49% Danceability • 18% Energy • 20% Liveness
97% Instrumentalness • 96% Positiveness
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Jean-Baptiste Lully
Alcidiane: Ouverture
98 bpm • F# min • 01:37 • -26db
44% Popularity • 41% Danceability • 5% Energy • 7% Liveness
57% Instrumentalness • 38% Positiveness
44% Popularity • 41% Danceability • 5% Energy • 7% Liveness
57% Instrumentalness • 38% Positiveness
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Clara Schumann
3 Romances, Op. 11: I. Andante
106 bpm • D# min • 03:30 • -31db
38% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
38% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Michel Corrette
Noel Symphony No. 4 in D Minor: I. Une j...
106 bpm • C# min • 01:42 • -20db
42% Popularity • 32% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 32% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Gabriel Fauré
3 Songs, Op. 7: I. Après un rêve (Vers...
98 bpm • F min • 03:13 • -15.26db
41% Popularity • 24% Danceability • 18% Energy • 10% Liveness
23% Instrumentalness • 5% Positiveness
41% Popularity • 24% Danceability • 18% Energy • 10% Liveness
23% Instrumentalness • 5% Positiveness
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Mikhail Glinka
Mazurka in C Minor
106 bpm • C min • 02:35 • -31db
42% Popularity • 39% Danceability • 1% Energy • 22% Liveness
85% Instrumentalness • 14% Positiveness
42% Popularity • 39% Danceability • 1% Energy • 22% Liveness
85% Instrumentalness • 14% Positiveness
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François Couperin
Troisième livre, de pièces de clavecin...
105 bpm • A min • 04:13 • -19.84db
3% Popularity • 27% Danceability • 47% Energy • 17% Liveness
53% Instrumentalness • 41% Positiveness
3% Popularity • 27% Danceability • 47% Energy • 17% Liveness
53% Instrumentalness • 41% Positiveness
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Jean-Baptiste Lully
Ouverture
106 bpm • F# min • 03:01 • -22db
20% Popularity • 34% Danceability • 8% Energy • 15% Liveness
90% Instrumentalness • 28% Positiveness
20% Popularity • 34% Danceability • 8% Energy • 15% Liveness
90% Instrumentalness • 28% Positiveness
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Ralph Vaughan Williams
The Lark Ascending: I. Andante sostenuto
98 bpm • B min • 06:12 • -24db
39% Popularity • 20% Danceability • 8% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
39% Popularity • 20% Danceability • 8% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Paul Bazelaire
5 Pieces en concert (arr. P. Bazelaire f...
98 bpm • G min • 02:00 • -17.59db
1% Popularity • 13% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
1% Popularity • 13% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Jean-Philippe Rameau
L’enharmonique
107 bpm • G min • 03:53 • -33.82db
23% Popularity • 42% Danceability • 2% Energy • 22% Liveness
89% Instrumentalness • 15% Positiveness
23% Popularity • 42% Danceability • 2% Energy • 22% Liveness
89% Instrumentalness • 15% Positiveness
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Carl Philipp Emanuel Bach
Sonata in G major, Wq. 62/19: 2. Andante
98 bpm • B min • 03:07 • -32db
43% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
43% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
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François Couperin
Concerts royaux, Concerto No. 2 in D Maj...
99 bpm • C Maj • 02:41 • -17.24db
7% Popularity • 53% Danceability • 21% Energy • 13% Liveness
90% Instrumentalness • 77% Positiveness
7% Popularity • 53% Danceability • 21% Energy • 13% Liveness
90% Instrumentalness • 77% Positiveness
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Henry Purcell
Abdelazer, Z.570: 2. Rondeau
97 bpm • C# min • 01:38 • -20db
48% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
48% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
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Gabriel Fauré
Tristesse, Op. 6, No. 2
97 bpm • F min • 02:47 • -24db
29% Popularity • 19% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 19% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Concerto a 5 in B flat, Op. 7, no.10 for...
107 bpm • A# Maj • 01:36 • -19db
49% Popularity • 59% Danceability • 17% Energy • 10% Liveness
9% Instrumentalness • 80% Positiveness
49% Popularity • 59% Danceability • 17% Energy • 10% Liveness
9% Instrumentalness • 80% Positiveness
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Carl Ditters von Dittersdorf
Harp Concerto in A major: 3. Rondeau: Al...
97 bpm • A Maj • 03:56 • -18.75db
28% Popularity • 61% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 40% Positiveness
28% Popularity • 61% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 40% Positiveness
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Carl Philipp Emanuel Bach
Cello Concerto No. 3 in A Major, Wq. 172...
107 bpm • E Maj • 05:25 • -20.23db
37% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
37% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
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François Couperin
Les goûts-réunis, ou Nouveaux Concerts...
106 bpm • E Maj • 01:31 • -21.46db
11% Popularity • 29% Danceability • 11% Energy • 14% Liveness
97% Instrumentalness • 37% Positiveness
11% Popularity • 29% Danceability • 11% Energy • 14% Liveness
97% Instrumentalness • 37% Positiveness
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George Frideric Handel
Rinaldo, HWV 7a, Act II, Scene 4: Lascia...
97 bpm • B Maj • 05:00 • -26.68db
46% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
46% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
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John Field
Nocturne in B Flat Major, H. 37 (Version...
97 bpm • A# Maj • 02:58 • -27.05db
47% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
47% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, Kk. 1
107 bpm • D min • 02:30 • -33db
47% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
47% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
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Franz Schubert
Schwanengesang, D. 957: IV. Ständchen i...
108 bpm • D Maj • 04:31 • -23.31db
39% Popularity • 24% Danceability • 6% Energy • 12% Liveness
29% Instrumentalness • 5% Positiveness
39% Popularity • 24% Danceability • 6% Energy • 12% Liveness
29% Instrumentalness • 5% Positiveness
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![Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 17, Polonaise in G Minor, H. 1 No. 2 [Attrib. J.S. Bach's BWV Anh. 123] cover art](https://i.scdn.co/image/ab67616d00001e02b03d3ef34d5769b0e3f94feb)
Carl Philipp Emanuel Bach
Notebook for Anna Magdalena Bach (1725) ...
97 bpm • G min • 01:06 • -22.27db
44% Popularity • 54% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 66% Positiveness
44% Popularity • 54% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 66% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre,...
107 bpm • G Maj • 03:05 • -20.03db
10% Popularity • 38% Danceability • 18% Energy • 24% Liveness
93% Instrumentalness • 86% Positiveness
10% Popularity • 38% Danceability • 18% Energy • 24% Liveness
93% Instrumentalness • 86% Positiveness
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Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto in D Major: II. Adagio
97 bpm • F# Maj • 04:28 • -18.92db
39% Popularity • 19% Danceability • 9% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 19% Danceability • 9% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
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Giovanni Battista Pergolesi
Lo frate 'nnamorato: II. Andante
108 bpm • G min • 02:27 • -22db
44% Popularity • 19% Danceability • 6% Energy • 22% Liveness
81% Instrumentalness • 5% Positiveness
44% Popularity • 19% Danceability • 6% Energy • 22% Liveness
81% Instrumentalness • 5% Positiveness
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Tomaso Albinoni
Oboe Concerto in C Major, Op. 9, No. 5: ...
108 bpm • C Maj • 03:29 • -17db
39% Popularity • 63% Danceability • 29% Energy • 12% Liveness
86% Instrumentalness • 87% Positiveness
39% Popularity • 63% Danceability • 29% Energy • 12% Liveness
86% Instrumentalness • 87% Positiveness
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Franz Schubert
Die schöne Müllerin, Op. 25, D. 795: N...
96 bpm • G Maj • 04:22 • -25.79db
34% Popularity • 14% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
34% Popularity • 14% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
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Henry Purcell
Trumpet Sonata in D Major, Z. 850: I. Al...
96 bpm • D Maj • 01:20 • -15db
49% Popularity • 53% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 86% Positiveness
49% Popularity • 53% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 86% Positiveness
► Preview
François Couperin
Les goûts-réunis, ou Nouveaux Concerts...
97 bpm • E Maj • 02:58 • -20.62db
10% Popularity • 55% Danceability • 18% Energy • 15% Liveness
95% Instrumentalness • 92% Positiveness
10% Popularity • 55% Danceability • 18% Energy • 15% Liveness
95% Instrumentalness • 92% Positiveness
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Pablo de Sarasate
Nocturne-serenade, Op. 45
108 bpm • A# Maj • 06:23 • -28.7db
27% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
27% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
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![6 Chants polonais, S. 480: No. 2, FrĂĽhling (Wiosna, Spring) [After Chopin's Op. 74] cover art](https://i.scdn.co/image/ab67616d00001e02b75259b5803e04a1d46dc211)
Franz Liszt
6 Chants polonais, S. 480: No. 2, FrĂĽhl...
96 bpm • G min • 02:11 • -35.91db
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
► Preview
Tomaso Albinoni
Oboe Concerto in G Minor, Op. 9, No. 8: ...
108 bpm • G min • 04:03 • -16.62db
34% Popularity • 57% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 73% Positiveness
34% Popularity • 57% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 73% Positiveness
► Preview
Paul Bazelaire
5 Pieces en concert (arr. P. Bazelaire f...
109 bpm • G Maj • 01:46 • -22.68db
2% Popularity • 44% Danceability • 18% Energy • 13% Liveness
84% Instrumentalness • 95% Positiveness
2% Popularity • 44% Danceability • 18% Energy • 13% Liveness
84% Instrumentalness • 95% Positiveness
► Preview
Carl Maria von Weber
Piano Concerto No. 1 in C Major, Op. 11,...
95 bpm • G# Maj • 04:17 • -33.85db
41% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
41% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
François Couperin
Les goûts-réunis, ou Nouveaux Concerts...
109 bpm • B Maj • 02:02 • -20.75db
8% Popularity • 58% Danceability • 18% Energy • 20% Liveness
93% Instrumentalness • 82% Positiveness
8% Popularity • 58% Danceability • 18% Energy • 20% Liveness
93% Instrumentalness • 82% Positiveness
► Preview
Gabriel Fauré
Berceuse, Op. 16 (Arr. by Bergström)
95 bpm • D Maj • 03:50 • -29.73db
16% Popularity • 23% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
16% Popularity • 23% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
► Preview
Johann Nepomuk Hummel
Adagio, Variations and Rondo on Schone M...
110 bpm • A Maj • 01:41 • -19db
33% Popularity • 38% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
33% Popularity • 38% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
► Preview
Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
55% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
55% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
► Preview
Carl Friedrich Abel
Viola da Gamba Suite in D Minor: I. Arpe...
95 bpm • C# min • 02:03 • -35db
38% Popularity • 18% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
38% Popularity • 18% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
Nimrod David Pfeffer
Bach Siciliano
94 bpm • G min • 02:32 • -39.09db
31% Popularity • 31% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 14% Positiveness
31% Popularity • 31% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 14% Positiveness
► Preview
François Couperin
Les goûts-réunis, ou Nouveaux Concerts...
109 bpm • A# Maj • 02:26 • -18.72db
6% Popularity • 52% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 90% Positiveness
6% Popularity • 52% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 90% Positiveness
► Preview
Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
40% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
40% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
► Preview
Jean-Philippe Rameau
Les tendres plaintes
110 bpm • D min • 02:36 • -30.11db
27% Popularity • 38% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
27% Popularity • 38% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
► Preview
Leopold Godowsky
Renaissance, Book 2: Sarabande (Lully)
94 bpm • E min • 05:36 • -35db
35% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
35% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Emanuele Barbella
Mandolin Concerto in D Major: II. Andant...
110 bpm • G Maj • 03:53 • -20.29db
36% Popularity • 48% Danceability • 11% Energy • 13% Liveness
27% Instrumentalness • 32% Positiveness
36% Popularity • 48% Danceability • 11% Energy • 13% Liveness
27% Instrumentalness • 32% Positiveness
► Preview
Jean Sibelius
Sonatina No. 1, Op. 67: III. Allegro mod...
94 bpm • F# Maj • 01:41 • -30db
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
► Preview
François Couperin
Pièces de Clavecin, Livre II, 6e ordre,...
109 bpm • D# Maj • 03:37 • -22.04db
11% Popularity • 42% Danceability • 17% Energy • 14% Liveness
91% Instrumentalness • 41% Positiveness
11% Popularity • 42% Danceability • 17% Energy • 14% Liveness
91% Instrumentalness • 41% Positiveness
► Preview
Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Ferruccio Busoni
Das Orgel-BĂĽchlein, BV B 27: No. 2, Wac...
111 bpm • D# Maj • 04:02 • -30.23db
14% Popularity • 37% Danceability • 5% Energy • 13% Liveness
89% Instrumentalness • 26% Positiveness
14% Popularity • 37% Danceability • 5% Energy • 13% Liveness
89% Instrumentalness • 26% Positiveness
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AntonĂn Dvořák
Symphony No. 9 in E Minor, Op. 95, B. 17...
94 bpm • C# Maj • 05:31 • -28db
24% Popularity • 11% Danceability • 2% Energy • 6% Liveness
68% Instrumentalness • 3% Positiveness
24% Popularity • 11% Danceability • 2% Energy • 6% Liveness
68% Instrumentalness • 3% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: II. Andante
112 bpm • C min • 01:52 • -24db
57% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
57% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Jean-Philippe Rameau
L’égyptienne
112 bpm • G min • 02:12 • -22.44db
27% Popularity • 47% Danceability • 32% Energy • 9% Liveness
93% Instrumentalness • 91% Positiveness
27% Popularity • 47% Danceability • 32% Energy • 9% Liveness
93% Instrumentalness • 91% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
111 bpm • A# Maj • 01:40 • -25.59db
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Igor Stravinsky
Choral-Vatiationen: Var. I. In canone al...
93 bpm • C Maj • 01:13 • -29.05db
40% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
40% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
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Felix Mendelssohn
Mendelssohn: Song Without Words in D Maj...
93 bpm • D Maj • 05:30 • -24.91db
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Water Music, Suite No. 3 in G Ma...
112 bpm • F# min • 04:21 • -28.44db
36% Popularity • 52% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 52% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Paul Bazelaire
5 Pieces en concert (arr. P. Bazelaire f...
93 bpm • G Maj • 01:28 • -16.34db
3% Popularity • 61% Danceability • 37% Energy • 21% Liveness
92% Instrumentalness • 90% Positiveness
3% Popularity • 61% Danceability • 37% Energy • 21% Liveness
92% Instrumentalness • 90% Positiveness
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Robert Schumann
Waldszenen, Op. 82: I. Eintritt im Walde
113 bpm • A# Maj • 02:04 • -33.9db
35% Popularity • 28% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 20% Positiveness
35% Popularity • 28% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 20% Positiveness
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François Couperin
Concerts royaux, Concerto No. 2 in D Maj...
93 bpm • D Maj • 03:30 • -23.52db
7% Popularity • 23% Danceability • 5% Energy • 25% Liveness
93% Instrumentalness • 34% Positiveness
7% Popularity • 23% Danceability • 5% Energy • 25% Liveness
93% Instrumentalness • 34% Positiveness
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Johann Sebastian Sebastian
Concerto for 2 Harpsichords in C Minor, ...
113 bpm • B min • 03:23 • -14.66db
15% Popularity • 37% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 37% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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Franz Schubert
Waltz, D. 1/14, "Kupelwieser-Walzer"
113 bpm • F# Maj • 01:36 • -34db
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Wilhelm Friedemann Bach
Keyboard Sonata in E-Flat Major, F. 5: I...
113 bpm • C min • 02:53 • -30db
38% Popularity • 42% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 34% Positiveness
38% Popularity • 42% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 34% Positiveness
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George Frideric Handel
Messiah, HWV 56, Part I: Pastoral Sympho...
92 bpm • C Maj • 03:47 • -29db
50% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
50% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 4. Bittendes Kind
113 bpm • D Maj • 00:59 • -38db
54% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
54% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre,...
113 bpm • D Maj • 02:16 • -20db
16% Popularity • 33% Danceability • 23% Energy • 17% Liveness
97% Instrumentalness • 85% Positiveness
16% Popularity • 33% Danceability • 23% Energy • 17% Liveness
97% Instrumentalness • 85% Positiveness
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Felix Mendelssohn
Capriccio brillant, Op. 22: Andante
91 bpm • B Maj • 02:30 • -30.47db
53% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
53% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Franz Schubert
Minuet in A major, D. 334
92 bpm • A Maj • 03:13 • -39.25db
59% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
59% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
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Carl Stamitz
Cello Concerto No. 1 in G Major: II. Rom...
91 bpm • A# Maj • 05:23 • -28db
38% Popularity • 14% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
38% Popularity • 14% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Francesco Onofrio Manfredini
Concerto Grosso in F Major, Op. 3, No. 1...
114 bpm • C Maj • 02:05 • -19.59db
47% Popularity • 48% Danceability • 27% Energy • 14% Liveness
84% Instrumentalness • 55% Positiveness
47% Popularity • 48% Danceability • 27% Energy • 14% Liveness
84% Instrumentalness • 55% Positiveness
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François Couperin
Deuxième livre de pièces de clavecin, ...
92 bpm • G min • 04:24 • -19.51db
4% Popularity • 22% Danceability • 47% Energy • 33% Liveness
90% Instrumentalness • 31% Positiveness
4% Popularity • 22% Danceability • 47% Energy • 33% Liveness
90% Instrumentalness • 31% Positiveness
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Antonio Vivaldi
Concerto in B-flat Major for Cello, Stri...
114 bpm • A Maj • 03:28 • -21.58db
39% Popularity • 44% Danceability • 17% Energy • 31% Liveness
21% Instrumentalness • 58% Positiveness
39% Popularity • 44% Danceability • 17% Energy • 31% Liveness
21% Instrumentalness • 58% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
90 bpm • D# Maj • 01:23 • -29db
51% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
51% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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Alessandro Marcello
Adagio
91 bpm • D min • 02:49 • -33.56db
36% Popularity • 47% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
36% Popularity • 47% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
